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Mumbai, Maharashtra: फिल्म Parivarik ManuRanjan को लेकर Pankaj Tripathi और Aditi Rao Hydari ने खास बातचीत की। इस इंटरव्यू में दोनों कलाकारों ने फिल्म की कहानी, अपने किरदारों और इसकी राइटिंग प्रोसेस से जुड़े कई दिलचस्प पहलुओं पर बात की। बातचीत के दौरान Pankaj Tripathi ने Kaleen Bhaiya और Sultan जैसे बिल्कुल अलग किरदारों से हटकर इस फिल्म में अपने नए अंदाज को अपनाने का एक्सपीरियंस शेयर किया। वहीं Aditi Rao Hydari ने फिल्म की कहानी और अपने कैरेक्टर को चुनने की वजह बताई। इसके अलावा दोनों ने राइटर्स और एक्टर्स के बीच के क्रिएटिव कनेक्शंस, स्टोरीटेलिंग में नए एक्सपेरिमेंट्स और फिल्मों में सेफ चॉइसेस करने के बढ़ते ट्रेंड पर भी अपने विचार रखे। इंटरव्यू में Pankaj Tripathi ने एक्टिंग और स्प्रिचुएलिटी के बीच के कनेक्शन, इमोशंस पर कंट्रोल और एक एक्टर के तौर पर उन्हें पूरी गहराई से महसूस करने के पहलुओं पर भी खुलकर बात की। साथ ही दोनों सितारों ने Diwali की तैयारियों और त्योहार के खास मैसेज को भी शेयर किया।

#PankajTripathi #AditiRaoHydari #ParivarikManuRanjan #Bollywood #BollywoodInterview #FilmInterview #EntertainmentNews #IndianCinema #Acting #Storytelling #WritingProcess #CreativeWriting #KaleenBhaiya #Sultan #Spirituality #Emotions #FilmIndustry #CelebrityInterview #DiwaliCelebration #Diwali2026

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Transcript
00:00Hello Pangat sir, hello Heidi ma'am, welcome to INS and congratulations for Parivarik Manohar Anjan that's about to release
00:04on Sony Live.
00:05My first question is to both of you.
00:08Brijendra Kala sir, Ali Abbas Zafar sir and Varun of course.
00:12There's a lot going on in the writing department including the screenplay and the dialogue.
00:17Brijendra sir is an entirely different personality compared to Ali from what I've known.
00:22When you were working with the written material and two-three different minds working on one story together, how was
00:29that experience for you?
00:30Anyone can take the lead and start.
00:34It's great, very good.
00:36Because the story that Kala Ji has written and Varun has written, the guidance of Ali.
00:42So it was on the same page.
00:44It wasn't like this.
00:47There were two options of climax.
00:49We had two options of climax.
00:51We had also two options of climax.
00:53One was more hilarious and less hilarious.
00:58Which one was kept?
01:00It was less hilarious.
01:02Because after the climax of the climax of the film, the rest of the film was more hilarious.
01:07It was too much comedy.
01:10Our final climax of the film was more loud.
01:16Yes, correct, correct.
01:17So they kept a milder version.
01:19So the rest of the film was the same page.
01:22Because the story is so simple and simple.
01:25It's so simple.
01:25There's a lot of twist and screenplay.
01:31There's a lot of attention.
01:41You can beyeah.
01:44There's a lot of cheerfulness at this moment.
01:45There's a lot of comfort doing safely.
01:47It's power-� Song and麻ay, and are there?
01:50Okay.
01:51And ma'am for you, with regards to your character, what was it about the larger premise of the film,
01:56the story and your character that made you give your nod to the film?
02:00I think I just found it really sweet and like a slice of life film, story.
02:07Also the people who are involved, I don't usually get offered stuff like this.
02:15Also an opportunity to work with Pankatha. So it was all those things that made me want to do this
02:23film.
02:24I think also the fact that as an actor to just be in a very different kind of space is
02:31also a lot of fun.
02:32You get to learn a lot. And also you get to play in a very different kind of way.
02:39So there was a lightness in it, which I really liked. Yeah. So I just wanted to do it.
02:47I don't think it's not many, it's not so much. It's an instinct and excitement.
02:53So I listen to the child inside me. And if I'm excited about something, then the journey for me is
03:00really important.
03:01Because anyway, the result is not in my hands. Right? So if the journey is fun and there's adventure and
03:09it's playful and you're learning and the good people.
03:14I think that's what's very, very important because that's what lasts with you. Yeah.
03:20Okay. And Pankach Sir. Pankach Repati Sir as Sultan Khan. Pankach Repati Sir as Kalin Bhaiya. There are different beasts
03:28altogether.
03:28But when you have something like this, Metro Indra will be more on the similar lines in the romantic space
03:33character.
03:34This is the polarity as an actor. How much fun to you in these two extremes? And what changes are
03:42you when you walk out of something like Mirzapur into something like Parivarik Manoranjan?
03:47Yes.
03:48I want to say that some actors, we want to change that.
03:50We want to change, that there is a powerful actor that we have to ignore.
03:54a powerful actor that we see before not knowing.
03:57And this is a powerful actor that we can observe.
03:59To this, the film we can see in the film, when you watch Parivarik Manoranjan,
04:02you'll not believe that you're not in a practical role,
04:08because I think it's very experimental cast.
04:13Basically, I'm Parivarik Manoranjan.
04:15Yes, I am. I am also in Ranjan Dubei.
04:17I am also in G1.
04:18Yes, I have to act more.
04:22I don't have to do acting here.
04:24Even the line is in the promo.
04:26I have become alpha.
04:29They are such a person.
04:34When the story grows, you will see the film.
04:36In the beginning of the scene,
04:40I don't see any of them.
04:41I don't see any of them.
04:43Now, that is the situation where the people of the universe
04:46are in a home,
04:48and that person,
04:49the person who can see the scene for 10 scenes,
04:51they are not seeing them.
04:52They say, yes, yes, okay.
04:55Was your edition or was it written?
04:58As you can follow the script,
05:00the script also gives you an instruction to actor,
05:05without writing.
05:06As you can't write it in the brackets.
05:07I don't have to mention it.
05:08Look away.
05:09But when you build up the characters,
05:11you feel that it will be comfortable with it.
05:14Look away.
05:15Look away.
05:15Look in.
05:16A little bit.
05:17A little bit.
05:19A little bit.
05:20A little bit.
05:34A little bit.
05:36A little bit.
05:45I would just say that
05:51you have to notice the film and
05:52ignore the time.
05:52Yes, it is completely different.
05:55And ma'am, with regards to the context of the film,
05:58Inka's character is very stable in the world.
06:01Your character walks into his life, into his home.
06:05In the first glance of the trailer,
06:08Inka's character is broadly aware that this is his value system.
06:12In your character, we don't know much about it.
06:14Can you describe a little bit about what the value system is?
06:19Yes, exactly.
06:23I feel that we talk a lot in promotion.
06:26And when we were growing up,
06:31When we were watching films,
06:33It was almost like the first time that the world was opened in our eyes.
06:38And the magic of it,
06:41I feel that we are now playing.
06:43Because we are doing so many things.
06:46We are doing so many things.
06:48We are doing so many things.
06:48So, I feel that it is coming.
06:50So, you can see it.
06:53One more question.
06:55In the first time, we used to get to see films for the first time.
06:59They used to get opened up as we saw the film.
07:02Because there are a lot of media, YouTube, TV, radio.
07:05And they are doing so many things.
07:05You can see it.
07:10We are doing so many things.
07:11Because we want to play safe.
07:12Because it is a huge investment.
07:15It is a huge investment.
07:16A collaboration platform.
07:16And it is a lot of money.
07:18But it is a big difference.
07:23But we want to be safe.
07:24We want to be safe.
07:25We want to make sure that the film does well.
07:26And to ensure that we are telling everything.
07:28It has taken away the magic of storytelling.
07:32It is a small and big thing.
07:34Because I have not learnt film making or anything.
07:37But again, it is just an instinct thing that I am going to say.
07:42With respect to everybody.
07:44When we are making food.
07:45If we do not put the ingredients good.
07:48And we will not make good with love and effort.
07:51Whether it is fruit or fruit.
07:54If we do not make good with love and effort.
07:56With the right ingredients.
07:58So whatever we sell it.
08:00How does it sell it?
08:01Because you will eat it.
08:03And then you will reject it.
08:04And I can tell that the fruit is better that the fruit is there.
08:08That is my personal perspective.
08:10But it is good.
08:11It is good with the ingredients.
08:17we are part of an artistic industry
08:22we must love our film, we must love our story, we must love our actors
08:35we must know why we have our actors there
08:38we must love our actors, we must love our actors
08:40I feel like before there were so many visionaries
08:43who used to do this
08:44and nobody would say that this will not go, this will go, this will go, this will go, this is
08:49what we use
08:50but their conviction was that that film is still alive today
08:55so I feel like I wish and being part of the industry today
09:01I wish that we would still make films like that
09:05I really really pray and wish for it
09:08because I love this field
09:09it's a very very beautiful field
09:11and we can't do it in marketing
09:17so we will make it good
09:22and then we don't have to sell it
09:24you will taste it, you will love it, you will come back for more
09:27and sometimes we don't have to sell it
09:30and sometimes we don't have to sell it
09:31but it's a long life
09:32it's a long life
09:33it will come back
09:34because people will discover it
09:36and will give it love
09:38it's true love
09:38it's something that's true
09:40it's something that's true
09:41absolutely
09:43its self life is very big
09:44yes, 100%
09:47and ma'am said that
09:49talking about the ingredients to make a story
09:52you talked about in a very first interview
09:53that acting is the only thing to play
09:55the only thing to play
09:57I know that
09:59because artists do multitasking too
10:01when you are acting
10:02do you think broadly
10:04how much of my emotions should be in control
10:06so that my performance will come back
10:08no
10:09I see
10:11I see
10:11some character
10:12we get a few weeks
10:14or 3 weeks
10:15that's been studied
10:16and then
10:16it's okay
10:17when we are shooting
10:17next month
10:18so when 7 days
10:20we are still
10:21the shooting
10:22we are still
10:23in 7 days
10:23so we will do a little bit
10:25how to make it
10:26how to make it
10:27so
10:29in the preparation of character
10:30we have 4-6 days
10:32in the 2 weeks
10:33in the preparation of character
10:34we have years
10:35in the preparation of actor
10:41we have 4 days
10:43but we have 4 years
10:43in the preparation of character
10:45we have 4 years
10:45but we have 4 years
10:46we have 4 years
10:47so we have a character
10:47we are carpenters
10:49and we are carpenter
10:49so our
10:50the play of actor
10:51that was
10:52what I was told
10:53was 15-20 years
10:55that is a practice
10:56that is
10:57to make a way
10:58to make a way
10:59that we can communicate
11:00so why do we have to see it?
11:03so why do we have to do it?
11:04and it is very important
11:06because
11:06again
11:07again
11:08they said
11:09what the audience
11:10wants
11:11we have to read
11:13in this
11:13so we feel
11:15because
11:16as you
11:17either
11:19in India
11:19or any other
11:19people
11:20will not like India
11:22so if
11:23I don't like food
11:24I don't like food
11:26I don't like food
11:27I don't like food
11:27I don't like food
11:28I don't like food
11:28I don't like food
11:30what the internet
11:31does
11:31someone
11:32doesn't like food
11:33I don't like food
11:34I can't
11:38I don't like food
11:43I don't like food
11:46I don't like food
12:03I don't like food
12:04I don't like food
12:06I don't like food
12:06I don't like food
12:08I don't like food
12:08there is a place
12:09and
12:10there is a place
12:11such a place
12:12because
12:13everyone has made a twist
12:13turn
12:14and made a twist
12:16and
12:16we know
12:16that
12:17the audience
12:18has been
12:19reduced
12:19so
12:20do
12:21editing
12:22this
12:22is
12:23all
12:24I said
12:28that
12:29I would love to edit
12:30more slowly
12:30so
12:30I would love to keep
12:33more tired
12:34and
12:35there is
12:36a lot of tired
12:37so
12:38this is a story
12:39and
12:40I liked it
12:40I liked it
12:41I liked it
12:42and
12:42I liked it
12:43and
12:43I liked it
12:44and
12:44I liked it
12:49and
12:50talking about
12:52your
12:53character
12:54and
12:54the way
12:55you have worked on this film
12:57when a story comes from
12:59a writer
13:00who is also an actor
13:01like
13:01how different it is
13:02from
13:03someone who is a writer
13:04director
13:04or just a writer
13:07like what opportunities do you get while you work on a story like this
13:11you know
13:12I think when somebody is a
13:15oh
13:15I never thought of this
13:16but when somebody is a
13:18okay
13:18I have worked with writer directors
13:20okay
13:22in here there is an actor writer
13:24yeah
13:25so
13:28okay
13:30okay
13:30so
13:31with an actor writer
13:33they know
13:36the meter of an actor
13:37the real meter of an actor
13:39so
13:40when they write
13:41it's not a dialogue
13:43when they write
13:44it's
13:44communication
13:46very sharp precise
13:47no I don't mean by precise
13:49it's like
13:50when I talk to you
13:52it's like
13:53they write
13:53less dialogue
13:54they write
13:55like even when I'm talking to you
13:57I'm thinking and talking
13:58I'm also not exactly to the point
14:01if I'm exactly to the point
14:02it's a dialogue
14:03you can also say
14:04you can also read
14:04and come to you
14:05so
14:06if I'm talking about thinking
14:08then you know
14:09that I'm
14:10like a human being
14:14I'm talking about
14:14I'm talking about
14:15I'm talking about
14:17I'm talking about
14:30fumble
14:31but I can say this
14:33maybe I felt it more
14:35because
14:35I had a lot of
14:36top actors on set
14:38who were playing with the writing like that
14:40so when you see them playing
14:43you're like
14:43I can also play
14:46and then
14:47because
14:47every time they're doing a scene
14:49they're doing something
14:51like Pankat sir
14:51I can give it to you
14:52in writing
14:53every time he did that
14:54same scene
14:55he would do something different
14:56he would look also somewhere else
14:58think also something else
14:59his thought
15:00I could see in his eyes
15:01his thought
15:02he can change
15:03because
15:05that line
15:07can be multiple thoughts
15:08right
15:09so
15:10his thought
15:10he could see
15:11something else
15:13so
15:14obviously
15:14my reaction
15:15would be like
15:16so
15:17I enjoyed it
15:20and
15:20that
15:22Varon sir
15:23to do that
15:24and also
15:25the actors
15:26said
15:45did that
15:48answer
15:49coming to you
15:52in the past
15:52interview
15:53you said
15:53that
15:54highs and lows
15:55in that stage
15:56you don't have a difference between the two
15:59but
15:59you're an actor
16:00you're an actor
16:01you're an actor
16:01you're an actor
16:01you have to feel it
16:02and then perform on it
16:05that is your primary job
16:06as an actor
16:08this is the contradiction
16:09to not let
16:10feel an emotion completely
16:11because of your spirituality
16:13and being an actor
16:14you have to feel it completely
16:15this
16:15you have to manage
16:16this
16:16two things
16:18one is life
16:19and one is our art
16:20performing art
16:22in my life
16:22I am
16:23practicing
16:25and practicing
16:25I am
16:28I am
16:28it is
16:28that
16:28it is not
16:33that
16:36it is not
16:37that
16:38it is
16:40that
16:40it is
16:40that
16:41that
16:42it is
16:43emotion
16:43that
16:43that
16:43you have to
16:45do it
16:48for your life
16:51that
16:52that
16:53is
16:53what
16:54people don't
16:57understand
16:58what
16:58the
16:58the
16:58the
16:59the
16:59Why does it happen?
17:00Because he lives in his life with two or four lives every year.
17:06So, that also has an effect.
17:09A man is only in his traits,
17:12but he lives in his traits as well as his traits.
17:15So, he can be delicate in that life.
17:18He can be angry very quickly.
17:20He can be angry very quickly.
17:22Because he is playing with these things.
17:24So, then it becomes more important for an actor's life.
17:27He can be angry at me.
17:28So, I said that my life is so much for me.
17:32Or, I mean, this emotional turmoil is going on me.
17:35It's not because of my work.
17:40So, I said that life and Abhinay are both things.
17:43But if you understand the better life,
17:44you will understand the better.
17:46And to understand the better life,
17:48you will understand the better life.
17:50And to understand the better life,
17:51you will also understand the better life.
17:54So, you have to be able to control emotions.
17:56How do you respond to this?
17:59Do you help me to achieve a higher consciousness?
18:02No, I am not.
18:03I am practicing.
18:04I am not saying that there is.
18:06I am not saying that there is.
18:07I am saying that I am not going to understand.
18:11I am not saying that there is a better life.
18:13But it is not just my voice.
18:15I am working on my voice.
18:15But there is no good voice.
18:15There is no good work.
18:19There is no good work.
18:20There is no good work.
18:32And I am going to understand the external life.
18:36I don't think that's the other thing.
18:38I don't think of the anger.
18:41But there is a lot of control.
18:44The anger came.
18:45My anger came.
18:46The anger came.
18:48I don't understand it.
18:53I don't understand it.
18:54But inside it comes.
18:55You can't stop it.
18:57Lobe, lalach, lust, lust,
18:59all will come.
19:00We will all come.
19:01We will all come.
19:04We will all come.
19:06We will all come.
19:06We will all come.
19:08We will all come.
19:08We will all come.
19:12This is my fear.
19:13This is my anger.
19:16Good.
19:18That's it.
19:20Finally, Diwali is coming.
19:23A few days.
19:24How are you prepared for your home?
19:26Diwali is coming.
19:27No.
19:28Good, Diwali.
19:30Again, Diwali is the only thing.
19:32There is a good thing.
19:34There is no good thing.
19:37If you are not good,
19:38if you are good,
19:39you will be far away from your home.
19:42So, our good work is good.
19:44You will be good in your life.
19:45You will be happy and happy.
19:48And then, are you closing notes?
19:49Happy, happy Diwali.
19:52Be happy.
19:54And make everybody around you happy.
19:56But, happiness is also a practice.
19:59Yes, right?
20:00Yes, it is.
20:01You are like happiness fleeting.
20:03Is there a place where you are coming?
20:05Or, once you come and see,
20:06then, do you depend on what you are holding on?
20:09You have practiced so much.
20:11There is no doubt.
20:12No doubt.
20:13In acting,
20:14there is no doubt.
20:17There is no doubt.
20:19There is no doubt.
20:22There is no doubt.
20:23There is no doubt.
20:24There is no doubt.
20:26There is no doubt.
20:30There is no doubt.
20:33Thank you so much.
20:35And I wish you all the best for Parivari.

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