00:08Grazie a tutti.
00:30Well, the notion of using real locations and obviously building real sets is not, that idea is obviously not nothing
00:41new in the film world. Practically, of course, it has a lot of implications in terms of the schedule and
00:48you have to go to locations where the weather is right for that particular time of year or whatever.
00:55And of course, there has to be the mindset that you're really going to build some of these things and
01:02the production are actually behind that because they're spending real money.
01:06You know, I mean, that's the truth, too. But more than that, it was it was really the I guess
01:12the.
01:15Just trying to make sure that there was this sort of integrity, integrity to all of the processes through the
01:20movie that hopefully allowed us to sort of have this sort of foundation of reality.
01:28However, we went about it, whether we were doing a digital effect or whether we were actually shooting something for
01:32real.
01:33So that was it was more of a kind of a what do you call it like a tenant, you
01:38know, that you would you would live by those rules that you created.
01:42You know, that was sort of like the an ethos. Sounds very clever. But anyway, but that's the idea.
01:54Yeah, I think so. I mean, I think the the kind of if you like the the stage has been
02:00set for that approach and a lot I mean, there's very many similar people that will some of the same
02:06people working on Rogue One, you know, certainly the out a lot of the art department people, the props, all
02:11of the things, a lot of the supporting departments on the movie are very similar.
02:15So I think that was something that I think is not just about that movie. It's just really about the
02:20Star Wars world.
02:21OK, thank you very much.
02:23Thank you.
02:45Thank you.
