- 15 hours ago
Tod and Buzz agree to help fulfill a dying jazz singer's last wish to reunite with her old band.
Director
Jack Smight
Stars
Martin Milner, George Maharis, Ethel Waters
Subs: English
Director
Jack Smight
Stars
Martin Milner, George Maharis, Ethel Waters
Subs: English
Category
🎈
FunTranscript
00:12Goodbye, Pittsburgh.
00:14Hello, hello world.
00:48Hey, get this.
00:54This one's on me.
00:55I've had it with these cookie drivers, too.
00:58Now, listen here.
01:00Oh, I'm sorry.
01:03Please help me.
01:05Well, what can I do?
01:07I mean, can I call somebody, or?
01:09Nobody.
01:10Got nobody.
01:12Hey, Todd, get to a phone.
01:14Get an ambulance, quick.
01:20My pill box is in my purse.
01:33How many can you take?
01:34One or two?
01:35I don't know.
01:36Here you are.
01:39Thank you so much.
01:41Are you all right?
01:43Are you in pain or something?
01:46It's going away.
01:52How about you?
01:55Yours going yet?
01:58That mad on you had when you opened the door?
02:03Oh, yeah.
02:03I'm sorry.
02:06I should have seen the sparks coming off you.
02:10Fairly sizzling.
02:11In fact, you look like you could belt the whole universe.
02:16Well, I could have.
02:20That music.
02:24Oh, yeah.
02:25I'll turn it off.
02:26No, no, no, sugar.
02:29It's pretty.
02:31Well, I thought I was the only one hearing it.
02:33But if you hear too, that means I'll be around a while longer.
02:43I believe I'm going to faint.
02:46Don't be frightened, son.
02:47Don't be frightened.
02:48It's all right.
02:53The Lord's called me home.
02:56It's as good a way to go as any.
02:58The music.
03:04Todd!
03:06Hurry it up!
03:16Thank you, doctor.
03:18You're welcome, Mrs. Henderson.
03:25But isn't there anything else we can do?
03:27Nothing.
03:29But don't you think we can do?
03:31Nothing.
03:32Just try to keep her happy.
03:42Well, goodbye, doctor.
03:43Goodbye, doctor.
03:45Goodbye, doctor.
03:55Wally.
03:57Yes, Jenny.
04:07Well, now, how does it feel having the best cardiologist in town?
04:13What's the story?
04:16Well, the outlook is fair.
04:20Dr. Segrist has studied your case very carefully, and he seems to feel that, well, that...
04:26How long have I got?
04:29You don't put your questions very scientifically, Jenny.
04:33Then give me an unscientific answer.
04:36How long have I got?
04:39I'm not evading, Jenny.
04:40It's just that I really can't say.
04:43But this is your fourth attack in the last year.
04:49Month?
04:50Oh, sure.
04:52Could be a week.
04:54Or maybe the next minute, huh?
05:01Cora has your new medicine, and I'll drop back again tonight.
05:07Bye now, Wally, dear.
05:41Well, that's a happy sound.
05:44Yeah, maybe it means she's okay.
05:47You can go in now, boys.
05:53Goodbye, doctor.
05:55Goodbye, Cora.
06:07Come on in.
06:13Well, you two boys must be mind readers.
06:17How come?
06:18I was just laying here thinking, I wish I could find those two nice young men to send them thank
06:24yous for their kindness.
06:25You don't have to thank us, Mrs. Henderson.
06:28You can call me that to my back, to my face, it's Jenny.
06:34Okay, Jenny.
06:35And face to face, I do thank both of you.
06:39Well, what did the doctor say?
06:41The doctor?
06:42He said I was doing fine.
06:44I'm coming along just fine.
06:47Better straighten the kitchen.
06:52Great Dixieland.
06:54You know, there used to be a reed man.
06:58Used to play with the old Basie band.
07:00Had a sound just like that.
07:02The name of, uh, Mobley.
07:04You a musician?
07:05You mean no.
07:07I'm just a buff.
07:09What's that in English?
07:11An aficionado.
07:12That's not English.
07:16A buff is, uh, is a fan.
07:19A jazz hound.
07:21I dig the stuff.
07:22You do?
07:23Oh, yeah.
07:24Can't keep me away from it, right?
07:26Well, you may not be a musician, but you sure got a musician's ear.
07:30Because that was Snooze Mobley.
07:35You're kidding.
07:42I didn't know he played with the Dixieland group.
07:45Well, son, that was the first job Snooze ever played.
07:48In fact, it was everybody's first job in that band.
07:51Mine, too.
07:53I'm on the other side.
07:56Here?
07:57Uh, do you mind?
08:00Be my guest.
08:07I'm coming, Virginia.
08:11Not bad.
08:13And if I look dreamy, it's not because I'm sitting here pleased with myself.
08:18But the pretty things them boys played behind my vocals.
08:23Oh, there was something in how they played.
08:28I better start talking about something else or I'll be crying in a minute.
08:33Good grief.
08:34What's the matter?
08:36I don't want you boys to think I'm rude.
08:39But when I get to talking on jazz music, I forget everything.
08:42I don't even know your names.
08:46To my face, they call me Murdoch.
08:48Behind my back, they call me Buzz.
08:50Todd style.
08:54Todd Buzz.
08:56You boys were out here?
08:58No, as a matter of fact, we were just leaving town when, uh...
09:01When I almost creased you.
09:03You know, maybe it wasn't just my bad driving.
09:07Could have been the good Lord had it in mind for us to meet today.
09:10And I'm thankful he saw fit to make it a near miss.
09:15Amen.
09:16Sit down.
09:20You fellas travel a lot.
09:22That's what we do the most of, at least till we hit the next job.
09:26What kind of job?
09:27Any kind.
09:28Anything we can do.
09:30Sounds like easy come, easy go.
09:32Not exactly.
09:34You see, well, we're sort of looking for a place where we, uh, where we really fit.
09:40A kind of a niche for ourselves.
09:43You know?
09:44But until then, I guess we'll just sort of keep looking and moving.
09:49Could be the Lord's will at that.
09:52Your family don't mind you traveling?
09:55No families.
09:57I know what you mean.
09:58My husband Charles, God rest his soul, has been gone 12 years now.
10:03No children, no relatives, nobody.
10:08Guess the only memory I have is Charlie's and the six fellas that played in the band.
10:13And it's been 30 years since I saw them.
10:17But they're still your family?
10:19Oh, yes, precious.
10:21Time has nothing to do with who you love.
10:24They've never left me.
10:27The way they played and the spirit they had.
10:3130 years, 300 years.
10:34I'll never forget them.
10:37Who else was in that group?
10:39There was two you may have heard of.
10:41Two that become famous, that is.
10:45Snooze, Mobley, and A.C. Graham.
10:48Was A.C. the drummer in that band?
10:50Yep, and I hear he's in New York now, going big in studios and television.
10:56Yes, Snooze and A.C. got it made.
10:59Snooze, that's a crazy name.
11:01Yeah, but it fits him.
11:02He always looked like he was almost asleep.
11:05That's right, that's him.
11:07That's the picture there on the mail.
11:09Will you get it from me, Sugar?
11:10Yeah.
11:15This one?
11:15Uh-huh.
11:19Which one was the leader?
11:22Leader?
11:23A trumpet man.
11:24Name was Lava Brown.
11:26And was he ever woman simple?
11:29Real chaser, huh?
11:31Chaser, he didn't stop there.
11:33He not only chased him, he married him.
11:35Lots of them.
11:36And him, he was a scholar of the group, and for real.
11:41Name was Horace Wilson.
11:43He finally become a lawyer.
11:45This one?
11:48He's now in Philly, he and his banjo.
11:51And as far as I'm concerned, Philly can have him.
11:54Why didn't you like him, Jenny?
11:56Oh, well, I guess you can't get six out of six.
11:59And Hank Plummer was mean.
12:01Just plain mean.
12:03The only mean one in the group.
12:05But when he was setting in with the band, that's when he fit in.
12:09Because nobody could play a banjo like him.
12:11And here is the king.
12:17King Loomis was his name.
12:20The only man I knew who couldn't play sitting down.
12:23He used to stand there like he was saying, pay attention.
12:27Because now I'm going to show you how this thing really should be played.
12:31Then he'd point that horn to the moon and really go.
12:37What a shame.
12:39Please.
12:42Together we was like one big family.
12:46It wasn't all goody-two-shoes and sweetness and light,
12:49because we had our scraps and plenty of them.
12:52But they were still my family.
12:54And oh, wouldn't I love to see them all together again just one more time.
13:02Boys, do you believe the Lord works in mysterious ways,
13:05his wonders to perform?
13:08I do.
13:09I believe it.
13:11And I believe the Lord sent you two boys to me to do something for me I couldn't do for
13:17myself.
13:18But the two of you could.
13:20Now what would that be?
13:22Would you boys help me bring my family together?
13:28Just once.
13:30You mean the band?
13:31That's right.
13:33But I'm not asking favors.
13:35It's a job.
13:36And I'm willing to pay you what you ask.
13:39Jenny, wait a minute.
13:40Look, it would take a lot of money to try to locate six musicians who are scattered all over the
13:48country.
13:48Honey, I'm loaded.
13:50I've saved my money.
13:52And I haven't pampered myself until now.
13:56The one thing I want most in this world is to see these six guys right here in this room
14:04playing for me.
14:06That's 30 years, Jenny.
14:10You know, who knows what's happened to them by now.
14:13Jenny, don't get your hopes up too high.
14:15I wouldn't.
14:16Where will we start to look?
14:17I know where two of them are right now, and I have a few leads on the others.
14:26Won't you do it for me, please?
14:47Thank you, love.
14:54In one week from today, it's...
14:56A week?
14:57A week?
14:58Jenny, that's not enough time.
15:00Of course it is.
15:01Didn't the Lord make the heaven and earth in seven days?
15:04That's a lot of time.
15:05I can't count on him giving me more time than that.
15:08And I know you can do it.
15:10I just know both of you boys can do it.
15:15Who needs that old record?
15:17One week from today, they're going to be playing here for real.
15:20And I tell you, it's going to be fabulous.
15:24They're going to be playing here for real.
15:32Here we go.
15:39Let's go.
15:43Let's go.
15:44Let's go.
15:52Let's go.
15:55Excuse me.
15:57Wait a minute.
15:58I'm looking for Hank Plummer.
16:00He's a banjo man.
16:00He's working somewhere on this street, but I don't know where.
16:03Mike!
16:09He's a friend of Hank Plummer's.
16:11Wait a minute.
16:12I'm not friendly.
16:13He isn't.
16:13I don't even know what he looks like.
16:15We better go after him.
16:43More?
16:44Hey, Mike.
16:45Wait a minute.
16:46Look.
16:46Hank Plummer isn't a friend of mine.
16:48I don't even know what he looks like.
16:49I just have to find him.
16:51Hey.
16:51You see this?
16:53Hank Plummer is Mark.
16:55That's why I hired Mike.
16:56It's pretty good for an old man, huh?
16:59What?
16:59Look.
17:00Do you know where he is?
17:02Some joint in town.
17:03Wherever the mood hits him.
17:05Is there anything else I can do for you?
17:08No.
17:09Thanks for everything.
17:11I'll do the rest myself.
17:41I'll do the rest myself.
17:56Hey, Jack.
17:57Yeah.
18:01I hear you looking for somebody.
18:03That's right.
18:04Hank Plummer.
18:05What do you want with him?
18:07Well, it's personal.
18:08Do you know where I can find him?
18:09Yeah.
18:10He's right here.
18:11It's me.
18:12It's me.
18:12Oh, no.
18:13He's a much older man.
18:14He used to play banjo with the Memphis Naturals.
18:17That's my father.
18:18He's dead.
18:20Oh.
18:21I'm sorry.
18:24Well, that's that.
18:26Now, what in the world would you want with him?
18:28Well, an old friend of his asked us to find him.
18:31She's very sick.
18:32We're trying to put together the old group one last time.
18:37She?
18:38Is that Jenny?
18:39Well, how'd you know that?
18:41Is she still in Pittsburgh?
18:42That's right.
18:44Well, uh...
18:45Okay.
18:46I'll sit in for my old man.
18:49What's the matter with you?
18:51Just like that?
18:52Yeah, just like that.
18:55It's too easy.
18:56I don't know.
18:57Uh, when is this gig?
18:59Next Friday.
19:00That's cool.
19:01Thanks for the message.
19:21It's okay.
19:22Alright, we've got Ivan.
19:27Alright.
19:27I'm sorry, so you're ready.
19:35I'm sorry.
19:37I'm sorry.
19:38I don't know.
19:39It's too late.
19:40We're gonna drive home, too.
19:40It's coming to him.
19:40Snooze! Snooze!
19:48Hey, Snooze!
19:53Did you talk to Ryan?
19:58He'll be able to make it Friday?
20:04Crazy!
20:26Well, let me see.
20:29I have three dates on Friday and a film on Saturday.
20:33Is she really bad?
20:35Yeah.
20:36Oh.
20:38Hey, Sal.
20:39Yes?
20:40I'm sorry.
20:40Are you busy Friday and Saturday?
20:42I sure am.
20:42I promised the kids I'd take them fishing.
20:45Now, you've got to cover some dates for me.
20:46What dates?
20:48Not for kicks.
20:49I have a friend that's very sick, and I have to be out of town.
20:53All right, you got it.
20:55Thanks, buddy.
20:55If us drummers, like, can't protect each other, like, who will?
21:01Solid.
21:02That's great, Ace.
21:08Come ahead.
21:13Do I know you?
21:14Well, you used to.
21:17When?
21:18It was a long time ago.
21:21About that long ago.
21:26Little Hank?
21:28That's right.
21:39I'm four days early for this gig, and I drove all the way from Philly.
21:43I wanted to know if it was okay if I set in for my old man.
21:47You play banjo?
21:48Well, I used to, but I switched to guitar.
21:51But I could switch back again.
21:52I thought I heard somebody come in.
21:54Hank?
21:55That's Cora.
21:56She lives next door.
21:58Hi.
21:59Hello.
22:03What's the matter?
22:07Big Hank wouldn't come?
22:10He's gone, Jenny.
22:11Five, six years ago.
22:13And he wouldn't have come if he was alive.
22:14You know that.
22:15Oh, you must talk ill of the dead.
22:18I don't go out of my way, too.
22:20But I've learned to call people as they are, dead or alive.
22:23I know who my friends are.
22:24My father was no friend.
22:25But you were.
22:28You was five years old the last time I saw you.
22:31What do you remember?
22:33Everything.
22:35I've never forgotten you.
22:37Hey, don't tell me this boy was around at the time of the Memphis Naturals.
22:42No.
22:42Ten years after the band broke up, his father, Big Hank,
22:46come to Pittsburgh with this little boy under his arm.
22:50Where was your mother?
22:53I don't even remember.
22:55I guess she stood the old man as long as she could.
22:57Then she took off.
22:58And my father, like he wasn't there either.
23:00You know what I mean?
23:02Yes, he used to bring the boy to the club with him where he was working.
23:06Imagine a five-year-old running loose at that hour.
23:09One night I trooped down and Big Hank, as usual, was shooting dice with the other musicians.
23:16So I asked him if I could take the boy home with me while he was playing Pittsburgh.
23:20And he said, oh, sure.
23:21That wasn't what he said.
23:23I was there.
23:24He said, uh, don't bother me when I got the dice and I'm hot.
23:32Didn't he?
23:36So, uh, Jenny took me home with her.
23:40I stayed with her for three months.
23:43And that was the only time in my whole life that anybody ever cared whether I was fed, or washed,
23:49or put to bed at night.
23:53Cologne, you were such a night owl, I never could get you to sleep.
23:57Sure you could.
23:59There used to be this tune you used to sing, and I used to drift off just like a baby.
24:03What tune?
24:04I don't remember.
24:15Rock me, rock me in your arms to sleep.
24:23I couldn't have sung that.
24:25Oh, but you did.
24:29Rock me, rock me in your arms to sleep.
24:36That's Loma Brown's kind of tune.
24:39No fit lullaby for a child.
24:42When I feel your arms around me, oh, I sleep so deep.
24:51Good night, sweet blues.
24:53Only lullaby I hear.
24:56Go Jenny, Mama, please.
24:58Lock me, lock me in your arms so tight.
25:09Lock me, lock me in your arms so tight.
25:22When I feel your arms around me, oh, I sleep just right.
25:32Good night, sweet blues.
25:53Who's he looking for?
25:54A party named Brown.
25:56You mean Loma Brown?
25:58Yeah, that's right. Do you know him?
25:59Intimately, the hard way.
26:01I got this address here from the local musician's unit.
26:03It doesn't seem to appear on any of the mailboxes.
26:05Oh, Mr. Brown, he's moved up in the world.
26:08He now resides at the mansion.
26:10Mansion? What mansion?
26:11At the jurisdictions of Route 4 and 22.
26:14Thanks a lot. Let's go.
26:15Okay, my man.
26:16Oh, say, tell Mr. Brown Rayford Saunders sent his best regards.
26:21Also, Mrs. Saunders sent her best regards also.
26:24Right.
26:25Okay, little man. Take it easy now.
26:34This is Mr. Brown's mansion.
26:38What is this?
26:46No.
27:15What is this?
27:16No.
29:05Yes, sir.
29:08Well, nothing happy.
29:11How are you working here?
29:12We will now continue the presentation of the plaintiff's case.
29:15You may proceed, Mr. Wilson.
29:19Uh, if you please the court, I find that I'm forced to request a recess.
29:25It's a personal matter, Your Honor. May I explain?
29:28Counsel will approach the bench. You too, Mr. Dayton.
29:36How are you feeling, Jenny?
29:38Oh, that's fine.
29:41Chicago's hot. Where's Buzz?
29:43He's St. Louis.
29:46No trace of King yet, huh?
29:51Well, I'm at the courthouse now. Keep your fingers crossed.
29:56Yeah, Jenny, I'm praying too.
29:59Bye.
30:02Any objection to that, Mr. Dayton?
30:04None at all, Your Honor. Perfectly agreeable.
30:06Well, let's see. Today's Thursday. Monday morning?
30:09Well, that'll be just fine, sir.
30:11Court stands adjourned until 9 o'clock Monday morning.
30:16Ours.
30:18Please accept my personal sympathy.
30:21Oh, thank you, John.
30:30Flight 247, now boarding, gate 7, north concourse, please.
30:35Flight 247, now boarding, north concourse, gate 7, please.
30:40Is that us?
30:41No, we've still got 10 minutes.
30:43You nervous?
30:45Well, a little.
30:46The thought of seeing so many friends after all these years.
30:50Jenny.
30:52You know the mark of a working bass player?
30:55Calluses.
30:56I'm afraid I've lost mine.
30:58Well, just the same, Mr. Wilson.
31:00No other bass player would do for Jenny.
31:03Oh, now I'm gonna be more nervous than ever.
31:05Tell me something.
31:07Was the group really as good as Jenny remembers?
31:10If we'd stayed together,
31:12we would have been recognized as one of the best.
31:15Why'd you break up?
31:18Personality conflicts.
31:20We were six entirely different individuals, Mr. Stiles.
31:25And what kept us together was Jenny.
31:27Nothing that she ever said in so many words,
31:30but Jenny radiated something that was contagious.
31:35You know, she used to sit on that tall stool
31:38in front of the band every night,
31:39right off to the side.
31:41And she looked only at us.
31:43She never looked at the audience.
31:46She couldn't have been more than 19, maybe 20.
31:50I don't think Jenny ever knew whether there was a crowd
31:53or whether the house was empty.
31:54Didn't seem to matter to her.
31:57And then we'd get into a new town,
32:00tired, cranky, and irritable one another.
32:03We'd start to play, indifferently at first.
32:06And suddenly, and this happened every night, mind you,
32:09we'd look up,
32:11and there was that sweet, smiling face beaming at us.
32:15Not just a silly, easy-to-please sort of thing.
32:18Jenny noticed every single phrase each of us played.
32:22And when it wasn't so good, well, she'd sort of laugh as if to say,
32:26well, if at first.
32:28And then when it was really good,
32:31her delight would just beam all over.
32:37Yes.
32:38She gave out something to us, you see.
32:41And we had to give something back in return.
32:44We gave back the best there was in us.
32:48And then after she left,
32:52well,
32:56it was awful soft.
32:58So her first night on the band she comes home with,
33:01I think it's only fair that I tell you boys
33:03that I am the daughter of a minister.
33:05So let's nobody waste no time in that department.
33:10Well, I had to say something.
33:12You know how musicians are.
33:21Oh, that's got to be Lover Brown.
33:23It's got to be Lover Brown.
33:24Have no fear, fellas.
33:26Lover Brown is here.
33:27Lover Brown is here.
33:28Lover Brown is here.
33:29Lover Brown is here.
33:30Snooze!
33:32How are you?
33:33Oh, you've got to be young talent.
33:40Oh, Lover Brown, bless you.
33:43Oh, bless you, honey.
33:48You are a sight for sore eyes.
33:51Who's the gentleman?
33:53Oh, that gentleman, that's my manager.
33:55You know, I can't go nowhere without him.
33:57You know how it is when you become a star,
33:58you have accountants and managers.
34:00And wardens and guards.
34:03You old Gunniff, you've been bigamizing.
34:06Yeah.
34:07You know, come hereafter, you're going to be in big trouble,
34:10but in the meanwhile, suppose you play me a fast one.
34:12Well, you said the word.
35:02Oh, you are aERI.
35:03You called the Cubcase.
35:03Go on, go, go.
35:03Go on, go, go.
35:04Go on, go.
35:04Go, go.
35:07Go on, go.
35:09Go, go.
35:31Hello?
35:33Buzz?
35:34How's it going?
35:37Did you find the king?
35:39I don't know.
35:41Oh, but you do have a lead on him.
35:44Good.
35:45Now listen, when you find his...
35:47treat his majesty with respect, you hear?
35:50And don't let him scare you none, just cause he's the king of Loomis.
35:54And Buzz, hurry home, please.
36:19Officer, I was told I could find a man here that works on the mall by the name of King
36:23Loomis.
36:24Somebody gave you a wrong steer.
36:26This mall's a public place.
36:28Nobody works here.
36:40All year's business.
36:42Any questions too?
36:43No, no hi, no.
36:46No, no, no, no.
36:48No, no, no, no, no, no.
36:51All year's supposed to pass.
37:10Let's go.
37:22Let's go.
37:36Shine, mister.
37:46That's the whole story, King.
37:48All of the other guys should be there by now, all of them.
37:51So if you wrap up that jazz, we can get there before the afternoon's over.
37:55I'm not going with you.
37:57Can't go, that's all.
38:00Can't?
38:02You mean you just don't give a flying yap, is that it?
38:05Please, I care very much about Jenny.
38:07Please, you give her my deepest affection.
38:10Oh, yes, love and kisses from a distance, that's it, huh?
38:14You don't understand.
38:16For me to go there now, it's asking too much.
38:20No, I don't understand.
38:22Do you think it was easy for those other guys to just pick up and go just like that?
38:26Everybody's got responsibilities, obligations.
38:29A.C. and Snooze and Horace and Lover had to lie his way out of jail.
38:32So what's asking too much?
38:37Oh, boy, this is a very funny bit.
38:39You know, I was the one that told Jenny that after 30 years, people change.
38:43But I got to tell you something.
38:45Out of all the guys in the band, you're the last guy that I thought would end up just not
38:49caring.
38:50You're asking me to do the one thing that'll destroy me.
38:53The one thing.
38:55Drinking, that didn't destroy me.
38:57Bad luck, bad health, didn't destroy me.
38:59My wife, my family, they left me and they should have.
39:02Even that didn't destroy me.
39:05But for me to play for Jenny and those guys, that will destroy me.
39:16I was good.
39:18Very good once.
39:20I picked up a horn and don't even own my horn anymore.
39:29When the liquor was getting to me, I pawned everything I had to buy a bottle.
39:34Then another bottle.
39:36The horn was the last thing to go.
39:39It's hanging in the window of a pawn shop right around the corner from where I live.
39:44You know, every morning when I come to work, I walk seven blocks out of my way,
39:49just so I don't see that horn hanging in that window.
39:52I'm sorry, King.
39:54It's just that, well, I know it'll break Jenny's heart if I show up empty handed.
39:59No lip left.
40:03By the time I learned to stay away from the bottle, oh, I whipped it.
40:07I whipped it.
40:07One day at a time, but I whipped it.
40:10But by then it was too late for anything else.
40:14But how, how, how's a man going to play without being in shape, without a lip?
40:21No, mister, you forget it.
40:24I need every bit of the strength I got just to survive.
40:28Jenny'll understand that.
40:30Sure, she'll understand better than anybody.
40:33You see, it's taken all her strength to survive, too.
40:36Just long enough to see the six of you one more time.
40:44Okay, King.
40:45The man's got his pride.
40:47Sure, sure.
40:48You're entitled.
40:49Now what the...
40:50Mister, it's a lie.
40:52I've been lying to you, lying to Jenny, lying to myself.
40:55It ain't pride, mister.
40:58I'm...
41:00I'm just so afraid to touch that horn.
41:06Yeah.
41:08Is there anything you need?
41:33Come on, can I?
41:36Well...
41:36Come on.
41:38No.
41:43No.
41:45No.
41:46No, no.
41:46No.
41:46No, no, no, no.
41:48No, no, no, no.
41:48No.
41:51No, no, no, no, no, no.
41:52No, no, no, no, no.
41:53Let's get it.
41:54Oh, God.
41:54Yes, sir.
41:55Thanks, sir.
41:55No.
42:07¶¶
42:41¶¶
42:43Now, don't you fret, Buzz, darling. Jenny knows you did your best.
42:48¶¶
43:11¶¶
43:15¶¶
43:16Great. Just great. Lover, you know you got that what the French call, um...
43:25¶¶
43:25¶¶
43:26¶¶
43:26That's what you got. That's a true snooze.
43:31¶¶
43:32I just asked for a simple answer. You didn't have to make a whole speech out of it. You know,
43:37you're getting to be such a blabbermouth in your old age.
44:01¶¶
44:04¶¶
44:05¶¶
44:07¶¶
44:07¶¶
44:13¶¶
44:14¶¶
44:15¶¶
44:16¶¶
44:16¶¶
44:16¶¶
44:17¶¶
44:42¶¶
44:44You had no right to do that.
44:46Here, take it back.
44:50It's not mine, King.
44:52You can take it back to the hock shop if you want to.
44:55You had no right.
44:59Didn't you even open the case?
45:01No, I didn't open it.
45:03I told you, I'm even afraid to look at that one.
45:08Jenny, I came here to see you.
45:12I can't play anymore.
45:14I can't.
45:16I hope you don't ask me.
45:18Oh, King, you know, I would never ask you to do anything you didn't want to do.
45:23But I'm glad you're here.
45:26The six of you, all six of you.
45:30At last, my family is back with me again.
45:34Now.
45:37God bless you, Buzz.
45:40And you too, Todd.
45:44And thank you, dear Lord.
45:52Jump in, Ace. Water's fine.
46:04Madam, if you will.
46:06Rock me.
46:09Rock me in your arms to sleep.
46:13Darling, you said it.
46:16Rock me.
46:19Rock me.
46:20Rock me in your arms to sleep.
46:23I may yet lose my mind.
46:25Cause when I feel your arms around me.
46:29Oh, I sleep so deep.
46:33Good night, sweet blues.
46:35Go, dear boy.
46:37Lock me.
46:39Lock me.
46:40Lock me in your arms so tight.
46:42You know, I once had eyes for you.
46:45Now she tells me.
46:47Lock me.
46:49Lock me in your arms so tight.
46:52Wait for me.
46:53I'll be out in five months.
46:55Bear Bagatelle.
46:56When I feel your arms around me.
47:00Oh, I sleep just right.
47:03Good night, sweet blues.
47:05Nag me, honey.
47:08Been waiting for you.
47:10Pacing the floor.
47:13Haven't slept a wink as yet.
47:17Waiting for you to walk through the door and say.
47:23Darling, did you wait up for me?
47:26Waited up for all of you.
47:28You better rock me.
47:30Rock me in your arms to sleep.
47:35Look how walls of Jericho.
47:37Rock me.
47:40Rock me in your arms to sleep.
47:47Cause...
48:09Jenny, Mom, huh?
48:18Play it out good.
48:20To the end.
48:21Like she did.
48:52You better rock me in your arms.
48:54You better rock me in your arms.
49:01You better rock me in your arms.
49:06You better rock me in your arms.
49:09You better rock me in your arms.
49:11You better rock me in your arms.
49:12You better rock me in your arms.
49:12You better rock me in your arms.
49:12You better rock me in your arms.
49:12You better rock me in your arms.
49:12You better rock me in your arms.
49:12You better rock me in your arms.
49:13You better rock me in your arms.
49:15You better rock me in your arms.
49:17You better rock me in your arms.
49:27THE END
50:02This has been a Screen Gems film presentation from Columbia Pictures.
50:06Herbert B. Leonard, executive producer.