00:27Sub indo by broth3rmax
00:30If you have a password of net banking or a girl friend's name, you can tell her baby.
00:35What is your name?
00:39Sir, there are two things.
00:41We don't know this today.
00:43Let's see, this is a story that nobody knows.
00:47The first production of White Feather was called Kante.
00:52Kante, there are five new girls.
00:56They were five young girls who were there.
01:02They were listening to Sanju sir.
01:03Sanju sir didn't say that they were a new girl.
01:06I had five people to take you.
01:07And there were five people.
01:09The picture was shot in LA.
01:12They were shot in LA.
01:14They were shooting all over here.
01:15The edit was done.
01:18They had to do a press conference.
01:20In the press conference, we will launch White Feather's first production.
01:25Kante starring Amitabh Bachchan, Sunil Shakti.
01:28This is Sanju sir.
01:30Kumar Gaurav.
01:31Kumar Gaurav.
01:32Manjarekar.
01:33Manjarekar.
01:33Manjarekar.
01:34Manjarekar.
01:35Amazing cast, music was outstanding.
01:38So he wanted a host.
01:40So he was one on television.
01:42That's right.
01:43That's right.
01:44That's right.
01:45Manish Paul.
01:48Manish Paul is a little boy.
01:49Anyway.
01:50So I was doing everything.
01:52So someone told me that Sanjay Gupta is done.
01:55I was in the office.
01:56Now you're hosting such a big press conference.
01:59It was in Taaj Landshend.
02:00I said, sir, give me some material.
02:03He said, yes.
02:03It was like that.
02:04I had finished the shooting for 27 days.
02:06Then he was singing.
02:08Then he was singing.
02:08Then he was singing.
02:08He was singing.
02:09He was singing.
02:10He was singing.
02:11He was singing.
02:12He was singing.
02:12He was singing.
02:13This is the first meeting.
02:14With Sanjay Gupta.
02:16I was a television actor.
02:17But Sanjay Gupta too.
02:20It's a big deal.
02:20It's a big deal.
02:23It's a big deal.
02:38It's a big deal.
02:40It's a big deal.
02:51It's a big deal.
02:52It's a big deal.
02:53It's a big deal.
02:53And then, after that,
02:55they were launching a picture,
02:56which was the assistant director.
02:59Called Plan.
03:00There were four boys in the plan.
03:02Dino Moriya, Vikram Salooja, Sanjay Suri,
03:05and Chothamay.
03:06And I got a central character.
03:07Omi.
03:08The plan is made.
03:10So that's it.
03:11Then he called the office.
03:12I said, I believe you're casting.
03:14I want to be part of the film.
03:16Then he said, you're writing.
03:17And he said, you're writing.
03:19You're writing.
03:19See, your name is written.
03:20You're writing.
03:21It was as easy as that.
03:22So, I feel,
03:23sometimes they're thinking
03:24that our tuning is good.
03:26They told me what they told me,
03:27what they told me.
03:28They've been in the entire press conference.
03:31It's good.
03:32So, let's go.
03:33You'll see acting on television.
03:35You'll see a lot.
03:36You'll see a lot.
03:37And...
03:38That's the same.
03:38Our journey started.
03:41And after that,
03:41you asked for the press conference,
03:43which I had hosted again.
03:44I want to do acting in their pictures.
03:46I want to do a host.
03:47I want to do a hero.
03:47I want to do acting too.
03:49I want to do anchoring too.
03:50And then,
03:50when I want to introduce someone to me,
03:52I have introduced everyone.
03:54Please welcome John, Abraham,
03:56Kaj Alakarwal, Shah,
03:57Vivan.
03:57They all introduced me.
03:59Then,
03:59he came to the stage.
04:01And now,
04:02please welcome my compulsory blind.
04:04Roethroi.
04:05Again,
04:06I've been blessed with a very few relationships.
04:09But these relationships are more than work.
04:13People say,
04:13you're not part of any camp.
04:15I don't believe it.
04:16You have your own camp,
04:17your own bros,
04:18your own buddies.
04:19Again,
04:20this is like,
04:21you know,
04:23I don't see this as a camp.
04:24I don't see this as work.
04:25In fact,
04:26whenever we've fought,
04:27and it's not like we've not fought.
04:28There are two brothers.
04:30I tell him,
04:31don't do this as work.
04:32But,
04:34don't sit and sit.
04:36Because,
04:36you know,
04:36I need him.
04:37I need him as a support.
04:38I need him as a sounding board.
04:40if I have to talk to someone,
04:42then,
04:42I can't talk to someone.
04:44But,
04:45I can talk to Sanjay.
04:46So,
04:46I have a message to Gubbs.
04:48The casting of Mumbai Saga.
04:49I was sitting in the evening,
04:50that,
04:51that,
04:51that,
04:54that,
04:54that,
04:55that,
04:55that,
04:55that,
04:55that.
04:56that.
04:57Tuesday,
04:58uh,
05:00I've been a part of the professora,
05:01and you know,
05:02To come along,
05:02I've got a heart,
05:03I've got a heart.
05:08Even the Mia's of this show.
05:11There are some,
05:12that,
05:12that,
05:12that,
05:12that,
05:13that,
05:13that,
05:13that,
05:16that,
05:16we were in the fire in the fire we were out of the fire
05:23we were in the fire
05:23for the triceps of rohit roi
05:26how does this happen?
05:27you were a disciple of me
05:29you have casted me
05:31I didn't want to say that people would say that
05:35that rohit roi is his friend of sanjay gupta
05:37that's why he casted
05:39the talent
05:39is based on the talent
05:41if you look with John Abraham
05:43With John Abraham, if you look at one frame, and we are both together, there is no frame in which
05:48he is different, it is very small.
05:49The police will become Imran.
05:51Yes, that is Imran's different track, but wherever we are, we are all together.
05:56I said that with John Abraham, when he looks at the frame, he is also a little scared.
06:01He will not have to do anything, so I had my whole body rebuilt, but he turned around that he
06:08was completely different in Kabul.
06:09In Kabul, he is a little type, he had eight packs, triceps, biceps, shoulders, and now he will fall apart.
06:18So, there was a shot, and Sanjay Gupta gave him a shot to show his actors a shot.
06:24Because he is such an amazing technician, he is standing on the tractor, he is sitting on the crane and
06:32he is settled down.
06:32He took one shot.
06:35So, in one shot, John was standing on the tractor, and I am standing on him.
06:43If I am standing, I will take a look at him.
06:46Now, the shot is coming from the camera.
06:48So, the camera is covering my triceps and then he is standing on the camera.
06:53And he is very excited that Sanjay Gupta is showing his shot.
06:57He is showing his shot.
06:58He is showing his shot.
07:00So, these guys are very naughty.
07:04I think, you know, you are making this film to showcase Rohit's triceps.
07:10And, obviously, he is a friend, he can say.
07:13And Milab, Milab Zawiri.
07:15Milab Zawiri.
07:16He is very nice.
07:17So, he was doing a film with him.
07:18Milab is also very good with Sanjay Gupta.
07:20He was shooting for, I think, Batla House or something?
07:22No, not Batla House.
07:23He was doing with John.
07:24He was doing with Milab.
07:26He was doing with Milab.
07:27In his shooting, John was telling him.
07:29In Satyemir Jayate.
07:30Was it?
07:31I am not sure of which film he was shooting.
07:33But, when he was shooting, he would ask Milab.
07:36How did he shoot?
07:37Well, it was a John Abraham film.
07:39It's a Rohit Rohit.
07:40It's a Rohit Rohit.
07:41John Abraham is part of.
07:43But, we had a great time.
07:45He is such a mustik.
07:47He feels very serious.
07:48He is a ultra.
07:51If he is comfortable.
07:53He was sitting at 7 o'clock at 6 o'clock.
07:57He was sitting at 7 o'clock at 7 o'clock.
07:57He was sitting at 7 o'clock at 7 o'clock.
08:00He was sitting at 7 o'clock at 7 o'clock.
08:02I said, John, you are already here.
08:04He said, I was at home.
08:06I woke up.
08:07I thought he was sitting here.
08:08I could have said and sit.
08:09It was so simple.
08:11I would say, what will I do there?
08:13At least, people will come.
08:15I will meet everyone.
08:15Good morning.
08:16Did you work out on the set?
08:20John actually,
08:24I don't think he used to work out on set.
08:26I used to.
08:27I used to.
08:28I used to work out on set.
08:28Correct.
08:29It's called your triceps on set thing,
08:30the pictures on set of real ones.
08:32I used to work out on set.
08:34I used to work out 2-4 dumbbells.
08:35I used to work out on set of shots before
08:35and then do it as time until you do it.
08:40This is fine.
08:41To say that you and Gupta ji,
08:42the people of Underworld,
08:43you are all doing films and으로行.
08:45Did you tell us from Dubai or Karachi?
08:48I plead the fifth amendment. I don't know anything about this.
08:54There is something happened. I don't have a phone.
08:57My number is not. I have changed my number.
09:00I don't have a phone. I don't have a mobile.
09:02You've never given anything.
09:05I'm very happy.
09:07What was my name of the Shootout and Lokhandwala?
09:10Fatu.
09:11Who has a phone?
09:12The phone is getting away from me.
09:14The phone is getting away from me.
09:15The phone is getting away from me.
09:16The biggest bodyguard company is getting away from me.
09:20The phone is getting away from me.
09:21I don't have a phone directly.
09:24But I have done something like that.
09:26I have done something like that.
09:28Which was very borderline based on.
09:33The name was also used.
09:35Let's not get into the details.
09:37So, they had a phone.
09:37And they understood that it was just a name.
09:40There was no fault.
09:41There was no fault.
09:42And my characters...
09:44He was actually a hero in the Shootout.
09:46He said,
09:47He said,
09:47You have to tell the people
09:48that you are not a fool.
09:50He was a hero.
09:51I said,
09:51That's good.
09:52That was him, yeah, I know it.
09:53All look at him.
09:55Yeah, I know it.
09:59Thanks, Vince.
09:59No, there?
09:59But something like that you could find a way,
