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  • 3 years ago
Legendary writer/director James Cameron discusses his “Avatar” sequel, “Avatar: The Way of Water” in this interview with CinemaBlend Managing Editor Sean O’Connell. He reveals the guiding parenting principle he’s learned that’s seeped into his “Avatar” films and gives us an update on "Avatar 3" and "Avatar 4." Plus, Cameron provides his analysis of the state of 3D movies, praises what the Russo brothers did with “Avengers: Endgame,” and so much more.
Transcript
00:00 Actually, you know what?
00:00 We didn't even try to beat them again.
00:02 It just happened spontaneously.
00:03 The Chinese government said,
00:05 all right, time for everybody to go back to the movies.
00:07 What do we want them to go see?
00:08 How about Avatar?
00:09 - Right.
00:10 (upbeat music)
00:12 - Definitely know your stuff.
00:17 - Thank you very much.
00:18 - Yeah.
00:18 - This is a masterpiece.
00:19 - Oh, thanks.
00:20 - It's a masterpiece.
00:21 I'm a parent, and so it--
00:22 - How many kids you have?
00:23 - Two boys.
00:23 - Yeah, and age?
00:24 - One's a freshman in high school.
00:26 They're 18 and 14.
00:27 - Yeah, okay.
00:28 - Freshman in high school, freshman in college.
00:29 - Right, so one's right in the crazy age,
00:31 and the other one's just coming out of it.
00:32 - But the second born is the youngest, so he's chill.
00:35 - Ah, okay, right, right.
00:37 - He's observed the madness.
00:38 - But you've been through being a father to the craziness.
00:42 - Yes, 100%.
00:42 - Right, okay, so you know what this movie's about.
00:44 - Oh, 100%.
00:45 - Right?
00:46 - Yes, it resonated in ways that I didn't expect.
00:49 - I wanted to make a movie for kids,
00:51 and by kids I mean that angsty teenage period,
00:55 which I remember so well,
00:56 and then now I've been through it with five kids,
00:58 male and female,
01:00 and seeing it from the other side of the fence,
01:04 and the only answer is you gotta lead with love, right?
01:08 If I was gonna give any kind of,
01:09 and I don't think anybody should be asking me
01:11 for parental advice, but if I was gonna give advice,
01:13 I would say you lead with love.
01:15 You start the hard conversations
01:17 when they've done something, you know,
01:19 when you've had to bail them out, or whatever it is,
01:22 or bail them out from getting in trouble at school.
01:24 You lead with no matter what, I love you.
01:27 Now, let's talk about what just happened.
01:29 - Right, right, yeah.
01:30 But the safety net, you're 100%, is that support system.
01:33 - Yeah.
01:34 - You have to lean on.
01:35 I think when the family embraces, you know,
01:36 you feel it so much in this film, that gets conveyed.
01:39 - And you know, kids are having a rough time right now.
01:42 You know, I mean, you know the stats on teen suicide,
01:46 mental illness, anxiety, depression, all that stuff
01:48 has shot up over the last few years.
01:49 Probably the pandemic had a lot to do with that.
01:52 And you know, so you go to an escapist fantasy film,
01:56 and you go, you know, 200 years in the future,
01:58 and 4.6 light years away to this fantasy world,
02:01 and you see, oh, they feel the same way I do.
02:04 - I see myself in there.
02:05 - Yeah, exactly.
02:07 - Why do you come to us?
02:08 - I just wanna keep my family safe.
02:13 - We cannot let you bring your war here.
02:22 - Outcast, that's all they see.
02:25 - Let go!
02:26 - I see you.
02:28 - People will say it's been 13 years
02:30 since you've made a film, but that's not accurate, right?
02:33 You've been working on these films this whole time.
02:35 - Yeah, well, it's been five years
02:38 of basically unbroken production, right?
02:41 So we started in September of '17,
02:43 and we made, essentially completed all production,
02:46 photography, and capture on two,
02:49 basic two and a half movies.
02:50 So two, three, first part of four.
02:53 And then we posted two, and now we're gonna post three.
02:57 And so it won't be 13 years 'til the next one.
02:59 It should, if everything works out,
03:01 it should be only another two years.
03:02 - Oh, okay, that's nice.
03:03 - So that's nothing.
03:04 - No, not at all.
03:05 - Keep up, Forest Boyd!
03:07 - I'm from North Carolina.
03:08 You shot a film called "The Abyss" in my neck of the woods.
03:11 - Yeah, your neck of the woods.
03:12 We came into North Carolina, the airport,
03:15 but we shot just over the state line
03:17 in Gaffney, South Carolina.
03:18 - That's right, correct.
03:19 I'm curious, do you wish you had this level of tech
03:21 back when you were working on, say, "The Abyss"
03:23 and "Titanic"?
03:24 - Oh, can you imagine?
03:25 So "The Abyss" worked pretty well,
03:27 and there was that really strong scene
03:28 with Ed Harris and Mary Elizabeth,
03:29 Master and Tony, where they bring her back to life
03:31 and all that.
03:32 But the ending, the big ship coming out of the water
03:35 and everything, we could do that so much better now.
03:37 - Oh, I can imagine.
03:38 - I mean, it's just so, I look at it now
03:39 and it's quaint, at best.
03:42 (laughing)
03:44 - You know, the last movie that really warranted 3D
03:47 was "Avatar."
03:48 There hasn't been a movie that's demanded it
03:50 since that point.
03:51 - I would push back a little bit.
03:52 "Life of Pi," Aang's film, and Martin Scorsese's "Hugo,"
03:57 and even Ridley Scott's "Prometheus,"
04:00 these were filmmakers at the top of their game
04:02 authoring in 3D.
04:04 Those are worthy films.
04:05 It's all the kind of rank-and-file conversion movies
04:08 where the filmmakers haven't cared
04:10 or the studio hasn't let them author,
04:13 actually shoot in 3D.
04:15 They're not that good.
04:16 And I think it's hurt it.
04:18 But we also gotta put it in perspective.
04:21 When "Avatar" came out, there were 6,000-ish
04:24 digital 3D screens in the world.
04:28 There's now 120,000 3D-enabled digital screens in the world,
04:32 60,000 alone in China.
04:34 So it's much more ubiquitous, it's much more available,
04:39 it's much more accessible, and it's much less important.
04:42 - Right. - Right?
04:43 Much less important.
04:43 I mean, people will make choices.
04:45 Nobody's gonna go to see a movie because it's in 3D.
04:48 They're gonna go see a movie
04:49 because of all the other reasons they wanna see.
04:51 The film.
04:52 And if they like 3D, it's available,
04:53 and if they don't, see it in 2D
04:55 and it'll still be beautiful.
04:56 - Absolutely. - You know?
04:58 (dramatic music)
05:00 - The way of water connects all things.
05:05 Before your birth,
05:06 and after your death.
05:10 - I was lucky enough to interview Guillermo del Toro
05:12 this past week for "Pinocchio."
05:14 He mentioned he got in trouble for tweeting his reaction
05:16 to "Avatar." - He got in trouble?
05:18 Oh, look, I'm so grateful.
05:19 - He got scolded a little bit.
05:20 - He was the first reviewer.
05:22 You can't, look, nobody can tell Guillermo what to do.
05:25 He's just so enthusiastic.
05:27 You know, he's so enthusiastic about film.
05:29 He's one of my dearest friends.
05:31 And hopefully that wasn't the only reason he tweeted on it.
05:35 - He told us about a barbecue that you guys were at
05:37 where he had just finished "Kronos."
05:38 - Yeah. - He was about to.
05:39 - That's in '91. - Oh my gosh, yeah.
05:41 - That's in '91. - Going back to it.
05:42 - Yeah, we've been pals since then.
05:43 - Well, your creature design reminded me very much
05:46 of stuff that he would put into his films.
05:47 - Sure, absolutely.
05:48 He and I both love the creature design.
05:50 We both love, we know all the artists.
05:52 - Right. - You know.
05:54 He does the same thing I do when he's doing a film.
05:56 He surrounds himself with the best artists he could find.
05:59 He's celebratory of their work.
06:01 He's a good artist himself.
06:02 He's a great artist himself.
06:03 - Sure. - He could do it himself.
06:05 But he loves to work with a team, and so do I.
06:08 I do the same thing, you know,
06:09 I do the same thing when I'm making these "Avatar" films.
06:11 - Right, before they kick me out of here,
06:13 did you send a note to Kate and Leo
06:15 when "Avatar" passed "Titanic" at the box office?
06:17 - No. - No.
06:18 (both laughing)
06:19 But when "Titanic" beat "Star Wars,"
06:23 George Lucas put an ad in the trades.
06:25 - Yes.
06:27 - And then when, what was it, not "Infinity War,"
06:30 the end game, beat "Avatar,"
06:34 we put an ad in the trades celebrating them.
06:37 And, you know, it's just the fact
06:40 that movies can make that kind of money.
06:42 - Sure. - That people care enough
06:44 to go to the movie theater.
06:45 That was so celebratory of what they were able to do.
06:48 - Right. - You know?
06:49 And then we kinda snuck in, actually, you know what?
06:52 We didn't even try to beat them again,
06:54 it just happened spontaneously.
06:55 The Chinese government said,
06:57 "All right, time for everybody to go back to the movies.
06:59 "What do we want them to go see?
07:00 "How about 'Avatar'?"
07:01 - Right, right. - Boom.
07:02 All right, everybody, go to the movies this week.
07:04 - Right, and they all came from that.
07:06 - Yeah.
07:07 (dramatic music)
07:10 - Wherever we go,
07:14 this family is our fortress.
07:19 (laughs)
07:21 (dramatic music)
07:24 (bells chiming)
07:26 (bells chiming)
07:29 [BLANK_AUDIO]
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