00:00Welcome to IONS.
00:03Let's get started.
00:06When the film was released,
00:08there were many stories in social media.
00:11Some of the people have not liked it.
00:16Some of the actors who have worked in the past,
00:19who have worked in the past,
00:21who have worked in the past,
00:22who have worked in the past,
00:31who have worked in the past,
00:32and who have worked in the past,
00:32How do you see these comments?
00:36What is the case of Ramayana?
00:37Today, the social media,
00:39the church is Ramayana.
00:42They say Ramayana.
00:45I think I was the first actor to object for it.
00:47Ramayana doesn't have any word.
00:49It is Ramayana.
00:50Ramayana is our country,
00:52the Mahabharata is our country,
00:53the country is our country.
00:54We've been all engaged in our country.
00:59We've been all across the country,
00:59because we have learnt the language of our country.
01:03And we've taught them all about what we can do today.
01:08We have news and everything that we have.
01:09Today, the church is how the film is our country.
01:11The people and the mob are looking at it.
01:13The people who are looking at it are different,
01:14they have different views.
01:15They have some good stories,
01:16some bad stories,
01:17some bad stories.
01:19Some people have many comments to say.
01:24He said that there is a divinity in the film, but it is a VFX.
01:33Look, there is no mythological subject that doesn't make money.
01:40If you buy 4,000 crore or 10,000 crore,
01:43it is created by the people of God and the people of God.
01:48The first requirement of God is created by the people of God and the people of God.
02:16When you see these characters, it is larger than life.
02:22You always see the characters like the eye level.
02:27When you see the people of God, you see the people of God and the others.
02:31When you remember the people of God, you see the people of God.
02:34Because they are larger than life.
02:36I didn't see some clips in this Ramayana, but I didn't see some clips in this Ramayana, but I didn't
02:42say that I was not impressed.
02:44Because the language of the Kalaakar and the delivery of the Kalaakar,
02:50it was like a vacuum with an antriksht, and it was like a very loud voice.
02:58The God is not a small character,
03:00it's not a small character,
03:01it's not a small character that you can play and play.
03:05It was like a dialogue that the God has come from.
03:08It was like the people who have come from.
03:11In this picture, the clip of the Kalaakar,
03:15it was like the dialogue delivery of the Kalaakar,
03:20or something like that,
03:22the God doesn't say anything.
03:25The characters say something like that,
03:28that when they come from the Kalaakar,
03:30you have to think that the God is coming from.
03:33You can see the difference in the dialogue delivery of the Kalaakar and Ranbir Kapoor.
03:39Ranbir Kapoor is an actor to deliver the Kalaakar.
03:42The Kalaakar has made the dialogue delivery of the Kalaakar.
03:47He feels like the God's face,
03:49the face of the Kalaakar.
03:50So this is the same thing.
03:52What's the difference between the Kalaakar and Ranbir Kapoor?
03:57I know that if any character has an image in orderly,
03:58I think that there is no pathological character.
04:01Many characters have no role in orderly,
04:02but they have no role in orderly.
04:03Why is that it is already an image in orderly?
04:07Today I also say that
04:08I am again saying that
04:10That's why, before that, they will show up to us, but they will be used for the years.
04:15So, sadly, he will show up to us when he spent his festivities in the film.
04:19Then he will show up to us, when he will have another film.
04:24Because when he is already a star getting his image and his reaction.
04:27Sir,لك, think of the fact that he will show up on the next stage of the film as a
04:30very liberal and socialitarianism.
04:34So, do you think that Ramana's character can glorify the original moral values of Ramayana's original values?
04:44Definitely, because Ramayana is not a hero. Ramayana's hero is Ram.
04:52If you put the wrong draw, then I will see that when you hear this 40 minutes, the Ravan just
05:00looks like this.
05:02Ramayana's reality is Ravan's reality. This is the reality of the book of Ramayana.
05:08This reality is the reality of this reality.
05:11Even though it is not the reality, it's the reality of this reality.
05:21I think that you can definitely see the technicalities of the world.
05:27But why do we remember the people who were 40 years old who were born in Ramayana?
05:31Why do we remember the people who were born in Ramayana?
05:33Why do we remember the actors who were born in Ramayana?
05:36Because I think that it was made with the truth.
05:41I would say that in Ramayana and in Ramayana there is no soul.
05:45I was told that you didn't become the soul man.
05:47When you were born in Ramayana, you made many characters of the mythological.
05:54But when you were born in Ramayana, you wouldn't have realized that
05:57that you had a lager plan to create.
05:59That you would become the creator of Ramayana.
06:04Your favourite father of Ramayana's English is a powerful novel.
06:09But what do you think, is that you build stars.
06:12I will say that the stars are not able to do any mythological character.
06:20There is also a criticism that there was a sequence in which Sita is showing the demons.
06:28So some people are saying that it was not like this.
06:33Sita doesn't mean that it is not like this.
06:36It is not like this.
06:36It is not like this.
06:46We have also read the stories of Sita.
06:50But for the sake of Sita's work, if they have meditated, they do not have a spiritual spirit.
07:05All were warriors. Male, female, children.
07:09So, warrior means that Mother Sita has taught us all the lessons learned.
07:16If we don't have a word in our books, then we should not show it.
07:22Because our story is in our minds of people's minds.
07:29It could happen in the books, but it could not show it.
07:34It could happen in the books.
07:36It could happen in the books.
07:36It could happen in the books.
07:37But in mythology, the things that we have to do,
07:40do not do that.
07:42You have to give your liberty.
07:44Sir, Sunil Lairi, the role of Lakshmen in Ramayana,
07:48he says that the film is more power-driven and more devotion-driven.
07:52So, Ramayana, the cinematic spectacle of Ramayana,
07:58the spiritual essence and the emotional depth of the film?
08:01That's not the right thing.
08:01I would like to say,
08:04I'll give you a question in the book.
08:05I'll give you a question.
08:09I'll give you a question in the book.
08:09But if you have a question about divinity,
08:14or your opinion of the film,
08:18if you have a person in the book,
08:20you can't play any mythological character.
08:22You can't play any mythological character.
08:24You can't play any success.
08:25so that we have to do it.
08:27Why do you want to be 40 years before the world of Mahabharat or Ramayana?
08:32Because they just play the field of Mahabharat.
08:36They only play the field of Mahabharat.
08:39Why do you want to be 40 years before the world?
08:44Because they all have to play the field.
08:48I always say that when the subject of the universe doesn't come, the universe doesn't come,
08:54then the mythological character will be awesome.
08:58And especially our stars, they don't need to do it.
09:03They don't need to do it because they have an image.
09:06They may be fantastic actors.
09:08For example, Sita, who has Sita to roll.
09:12She's a fantastic actress.
09:14But she doesn't even know Sita.
09:16She's a great character.
09:17When I see her face, she's a great feeling.
09:21But even when she's a great feeling, I'm going to ask her.
09:26Personality is very important.
09:3050% of the game is personality.
09:33It's a look.
09:35When you look, it will be a look.
09:36And when you look and see it,
09:39you'll get 200% of the audience.
09:42Sir, you have made a role in Mahabharat in the U.S. history.
09:46Do you think that filmmakers should make a film by creating a creative liberty?
09:59Definitely, because people don't accept it.
10:03There is no wish to accept it.
10:06Look, I'm going to say that we can make a film by the Genobi-Nirmata Relations.
10:11Because they have a very good image of VFX.
10:15They have a very imaginary thing.
10:18VFX, which is a cartoon system for children's children,
10:22how do you all know?
10:24In this way, the VFX has a great use of VFX.
10:29It has a very good image of VFX.
10:31But when you don't feel like I am in this film,
10:41I am Ram.
10:43If I am Ram,
10:44then what will I do with my dialogue, walk?
10:48The king says that the king is a look.
10:50The king is a different from others.
10:55He is leading the entire society.
10:57That is the king.
10:59If the king is mixed with him, he will not call it.
11:02The king is a walk.
11:06There is a dialogue delivery.
11:09Assembled.
11:09Even when he is told, he is told.
11:12So those things are the body language, dialogue delivery,
11:16walk, dress-up, personality.
11:19All these things are mixed with a person.
11:22They are being mixed.
11:23That is a missing one.
11:24Ok.
11:25Sir, would you like to give a message to your fans?
11:29No, everyone has their choice.
11:32You don't have to give me anything.
11:35But I will try to see it again,
11:38so that I have more knowledge about what has been made,
11:44what has been made, what has been made.
11:46I haven't seen the film yet.
11:48I will try to see it again,
11:50and then I will talk about it again.
