00:00It certainly wasn't steps. You know, dance is an emotional thing. You've got to allow your body
00:04and everything to feel this. To me, it's always about story, right? Regardless of whether it's a
00:11salsa and it's fun, right? But there's still a story has to be told. Moves are just moves
00:18without story, without emotion, without connection, right? And so what I came in with was a story.
00:28Here's the story that I think we should tell. And it adjusted, of course. There were things that
00:33didn't end up being like, it was like, you know, there were ideas and different things that we went
00:37back and forth on. Like, is he portraying James Avery and he's having a daddy-daughter dance and
00:44then he leaves her and then I get to come in and I get to fill the role that he
00:51had leading up to
00:52that moment, right? And so some of that was still there, right? Like he left and I came in. He
00:57wasn't Uncle Phil, but he was obviously the idea of that. And then making sure that at the end,
01:02we allowed for a moment for James Avery to not be after the dance, but in the dance. And so
01:10that
01:11his portrait coming up on that wall is part of the ending of that dance. And so those are some
01:20of the
01:20the contributions. It was really, it certainly wasn't steps, but it was just connecting the dots.
01:26So that's what we wanted to do. And we can see the next video. And so we'll see the next
01:27video.
01:27Bye.
