Aftab Iqbal's classic shows, featuring his signature humour, sharp analysis, and unforgettable team moments. This clip is part of a curated archive showcasing the best segments from the past decade - including comedy skits, social commentary, and rare throwback moments.
all content is restored and uploaded for educational, entertainment, and archival purposes to preserve classic Pakistani television history.
#aftabiqbal #comedyclips #funnymoments #pakistanicomedy #laughtime #teamaftabiqbal #classiccomedy
#mohammedtanveer #pakclassicshub #tanveerrestorations #dailymotioncomedy #dailymotionurducomedy
all content is restored and uploaded for educational, entertainment, and archival purposes to preserve classic Pakistani television history.
#aftabiqbal #comedyclips #funnymoments #pakistanicomedy #laughtime #teamaftabiqbal #classiccomedy
#mohammedtanveer #pakclassicshub #tanveerrestorations #dailymotioncomedy #dailymotionurducomedy
Category
🎈
FunTranscript
00:00foreign
00:30foreign
01:00foreign
01:30foreign
02:00foreign
02:02foreign
02:04foreign
02:06foreign
02:12foreign
02:16praotha
02:18foreign
02:28you're a very talented woman.
02:38You're a very talented woman.
02:42You're a very talented woman.
02:54You're a very talented woman.
03:24You're a very talented woman.
03:26You're a talented woman.
03:30Oh if you don't know about this guy he liked him, he didn't know he didn't know.
03:34I can get a maybe?
03:36What about it?
03:38People come from here, but I don't know he didn't know.
03:40Yeah, you're a good guy.
03:42What about it?
03:44Oh yeah.
03:45I don't know what he's going on I don't know what he maybe has been getting on it.
03:47Vroom inside, you know.
03:48You can't have a fight for it.
03:50I'm trying to stop.
03:52I've never loved it.
03:54What's ever doing?
03:56I've got to go get on it.
03:58I am a god.
03:59I am a god.
04:00I am a god.
04:01No, no, no, no.
04:02You see your young.
04:03You are a hero?
04:04Where are you?
04:05Well, my god!
04:06Mashallah.
04:07Mashallah.
04:11He is a hero.
04:13I am a god.
04:14I am a god.
04:15I am a god.
04:16I am a god.
04:17You are not alone.
04:18You are not alone.
04:19I am a god.
04:21I am a god.
04:23I am a god.
04:24I am a god.
04:25Listen to me.
04:26You are a poor.
04:27No, you are acting.
04:28Who has said that this is acting?
04:30The shoes you have been wearing.
04:32Dance shoes.
04:33Golf shoes.
04:35Joggers.
04:36Joggers.
04:37It is a very common shape.
04:38It is a matching suit.
04:39It is a brownish suit.
04:40What is brownish?
04:41What is brownish suit?
04:42It is a pair of brownish.
04:44My love is my love.
04:46I am a god.
04:47I am a god.
04:48Sit down here.
04:49A theater of the absurd.
04:50It is almost like that.
04:52Thank you very much.
04:53I am not able to do this.
04:54This is Adam's family.
04:56It is a fine family.
04:57It is so bad.
04:58If anyone has seen someone's face,
05:02only one's bad behavior,
05:03it is very bad.
05:04If this is a bad situation,
05:05then it is more bad.
05:06If it is a bad situation,
05:07then it is bad.
05:08It is bad.
05:09If you have 4 minutes,
05:10if you had a pineapple juice,
05:11it is bad.
05:12You have a juice,
05:13you have a juice.
05:14This muscle is the ones that are cerebral, which is your own pineapple.
05:18I am concerned with this.
05:20Like, it is a secret that the heroines are the one.
05:24But he has a secret, but the other one has a secret.
05:27No.
05:29The subject is a desire for you.
05:32Really?
05:33So Idumina Kumar in Pakistan?
05:34Sir, it's about 14 years old when he's a character kid.
05:38He has a character.
05:40He has one of his own education.
05:42I'll see you soon.
05:44So, how are you?
05:46How are you?
05:48This is who I am?
05:50Who is who I am?
05:52I am a victim.
05:54I am not going to die.
05:56I will not die.
05:58I will die.
06:00I will die.
06:02What a matter?
06:04I will die.
06:06You will die.
06:08You are the raw.
06:10You are the real film.
06:12You are the real film.
06:14You are the real film?
06:16You are the real film.
06:18I am the real film.
06:20You are the real film.
06:22I will die.
06:24I will die.
06:26I will die.
06:28You will die.
06:30You are a sick person.
06:32Come on, you are the real.
06:34Welcome, sir.
06:36This is my love.
06:38I will die.
06:42I will die.
06:44You are sick of a fragility
06:46and they will die.
06:48You are sick of them.
06:50You will die.
06:52You will die.
06:54You will take the responsibility of that.
06:56You will give the film to me.
06:58You will die.
07:00You will come for your father.
07:02You will die.
07:04Ubeer!
07:07If you don't understand, this is not a director or director.
07:10I'm ready to put this film on a day.
07:13You're going to put it on my shirt.
07:15This film will be hit.
07:17That means that you don't know the film?
07:19No sir, this film won't be flopped.
07:21What? What is it?
07:22Because in the film industry, there's not so bad people in the industry.
07:27They're all bad people.
07:29I'm going to keep this guy's prepaganda secretary.
07:32Prepaganda secretary, look.
07:34PR-O, this is a prepaganda secretary.
07:37Listen to me.
07:38One minute, let me ask a question.
07:40Yes?
07:45This is the reason.
07:46This is the reason.
07:47My clothes are just Aishik.
07:49Aishik who?
07:50Aishik Chaudhary.
07:51Aishik Chaudhary.
07:53He's a journalist.
07:54He started working on his work.
07:56He was the one who used the color page.
07:58Yes.
07:59A famous newspaper.
08:01It's a famous newspaper.
08:02Hey, Aishik Chaudhary.
08:03You made the same newspaper.
08:04Where was the famous newspaper?
08:05No!
08:06But now he's still so good.
08:07She's now a studio and everything.
08:08They're all over the same.
08:09So he's not a journalist?
08:10No, sir.
08:11He's a lot of people.
08:13You're a very humble man.
08:14The fellow Donald Gullits...
08:15I'll tell you my ma,
08:16I'm taking a plane of your hair or something like that.
08:18I'll tell you.
08:19You're going to be the male of thesten.
08:20I'll tell you my sister.
08:21You're a friend.
08:22Oh, my God, Raja!
08:23I'm going to take a look at Ronald Olich Pandya's.
08:28Shabanan Amiri.
08:29What are you doing?
08:30This is a new style.
08:31I'm Shabanan Amiri.
08:37This has changed me.
08:39Shabanan Amiri.
08:41I'll put this world on this.
08:43Oh, Raja, I'm going to break the clock.
08:46Raja, sir, Raja, I'm not starting to come.
08:49I said, the film is two people.
08:51Oh, what is this film?
08:53Sir, he gave me a look at the clock.
08:54He also got a look at the clock.
08:56I'm going to take a look at the clock.
08:58I feel like you've come to the clock.
09:00But I know you a long time.
09:01I know you a college days.
09:03I know you a whole Punjab.
09:05How do you know college days?
09:07Sir, we were all going to go to the radio.
09:11The hero is doing odd jobs.
09:14Bruce Willis is doing it, sir.
09:16Malcolm Brownman is doing it.
09:18Shabanan Amiri, my love.
09:20I don't know what I've been doing.
09:21I don't know what I've been doing.
09:23Shabanan Amiri, why are you going to go?
09:24Oh my God.
09:25Why are you going to go?
09:30We're going to continue this way.
09:32But after a break,
09:33we'll have to stay with us.
09:36We've got damage.
09:38God's got to kill us.
09:44Welcome back.
09:45Julie?
09:46лав
09:46You come to us minimum
09:48Don't believe in the world.
09:49The world is good and it's not high
09:49I tell us that we are getting a role
09:50But taken down on it
10:11How do you know the Rauh?
10:13It's very good.
10:15You can't eat Rauh.
10:17You can eat Rauh.
10:19You can eat Rauh.
10:21You can eat Rauh.
10:23You can eat Rauh.
10:25Who is Rauh?
10:27Who is Rauh?
10:29That's a way to eat Rauh.
10:31That's a way to eat Rauh.
10:33What's the problem?
10:35Rauh has a lot of food.
10:37What's the difference between Rauh?
10:39Bhai, Birsat, odd days, ideal is you to put on it!
10:43You can put on it!
10:45You can put on it and get on it!
10:47We will put on it.
11:05Do you have any other food?
11:07Hello.
11:08Wow!
11:09My love is my darling.
11:12What are you doing?
11:13Is this your mother?
11:14Yes, it's your mother.
11:15Oh, this is your heroine.
11:16Is this your mother?
11:17Oh, this is heroin.
11:18Oh, it's your baby.
11:19Oh, my baby.
11:20This is our film.
11:21You're thinking of your mind.
11:22Second pair is your second pair.
11:24Second pair is the second pair.
11:26No, sir.
11:27The subject is the same as a writer.
11:30It's the demand.
11:31Who is writer?
11:32It's his own.
11:33You're a little girl.
11:34You're a girl.
11:35You're a girl.
11:36Heroine.
11:37You cannot see your mother.
11:38You're a girl.
11:39Oh, this is a girl.
11:40You're a girl.
11:41You're a girl.
11:42You're a girl.
11:43Whatever you have.
11:44You're a girl.
11:45Oh, my Lord is my brother.
11:46Oh!
11:47Oh!
11:48Oh!
11:49You're a girl.
11:50Oh!
11:51Oh!
11:52A girl.
11:53What do you mean?
11:54Yes.
11:55Yes.
11:56Right now.
11:57I've been a good one.
11:58Sorry.
11:59You can say that.
12:00I didn't know anything.
12:01You're a girl.
12:02You're a girl.
12:04Oh, baby.
12:06My name is Baby and I will tell you.
12:08Don't come here.
12:10Sir, this script has been made for 2-2 years,
12:15only for talent.
12:17It looks like this talent.
12:20Amen, sir.
12:22I am sorry, sir.
12:24Pinky is here.
12:26Wow.
12:28My God knows God.
12:30It should be the film.
12:32Why don't you say it?
12:34This character I have seen in childhood.
12:37Is the film?
12:38The Trap.
12:40The Trap.
12:42What film was the Trap?
12:44But this film was only the Trap.
12:46It was only the Trap.
12:48It was only the Trap.
12:50Director, let's go.
12:52You can do it.
12:54How do you do it?
12:56Sir, the villain is on the ground.
12:58Yes, yes, yes.
13:00If he is villain,
13:02I'm not a villain.
13:04He is villain.
13:05The villain is on the ground.
13:06The villain is the villain.
13:08I'm the villain.
13:10My father was the villain.
13:12I didn't understand what he called.
13:14Then I understood why he was the villain.
13:16What did he do?
13:18I thought it was Musk.
13:19You're a villain.
13:20You're a villain.
13:21You're a villain.
13:22You're a villain.
13:23How many characters have given us?
13:26This character is the character?
13:28Yes.
13:29This character is the character.
13:32He hit the character.
13:35Now when camera closes, he would disappear.
13:39This kind of subject is that him, he came back to the house, he went back to the house, he went back to the house and he went back to the house.
13:44And now he went back to the house.
13:45He came back to his house.
13:47He has a scene.
13:48This is a scene.
13:50No, not.
13:51It's actually not.
13:53normal benda
13:55na to yeh kehsakta hai shabana meri mohabbat hai
13:58na woh kehsakta hai ranonu fulana kari
14:01na woh yeh kehsakta hai mahan ekko gal semjai
14:04or na is jaisi harqat to kooi bhi nai ker sakta
14:07yeh joh hilti jari hai
14:09siri sari aapne aapne karakters vijjda na
14:11baih dho mehse eek baat zoroor hai
14:13ya to yeh ko super duper hit film hai
14:15or ya phir yeh director baut joutte kaae ga
14:17mahi chaudhari mangara koish meri sugar low ondeh yareko mangara
14:21sari bimari kuthe gitae wainteh
14:23dukketho na padeh ushanne te nwemhi
14:25ni pada bada tera moore raasar ga moho
14:27kermi kitri hoogay fuluta hi mangara deh
14:30kya mangwaaya kiya ushe
14:32faluta
14:34dharasal shooting ke duran hem bho chizeh magwateh
14:36joh am zindagi meh hume mayasar nahi
14:38meh terikdi dua kari jala dhele
14:40wilan wiyala ne minu oh dhe dhe ta
14:43woh wilan to nhe ya woh joh kisi gauh sa lhe kar aateh
14:46o na na sari ondo meh te nal makaala
14:48lehetta banda bai yeh
14:50banda oho yeh
14:51achha yeh
14:52togna bhi nahi
14:53dharasen chalaya chaudhari
14:54ki aeho ji kuri niu chukna
14:55ki aeho ji kuri niu chukna
14:56ki aeho ji kaldeh mundi meh basta hai
14:57nahi nahi nahi ho hildi yeh nahi
14:59iska kya matlab hai
15:01sari ndek bong dihna banda raih du chukna
15:03teher kai aehing ker dih banda aeher nwaa jana
15:05ori terno meh dha khama ka na
15:07aeho ji kurte niu aehing karke unheh kattha kiita
15:09nd ae nd ae nd
15:10mera khayal hai yeh ekonomi kerneke chakkar meh na
15:13isne koji
15:142,000 rupae meh sari kaasht ni katthi ki
15:17nahi sari buchet jay puratin kroore dah
15:20sari sari sari bady bady offer thuk raihi hai
15:22kiya?
15:23india sardna ko protection kerne chan da sige hih film
15:25ba?
15:26maak naihi
15:27mayh apna kredite kyun kisindhiyan?
15:28nahi yaar
15:29mayh iltjaa kerta hon ke india ko ismeh phasau
15:32uski investment bربad kerou
15:34mayh naih manaya in ko ki film benayin
15:37direksyon sahab
15:38mayh
15:39oh jaldi karlo abe bebe naih sari se parcha kirovaa dhe ra hai
15:43ba ba
15:45kiya rabba
15:46kiya talent illa jana da kiya talent
15:48oh talent niya unhasaan hiya unhaya
15:51sir ki da sa alpacino de eksploration ki horde ke joe dhe
15:54yaar misal to dhankki do
15:56alpacino ki misal ispe de re
15:59alpacino tumne dekhi hai kishi filmen
16:01sir alpacino nal kam ki ta hai
16:03ape ni?
16:04charu do u trendra bab agtzan ajiye
16:06kuwn?
16:07alpacino
16:08alpacino ne sirύ e kooi alpacino aerma
16:15sure min Shavarna ki bina zindar nAirNe raçasakta
16:18ya Hilabane ini chawotto waag dan
16:22mihanharanda nadai is tarray kar 새asakta
16:23ay moa kiya lakkarddee laata in anyo kel moonlight sahi
16:26ha ha ha ha ha ha ha
16:28kaho nikal daani kehi time
16:29yee ushere chazan hai
16:30ahaha
16:31You can make your talent as a monk, and you can make a film of your own character.
16:36Director-sahab!
16:37One other scene will be done.
16:39Don't do the scene, sit down.
16:41Call a villain.
16:43Okay, I'll call it.
16:44Start a villain.
16:45I'm going to call a villain.
16:47I'm going to call a villain.
16:48I'm going to call a villain.
16:49You're going to call a villain.
16:51Chaudhuri!
16:52Just...
16:53You're going to call a villain.
16:55You're going to call a villain.
16:57You're going to call a villain.
16:59You're going to call a villain.
17:01I'm going to call a villain.
17:02You're going to call a villain.
17:03Okay, okay.
17:04Come on.
17:05Come on.
17:06Come on, the villain.
17:07Bang.
17:08Oh, no!
17:09Man!
17:10Stand up for a crime.
17:12Who's the villain?
17:14The villain is evil.
17:16Hey, dude!
17:18You're going to call a villain.
17:20You're the villain?
17:21Yes, sir.
17:22Okay.
17:23Oh, oh, offy.
17:24She's a villain.
17:26What kind of thing is that?
17:29God, in life, there's a lot of stamina.
17:32When you're sitting there, you're saying it.
17:34You're saying it.
17:36Chaudhiji, I'm going to go.
17:37One minute, go.
17:38Oh, my child, that's right.
17:41It's okay.
17:42It's okay.
17:43It's okay.
17:44It's okay.
17:45It's okay.
17:46It's okay.
17:47It's okay.
17:48It's okay.
17:49It's okay.
17:50It's okay.
17:52It's okay.
17:53We all called it the cast.
17:56I have written that the cast would give us all the way through the series.
17:58Who are theult congregation?
18:00Usikar!
18:01We did it!
18:02Wait, I'm doing it now!
18:17Oh, I see.
18:19And then he got a whole lot.
18:21Oh, oh, oh, oh.
18:23Oh, God, you're good.
18:25Okay, director, now I have one dialogue.
18:29I have a dialogue.
18:31I have a lot of dialogue.
18:33I have a lat man.
18:35Come on, come on.
18:37Come on, I have a call.
18:39This is the girl, the girl, the girl, the girl, the girl.
18:43This is the fraud.
18:45I have a good friend.
18:47Let's have a look at them.
18:49I have a good friend.
18:51Yes, I have a good friend.
18:53Oh, oh, oh, oh.
18:55Oh, oh, oh!
18:57Oh, my God.
18:59I have a good friend of mine.
19:01I have a good friend.
19:03Now I will do this for you.
19:05But ultimately, I got to be my greatest people.
19:07I've been here today,
19:09I think so.
19:11Even if I can't get on to thisquesa.
19:13I have been hooked, but I played it for a while.
19:15There's a big film, and there's more than that.
19:17This is where they reach the railway platform.
19:21They say that they reach the platform.
19:23You've got a car and a car and a car.
19:25This guy, how did you feel like this?
19:27Oh, I'm telling you all about it.
19:29I didn't know that.
19:31I was a man at night.
19:33I was a man at night.
19:35I didn't know that.
19:37I didn't know that.
19:39I didn't know that.
19:41I didn't know that.
19:42How did you say this?
19:43I wanted a super-star burger.
19:45Oh, my god, my god...
19:47You're the one who was here, then you're the one who's a boy.
19:49That's what it is.
19:51If you didn't have a boy, you wanted a boy.
19:54Yes, it's been a boy.
19:55Yes, my god.
19:56Who did you work in my class?
19:58The scene is like a teddy shift.
20:01At the same time,
20:03and it's like a little...
20:05The sun is in the background.
20:07Look at the beauty of the teddy shift,
20:09the same time.
20:10Oh, sir, demand a teddy shift in the morning.
20:14That's the morning.
20:15It's a small shift.
20:174 hours ago, director.
20:202 hours ago.
20:224 hours ago, half shift.
20:258 hours ago, full shift.
20:27Director, keep the scene so that the audience is involved.
20:31That's right.
20:32That's right.
20:33I'll do the scene.
20:34I'll do the scene.
20:35Bismillah.
20:36Oh, yes.
20:38Okay.
20:39Ready?
20:40Ali, with the scene starts.
20:43That's right.
20:44You don't really want to bend.
20:46That's right.
20:47Still standing on himself standing.
20:48No one can still stay, no one can...
20:51that's the second one.
20:52The dialogue is what?
20:53The dialogue is the dance.
20:55You don't bend.
20:56Just bend.
20:57Just bend your hand.
20:59Just bend your hand.
21:00Now from any way, the action...
21:03Try doing kind.
21:05You don't bend your hand.
21:06You don't bend your hand.
21:08I'll do it.
21:09Light, start song.
21:12Action!
21:17What film is this?
21:18Here, here.
21:20Here, here.
21:21Here, here.
21:22Here, here.
21:23Here, here.
21:24Here, here.
21:25Here, here.
21:26Here, here.
21:27Okay, take it.
21:28Light, start song.
21:30Action!
21:34Ali, Ali, Ali.
21:35You're playing a little bit of football.
21:38You're playing a little bit.
21:39You're playing a little bit.
21:40This film is a total super flop film.
21:43It's a bit of a close.
21:45I don't want to close my eyes.
21:47I don't want to close my eyes.
21:48I'm going to go straight and go straight.
21:50I'm going straight.
21:51Please.
21:52Straight song.
21:54Action!
21:57Wow, wow.
22:04Oh my God.
22:05Oh my God.
22:06Hello.
22:07Bye-bye.
22:08Oh my God!
22:09Go away.
22:10Any mother.
22:12Hi.
22:15Wait a minute about this.
22:16Beautiful, first of all.
22:18Hello, buddy.
22:22Today's the next segment, I want to come.
22:23Thank you so much.
22:53Thank you so much.
26:06Why am I wrong with a father's face?
26:09I don't know.
26:10I don't know how to get a professor.
26:12I don't know how to get a book.
26:13I don't know how to get a book.
26:15I'm going to die.
26:16I'm a teacher.
26:17You need a job.
26:18I don't know.
26:19Then I'm going to get a job.
26:20I'll get a job.
26:22I'll get a job and get a job.
26:23Then I'll get a job.
26:25So my dad is in the back.
26:27The next sentence.
26:29Today's sentence.
26:30Watch, today's sentence.
26:32No, I'm not.
26:33Zabar Iqbal.
26:34F
26:46F
26:48F
26:50F
26:59F
27:00F
27:00F
27:01F
27:01F
27:01Who said it?
27:03He said it is still a shiir, it will be more than that.
27:05Did I say that shiir isn't the shiir?
27:06Yes.
27:08You said that, that shiir was the one, you said it.
27:10But do you say this?
27:13And I want to finish it?
27:15And then, that's not a year, ־نേ ־ָּ
27:19Emergingly words.
27:20The third word.
27:22Which is the language.
27:24The Arabic word is MILH.
27:26I don't know MILH, I don't know MILH.
27:27Look MILH.
27:28This is MILH, end phrase is H.
27:30M. I. L. H.
27:32H.
27:33Milh.
27:34And Malah.
27:35Malah, you know what you mean?
27:37It's a yum-yum.
27:40Salt from the oil.
27:42It's a great word.
27:45The water from the sea comes out of milk.
27:49The process in quite a while,
27:51it comes with lots of good.
27:54So the cream of burnt water.
27:58پانی ڈال دیا جاتا ہے
28:00ویپورائزیشن کے لیے اور جو
28:02بچ جاتا ہے نیچے شور
28:04وہ نمک ہوتا ہے
28:05تو جو کشتی
28:08چلاتا ہے
28:09یوں کر کے چل رہی ہوتی ہے
28:11یا ڈبل چپو سے اس طرح چلتی ہے
28:13اس کو ملہ
28:15کہتے ہیں یعنی اس پہ زور دے کے
28:18کہ یہ زور زور سے چلاتا ہے
28:20اور نمک نکالتا ہے
28:22ملہ
28:22پھر فارسی میں
28:25ناخدا
28:26ناخدا کیا ہے
28:28ناخدا ملہ کو کہتے ہیں
28:32پار لگانے والا
28:33ناخدا ملہ کو کہتے ہیں
28:36ناؤ
28:37ناؤ
28:38ناؤ خدا
28:40یعنی کشتی کا رہنما
28:43کشتی کا ہینڈلر
28:45کشتی کا ڈرائیور
28:47کشتی کا کیپٹن
28:48ناؤ خدا کو ناخدا کرتی ہے
28:50سارے لفظ ایرانیہ نے حکیم صاحب آسے بنایا ہے
28:53ناؤ خدا
28:54کیا ملہ کو سمجھ نہیں آری
28:56اینو میں ہون راوی دی زبان چی دستا
28:58ہاں جی
28:59خدا دا نائی جاکے نہ
29:01ناؤ
29:02اینو آکے کی نلے کپس لگا لے
29:04خوٹیاں شہریں دریادیں کول کول شہر نے
29:07ہاں جی
29:08وہ اے مچھیاں تو ہوتا ہوکے رکھی جاننے
29:10کنپنڈی دی
29:11ہنو پتہ نہیں داکاری کرنے
29:12یہ مچھی کیا کرتے ہیں
29:14سار مچھیاں تو ہوتا ہوکے ناؤ باہر رہتے ہیں
29:16Oh my god, there are people who are living in the morning.
29:19No, no, it's a rat on it.
29:21Because what we have put together, we have to put it on the rat.
29:25Because it's a stickiness in it.
29:28It's a big chip-chipaht.
29:29That's not the idea of it.
29:30I don't listen to my mind, I don't listen to my mind.
29:32And one of them only said it was chip-chipaht.
29:37And what is the stickiness?
29:41My god, I'm going to kill my head.
29:43I'm going to kill you, I'm going to kill you.
29:46Yes, yes, yes.
29:48That's the Venice song.
29:50Great Gambler's song.
29:52The song of love is called a song.
29:58It's love.
30:00It's love.
30:02It's not a song.
30:04It's not a song.
30:06It's a song of love.
30:08It's a song of love.
30:10It's a song of love.
30:12What do you call this song?
30:14What do you call it?
30:16It's called a gondola.
30:18As a gondola, as a gondola,
30:20But gondola.
30:28Tell me, that's a second one.
30:30Chalice.
30:32Chalice means Chalice.
30:34After eating, we should be a chalice.
30:36All of this, we should be a Danielle to be a child.
30:40I can't eat this.
30:41This is 40 days like that.
30:43You can sit on a tree or a gutter.
30:47Do you want to go 4 feet?
30:49Yes.
30:50Do you want to go 4 feet?
30:53Let's see the last one.
30:54Oh, the last one.
30:56The word is Maliy.
30:57Maliyah.
30:58Maliyah.
30:59Maliyah.
31:00Maliyah.
31:01Maliyah.
31:02Maliyah.
31:03Maliyah.
31:04Maliyah.
31:05Maliyah.
31:06Maliyah.
31:07Maliyah.
31:08Maliyah.
31:09Maliyah.
31:10Maliyah.
31:11Maliyah.
31:12Maliyah.
31:13Maliyah.
31:14Maliyah.
31:15Maliyah.
31:16Maliyah.
31:17Maliyah.
31:18Maliyah.
31:19Maliyah.
31:20Maliyah.
31:21Maliyah.
31:22Maliyah.
31:23Maliyah.
31:24Maliyah.
31:25Maliyah.
31:26Maliyah.
31:27Maliyah.
31:28Maliyah.
31:29Maliyah.
31:30Maliyah.
31:31Maliyah.
31:32Maliyah.
31:33Maliyah.
31:34Maliyah.
31:35Maliyah.
31:36Maliyah.
31:37Maliyah.
31:38Maliyah.
31:39Maliyah.
31:40ka ke geiro ke bad diane ke saat eek or ta ka
31:44ja kye jandhi
31:45ur ur usi nazm ko
31:48kain rakhha jata hai
31:49jaisi nazm o nasr
31:50nazm eek cheez hai
31:53nazm eek cheez hai
31:53nazm hai parona
31:55वaa
31:56ur nazr hai bikheirna
31:59nazm o zabt
32:01nazm o zabt
32:02eek zaabta
32:03čenanché
32:05agar
32:06eek mala hai
32:08it was the kill
32:12what we would say
32:13we would say
32:15we wouldwaail
32:17extraordin operate
32:19and if you would
32:22say
32:23it's a
32:25est
32:25em
32:35flowers
32:38Yeah, heart.
32:40What do you remember from the heart?
32:43University, college.
32:45You have no problem.
32:46All the boards are doing, and you can say a lot of words.
32:48You're so bored.
32:51That the words that he understands death, he can accept it.
32:55And when he's in college, university.
32:57Your segment is like this.
32:59Rangayasvi.
33:00Yes.
33:01He was very passionate.
33:02And you're also very passionate.
33:04Yes.
33:05This is a segment of one thing.
33:07That woman is a wrong character.
33:10You're a person who is a nerd.
33:13You're a person who is a person.
33:15You're a person who is a person.
33:17You're a person who is in a garden.
33:19I'm like, I'm a kid.
33:21I'm a girl who is a girl.
33:23The government college was a garden.
33:26You know, it's a love garden.
33:28It's not the real name of love garden.
33:30I've heard it.
33:31I don't want to go to the real name.
33:33Tell me what it is.
33:34It's a real name.
33:35It's a logic.
33:36It's a real name.
33:37It's a real name.
33:39It's a very general name.
33:41That's my friend.
33:42You're a lady.
33:43No.
33:52So three of us,
33:53today's show has been finished.
33:54You will be in the next week.
33:56I will be in the next week.
33:57All of you.
Comments