00:01When it's at the radio, when I arrive, I get my best.
00:05You are going to take the route non-control.
00:08At the end of this course, there is an information.
00:11I'm very happy to be here.
00:13You can find me, I'm amoureux.
00:16Yes, yes, s'il vous plaît.
00:18I'm a representative riche.
00:20I'm a minister.
00:23But, I'm...
00:24I said I'm located at Bouziba, he told me...
00:29It's normal.
00:31You're not there, it's not possible.
00:36I know.
00:41That's what we consume in the helicopter.
00:44Ah, yes, it's the quipombo-pombo.
00:49Yeah...
00:51We have the earth, we have...
00:55Dupi!
00:56Dupi!
00:58Dupi!
00:59Dupi!
01:00Dupi!
01:15Dupi!
01:17without looking at their origins.
01:20To this point, we think that the humour contributes to
01:25consolidate peace.
01:26You have read it, we have the habit of saying that we don't cry
01:30because we think that everything goes well,
01:32but we cry because everything has not yet réussi
01:35to remove this part of us who is looking for life
01:38even in the midst of these ruins.
01:40Today, we have a population of Bukavu,
01:43especially for the young generation,
01:45who is born in war.
01:47We need to tell them another future.
01:53Today, the humour is an element that allows
01:57to banalize the past, or at least
01:59to conjugate the past
02:02to the present of a serious future.
02:04If you want.
02:05You have to clap!
02:07Yeah, yeah, yeah.
02:08You have to clap!
02:11You're too excited!
02:12At the conference of the press,
02:13they put the buttons on the table.
02:17If you want to clap, you can clap!
02:19Ahhh!
02:23We can clap!
02:25We can clap!
02:26We can clap for all the musicians,
02:27all the musicians who are in the hall.
02:29We are precious.
02:30You can clap!
02:32You can clap!
02:34You can clap!
02:35You can clap!
02:35You can clap!
02:36You can clap!
02:37There's a lot of frustration coming from here.
02:39But with the organization
02:41that has made the Café Joye Binkabodjo,
02:44it was a good way to meditate.
02:47As I said earlier,
02:49it helped me feel even more close
02:52to see people who have taken a certain rhythm of life
02:56with the rain that has been provoked
02:59by some people who have surfaced on the scene.
03:02In the interrogation of the people,
03:03we always had three groups.
03:06The first group,
03:07the group of the internet.
03:09Justifiez votre réponse.
03:12It's all over 0,71.
03:17And there's some people who wear a big chemise.
03:22They say they're angry.
03:23They're very brave.
03:25Through what we do,
03:27we transmit joy.
03:28It's a key element to achieve peace.
03:31Beyond all that,
03:33what we do on the scene is not only to give up,
03:35we talk about issues about the theme of the people,
03:38topics that speak to the people,
03:39the topic of the interpellation,
03:42the topic of sensibilization.
03:43It's true that it's funny, but when the man who listened to the story goes back to the house,
03:49he goes to think, but when the man talked about this, he was really objective.
03:53He wanted to be sensitive to what questions?
03:55So it's the conservation of nature, so it's the peace, so it's the two, so it's the two.
03:59So when we talk about this kind of subject, it's for us a way to contribute
04:03to the peace in the West, and we hope that it will happen.
04:05First time, it's for us.
04:07First time, it's for us.
04:10First time, it's for us.
04:11First time, it's for us.
04:17The idea is that we can laugh from everything and everything.
04:21We call them Moïse.
04:24Moïse, the liberators.
04:25No, RAS, the liberators.
04:28This thing of crisis, what it does, it gives me joy.
04:32I am impressed, to know that it's a person who needs joy, that it's a person who needs joy.
04:39They are happy, they are very gluing.
04:43There there is the smile, there's joy,
04:45there'sachten,
04:46there is a smile, there is a good health, there is a good humor, there is a good health,
04:52health, health, heart, heart and heart.
04:55The people are going to get a little bit of it.
04:58Our artists arrive and they sleep there.
05:02They say, no, it's a journey, the transport costs a lot of money.
05:06Mr Demore, you are going to come to your spectacles.
05:09You are not going to be in front of me.
