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Dar-e-Nijaat Episode 26 | Sheheryar Munawar | Dur-e-fishan Saleem | Sahar Hashmi | Nameer Nawaz Khan |Pakistani Top Dramas

Sheheryar Munawar as Abu Bakar :

Abu Bakar is a simple guy who lives and lets live. His brought up by his mother, Khushbakht, has a great impact on his personality.
He believes in forgetting past and discussing ideas rather than people.

Dur-e-fishan Saleem as Zaryab :

Zaryab is a carefree girl who enjoys her liberal lifestyle. She sees her future with her best friend, Zamil and is really hopeful in life.
Youngest in all three sisters, she is close to her grandmother.

Nameer Nawaz Khan as Zamil :

Zamil is a privileged guy who lives a happy-go-lucky life as his closest friend, Zaryab. He’s good in academics and gets admissions in a top American school

Sahar Hashmi as Bella

Khushbakht aka Bella is a loving girl. Her life takes a U-turn when she falls for her tuition teacher and chooses him as her life partner.

One innocent mistake costs her happiness while leaving her in a loveless household with a hateful mother-in-law and a spineless husband.

Romaisa Khan as Hamna

Hamna is a young girl belonging to the lower strata of the society. Her story starts when she meets Abu Bakar and elopes from her house to marry him

Dar-e-Nijaat is a drama about love, sacrifice and forgiveness. In a beautifully created world by Umera Ahmed, Zaryab and Zamil are best friends who are living their fairytale lives.

As Abu Bakar is aware of what the society would do to her after this, he leaves her at the near madrassah, where she stays till she meets Zamil.

Time moves and their stars do not align; Zaryab’s dreams are shattered and Abu Bakar – a thoughtful son of a tired mother - crosses her path. Unknown of their journey, both move in a direction where they might not end up fulfilled. The drama talks about the doors that love opens for us and its endless possibilities.

Cast:
Sheheryar Munawar as Abu Bakar
Dur-e-fishan Saleem as Zaryab
Nameer Nawaz Khan as Zamil
Romaisa Khan as Hamna
Sahar Hashmi as Bella
Sania Saeed,
Saba Hamid,
Nadia Afgan,
Mahmood Aslam,
Faran Tahir,
Adnan Shah Tipu,
Adnan Jaffar,
Dania Enwer,
Nooray Zeeshan & Others.

Writer: Umera Ahmed
Director: Saqib Khan

#darenijaat #sheheryarmunawar #durefishansaleem #NameerNawazKhan #romaisakhan
#saharhashmi #pakistanidrama #arydigital


Category

📺
TV
Transcript
00:13I
00:13Thanks to see you
00:25Happy birthday
00:27Do the lamp
00:41Come on, Yad.
00:55Hey you, what are you doing?
01:00Come on, what are you doing?
01:02How was the grass you run?
01:04I ate grass before.
01:11Love to go.
01:17You're falling.
01:18How are you doing?
01:34How are you doing?
01:37You're self-obsessed.
01:49Do you marry me?
02:01To be and not to be, that is the question.
02:08Whether it is nobler in the mind to suffer the slings and arrows of outrageous fortune,
02:21or to take arms against a sea of troubles and by opposing anyone to die or to sleep no more.
02:37And by asleep to say, we end the heartache in thousand natural shocks that flashes air to test consummation.
02:53To die, to die, to sleep, to be, or not to be, that is the question.
03:16To be and not to die, I'll tell you what it is.
03:17Samir,
03:19Why are you doing this every time?
03:23At this moment, people worship God.
03:25But you,
03:27let's see.
03:27I was sleeping somewhere.
03:28I was sleeping somewhere.
03:31I was sleeping on my phone.
03:32You were sleeping and sleeping.
03:34I didn't even see it.
03:39I saw my father's sleep.
03:42Are you talking about it?
03:43No, I'm talking about it.
03:44We don't know it.
03:47We'll be talking about it and meaningfully.
03:52We love Him.
03:55I am guilty.
04:04We love Him.
04:07Shabbat Shabbat Shabbat Shalom
04:47Shabbat Shabbat Shalom
05:07Zamiif listen, pick up my calls. I am just so stressed about you
05:32Are you okay?
05:32Yes, Abhi.
05:34My husband...
05:35Is that your family?
05:36Is that why you're fine?
05:37Do you know your family?
05:38So, your family is fine?
05:38Well, my husband is fine.
05:39You're fine.
05:40Yes, I'm fine.
05:40I'm fine.
05:40That's why...
05:40Yes, Abhi.
05:41The house is out there.
05:43Zariya?
05:52Shakur, uncle!
05:55Open the gate!
05:56She was asleep here.
05:57She has a hand on her face.
06:00You stop her. Is there any time?
06:11Yes, sir.
06:12Zariya is out there.
06:14He went away, sir.
06:16With the driver or alone?
06:18No, sir. The driver is asleep.
06:19He left alone alone.
06:23Okay. All right.
06:45You didn't give me your attention.
06:49No.
06:52She was asleep.
06:54She was listening.
06:58She was listening.
07:00How are you feeling?
07:19How are you feeling?
07:22You have to sleep.
07:24You have to wash me.
07:25You have to push me.
07:26You have to suck on the flesh and have to endure it.
07:29I'm here, sir.
07:29Look out to me, I'm here.
07:30I'm here, I'm here.
07:39What do you do when you do what you are doing?
07:46But you are my entire world.
07:56Surah Rehman, listen to me.
07:58Okay, let me take a minute and take a nap.
08:16What is that?
08:19Ah, Zaryaab, we have to go to the house of Zambal.
08:25Maaji is worried sick.
08:28Do it.
08:29Do it.
08:30Do it.
08:33Maaji is worried about the small things.
08:35We have to take attention to them when their BPI has happened.
08:39Now, who is going to go to the outside of the house?
08:42Maageta has said that.
08:45But, come on.
08:47Come on.
08:47At this time, we will take the driver to the house.
08:50Come on.
08:50Let's go.
08:51Let's go.
08:54Let's go.
08:55Let's go.
08:55Let's go.
08:56Let's go.
08:56Let's go.
09:05Let's go.
09:11Let's go.
09:23Let's go.
09:51Let's go.
10:06Let's go.
10:09Let's go.
10:21Let's go.
10:31Let's go.
10:33Let's go.
10:44Let's go.
10:47Let's go.
10:48Let's go.
10:51Let's go.
11:01Let's go.
11:02Let's go.
11:04Let's go.
11:07Let's go.
11:11Let's go.
11:12You have one thing you have.
11:15Right.
11:16It is.
11:17It is.
11:18Yes.
11:19But it will be destroyed.
11:21Maa.
11:22Maa.
11:23Maa.
11:23Maa.
11:24Maa.
11:25Maa.
11:25Maa.
11:25Maa.
11:27Maa.
11:29Maa.
11:30Maa.
11:31Maa.
11:36Maa.
11:43Maa.
11:44Maa.
11:45Maa.
11:46Maa.
11:47Maa.
11:48Maa.
11:49Maa.
11:50Maa.
11:50Maa.
11:50Maa.
11:50Maa.
11:55I don't know why I don't think I'm going to take care of it.
12:00It's not too late.
12:02I'll do it.
12:04I'll do it.
12:06What do you say about me?
12:09It's God's reward.
12:11That's why it's open for the Quran.
12:15No doubt.
12:18My heart is broken.
12:20My heart is broken.
12:21My heart is broken.
12:22My heart is broken.
12:24My heart is broken.
12:27Go and sleep.
12:30Yes, Amin.
12:32Do you want something else?
12:34No.
12:36I'll take something else.
12:37I'll take something else.
12:45Amin, every year,
12:47what do you think about your heart?
13:00Why do you think about your heart?
13:05What do you think about your heart?
13:06Why do you think about your heart?
13:17What do you think about your heart?
13:20I don't know.
13:22I don't know.
13:23Do.
13:29That day, that day, every year, your heart will not forget to break a little bit.
13:37And then?
13:45Then you come in front of me.
13:49You start to break.
13:58You start to break.
13:59That's why I never go away from you.
14:02You can't go.
14:06If you go, you'll stay here.
14:13Or?
14:17If you want something, tell me.
14:33I'm not going to go.
14:36I'm not going to go.
14:54G-man.
14:55G-g-g.
15:18G-man.
15:19G-man.
15:21G-man.
15:23G-man.
15:24G-man.
15:25Is everything okay?
15:26G-man.
15:28G-but.
15:28G-man.
15:29G-man.
15:30G-man.
15:32G-man.
15:36G-man.
15:40Aalnye, what is it, this place?
15:43G-man I had a horrible dream about Zamyal.
15:46His phone was getting out.
15:46He isn't responding to my text voice notes. He would never touch that.
15:50Now please open the door.
15:51It's going to happen.
15:53Have you seen the time?
15:55Please open the door quickly.
16:00I'm so tired of you both.
16:02I don't know what to do with others.
16:05Samil!
16:07Open the door!
16:09Samil!
16:12Open the door!
16:24I've been calling you since hours.
16:27You're not reverting to me, texting you.
16:29Can you just look at your phone?
16:32The phone is silent.
16:34And are you mad?
16:35You've got to get up for so many nights.
16:42I can come for you as many nights.
16:44I can come for you.
16:45I can take any risk for you.
16:47And the kind of nightmare I had about you, I had to come and see.
16:52What can be such a nightmare as low GP?
16:55Samil!
16:56It's okay.
16:57Go back.
17:01I don't want to.
17:08I don't want to.
17:10I don't want to.
17:12What can I do to make you feel better?
17:14What can I do to make you feel better?
17:18So, don't you take your time to get out and go out of me.
17:22We both had to go.
17:24It was our dream.
17:26I did not, Michelle.
17:28It's your time.
17:30I did not.
17:31So, go get out of me.
17:32It's okay.
17:34Go back again.
17:36I'll wait for you.
17:37I'll wait for you.
17:39You will leave Harvard for me. You will have a semester for me.
17:44I can do anything for my life. What is Harvard for me?
17:48You are still alive.
17:51I want to celebrate your success.
17:53You got into Harvard, Dreyab.
17:56It's a big deal.
17:58I want to spoil your success.
17:59I don't want to spoil your success.
18:06I am not different, Zamil. We are one.
18:11Your failure is my failure.
18:14My success is your success.
18:18Whatever, man.
18:20I will take a university's mission.
18:23I am not targeting you.
18:29I will go there.
18:29Okay, then?
18:33Then you will go wherever you are.
18:34I will go there.
18:39Don't be silly.
18:41In my life, there is no value in your life.
18:50You are all right.
19:04You have seen what happens to me, Dreyab.
19:07You have seen what happens to me, Dreyab.
19:08I will take a long time with a bad dream.
19:08If you have seen what happens to me, Dreyab.
19:09Dad says he sees a bad dream.
19:12You will not do a repeat from him.
19:14That's why I will not do a repeat from him.
19:18If you have not done in my life,
19:20I would take a long step of taking a long time.
19:23What kind of step?
19:25That's what you saw in the dream of me.
19:35Mr. Yaak.
19:39You are everything I am.
20:07Mr. Yaak.
20:10Mr. Yaak.
20:12Mr. Yaak.
20:16Thank you for always being there for me.
20:21to hear your voice.
20:23Thankyou.
20:23I've never had a really good care for you.
20:25Come.
21:34Good night. Love you. Good night.
21:45Good night.
21:46See you later.
22:29See you later.
22:30See you later.
22:35See you later.
22:45See you later.
22:46See you later.
22:58See you later.
22:59See you later.
23:02See you later.
23:05See you later.
23:06See you later.
23:21See you later.
23:22See you later.
23:24See you later.
23:27See you later.
23:29See you later.
23:30See you later.
23:31See you later.
23:44See you later.
23:45See you later.
23:46See you later.
23:46See you later.
23:48See you later.
23:49See you later.
23:50See you later.
23:56See you later.
24:01See you later.
24:03See you later.
24:04See you later.
24:05See you later.
24:20See you later.
24:22See you later.
24:24See you later.
24:24See you later.
24:25See you later.
24:26If you come to the house at 4 o'clock, then how will your eyes open up?
24:31What did you think you'd like to talk to your mother?
24:33She won't go away.
24:35Mother, she was talking to her because she was talking to her.
24:38She was talking to her about a small thing.
24:41Shamsa, the young girl Raab, is a very small problem.
24:48Mother, she's a friend.
24:51She had gone to her.
24:52She went away from her.
24:54She left her and left her.
24:56How are your friends?
24:58Tell me about the young girl and girls.
25:01I mean, the young girl and girl are still hanging on nights.
25:06No relationship, no relationship, no relationship.
25:09What kind of therapy are you?
25:10She's a mother of her.
25:12When she was a mother of her?
25:18Now, we'll tell you a little bit about this.
25:22The relationship is almost strong.
25:24The relationship will also happen.
25:27And the relationship is not such a relationship.
25:30The girl will never leave her at home at night.
25:34Hey, Daddo.
25:34Now, you've got to talk about the old days.
25:37We've got good and bad news.
25:39Good and bad news is about good and bad news.
25:42If everyone knows good and bad news, the world becomes very clear.
25:47Dadda, we know Zamril's childhood.
25:50We have to go home.
25:51We know her family's family.
25:52Now, we'll take her to the present.
25:53Now, we'll take care of her.
25:55Come on, Ma.
25:57Ma.
25:57Habeer,
26:00this is not the wrong thought.
26:01Ma.
26:02Ma.
26:03Ma.
26:05Ma.
26:06Ma.
26:06Ma.
26:10Ma.
26:11Ma.
26:12I'm going to make it warm and warm.
26:17Are you going to get a sling?
26:19No, I'm going to get a sling.
26:31You can't do that one day.
26:35Don't do it.
26:37I'll do it.
26:39And who is Sakheena?
26:43She told me that she had to take a baby and go to marriage.
26:47Then?
26:48When I came, she was going to get a baby to get married.
26:52I think that she had a contract for her to get married.
26:56She had a phone with a girl.
27:00She was asking if she was a mother of Sarububakar.
27:03I told her, yes.
27:05Then?
27:06She closed the phone.
27:09You didn't give a girl my number.
27:15I'll never give a girl your number.
27:18I'll talk with you.
27:30I'll see who she is.
27:34Hello?
27:41No.
27:45Strange.
27:47I'm thinking of you now.
27:49I won't get married.
27:51I'll get married.
27:52No.
27:53I'll get married.
27:54It's strange.
27:54I don't know.
27:59My guess is that you can't marry her.
28:03It's going to be married.
28:03It will happen again.
28:03It will happen.
28:04It's not a marriage that runs away or not a girl.
28:06nor the feelings of children.
28:08This year, I was like this.
28:10People, I said to you before, ignore it.
28:13With your mother, there is something more.
28:16I've seen all the families of the elderly.
28:18It's not so much as my mother does.
28:20My children are always saying to me,
28:21because my grandparents' friends don't talk like they do.
28:25I'm talking to them in the early days.
28:27I'm thinking about it.
28:28I'm thinking about it.
28:31I'm thinking about it.
28:32It doesn't happen to you.
28:34They are today's children.
28:35They are not good.
28:35They are not good.
28:37They are not good at me.
28:37They are their great attitude.
28:40And they are my kind of attitude.
28:42I don't want to listen to them after my mother.
28:45You both are crazy.
28:48Either you are good with him,
28:50or you are good with him.
28:52I mean, you don't see what time is happening.
28:55At 3 o'clock, he's got up here alone.
28:58And you are going to leave him alone.
29:01Let's leave.
29:03Then,
29:03that's why
29:04the man should be getting the formal announcement.
29:09I was thinking that he is going to Harvard,
29:11so,
29:12that they are good with him.
29:14That's good with him?
29:15They are good with him.
29:17They have knowledge on the man's family.
29:18That's why I don't stop.
29:20So, when we say,
29:21we will send a relationship.
29:22I'm not going to do anything.
29:22So, I'm a little reluctant to do that.
29:25If it happens to Faryal,
29:27we'll start the process of his sister.
29:29Faryal is going to happen.
29:30I'll give him a small piece of her.
29:34Okay, okay.
29:35But if you tell me,
29:37it will happen to me.
29:38I'll tell you.
29:43I'm not amused at all.
29:44You're not in the kitchen.
29:45I'm not going to make a mess.
29:46I'm not going to make a mess.
29:48If you're going to do something,
29:51I'm not going to make a mess.
29:56I'm not going to make a mess.
29:57I'm not going to make a mess.
29:58I'm going to save you.
30:00I'm not going to make a mess.
30:01What do you mean?
30:01That's not my admission.
30:03That's my admission.
30:05But he's saying
30:05that I'll go there,
30:06not you.
30:07We're forcing you
30:08to improve your GPA
30:10so that you can go there too.
30:12I made a decision.
30:15I won't improve my GPA.
30:16I won't do that.
30:17I don't think that's just downright stupid.
30:20I don't want to improve
30:21and take your admission.
30:22But you've already been in Harvard.
30:24Mommy,
30:26I'm obviously going to go
30:27where Zamel is going.
30:29I mean,
30:30if you don't have admission,
30:31why are you destroying his career?
30:36Career?
30:38Which career?
30:41Do you think that
30:42I'm trying to take admission?
30:45Did you do this with Zamel?
30:47Yes, obviously.
30:49But why would he stop me
30:50from doing anything?
30:51You know,
30:51I don't listen to anyone.
30:53I'm going to go
30:54where he's going.
30:54Please.
30:55Seriously,
30:57your stubbornness
30:58makes me very annoyed.
31:06It triggers me.
31:07Look,
31:08we're getting late.
31:08Can I have my jacket, please?
31:10Yes.
31:10You're looking very nice.
31:13But we're not done talking yet, okay?
31:15Dad, please.
31:15I don't want to talk about this.
31:17I've made up my mind
31:17and you know
31:18when I make up my mind,
31:19I make up my mind.
31:19Look,
31:20your dad
31:22they're sick.
31:23I'm going to ask them.
31:24Dad, why are they sick?
31:26Why are they sick?
31:27Why are they sick?
31:27What happened?
31:31I think...
31:31Dad's sick,
31:33you're going to take one side of your dad.
31:34And this,
31:35that's what I'm talking about
31:35in the morning,
31:37I'm talking about
31:38Mommy,
31:39I can't do anything now.
31:41This is the most important issue
31:43I need to take a nap.
31:44How do I take it?
31:45Where are you, Rubina?
31:46Where?
31:47I want to talk serious about you.
31:49Okay, I'm coming.
31:50I'll eat the food too.
31:51Zarya,
31:52just listen to me.
31:54Kalsum,
31:55take my food to my house.
31:56No.
32:02Go.
32:08You'll get my clothes
32:09with Shamsa and girls
32:10with these clothes.
32:11Go and find them.
32:12I'll take them.
32:13I'll take them.
32:15I'll take them.
32:15I'll take them.
32:16I'll take them.
32:16That's how it is.
32:17That's how they're doing.
32:19What's the work of them?
32:20They've got to make them.
32:21They've got to make them.
32:26They've got to make them.
32:30That's how they've got to make them.
32:30I heard someone's sad.
32:34What's your fault of someone's fault?
32:39What is it?
32:40It's a way to eat food, sit and eat it.
32:43If you want to eat and eat it, then it will fall out of nowhere.
32:48I love it.
32:51Is it like this?
32:53In the name of Allah, I want it to be.
33:00I'm so angry, so angry.
33:03I see my face, my anger is like sitting in the water.
33:08Why do you love so much for me?
33:10Why do you love so much for me?
33:16I love you too.
33:18I love you too.
33:19No, no, no.
33:22What do you say, I love you too?
33:24What do you say, I love you too?
33:26Tell me one thing.
33:29Your father has never said I love you too.
33:31Or you have said it, but I love you.
33:34I love you too.
33:36We were not alone.
33:38We had our parents.
33:40We had our parents.
33:40It was a very sad life.
33:43Why?
33:44What is sad about it?
33:46In the world, people were sad.
33:49It's not like the world, it's sad and sad.
33:53What do I say to the world?
33:54What do I say to the world?
33:55I'm going to get out of my house.
33:57I'm going to get out of my house.
33:57Oh, no.
33:58I'm sad.
33:59I was coming to you.
34:00I'm sitting, talking, talking,
34:02and making a guest for your marriage.
34:06Do you want to do that?
34:09Do you want to do that?
34:10I don't have to do that.
34:11Do you want to do it?
34:12Do it?
34:12Do it.
34:13Where are you going with Me?
34:13From what type of country has left a first card?
34:17Where are you?
34:19Are you coming?
34:20You'll get me from Khderabad,
34:21a month after 2 months?
34:25Oh, yes, nice time.
34:27Yes.
34:29Where do you live, my Always?
34:30Aunty.
34:39Ami, who is your call?
34:48Assalamu alaikum.
34:50He is talking about a girl.
34:52He will be his son, right?
34:56Yes, I am talking about it.
35:00What's your name?
35:02What's your name?
35:03What's your name?
35:04What's your name?
35:05I don't remember my name.
35:06What do you do after killing me?
35:07Who can I ask?
35:09Kishwar Jahan.
35:11You're talking about Kishwar Khala.
35:14Yes.
35:17Actually, I had a postal address.
35:20Wedding invite.
35:21Yes, of course.
35:23Write it.
35:23Look at that.
35:24Makaan number 328.
35:26Buri number 34.
35:27Mahala, Kasmabad.
35:29Hyderabad.
35:30Oh my God.
35:36Are you texting me?
35:38Gershuk, Urdu?
35:41If I send in Urdu,
35:43then you are probably not able to read.
35:44I send it to English.
35:47Is there a WhatsApp on this phone?
35:49What do you have?
35:49Yes, yes.
35:50It's a real WhatsApp.
35:52My grandfather is not so old.
35:55I'll give you a text.
35:56Yes, okay.
36:05Is there anything?
36:07No.
36:09Bye.
36:11She had to talk to me.
36:14Oh.
36:15Yes.
36:16What do you mean?
36:18Where do you think is your mind?
36:20Sabina.
36:21Why did you tell me about the dress?
36:22Ghali, mohla.
36:24Makan.
36:25You guys have eaten English.
36:27Ghali, mohla.
36:28Ghali, mohla.
36:34Ghali, mohla.
36:35I sent your address to you.
36:37That's why my dad has to talk to you.
36:41We are actually reading prayer.
36:42We are reading prayer.
36:42I will call you.
36:45Okay.
36:47Oh.
36:48We are reading prayer.
36:49Call us.
36:54Who was the phone?
36:58Gishwara's son's son's son.
37:00He was asking the address for the wedding invitation.
37:03Hmm.
37:03Hmm.
37:04There was a relationship to her, right?
37:07He was telling her.
37:10He was telling her.
37:10It's been a long time ago.
37:11He didn't have to talk to her.
37:13He didn't have to talk to her.
37:15Give me your phone.
37:18Give me your phone.
37:18Ami, just give me one minute.
37:21I'll talk about your phone.
37:23Hmm.
37:29Don't tell her to go.
37:30Hmm.
37:31He was telling her to watch my phone.
37:33If he comes to me,
37:34For Abubakar.
37:36To Abubakar.
37:37From Abubakar.
37:38To Abubakar.
37:52you

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