- 23 saat önce
Resim galerisi sahibi Eda ile şair eşi İdris, düşünsel anlamda uyumlu bir çift gibi görünseler de evliliklerinde cinsel bir mutsuzluk ve tatminsizlik yaşamaktadırlar. İdris’in iş için Paris’e gittiği bir gece Eda, alkolün de etkisiyle ortak arkadaşları olan ressam Erdal ile yakınlaşır ve bu gece zamanla iki taraf için de vazgeçilmez bir tensel tutkuya dönüşür.
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YaratıcılıkDöküm
00:00:30When will this excavation be finished?
00:00:31This excavation has been going on for thirty years.
00:00:33It won't be finished for at least thirty years.
00:00:35But I won't continue.
00:00:37I'll come back with you tomorrow, and from then on I'll always be by your side.
00:00:41Think carefully.
00:00:42You are making this promise in front of Poseidon.
00:00:44That's not Poseidon.
00:00:46Just an ordinary river god.
00:00:48According to the legend, there were two lovers who loved each other very much.
00:00:51The goat-footed god was jealous of their happiness and wanted to separate them.
00:00:55The lovers had brought oil to the river god.
00:00:57And he transformed them into two streams, side by side.
00:01:00They gathered in Obada and mingled together in the sea.
00:01:03Can you do the same thing as me?
00:01:06Can you dare to be together in death, the only true companionship?
00:01:10I ask before the river god.
00:01:12Will you commit suicide with me?
00:01:43Thank you for watching.
00:02:13Thank you for watching.
00:02:16Subtitles M.O.
00:02:17Subtitles M.O.
00:02:18Subtitles M.O.
00:02:20Subtitles M.O.
00:02:21Subtitles M.O.
00:02:23Oh no, I hope they haven't hit our car.
00:02:25Sir?
00:02:26I hope they didn't hit our car.
00:02:29What?
00:02:29It's not visible from here.
00:02:30Where did I notice it?
00:02:32What are you saying, my cat?
00:02:34Didn't you hear the noise?
00:02:36They crashed into a car.
00:02:37Are you taking aspirin again first thing in the morning?
00:02:40Nothing will happen.
00:02:42Of course you drank until three in the morning.
00:02:46Look into her eyes, they're bloodshot.
00:02:48You love my poems, though.
00:02:49What does that have to do with anything now?
00:02:52Could such poems be written with such a shameful mind?
00:02:56And how are you going to fix this world?
00:03:01Are you a cat?
00:03:02No.
00:03:04Then give me a cat kiss!
00:03:09Again.
00:03:12Again.
00:03:16Come on, you're running late, come for breakfast.
00:03:19I can't come.
00:03:20I feel nauseous.
00:03:21Then you might as well drink the orange juice.
00:03:23I can't drink that either, I've had enough coffee.
00:03:25Let's have one last cat kiss.
00:03:31Drive carefully.
00:03:33Don't forget to eat lunch.
00:03:34Don't drink alcohol at lunchtime.
00:03:36Have you ever been in an accident in your life?
00:03:38Did you forget to eat lunch?
00:03:40No.
00:03:41Have you ever had lunch without wine?
00:03:43Boo.
00:03:51If you can stop by around this time on Thursday
00:03:53I can show you the entire collection.
00:03:55So, can't I see what's happening here right now?
00:03:58Of course, Yasemin, would you mind helping the lady?
00:04:00Please come this way.
00:04:03Welcome, Erdal.
00:04:05Thank you.
00:04:06Did I order coffee?
00:04:07I am nothing.
00:04:08I'll be staying for a very short time.
00:04:10I just dropped by to say hello.
00:04:12I am good.
00:04:12How are you?
00:04:14Did you continue after we left that night?
00:04:16I still haven't recovered.
00:04:18They're savages.
00:04:19It was already morning.
00:04:20Where did you go?
00:04:21Mr. Şeref invited us all to breakfast by the Bosphorus.
00:04:23The champagne bottles have been opened.
00:04:25From there, he invited her to his yacht, but...
00:04:26that silly joy got an upset stomach
00:04:27We couldn't go.
00:04:28That's very rude, Erdal.
00:04:30Do you know how much that girl loves you?
00:04:32Yeah.
00:04:34Anyway.
00:04:35What's the news from the devil?
00:04:36Has he finished that long poem you mentioned?
00:04:38No.
00:04:39He's still working on it.
00:04:41What beautiful poems your husband writes!
00:04:42But what a fantastic guy I've found, haven't I?
00:04:45Like that.
00:04:48Eda.
00:04:49Should we postpone my exhibition?
00:04:51I probably won't be able to manage it.
00:04:52We will be meeting with the children again this evening.
00:04:54That's impossible, Erdal.
00:04:55You know, announce the program.
00:04:56Okay, okay.
00:04:57I know the rest.
00:04:59Ready on time.
00:05:01I guess I'll go and work there too.
00:05:03Alright.
00:05:06Will you stop by this evening?
00:05:07I don't think so.
00:05:08Idris will be working tomorrow.
00:05:09I'm a little tired too.
00:05:10Maybe this weekend.
00:05:11Ok.
00:05:12I'll call you.
00:05:12Bye.
00:05:34Are you finished?
00:05:37Mayerling piece.
00:05:39Great.
00:05:40Only you could have written this.
00:05:41Read it.
00:06:05Darling, it turned out so beautiful.
00:06:10It turned out great.
00:06:17I'm so glad to be with you.
00:06:20It's good that.
00:06:22It's good that.
00:06:24It's good that.
00:06:26It's good that.
00:06:39Excuse me.
00:06:42Honey, why don't you go to a doctor?
00:06:44I'm not going.
00:06:45Because he won't cut back on drinking, but I won't either.
00:06:49Don't drink too much at lunchtime, dear.
00:06:50I'm going to make a cat.
00:07:04Honey, we're meeting up with Erdal and his friends this evening.
00:07:06Don't forget.
00:07:07Do you come right there?
00:07:09Unless something unexpected happens, I'll be there at seven.
00:07:11Red vine.
00:07:12Bye.
00:07:17Yes.
00:07:24Yes.
00:07:27Yes.
00:07:57Thank you for watching.
00:08:13Thank you for watching.
00:08:41Thank you for watching.
00:08:59No, that's not possible. Thank you for watching.
00:09:07Thank you for watching.
00:09:08You were like this when you were a child too.
00:09:11I was the one who misbehaved.
00:09:12You would take the blame.
00:09:14It had nothing to do with enjoying suffering.
00:09:16I couldn't bear the thought of them punishing you.
00:09:19That's great, Eda!
00:09:21You're doing the same thing again.
00:09:23So that Idris won't feel any pain.
00:09:24You're hurting yourself.
00:09:26Of course.
00:09:26Erdal Bey is calling you.
00:09:28Okay, connect me, Yasemin. Sorry, Eda.
00:09:32Sir.
00:09:33Yes, it's me.
00:09:35I'm fine, thank you. How are you?
00:09:37I'm glad, it means you're determined to finish it.
00:09:40Yes, we're coming.
00:09:41We'll be there at seven.
00:09:43Okay. See you later, Erdal.
00:09:46Will you come this evening too?
00:09:48I'll also get to meet your boyfriend.
00:09:50No, we can't come.
00:09:52We're invited somewhere tonight.
00:09:53What do you think of my suggestions?
00:09:55Get away from me, Eda.
00:09:58He's not for me.
00:09:59You know.
00:10:01Ok.
00:10:02However you like.
00:10:04I am going.
00:10:06Don't worry if you can't call in the coming days.
00:10:08You know I need to go to camp.
00:10:10I need to finish the decoration in ten days.
00:10:12Okay honey, I'll call you.
00:10:13Take care of yourself.
00:10:14In you.
00:10:28Thank you for watching.
00:10:51Let's see if we'll run into any of our kids here.
00:10:55Hello lovebirds.
00:10:57Hello.
00:10:59Hello.
00:11:01Good evening.
00:11:02Good evening.
00:11:03Aren't you going to get divorced?
00:11:04No, we're not getting divorced just for the sake of it.
00:11:06We're over there, come join us.
00:11:07Never mind, dear.
00:11:08That's a very intellectual table.
00:11:10Let's stay here.
00:11:11Okay, good evening.
00:11:12Good evening.
00:11:12It's so crowded here tonight, Ayşe.
00:11:15You are right.
00:11:16Can't you see? Because you're also narrow-minded.
00:11:18Am I the one with the old mindset?
00:11:19Ok.
00:11:20Ok.
00:11:21You don't like my films, but I admire your poetry.
00:11:25Would you read one of your poems?
00:11:27I didn't say I didn't like your films, but if that's how you interpret them, I can't interfere.
00:11:33When it comes to reading poetry.
00:11:37Idris, could you please tell Mr. Aykut?
00:11:40Aykut doesn't write poems that can be read aloud.
00:11:43Then, Master, please read us one of your poems.
00:11:46My poems aren't suitable for being read aloud either, Aykut.
00:11:49Come on, poetry is supposed to be read with a booming, resounding voice, as far as I know.
00:11:53Isn't that right, Erdal?
00:11:55Excuse me, I didn't understand what you asked.
00:11:56Shouldn't poetry be read with a resounding, booming voice?
00:11:59I suppose that's how the poems you know are.
00:12:06Eda, will you dance with me?
00:12:08Come on, let me save you.
00:12:18In his new film, he lambasts these arrogant intellectuals.
00:12:22Don't misunderstand, Idris is different.
00:12:24Wives like Leyla, for example.
00:12:27Genderless arrogant person.
00:12:28I call women women like you.
00:12:32You've been my friend for all these years.
00:12:34I'm telling you this for the first time.
00:12:37Now, when you dance, you're sending such an electric current through my body.
00:12:42Electric current with a single pole.
00:12:44I'm hearing this for the first time.
00:12:47Don't disregard me.
00:12:48Actually, I'm an intellectual too, but I don't show it.
00:12:52That's what true gentlemanliness is all about.
00:13:03I've started writing a long review, Idris.
00:13:05Its title is "The Rise and Fall of Turkish Poetry".
00:13:08I think that today in Türkiye, only İdris is writing truly authentic poetry.
00:13:11Isn't that right, Idris?
00:13:13Erdal, never praise one poet in the presence of another.
00:13:16Although it may not seem like it, we are similar to painters.
00:13:19Erdal, get Eda away from that thorny bush so she can enjoy dancing.
00:13:47Thank you, sometimes it's unbearable.
00:14:04Good night, Idris.
00:14:06Goodbye.
00:14:08Goodnight.
00:14:09Thank you.
00:14:12What a night it was!
00:14:14Come on, let's go to bed right away.
00:14:16You go to bed.
00:14:17I need to write something.
00:14:19If you don't write it down now, he'll forget.
00:14:20Please don't drink too much.
00:14:22You'll be drinking at Güzin's party tomorrow as well.
00:14:23Okay, don't worry.
00:14:31Here you go.
00:14:37Here you go.
00:14:39Myrtle.
00:14:46Here you go.
00:14:48Thank you.
00:14:49Thank you.
00:14:50Myrtle.
00:14:53Thanks.
00:14:59His new film features a scene in a Bourgeois house.
00:15:02Can I use this place, Güzin?
00:15:03The shoot lasts a maximum of two days.
00:15:05I made that mistake once, I won't do it again.
00:15:08Why?
00:15:10It takes a week to clean up the house after you leave.
00:15:13No, don't worry.
00:15:14We use it carefully.
00:15:15You'll find the house exactly as you left it.
00:15:16If you want a typical Bourgeois house,
00:15:18I don't think this is a very suitable place.
00:15:21I think this place is like...
00:15:22A fallen aristocratic house.
00:15:26One could say so.
00:15:26If this is how you look when you're down...
00:15:54If this is how you look when you're down...
00:15:56They are drinking their coffee.
00:15:58The coffee shop owner says they were joking and laughing on the grass.
00:16:03At the appointed time, another gunshot was heard.
00:16:06And then, immediately after that, the second one explodes.
00:16:08Kleist pulls his wife right into his heart.
00:16:11And to the other one, into his own mouth.
00:16:12His hand didn't tremble at all.
00:16:13He knew how to die better than to live.
00:16:16If you want, I'll commit suicide with you in six months.
00:16:21Why six months?
00:16:22I can't die before my book is published.
00:16:24I'm not a stranger.
00:16:26I'm starting to get tired of this gallery business.
00:16:28It's better than a government job, of course, but...
00:16:30...still a monotonous job.
00:16:32I don't know, they have no surprises.
00:16:33If you can't sell a single painting at the exhibition, then you'll see the surprise.
00:16:36Is that even possible?
00:16:37You create very beautiful paintings.
00:16:39I'm sure Joe will be sold.
00:16:41When can I come and see what they've done recently?
00:16:43I'll call you.
00:16:44We'll have my first exhibition at your place, won't we, Eda?
00:16:47Maybe, why not?
00:16:49First, you finish school...
00:16:51Why?
00:16:52Is graduating from school a requirement to open an exhibition?
00:16:54Of course not, Neşe.
00:16:56Don't you know Erdal?
00:16:57He's making fun of me.
00:16:57Actually, the first thing I'll do as soon as school ends is head south.
00:17:01At least for a moment.
00:17:03I'm really looking forward to a vacation too.
00:17:06If only we could escape for a week...
00:17:08...actually we can go to Edirne.
00:17:10Jasmine's gallery will last a week.
00:17:12It could be.
00:17:13I'll check my work situation on Monday.
00:17:15You know, there's a possibility I might go to Paris.
00:17:17How many months has it been around?
00:17:19They keep postponing it.
00:17:20That's a good idea.
00:17:21If you go, we'll come too.
00:17:22That would be great.
00:17:23I can't come.
00:17:24I have exams.
00:17:27Okay then, I'll come.
00:17:28Erda, how are you getting here?
00:17:31With my canvases and paints.
00:17:32Idris, don't let them send you to Paris just yet.
00:17:35Let's go south together.
00:17:36I'll buy the tickets tomorrow.
00:17:38Okay, my cat.
00:17:39Let's wait until Monday.
00:17:42Hooray!
00:17:42We're going to Yine.
00:17:49Good morning.
00:17:50Good morning, Mr. Ediriz.
00:17:51I brought this from the general headquarters.
00:17:53Thank you.
00:18:12Could you please connect me with the job?
00:18:14Alright.
00:18:21Welcome to the art gallery.
00:18:24I'll give it to you here.
00:18:25Have a nice day.
00:18:27I'm looking for you, Mr. Ediriz.
00:18:28Thank you, dear.
00:18:30Hi darling.
00:18:32No.
00:18:34So how long will you stay?
00:18:37Oh, a month?
00:18:40What if I came with you and stayed for ten days?
00:18:42I never thought I would have time outside of work.
00:18:44We are both in Paris, separately.
00:18:46Come if your heart can handle it.
00:18:50We'll talk to the cat tonight.
00:18:51I have a lot of work to do.
00:18:52Tell Erdal to call him now and not buy any tickets.
00:18:56And I you.
00:19:01Welcome, Eda sister.
00:19:02I was just leaving too.
00:19:03Thank you.
00:19:04Please pick up these packages.
00:19:06Thank you.
00:19:12I cooked all the dishes.
00:19:14God bless your hands.
00:19:15Good evening.
00:19:16Good evening darling.
00:19:23So you want to go to Paris without me, Mr. İdris?
00:19:26You're right.
00:19:27I would do the same thing if I were in your place.
00:19:29Don't talk nonsense.
00:19:31I'm just kidding, darling.
00:19:32I thought about it and you're right.
00:19:34Even our bedtimes and wake-up times won't match.
00:19:36It will be bad for both of us.
00:19:39We'll head south together as soon as you get back.
00:19:41We'll get off, come on.
00:19:42Then we'll go to Paris at the first opportunity.
00:19:44We'll go.
00:19:45And we'll walk all over the city, kissing each other under the chestnut trees.
00:19:49Just like three years ago.
00:19:50Just like three years ago.
00:20:08You're here.
00:20:09I was so afraid I wouldn't make it.
00:20:11We said goodbye this morning, cat.
00:20:13Why did you come?
00:20:14Okay, I'm here now.
00:20:15If you have everything you need, it won't be too late.
00:20:16Don't come to the airport this time.
00:20:17We have to leave there.
00:20:19I'm useless.
00:20:20TRUE.
00:20:21Okay, I'm not coming.
00:20:22Did you pack everything on the list in your suitcase?
00:20:24Yes, don't worry.
00:20:26Go out and about a lot while I'm away.
00:20:28Don't sit home alone and get bored in the evenings.
00:20:31Okay, so I'll conclude.
00:20:33Will there be too much drinking there, Idris?
00:20:35Alright.
00:20:37Goodbye and God bless you.
00:20:39Goodbye, my dear.
00:20:40Have a good journey.
00:20:57Yes, what do you say?
00:20:59Figurative relationships based on rhythmic and rapid movement that define organizational formations are units that aim to integrate the figure with its environment.
00:21:06With the defining rhythmic patterns and the proliferation and transformation of changes, the pictorial action is characterized by a free-flowing interplay of motifs between abstract and figurative impressions.
00:21:15It is also not far from being the organic target of a surface ferocity that reaches random forms between uncertainty and deformation through its distribution.
00:21:27Adam wrote these for his last exhibition.
00:21:29Leave that aside for now, tell me if you'll be able to get the pictures ready for the opening.
00:21:33Yes, yes, absolutely.
00:21:35I feel relieved.
00:21:37I'm sure it will be a great exhibition.
00:21:39You draw such beautiful pictures, Erda.
00:21:41I wish I could be creative too.
00:21:43I envy people like you, like Idris.
00:21:46Your existence has meaning.
00:21:47Eda, you are one of our sources of inspiration too.
00:21:50To make fun.
00:21:52I think that apart from my time with Idris, there's not much else that gives me joy in life.
00:21:59I'm growing old without ever creating anything meaningful.
00:22:03Let's leave these dark feelings behind and go somewhere for a drink.
00:22:06That would be great.
00:22:07I need it too.
00:22:08I'll call Neşe too.
00:22:09Call now.
00:22:26Hi, how are you?
00:22:29Why?
00:22:30What happened?
00:22:33Eda and I are dating now.
00:22:35Aren't you coming?
00:22:40My daughter, grow up a little now.
00:22:42Okay, fine, you can call me whenever you want.
00:22:45So what?
00:22:49We're dealing with kids, you know.
00:22:51It became a problem because he came home late a few days ago.
00:22:53He can't go out tonight.
00:22:54Have they still not resolved their parenting issues?
00:22:57She's a girl with a strong personality, though.
00:22:59Is her family conservative?
00:23:00No, they're supposedly very enlightened people.
00:23:03Don't you know these things?
00:23:04Our generation had already overcome those kinds of problems by that age.
00:23:08Neşe doesn't have a personality at all.
00:23:10She's a very passive girl.
00:23:11He plays it among us.
00:23:13They have no rebellions.
00:23:14At that age, we rebelled against everything.
00:23:17My sister and I had even kept our distance.
00:23:19We earn our own money.
00:23:20That's the whole point.
00:23:22Economic freedom is the key to everything.
00:23:24Even though we might make fun of some things now, our generation was different.
00:23:33Thank you for watching.
00:24:00Thank you for watching.
00:24:04So now you're a bachelor?
00:24:07No, he's a late summer bachelorette.
00:24:09Whatever that means?
00:24:10So, are you thinking about flirting too?
00:24:12If you're thinking about it, I'm ready to be your accomplice.
00:24:15Aykut, even if I were to commit such a crime, you would be the last person I'd choose as an accomplice.
00:24:19Stop.
00:24:20Did you hear?
00:24:21I deliberately used the word crime, and it came out into the open.
00:24:25I consider this a crime.
00:24:27Where is your broad-mindedness now?
00:24:28Didn't you say you were in favor of freedoms?
00:24:31Aykut, you're talking nonsense.
00:24:33What does that have to do with anything?
00:24:35Yes, what does that have to do with anything?
00:24:37Of course it's related.
00:24:38They seem very harmonious and happy, but they are corrupt.
00:24:42The great poet İdris Üstün Bey is going to Paris to organize an exhibition as an art consultant for big capital.
00:24:48Who knows what kind of people are stirring things up there?
00:24:51His beloved wife is hanging out in bars here.
00:24:54Her wild dance moves attract everyone's attention.
00:24:57But when it comes to taking action, they suddenly become paragons of virtue.
00:25:02Their thoughts and actions are completely inconsistent.
00:25:06I think you should continue now, Aykut.
00:25:08Then you can't get away with it by saying you were drunk.
00:25:10Eda, stop this nonsense.
00:25:13Hang out with me for a bit.
00:25:14Live your life.
00:25:16You don't know.
00:25:17I am a very good person.
00:25:19Ask the women I've been with.
00:25:21How much do they like me?
00:25:22You'll realize when he/she is annoying.
00:25:25Am I leaving or are you?
00:25:27We're leaving, Eda.
00:25:29I've been invited to a wild party.
00:25:30All sorts of crazy things happen.
00:25:32Come and have fun if you want.
00:25:34Anywhere we could go right now would be more fun than here.
00:25:37Goodbye, Leyla.
00:25:41Will you come, Erdal?
00:25:43I'll come.
00:25:45I'll leave right away, otherwise I'll beat him up.
00:25:57We are what we will be.
00:26:01That's unbelievable.
00:26:20If I'm nervous, it'll pass if I have a drink.
00:26:45Do you want some too?
00:27:04Thank you for watching.
00:27:45Thank you for watching.
00:28:04Thank you for watching.
00:28:05Sir?
00:28:07What?
00:28:08Is it a quarter to twelve?
00:28:10I had completely forgotten.
00:28:12Yasemin, stall the man for a while when he arrives.
00:28:14I'll be there in half an hour.
00:28:16Ok.
00:28:25Good morning, I have to go immediately.
00:28:27I must leave immediately.
00:28:27I had an appointment at 12.
00:28:31Shall we meet this evening?
00:28:34Ok.
00:28:54From what I understand, you've decided on all three.
00:28:56Yes, I'll think about the others a bit more.
00:28:59You were upset about missing out on that picture, but rest assured, you got even better ones today.
00:29:03You're right, Ms. Seda.
00:29:05Thank you very much for your interest.
00:29:06You're welcome, I can send them tomorrow.
00:29:08Please give the photos to the child who brought them.
00:29:11Of course.
00:29:12Good day, Ms. Eda.
00:29:13Have a good day, we look forward to our next exhibition.
00:29:15I'll definitely come.
00:29:16Goodbye, Ms. Yasemin.
00:29:17Goodbye, sir.
00:29:17Let me see you out.
00:29:24Bye.
00:29:25We'll be waiting again.
00:29:26Thank you very much.
00:29:35Can I go out for dinner now?
00:29:36Of course.
00:29:37I'm sorry I delayed you.
00:29:38You're welcome
00:29:51What did I do?
00:29:52And with Erdal too.
00:29:54I need to talk to him right away.
00:30:02This should end here, as if it never happened.
00:30:10Hello.
00:30:12Oh, is that you, Erdal?
00:30:14I was about to call you too.
00:30:17Let's meet somewhere where we can talk alone, just the two of us.
00:30:23Ok.
00:30:24From seven.
00:30:44You were so cute, please.
00:30:48No.
00:30:49I'll call him again.
00:30:51Thank you.
00:48:30Would you like a drink?
00:48:32A white wine, please.
00:48:51I'll go change into something comfortable.
00:49:00I'll be leaving Vim Uftar for the Contrast Heart Square.
00:49:03As I was passing by the Church of Sammada, divine music emanated from inside.
00:49:08I rushed into the church.
00:49:10The Orc and the Children's Choir.
00:49:11I sat there with my eyes closed for about 20 minutes.
00:49:15I cleansed my soul.
00:49:16Which one was Semmedar? I forgot.
00:49:18Famous church.
00:49:19Terrible things happened there during the Middle Ages.
00:49:22The nuns were possessed by demons.
00:49:24It's a mass menphobic crisis.
00:49:27Speaking of mass crisis, that reminds me.
00:49:30My birthday is next Sunday.
00:49:32I'm throwing a fantastic party in the studio.
00:49:34Every crazy person will be there.
00:49:36Would you also come as representatives of reason and harmony?
00:49:40I have nothing to say.
00:49:42What do you say, cat?
00:49:45I don't know, maybe.
00:49:48If you don't mind, I'm going to bed.
00:49:50I am very tired.
00:49:52I should get up too.
00:49:54You sit down, it's still early.
00:49:56I thought you were going to go to bed early too.
00:49:58Alright.
00:49:58Goodnight.
00:50:00Good night, Erdan.
00:50:02Goodnight.
00:50:03I'm waiting, Eda.
00:50:06Wearing black was mandatory at the party.
00:50:10That's the mind of the person who dug it up.
00:50:12Ok.
00:50:12Since we have no other choice, we'll come dressed in black.
00:50:15That's a good thing.
00:50:17...
00:50:25Thank you for watching.
00:51:08Thank you for watching.
00:51:46Thank you for watching.
00:51:57Thank you for watching.
00:52:27Thank you for watching.
00:53:16Thank you for watching.
00:53:18I'm sorry, I couldn't.
00:53:19I'll be more careful from now on.
00:53:49Thank you for watching.
00:53:50Bride Mustafa Efendi, the pictures are here.
00:54:03Erdal, aren't these all of them?
00:54:04Yes, you can have these.
00:54:06Please be careful.
00:54:07Don't worry, sister.
00:54:27Stay still, the men will be here.
00:54:29Stay still, the men will be here.
00:55:04You stay.
00:55:05You stay, they'll herd you.
00:55:06I can't stay.
00:55:30What would happen if you didn't object for once?
00:55:32What would happen if you didn't object for once?
00:55:33What would happen if you didn't object for once?
00:56:01What would happen if you didn't object for once?
00:56:12What would happen if you didn't object for once?
00:56:14What would happen if you didn't object for once?
00:56:29What would happen if you didn't object for once?
00:56:30What would happen if you didn't object for once?
00:56:30Why doesn't he object just once?
00:56:40Okay, let me talk to those men.
00:57:12Thank you for watching.
00:57:32Thank you for watching.
00:57:44Of course I'm an animal too, since I'm with you.
00:57:59Damn it.
00:58:03Where did you put those?
00:58:09Give me the keys.
00:58:11Do you think you're attractive by doing things like that?
00:58:15Just because you hid the keys, does that mean I can't leave here?
00:58:18I'll break the windows and still get out.
00:58:20I will never come here again.
00:58:25Give me the keys, I'm telling you.
00:58:29You become incredibly beautiful when you're angry.
00:58:32I need to annoy you often.
00:58:34You're a complete third-rate fictional character.
00:58:37He was supposed to annoy me often.
00:58:44You'll make him pray.
00:58:45If you see him again, of course.
00:58:47Yes.
00:58:48I'm a third-rate character in a novel.
00:58:51You adore me too.
00:58:52No, I'm not fainting.
00:58:54Then why are you sleeping with me when you're in love with Idris?
00:58:57So it means you're finding something in me that you can't find in him/her.
00:58:59Don't deny it in vain.
00:59:00I hate you.
00:59:02I hate you.
00:59:05Do you understand?
01:08:02You look tired.
01:08:04I'm just tired of thinking.
01:08:06Your intense work schedule ends next week.
01:08:18If you want, we can hang out next week.
01:08:21How are you doing?
01:08:25Eda, I asked you a question.
01:08:29Sir?
01:08:31Excuse me, darling, I was thinking about something. What did you say?
01:08:34I was wondering if we could go on vacation next week.
01:08:36There is no obstacle from my point of view.
01:08:38From my point of view, no.
01:08:40The gallery's anniversary exhibition is approaching, but...
01:08:43...I think we can go for at least a week.
01:08:46I'll make a business plan.
01:08:48I'll tell you in a day or two.
01:09:11No.
01:09:14You're not going.
01:09:15But why?
01:09:18I'm telling you, in a civilized way, you can come if you want.
01:09:22I'm not civilized at all.
01:09:24I can't watch you sleeping with Idris for ten days.
01:09:28Therefore...
01:09:29...you...
01:09:30...you're not going.
01:09:31You can't interfere in my life.
01:09:36You're trying to control me.
01:09:39I don't like this at all.
01:09:41Ok.
01:09:45Do whatever you want.
01:09:48Go or stay, it's up to you.
01:09:51But if you leave, this relationship is over.
01:09:54Make your decision accordingly.
01:10:47Where are you going?
01:10:50Didn't we say we were going to have dinner together?
01:10:53I can't stay in a place where I'm being threatened.
01:10:57Let's just say you run away when you're cornered.
01:11:00What's your answer?
01:11:01Are you going on vacation or staying overnight?
01:11:04I'll let you know later.
01:11:11Now I want to know.
01:11:12Now, now I want to know.
01:11:14Now I want to know.
01:11:15Leave me alone, you're hurting me.
01:11:19I told you.
01:11:20Now I want to know.
01:11:22Now.
01:11:22Leave me alone.
01:11:23Leave me alone, are you crazy?
01:11:24Like this.
01:11:25Like this.
01:11:26Leave me alone, you sadistic man.
01:11:28Like this.
01:11:29Like this.
01:11:30Like this.
01:11:31Now.
01:11:32Now I want to know.
01:11:33Leave me alone.
01:11:33Like this.
01:11:34Now I want to know.
01:11:35Now.
01:11:36Now I want to know.
01:11:37Leave.
01:11:49Leave.
01:12:05Leave.
01:12:22Leave.
01:12:28Not human.
01:12:30Animal.
01:12:39Not human.
01:20:03You're taking them out.
01:20:05Okay, let's solve this problem fairly.
01:20:08Leave Idris.
01:20:09Just be with me.
01:20:11I just want to be with you.
01:20:14Have you lost your mind?
01:20:17I can never leave Idris.
01:20:18Wow!
01:20:20The lady has the right to demand certain things, but I don't.
01:20:23I did everything you wanted.
01:20:26This is the first time I'm asking you for something.
01:20:28I didn't force you to do anything.
01:20:32Make your decision.
01:20:33Either you leave Idris or you leave me.
01:20:38I'm leaving you.
01:20:42Good morning my baby.
01:20:45Bye.
01:20:47The lid is open.
01:20:48Get out.
01:20:52What can you say?
01:21:22Thank you for watching.
01:21:51Thank you for watching.
01:22:21Thank you for watching.
01:22:22Tell me you love me.
01:22:45Thank you for watching.
01:23:15Thank you for watching.
01:23:26Thank you for watching.
01:23:56Thank you for watching.
01:24:26Thank you for watching.
01:24:56Thank you for watching.
01:25:26Thank you for watching.
01:25:56Thank you for watching.
01:26:26Thank you for watching.
01:26:46Thank you for watching.