- 15 hours ago
Check out this episode from Amazonâs Golden Globe-nominated original series Mozart in the Jungle.
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00:00The End
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00:11Yes, Joe!
00:22Okay, this one.
00:26Rodrigo!
00:27Gloria!
00:33Well, this is great timing. I want you to meet Craig G., our marketing guru.
00:38Maestro, it is an honor. I would love to sit down with you and go over a few ideas for
00:42the upcoming season.
00:44Hear the hair.
00:45It's just something we're working on.
00:48I like it. It's playful.
00:53Hear the hair?
00:54Yeah, it's just a tiny part of an overall campaign. What do you think of Hashtag Sinfomania?
01:01Also playful.
01:03Yeah.
01:04Hey, Gloria, I would like to introduce you to...
01:07What, what, what?
01:09Uh, Hayley Rutledge.
01:10What?
01:11Hayley Rutledge?
01:12Rutledge. She's the new member of our oboist section.
01:17A new member?
01:17Yes.
01:18Why did one of our old oboists pass away?
01:21I wish.
01:22Yeah, well, the thing is, our entire woodwind section has been with the orchestra for over two years, eh, Les?
01:28I'm sure you know, Maestro.
01:30A member who's been there for more than two years cannot be fired unless the union approves.
01:34I mean, it's a ridiculous constraint. Let's just cut the red tape. Let's cut the red tape.
01:38You know, I agree completely, but that's how it is.
01:42Now, Hayley, you're a very attractive young woman, which doesn't hurt.
01:46And I'm sure you play flawlessly.
01:49No, she doesn't play flawlessly. No.
01:52She plays with blood. And that's what matters.
01:56Blood. That's what matters. I like that.
02:00Look, I really don't mean to cause any problems. It was really nice to meet you. Such an honor.
02:05I like it. No, no, no. Wait. No. No, no. There's no... I have a plan.
02:10What if we start the season with Mahler's Eighth Symphony?
02:15Which requires an extra oboe player.
02:18Mahler's eighth.
02:20Maestro, you know that we've had this season planned for over two years.
02:25You know that my contract says that I can alter the season a little bit? Three times per year.
02:30Virgil?
02:31Maestro, I loved your heroica.
02:33Yeah, fucking Vienna Philharmonic.
02:35Smash it.
02:36Well, regardless. Betty Cragdale, the first oboist, traditionally chooses the substitute oboe players.
02:42Betty Cragdale? Is this Betty Cragdale's orchestra?
02:45It most certainly is not.
02:47Craig G.
02:48I like Simple Mania. I like it. I like it. It's good.
02:54It's a hashtag.
02:56Right?
02:58But here the air.
03:02Here the air.
03:05No.
03:08Never.
03:09Never. Never! Never, nigga!
03:11In my fucking life I've seen that. Never!
03:13Never!
03:14Okay?
03:15Never, okay?
03:16Right?
03:20Gloria, it's been a pleasure.
03:24Hi, Eli.
03:25Can you hear my air?
03:27No.
03:28Right?
03:30Hi, Eli. Let's go.
03:35Hi, Eli. Close the door.
03:36We've got a new door.
03:48Let's go.
03:52Hey.
03:53We've got a new door.
04:00I'm coming here.
04:06Hey!
04:07Hello.
04:10Badass, huh?
04:11Mike, why are you getting a swastika tattoo?
04:14A what?
04:14That is not a swastika. It's a yin-yang.
04:16Don't overreact. She's fucking with you.
04:19This shit is not as easy as it looks.
04:21But I'm sticking with it,
04:23and I'm gonna make the bank.
04:25Cool. Well, say hello
04:26to the new fifth temp oboe in the New York Symphony.
04:29No way.
04:30Yes way. Mahler's a fifth chair.
04:32Holy shit! Fifth fucking chair!
04:34Fifth fucking chair!
04:35Oh my god, congratulations. We gotta celebrate.
04:38Oh, no. I gotta study the score. I can't
04:40fuck this up. You're like the fucking Hendrix
04:42of oboe. Just swagger in, say here I am
04:44bitches, and nail it. It does look like a swastika.
04:46My mom's gonna kill me. Why don't I stop whining?
04:48I'll make it look like a Rubik's Cube.
05:08Flawed.
05:09It was hopelessly flawed.
05:11You seem distracted.
05:12What we all have off days, even me.
05:14Actually, I was talking about the Tchaikovsky.
05:17You know, the bastard was right.
05:19My farewell performance.
05:20I cocked it up royally.
05:23Come back to bed.
05:25Perhaps you'll be given a second chance.
05:27You know, Sint, sans you,
05:30my life is one fucking slow march to the grave.
05:34Well, that's very romantic.
05:35I bet you try that line on all the girls.
05:41Let's go away.
05:42I'll leave Claire.
05:44Let's finally give this the shot that I think we deserve.
05:47Not after you perform this today, honey.
05:49Oh, piss off.
05:51And do us both a favor.
05:52Stop letting him get under your skin.
05:56How?
05:56Help him.
05:58What, help him?
05:59What, destroy everything that I built up in the last 20 years?
06:02He's an arrogant prick, but he respects you.
06:05You're just too much of an arrogant prick to see it.
06:07After all, you're the executive musical director emeritus.
06:13Ridiculous title.
06:14It may be, but you can still rattle some cages.
06:16Just last time I checked, you weren't dead.
06:21Are you?
06:22No.
06:24And damn well fucking not.
06:49Hey, we made me change the record.
06:51It's skipping.
06:52Oh wait, that's you playing the same piece over and over and over again.
06:54Perfect every time.
06:55Go away.
07:06Shut the fuck up.
07:07Sorry, Stan.
07:09Go away.
07:11Go away.
07:26Go away.
07:29Say, go away.
07:35Muita gente quer pegar
07:37Muita gente quer chegar
07:41Tem malícia o seu olhar, fala com a gente
07:43O que será que ela sente pra querer me dominar
07:46Muita gente quer provar
07:48Muita gente quer provar
07:52Ela tem um sorriso diferente
07:54Vem chegando de repente pra querer me impressionar
07:57Muita gente quer pegar
07:59Muita gente quer chegar
08:02Tem malice o seu olhar, fala com a gente
08:05O que será que ela sente pra querer me dominar
08:08Muita gente quer provar
08:10Muita gente quer provar
08:14Mas eu fico esperto e sei muito bem
08:17O que ela quer, meu bem
08:22Quando a pista esquentar
08:24Ela vai se entregar pra não parar de sambar
08:35So, do you find guys with lots of tattoos, like, hot?
08:41Absolutely, they're already hot before they got those tattoos
08:48Excuse me, I'm gonna go drive my heel into Haley's fucking eyeball
09:01Hey, green man
09:02I'm gonna blow a massive bong hit into your face
09:04And fuck up your precious lungs
09:05If you don't stop playing this fucking mauler
09:07I have to practice
09:08You gotta sleep
09:10Can't sleep, too amp
09:12No way
09:13Lizzie, there are like thousands of other oboes out there
09:15With ten times more experience than me
09:16Whose lifelong dream it is to play with the New York Symphony
09:26Hi, is this Alex?
09:29Yeah, hey
09:31This is Lizzie
09:32The hostess with the mostest
09:34What?
09:35Yeah
09:36Haley has your scarf
09:37She's wondering if she can bring it by tonight
09:40Okay, yeah, right on
09:41Just text us your address
09:44Adios
09:45What the fuck?
09:46Was that for real?
09:47Oh, it was for real
09:49Look, he just texted his address
09:50Go
09:51No, it's like 12.15
09:52He's gonna think it's a booty call
09:54Oh, perish the thought
09:57Wrap this scarf around his booty
09:58Really?
10:07Hey
10:07Hey
10:08Um, here's your scarf
10:10Sorry, I'm so late getting it back
10:11No problemo
10:14That's not actually something that I say
10:16Oh, yeah
10:17It's not like your catchphrase or anything
10:19No, no, no, no
10:20My catchphrase is, um
10:22Catch on the flip side
10:23Oh, yeah
10:24That's like super cool
10:25Yeah, it's much cooler
10:29So, um
10:31I don't know
10:31Are you gonna come in?
10:32Or do you have, like, some other scarves
10:34You gotta go deliver?
10:35Oh, no
10:35This is the last one
10:38Really?
10:38Yeah
10:39Um, yeah
10:40Yeah, I'll come in
10:42Okay
10:42Okay
10:44Nice place
10:45Do you have, like, roommates or something?
10:47No, this is just
10:48Just me
10:49No, kidding
10:50I have roommates
10:51I could never afford this place
10:53But they're asleep
10:54My roommates
10:55So
10:56So
11:02Okay, um
11:03Okay
11:12I don't want you to think
11:13That this is, like, a booty call
11:15Or anything
11:15It's really not
11:17Oh, no, I know
11:18It's not a booty call
11:19It's a scarf delivery
11:20I get it
11:21A scarf delivery
11:29Oh, uh
11:31Hey, Haley
11:31This is, um, Addison
11:33It's one of my roommates
11:33Hi
11:33Sorry for the interruption
11:36Oh, hey
11:37You still doing that
11:381 a.m. frolic dance thing
11:40In the party?
11:40Yeah, I am
11:41Oh, God
11:42The milk stinks
11:43It's like cottage cheese
11:45Okay
11:45So did you, like
11:47Throw it out?
11:48Well, I tried
11:49But I started gagging
11:50I have a really bad gag reflex
11:52It's true
11:53Remember that
11:53What was that time
11:54When the D-train?
11:55Yeah, that was nasty
11:57Yeah
11:59Okay, well
12:00You guys can
12:01Resume second face
12:07Sorry
12:07She's nice
12:08Yeah
12:09Yeah
12:11What is this?
12:12Oh
12:12Is this, like, a piece of straw?
12:14Yeah, no, that's a reed shaving
12:15Um, yeah
12:16I should probably head out, too
12:17Are you serious?
12:19Why?
12:19Because of my roommate?
12:20Oh, you mean
12:21The supermodel
12:22With the gag reflex?
12:23Okay, I see
12:24You really do have
12:25Like a filthy mind
12:26Yeah
12:26I can see that now
12:27Come on
12:28Just, Hayley, please
12:29Like, hang out with me
12:29For one minute
12:30You're really
12:31You're so tense
12:32I can see your shoulders
12:33Are, like, nudging your ears
12:36Yeah, um
12:38I've been practicing obsessively
12:40I'm gonna get to play
12:41With the New York Symphony
12:43Shit
12:43That's
12:44That's incredible
12:45Wow, okay
12:46Yeah, I'd be nervous, too
12:48Yeah
12:49Have a beer
12:51One beer
12:52Uh, uh, okay
12:54One beer
13:11Oh, Sharon, uh
13:18Walk with me
13:19I have some donor appreciation calls
13:21That I've been putting off for weeks
13:23I, uh, I can't, Maestro
13:25I'm sorry
13:25Excuse me?
13:27I'm waiting for the Maestro
13:28Um, the other Maestro
13:29Rodrigo
13:31I'm working for him now
13:32I've been reassigned
13:33Oh, is that so?
13:35By whom?
13:36Gloria
13:37But she's interviewing her placements
13:39I know you'll be covered
13:40Covered?
13:42How reassuring
13:43Sharon!
13:45Sharon!
13:46Sharon!
13:47I have to protect him from the Rodrigoites
13:48Sharon, Sharon, please
13:49The Rodrigoites?
13:50Oh, okay, okay, okay, okay
13:52Easy, easy
13:53Oh, no, no, not you
13:54I've given you, like, 500 already
13:55No, no
13:56Maestro
13:56Hey, Maestro
13:58Hi
13:58Oh, oh, nice to see you
14:00Good to see you
14:01No, good to see you
14:02Um, you know
14:03I love a good cycle myself
14:06Really?
14:06Oh, yeah
14:07That's cute
14:08Young boy in that picture
14:10It was taken, like, a year ago or something
14:11Yes
14:12Yeah
14:12Um, by the way
14:14Bold choice, Maestro's eight
14:16Isn't it?
14:17You must have expensive taste
14:18Thank you
14:19That's right
14:19Excellent
14:20Excellent
14:20Um, I was just thinking
14:22If time permits
14:24Maybe we could share some arrangement ideas
14:28Yes
14:29Yes
14:30I would love that nice
14:31I would really love that
14:32Thank you
14:33I have to go
14:33Bye-bye
14:34Ciao
14:34It's over, let's do it
14:35Let's do it
14:35Thank you
14:36Bye-bye
14:36Bye-bye
14:38Fucking wankers
14:39Sharon, where's the entrance?
14:44Good morning, Maestro
14:45Good morning to you, Warren Boyd
14:47The orchestra is gathering
14:49The seating chart you asked for?
14:51Ah, thank you
14:52I'll have everyone ready in five
14:54Thank you very much
14:55Break a leg, Maestro
14:57You too, Warren Boyd
15:01Beautiful day
15:03Took the F train
15:05Lovely trip
15:08Cool
15:12They had two kinds
15:14Fruit blend
15:15Bonanza gourmet
15:17Bonanza
15:18Bonanza
15:20King of birdseed
15:28Okay
15:31Hey, Lee
15:32Hey
15:33Let's go
15:35Nervous?
15:36No, I'm cool
15:37All good
15:40I need you to be solid for me here, Tim
15:43Management always goes after the weak link
15:45You don't want to be the weak link
15:47Hey, Cynthia
15:48The orchestra rep meeting
15:49Wednesday at three
15:51I know, I got the email
15:52Yeah
15:52Did you hear this cocksucker
15:54Had open auditions over the weekend?
15:55That son of a bitch
15:56Wants to replace the whole orchestra
15:58And starting with Mahler?
16:00Oh, hey, Andre
16:01A composer suppressed by the Nazis?
16:03What's the message there?
16:04Don't overthink it
16:05Hey, Bob
16:06This is my friend Haley
16:07Hi
16:07She's subbing in on Oboe today
16:09Pleased to meet you
16:10You too
16:11Yeah
16:12He better not try to work through bathroom breaks
16:14I can't take that shit
16:16I mean, the guy is a genius
16:18And all
16:18But now, still
16:20Wendell
16:21Hey
16:22As you knew Bob
16:23He cares deeply about our scheduled P breaks
16:25As do I
16:26Some of these conductors
16:27Look, you just keep going and going
16:28Can't interrupt your genius
16:30Do you have any more of that tie stick
16:32We smoked before the Holtz concert last year?
16:34I wish I did
16:35What I do have is some smooth space balls
16:39With Moroccan hash
16:40I'm in for a dozen
16:42Thanks, ma'am
16:44Hi, sweetheart
16:44Hey, Dee Dee
16:45Oh, this is Haley
16:47It's her first day
16:47Hello
16:48Wow
16:48Congrats
16:49Thank you
16:51I'm seeing a little stress
16:53Could I suggest a light beta blocker
16:55On the house?
16:57A little Enduro
16:58Just to take the edge off
16:59No, I'm fine
17:01Thank you
17:03That's Betty Cragdale
17:04First Oboe
17:05I've studied her recordings
17:06She's incredible
17:07I'm gonna introduce myself to her
17:10Miss Cragdale
17:11Hi
17:12My name is Haley Rutledge
17:13I'll be, um, sitting in with your section today
17:15I'm an oboist
17:16Yeah, I mean, obviously
17:18I'm an oboist
17:18I, um, I just wanted to say
17:20It is such an honor to get to play with you
17:23Oh, yes, Haley Rutledge
17:25Now I remember
17:27You're the completely inexperienced girl
17:29Who fucked our new conductor
17:30In order to worm her way into the obo section
17:32Past hundreds of far more qualified musicians
17:35I, I, I did not sleep with the conductor
17:37Oh, darling, please
17:39I had tits once
17:41I just didn't play my obo with them
17:44See you at rehearsal
17:45I didn't, though
17:58Good morning
17:59I'm fine
17:59Yes
18:00Quiet
18:01Quiet
18:01I'll roll with the Blazers
18:04And roll with the Talkies
18:07Yeah
18:19ASTH
18:23Ah
18:32Hey, good morning.
18:34Buenos dias, familia.
18:36Vladimir.
18:37Oh, hi, gozaimasu.
18:38Yes, good morning, Laszlo.
18:40How's it going, warm boys?
18:42This is my parrot, Igor.
18:45I named him after Igor Stravinsky.
18:47You can sit down, you can sit down.
18:49No, thank you.
18:50You know, it was Stravinsky who said,
18:52lesser artists borrow, great artists steal.
18:57Let's not be barons.
18:59Let's not try to imitate other great orchestras.
19:02We're not going to even imitate this orchestra in its glory days.
19:06Let's eat this orchestra in its glory days.
19:09Let's just steal the souls of the composers
19:12whose music we want to own.
19:15Yeah, brother, I feel you.
19:17Thanks, man.
19:21Bambi, can we take Igor Stravinsky for a walk?
19:24Yeah?
19:26Igor!
19:27Ah!
19:28Look, this is good luck.
19:30This is great luck.
19:31Okay, everything is going to go well, okay?
19:33This is good luck.
19:34Let's just keep on...
19:36Sharon, what are you doing?
19:37I got it, maestro.
19:38It's all done.
19:39It's all nice and clean.
19:39It's my honor.
19:41Just chill out a little bit, okay?
19:43Just please, please, please.
19:47Ah, bueno.
19:50Um, Mahler.
19:53There is no choir here.
19:55There is no soloists.
19:56It's only us, orchestra members.
19:59You know, I miss my days in the violin section.
20:03Hmm.
20:04Or when I was in the woodwinds as well.
20:08Or when I was playing the harp in the Buenos Aires Philharmonic.
20:11I was never as good as you, Caroline.
20:13There is only orchestra members here.
20:16I am an orchestra member.
20:18And I have the honor today of conducting you.
20:21So, could we please have an A
20:24from our new colleague,
20:28Miss Rottledge?
20:30Rottledge.
20:32Rottledge.
20:33Yes, please.
20:56Bravo.
21:00Now let's get to work.
21:02Ready?
21:03And.
21:17Hang on, hang on, hang on.
21:19Okay.
21:23It was interesting, right?
21:24It's the beginning.
21:25Okay.
21:26Let's try it again.
21:26Let's try it again.
21:27Okay.
21:59Let's go Fortissimo and then, and then Forte.
22:01Okay.
22:05So, Forte with the upbeat, a little bit more sound, more bow.
22:20Okay, French horns, let's just try one again.
22:30Betty.
22:32Yes, maestro.
22:33Do you think that we can approach bar 39 a little bit more gently?
22:36Let's keep the force going on there,
22:38but let's try to find more legato into it.
22:41Absolutely, maestro.
22:43Okay.
22:43Is that the reed you're using?
22:45Uh, yes.
22:46Let's not lose it.
22:47Okay.
22:48Okay.
22:48Ready?
23:07Interesting, interesting.
23:08I thought I heard Igor.
23:10Okay, let's try it again.
23:11Let's not lose it.
23:12Okay, let's keep it up.
23:13Keep it up.
23:14Okay.
23:15Ready?
23:16And...
23:30Motherfucker!
23:31Language!
23:31Sorry.
23:38So, um, that's never happened to me before.
23:41My hands are just really sweaty right now.
23:43Let's go one more time.
23:51Maestro, I just need to tell you, we have to take a break.
23:54You're right, Warren Boyd.
23:56Let's take a break.
23:58Uh, let's all take a break.
24:01Let's, uh, let's give Madhlet a break.
24:03Yeah?
24:05Uh, you know, it's too much this kind of, you know, choir for opening the season.
24:09I think, uh, Sharon!
24:11Sharon!
24:12Sharon, hey.
24:13Yes, mister?
24:14Can we print out 87 copies of Berlioz Hungarian March?
24:17Yes, right away.
24:18Anything else?
24:19The mental toothpicks.
24:20Yeah.
24:21The Hungarian March.
24:23There's no fifth oboe in that.
24:25I know.
24:27Pavel, honey, can you remove all of this out of here?
24:39Thank you, dear.
24:45A marvelous first person.
24:47Marla's in, Marla's out.
24:50I applaud his willingness to experiment.
24:53I did love the parrot.
24:55I wish I'd thought of that as a stroke of genius.
24:58You know, I believe Kleiber did the same thing, only he used a live vulture.
25:03Thomas, you're a great conductor.
25:05Sarcasm and envy are beneath you.
25:08That's right.
25:09You've hit the nail on the head.
25:10I am a great conductor.
25:13So, what the fuck am I doing up here?
25:18Oh, please.
25:19And perhaps you should call your new campaign,
25:23Hear the Hat.
25:24w
25:28Ke рег
25:34Flies
25:34L
25:36w
25:37w
25:37w
25:37w
25:37w
25:37w
25:38w