After three British Agents are assigned to assassinate a mysterious German spy during World War I, two of them become ambivalent when their duty to the mission conflicts with their consciences.
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Short filmTranscript
00:00:09The End
00:00:37The End
00:01:08The End
00:01:56The End
00:01:59A week ago he was as fit as you and I when he came home on leave.
00:02:02Well, there's one thing.
00:02:04Brody the novelist will be remembered when half the great soldiers of the war have been forgotten.
00:02:09I shouldn't be surprised, sir.
00:02:10No, no, it's all right, sir.
00:02:11By the way, when's the funeral?
00:02:13Tomorrow, sir.
00:02:14Very quietly in the country.
00:02:17Good morning.
00:02:18Good morning.
00:02:22Goodbye, Mr Smith.
00:02:23Goodbye, Cook.
00:02:25So long, girls.
00:02:25You'll be at work again in less than no time.
00:02:28Red cross, munitions, what not.
00:02:45Good morning.
00:03:29Let's go.
00:03:47Come in.
00:03:57What's that, dear? What's the meaning of all this? Who are you?
00:03:59Stevenson has told you the sad news.
00:04:00Look here, sir. I don't even know what your name is.
00:04:02You can call me R.
00:04:04R, exclamation.
00:04:05No, R for rotodendron.
00:04:07Did you have a good crossing from France?
00:04:08Excellent, thank you.
00:04:09Only to find out as soon as I landed in England that I was dead.
00:04:11Very sad. Casualty has been very heavy at least.
00:04:13Yes, but look here, sir. Have you seen this?
00:04:15What's the explanation of that?
00:04:18Well, the explanation of that is this.
00:04:22What does that mean?
00:04:23It means that we can't advance a yard in Palestine
00:04:24until we're quite sure of the Arabs behind us.
00:04:26We're not quite sure. Is that it?
00:04:28When the sensor lets up to this extent, things are pretty critical.
00:04:30Yes, but look, yes, I don't see.
00:04:31No, and you won't see if you keep on talking.
00:04:34Now, Germany is making every effort at the moment to buy up the Arabs.
00:04:38Tell me, do you love your country?
00:04:40Well, I've just died for it.
00:04:41You can't guess why?
00:04:43I suppose I'm waiting for you to tell me.
00:04:49These areas always upset the gulfers.
00:04:50You never know what to do with them.
00:04:53Here are your passports.
00:04:55One British, one American.
00:04:57You have the reputation of being a shrewd observer of life, Ashenden.
00:05:01Ashenden, me?
00:05:02Yes, you.
00:05:03The late lamented Brodie was much too well known for our present purpose.
00:05:06Okay, what are you driving at?
00:05:08Ashenden is going to Switzerland
00:05:09to locate a certain German agent
00:05:10who is leaving for Arabia very shortly via Constantinople.
00:05:13Description?
00:05:14None.
00:05:15Well, that's helpful.
00:05:17But your predecessor, rest his soul.
00:05:22In his last message, it said he thought he was staying at the Hotel Excelsior.
00:05:26I want you to go there.
00:05:28Now, in this envelope is the name of a man
00:05:30playing for both sides who may help you to find him.
00:05:33When I have found him?
00:05:35That sounded just like a pistol shot, didn't it?
00:05:39Report to me, and you'll be given further instructions.
00:05:42I see.
00:05:46He's not to be allowed to reach Constantinople.
00:05:48Precisely.
00:05:49I like a man who makes quick decisions.
00:05:52Tonight, a car will take you to Dover.
00:05:54You'll change into civis on the destroyer
00:05:56which will take you across the channel.
00:05:57From there, you'll go to Switzerland by a roundabout route.
00:05:59Your assistant will be there before you.
00:06:02I'm to have an assistant, am I?
00:06:03Yes, and in the circumstances, a very useful one.
00:06:06We call him the hairless Mexican.
00:06:07Oh, why?
00:06:08Cheaply because he's got a lot of curly hair and isn't a Mexican.
00:06:11You can call him the general.
00:06:12He isn't a general, but he'll appreciate the compliment.
00:06:14You'll see it yourself.
00:06:15Where's the general?
00:06:16He took to the cellar, sir, when the raid began.
00:06:17Funny, he can't have lost his nerve.
00:06:19Mr. Ashenden will be leaving in a few minutes.
00:06:21Very good.
00:06:22Come on, let's go down.
00:06:23Right.
00:06:23Where's my cat?
00:06:24All right.
00:06:33Now, bear in mind, if the Swiss police know what you're up to, they'll have you in the jug.
00:06:36That you are.
00:06:36Watch my step.
00:06:42Here, steady, steady, my girl.
00:06:44It's much safer down here than upstairs, you know.
00:06:45I'd rather be upstairs with a bomb than downstairs with some people.
00:06:49You can't let me go.
00:06:50Hello, general.
00:06:51I did you an injustice.
00:06:52I thought you came down here to dodge the bombs.
00:06:54But, Mr. R, you should know me better.
00:06:56This is Ashenden.
00:06:57General Pompilio Motesuma de la Belle del Conde de Longo.
00:07:00Very pleased.
00:07:01Excuse me.
00:07:01I have some very important business.
00:07:03See you in Switzerland.
00:07:04Very good.
00:07:05Hello, dearie, sweetie.
00:07:07Just a moment.
00:07:07I love you.
00:07:08Lady Calais.
00:07:09Not only ladies.
00:07:12Well, now that you've met, we won't delay your departure no longer.
00:07:14I'd better go and see what he's up to.
00:07:15So long.
00:07:26Let's go.
00:08:07Let's go.
00:08:09Let's go.
00:08:10Come on, dear.
00:08:27Good evening.
00:08:28You were supposed to be, I believe.
00:08:28Oh, yes, sir.
00:08:29My name is Ashenden.
00:08:30I will see you.
00:08:32Ashenden?
00:08:33Oh, yes, sir.
00:08:35Room 234 and 5, second floor, bedroom and sitting room.
00:08:38Could you sign your name and address?
00:08:39Sure.
00:08:41Private bathroom there, that's first.
00:08:43Certainly, monsieur.
00:08:43Madame Ashenden has insisted on a private bathroom.
00:08:47Who?
00:08:48Madame.
00:08:49Your wife, monsieur.
00:08:50She arrived yesterday.
00:08:51You were not expecting her so soon.
00:08:55No, not quite so soon.
00:08:58Doesn't surprise for me, is it?
00:08:59Indeed, yes, monsieur.
00:09:02Is Mrs. Ashenden looking well?
00:09:03Madame looks robison, monsieur.
00:09:06Well, that is nice, isn't it?
00:09:08Well, I made a mess of this now.
00:09:10I'll do another one upstairs.
00:09:12Rooms 234 and 5, you said?
00:09:13Yes, monsieur.
00:09:14I suppose Mrs. Ashenden has the key.
00:09:16Yes, monsieur.
00:09:18Shall I come up with you, monsieur?
00:09:19No, no, no.
00:09:19I think I'll just surprise her on my own, if you don't mind.
00:09:22Have my luggage sent up, will you?
00:09:23Certainly.
00:09:25What were those numbers again?
00:09:27234 and 5.
00:09:28I'll write them down for you, sir.
00:09:29Thank you very much.
00:09:42I'm so sorry.
00:09:43I'm afraid it was entirely my fault.
00:09:44Oh, no, it's quite all right.
00:09:45No harm done.
00:09:46Sure I haven't had it.
00:09:46Not a bit.
00:09:47Quite a bit.
00:09:49Poor old boy.
00:09:50What's going on?
00:09:51What's going on?
00:09:52No, no, no.
00:09:54Someone just trotted his foot, my dear.
00:09:56That's all.
00:09:56Nothing.
00:09:57Who is that?
00:09:58England, right?
00:09:59Yeah.
00:10:13Aren't you through that bath?
00:10:14I'm trying myself.
00:10:16Good news.
00:10:17What are we going to do tomorrow?
00:10:19Why we?
00:10:20Why aren't you going out with me?
00:10:21Didn't you promise?
00:10:23What about a nice private picnic in the wood around here somewhere?
00:10:26What about a nice public lunch with animals downstairs?
00:10:29Oh, lady.
00:10:30Didn't I make any better hit with you than that?
00:10:32No way.
00:10:32I'm a respectable married woman, and I've only known you 24 hours.
00:10:36Sure.
00:10:36That means in 48 you'll know me twice as well.
00:10:38By the end of the week.
00:10:41You looking for anybody around here?
00:10:43Yeah, only my wife.
00:10:44By the end of the week, what?
00:10:47A divorce, it looks like.
00:10:49Are you Mr. Ashenson?
00:10:50Guilty.
00:10:52Darling, you're here at last.
00:10:54Angel, how well you're looking.
00:10:58Delicious.
00:10:58I hope you haven't been lonely.
00:10:59Oh, no, this gentleman and I picked each other up in the lounge yesterday, didn't we?
00:11:03Yes.
00:11:03A good angel threw us together.
00:11:05He's been most kind and entertaining.
00:11:07Mr. Roger Martin, isn't it?
00:11:09It sounds swell the way you say it, but it's really Robert Marvin.
00:11:11Oh, sorry.
00:11:12Pleased to meet you, Mr. Lockett.
00:11:14How do you do, Mr. Ashencamp?
00:11:15Thought of so.
00:11:16Well, I suppose it's time now for the triangle to retire from the family circle.
00:11:21Exit, uh, battle.
00:11:34I wasn't expecting you quite so soon.
00:11:36So are I jealous.
00:11:36Jealous?
00:11:37My good girl, there's no need for you to play a part now.
00:11:39Time to tell me who you are, what your name is, and why you're passing yourself up as my wife.
00:11:43My name is Elsa Carrington.
00:11:45I just thought you could have answered the other questions for yourself.
00:11:47But you mean that old ruffian hour has gone and unloaded you on me?
00:11:49Yes, as you so elegantly put it.
00:11:51But you're on the same job.
00:11:52Yes, I'll send for me and tell me to come out here to join my husband, Mr. Richard Ashencamp.
00:11:56So here I am, Dickie dear.
00:11:58Now, how do I know you're really the person you say you are?
00:12:04Here's my passport.
00:12:06That's better.
00:12:08Who is it?
00:12:09Oh, all right, stick him down there.
00:12:11Anything else?
00:12:12First of all, I'd like to see yours.
00:12:14Oh, that's better still.
00:12:20All right.
00:12:21I acknowledge you as my true and lawful husband.
00:12:25Well, there's an oath for you.
00:12:27It's in my bedroom.
00:12:29Our bedroom?
00:12:30Mine.
00:12:30You sleep there.
00:12:31Oh.
00:12:35Here it is.
00:12:37Yeah.
00:12:55Well, what does it say?
00:12:57Do you mind if I come in?
00:12:58You don't want the whole hotel to hear, do you?
00:12:59You don't mind my getting on with the day's work?
00:13:01No, not the leads.
00:13:08I had to work it out.
00:13:09It's in code.
00:13:09I know.
00:13:10You opened it?
00:13:10Of course I did.
00:13:11I was silly.
00:13:13Father concerns you, says.
00:13:15I'm making you a married man just to round off your new character.
00:13:18What else did he say?
00:13:19Your wife comes a fighting stock.
00:13:21A regular little fire eater, in fact.
00:13:24I look to you to direct her energies into the right channels.
00:13:27Be as connubial as possible.
00:13:28Yours are.
00:13:29What else connubial means?
00:13:32Arxorious.
00:13:32What does that mean?
00:13:33Speak English.
00:13:34Affectionate, in a big way.
00:13:35Oh.
00:13:35Well, that shouldn't be difficult.
00:13:37Well, what do you think of your new husband?
00:13:41I'm agreeably surprised.
00:13:43It's a bit chilly this far.
00:13:44Well, you see, I've been reading your books for years and years,
00:13:46and I sort of pictured you as a very old gentleman.
00:13:48It's not me as bad as I thought.
00:13:50Yeah, that's very kind of you.
00:13:51It's too hot there.
00:13:52What do you think of me?
00:13:53I don't know.
00:13:53I'll tell you when you finish putting on your face.
00:13:56Look here, what did you really take this job on for?
00:13:57What else was there to do?
00:13:59Oh, all sorts of things.
00:14:00You might have been a nurse or something.
00:14:01Me?
00:14:01I know ministering, Angel.
00:14:03I come to Switzerland for a thrill.
00:14:05Do you think I'm going to give it to you?
00:14:06Goodness, no.
00:14:07You're only the means to an end.
00:14:08The end being?
00:14:09Excitement.
00:14:09Big risks.
00:14:10Danger.
00:14:11Perhaps even a little.
00:14:15All that sort of thing may not be quite so amusing as you think.
00:14:17Now, look here.
00:14:18Let's understand each other.
00:14:19I burnt my boats.
00:14:20I crawled with dozens of people to come out here to do something worthwhile.
00:14:23There's no good you're standing there looking middle-aged and bleeding about safety.
00:14:26All right, all right, all right.
00:14:30Well, how do we start?
00:14:32I suppose I'll tell you what we're here for.
00:14:34A little.
00:14:34He said you tell me the rest.
00:14:35What on earth's that?
00:14:39Hello.
00:14:40Good heavens.
00:14:40How did you get here?
00:14:42My dear old friend, how do you do?
00:14:45Here, here, here.
00:14:45Steady on.
00:14:46Oh, Ashington, how have you been all the time?
00:14:49I haven't seen you.
00:14:49Yes, yes, yes.
00:14:50All right, all right.
00:14:51Take it easy.
00:14:51Take it easy.
00:14:52How did you get in?
00:14:52Oh, I was staying on door all the time, but, and, and I was knocking and barking, but
00:14:58you did not hear.
00:15:00Too busy in company of beautiful woman, lady, girl.
00:15:05You know this man, do you, then?
00:15:06Oh, I think he's a conjurer or something.
00:15:08Follows me about the hotel and tries to show me some silly trick with pen.
00:15:11Very nice trick.
00:15:13Your wife, huh?
00:15:14How do you know this lady is my wife?
00:15:16How do I?
00:15:16I have a very simple passport in table, each one on side of each other one.
00:15:22No flies on you, are there?
00:15:24Do you know it?
00:15:25Well, of course I do.
00:15:25He's one of our colleagues, aren't you, General?
00:15:27General Pompilio Montezuma de la Biblia del Conde y de l'Ambou, as I said before.
00:15:31Yes, and I may as well tell you at once that this lady is not my wife.
00:15:34Then what?
00:15:35This lady's been issued to me officially by old man R.
00:15:38Issued?
00:15:39What do you mean, issued?
00:15:41Issued like, like, passport?
00:15:43Oh, you mean, given to you?
00:15:46Oh, this is too much.
00:15:48And who has given her to you?
00:15:50Will you tell me who has given her?
00:15:52Oh, maybe perhaps this old...
00:15:54Oh, this old foolish, terrible, impossible man!
00:15:58This is awful!
00:15:59This is too much!
00:16:01Really too much!
00:16:02For you, beautiful woman!
00:16:04And what for me?
00:16:05What for me?
00:16:05Nothing!
00:16:06Nobody, nothing!
00:16:07No, this!
00:16:08Caramba de de yuca!
00:16:10Caramba!
00:16:11For you, all this!
00:16:12And nothing!
00:16:15No, no, no!
00:16:18I...
00:16:19I resign.
00:16:21General, why don't you listen if you're quite finished?
00:16:23Brodie was a bachelor, therefore Aschenden has to be a married man.
00:16:26It makes it much safer, that's all.
00:16:27This girl's been issued to me as part of my disguise.
00:16:30I resign.
00:16:31She's nothing to me, I tell you, and I'm nothing to her.
00:16:33Can't you understand?
00:16:34No, no.
00:16:35I resign.
00:16:37Oh, maybe perhaps his lie is true?
00:16:40Well, of course it's true.
00:16:41What do you mean?
00:16:41Oh, then in this case, maybe, maybe, affections of beautiful lady are free for me?
00:16:51Completely free?
00:16:52Absolutely, as far as I'm concerned.
00:16:54Can't you do anything about this?
00:16:55Do I look as if I enjoy conjuring tricks?
00:16:57Yeah, yeah, yeah.
00:16:58General, no lovemaking, no funny business.
00:17:00We can't afford to take risks.
00:17:02The Swiss police will be on us in no time.
00:17:03Besides, we've got to get a move on.
00:17:05What have you done since we've got here, anyway?
00:17:07Oh, me.
00:17:08Me much to be gentleman to tell this in front of lady.
00:17:12I dare say.
00:17:14Let me remind you, we're here for a purpose, and we've got to start tomorrow.
00:17:17Our first job is to go to a village in the mountains called Langenthal.
00:17:20In Langenthal, there's a church.
00:17:22In that church, we'll find the organist, who ours says here has been working for the Germans,
00:17:25but is now on our side.
00:17:27We've got to get in touch with him, and he'll put us onto the track of the man we're after.
00:17:30What do I do?
00:17:31Nothing.
00:17:32You stay here and wait in case that phone call comes through from Zurich.
00:17:34That'll be a good start.
00:17:35Would you mind removing your friends so I can get on with my dressing?
00:17:38Go on, General.
00:17:39Out you go.
00:17:52Well?
00:17:54Well?
00:17:55How does Mrs. Ashenden look now?
00:17:57This has all been done for your special benefit.
00:17:59Better kind of you, I'm sure.
00:18:01A bit fond of yourself, aren't you?
00:18:08Married life has begun.
00:18:09All right, try about that as much as you like.
00:18:11Don't think if you've got a job to do, and it's part of that job to keep it secret, whatever
00:18:14happens.
00:18:14Ding off.
00:18:29Ding off.
00:18:31Ding.
00:18:33Ding.
00:18:34Ding.
00:18:35Ding.
00:24:47I got to show you a lot of times.
00:24:47How far do you have over coach.
00:24:49No mystery lady, just the well equipped young man at home in every language.
00:24:52Bad language.
00:24:53Why you, oh.
00:24:56Man panelized when about to strike women.
00:24:58.
00:24:59What's the matter, wind?
00:25:01No, love.
00:25:02What again?
00:25:03Why not.
00:25:04Speaking of love.
00:25:05Do you think that bow-legged husband of yours would mind if I kissed you?
00:25:07He's not bow-legged!
00:25:08I'll call it police!
00:25:08You're too example!
00:25:10Oh!
00:25:11If she won't let me kiss you, do I bite you.
00:25:14Speaking of your husband, if you go on defending him like, the idea he might go on.
00:25:17I'd say that you love him.
00:25:18I think I do.
00:25:23How long has this been going on?
00:25:24Since yesterday.
00:25:26Yesterday?
00:25:27That's a fine thing after the way you practically...
00:25:29flung yourself at me.
00:25:31Let's call the police.
00:25:38Home, James.
00:25:39I mean the casino.
00:25:41Can you play a duet?
00:25:47Diablo, she's not in dining room.
00:25:49Where can she be?
00:25:50I don't know, I'm sure.
00:25:51What's the matter with you?
00:25:52Me still blind on this year.
00:25:54All right, all right. Calm down, general.
00:25:55Calm down.
00:25:56She's probably in the hotel somewhere.
00:25:58Have you seen Mrs. Ashenden this evening?
00:26:00Madam is gone with another gentleman to the casino.
00:26:03Delegate him for you.
00:26:26Come on, general.
00:26:27Consult general.
00:26:28Silly.
00:26:29First find man and then I'll do my job.
00:26:32Let's go to casino to see nice Mrs. Ashenden, huh?
00:26:35Can't you keep your mind on the business, general?
00:26:36This is urgent.
00:26:37You are always jumping conclusion.
00:26:40Maybe nice Mrs. Ashenden has found out something, huh?
00:26:43Let's go.
00:26:44Steady on, we can't go in these clothes, they won't let us in.
00:26:46We'll always have to go and change.
00:27:29Let's go.
00:27:29Have you been in a night shift today?
00:27:30Yes, sir?
00:27:30You are!
00:27:35Is that all I have?
00:27:36Yes, sir.
00:27:37Where's your own money?
00:27:38I had a man.
00:27:40All right.
00:27:44What?
00:27:44Yes, sir.
00:27:46Yes, sir.
00:27:47Yes, sir.
00:27:47Yes, sir.
00:27:49Yes, sir.
00:27:50Why do you put all those on two?
00:27:52Sentiment.
00:27:53Two stands for twins.
00:27:54That's what you and I are going to raise when we settle down together.
00:27:57What do you say?
00:28:01Oh, don't be a piker, honey.
00:28:04Let's do this in a big way.
00:28:10Oh, look, that's the dog I trotted in the hotel.
00:28:14He's really the Baron of Malice, does he?
00:28:16Yes.
00:28:18Don't you like him?
00:28:19You know exactly.
00:28:20I hate our dogs.
00:28:42Hello, darling.
00:28:43Oh, hello.
00:28:45You must have had a long walk.
00:28:47I got all the board staying in the hotel, so I came along here with Mr. Marvin.
00:28:50You don't mind, do you?
00:28:51Good heavens, now.
00:28:51Good evening.
00:28:52Good evening.
00:28:52Nine of them.
00:28:53What do you think of that?
00:28:54Thank heavens you've come along and take your dull wife off my hands.
00:28:57I'm tired of talking in words of one syllable.
00:29:00Oh, you don't know each other, do you?
00:29:01This is the gentleman I was talking to you about this morning.
00:29:04General Pompilio Montezuma, from the village of the Conde.
00:29:08Do you mind if I call you Charlie?
00:29:10I mind.
00:29:14Pardon me while I think of my winnings.
00:29:17Well, what?
00:29:20Well, what?
00:29:20What happened?
00:29:21Are we getting the results?
00:29:23Some little of our day's work.
00:29:25What does that mean?
00:29:26I can't tell you yet.
00:29:27Oh, okay.
00:29:39That's a lot of buttons for somebody.
00:29:41You'll have to pay seven buttons, won't you?
00:29:43I can't tell you.
00:29:44That's one of yours, isn't it?
00:29:46What?
00:29:49I suppose it must be.
00:29:51Thanks.
00:30:05Oh, no, sirs.
00:30:07The dog was tied up.
00:30:08Look, it broke its sleeve.
00:30:09Why did you look so startled?
00:30:10What is that back more like that?
00:30:12That's our man.
00:30:13Do you even know how you may have to?
00:30:15How thrilling.
00:30:18I'm glad you didn't say that.
00:30:19But he's English.
00:30:21Let me have another look at him.
00:30:23Well, I don't mind.
00:30:24That is quite forbidden.
00:30:25That dog should be brought to you.
00:30:25Well, I don't mind.
00:30:26What do you mean?
00:30:31What do you mean?
00:30:34What do you mean?
00:30:35What do you mean?
00:30:35What do you mean?
00:30:35I've said five or six times,
00:30:37he has to take out a dog.
00:30:38So, then go to my house.
00:30:39I'll go.
00:30:41Mr. Cessler.
00:30:42Now, anybody here, the dogs aren't doing any harm,
00:30:43couldn't bite in a body feature.
00:30:45They're making ridiculous fuss about the dogs being a disease.
00:30:47What's the trouble?
00:30:48It seems the sausage hound has busted the regulations.
00:30:50Good heavens.
00:30:51How many of them?
00:30:51All of them, I guess.
00:30:53But are these the regulations governed by the Geneva Convention of 1864?
00:30:56No, monsieur.
00:30:58They are the regulations of the casino.
00:30:59Have you got a copy of the regulations?
00:31:00There's no need.
00:31:01They are well known.
00:31:03He hasn't got a copy of the rule.
00:31:06Did you understand?
00:31:07You understand, sir,
00:31:07that under no circumstances whatever
00:31:09have we allowed to have this dog molested?
00:31:10Unless you show us a copy of the regulations
00:31:12governing the transportation of livestock in this casino.
00:31:14Right.
00:31:14I will do the whole thing over again.
00:31:16Yes, sir.
00:31:16You understand, sir?
00:31:17Now, I go immediately to my office.
00:31:19And then we shall see.
00:31:21Becker, come here.
00:31:23What is this?
00:31:24Livestock.
00:31:30The dog's already done that in the hotel.
00:31:31My name's Kepa.
00:31:32Yes, mine's Ashenden.
00:31:33Do you know my wife, do you?
00:31:34I know, I do.
00:31:35Oh, very well, sir.
00:31:37Do you know me to Kepa?
00:31:41Yes, sir.
00:31:41Are you also a friend of Ashenden's?
00:31:43Yes, me, friend of every man with beautiful wife.
00:31:46Oh, that reminds me.
00:31:46I was going to see my wife.
00:31:47She's watching the dancing.
00:31:48I think this calls for a celebration.
00:31:50Anybody here on the wagon?
00:31:51Well, I'm hard to go for parties.
00:31:52Be kind of you, Mr. Marvin.
00:31:53I've been climbing all day.
00:31:54Up by Langenthal.
00:31:55In that case, you're entitled to the first drink.
00:31:57Come along.
00:31:59Did you hear?
00:32:00He was in the same village today we were.
00:32:03Yes, I heard.
00:32:03Go on.
00:32:04Go and talk a little bit.
00:32:05This college boy.
00:32:06No simpatico.
00:32:07Go and talk a little bit.
00:32:17What are you?
00:32:20I thought you were starting on your long trip today?
00:32:22No, no, no.
00:32:22A day after tomorrow.
00:32:23Oh, good.
00:32:25There you are.
00:32:26General Pompilio wants the summa de la vida del condi de l'ovo.
00:32:29Oh, dear.
00:32:29I want you to meet Mr. and Mrs. Ashenden.
00:32:31And my wife.
00:32:33I think you've already met Mr. Marvin.
00:32:35Haven't you a pass?
00:32:35General, look at your tie.
00:32:36It's terrible.
00:32:37Come here.
00:32:37Let me fix it for you.
00:32:38Did you hear?
00:32:39He's leaving the day after tomorrow.
00:32:41Comprendo.
00:32:42Okay, this is what I want you to do.
00:32:44Have you been away from England long?
00:32:46I have never been to England.
00:32:48And I have never before been away from Germany.
00:32:56What do you have?
00:32:57I'll have a double gin tonic.
00:32:59I refuse to discuss the matter any further, General.
00:33:00That's quite enough.
00:33:01It is not enough.
00:33:02Neatest beginning.
00:33:03Boys.
00:33:05How about a nice, friendly little drink?
00:33:06Pull yourself together, General.
00:33:07Don't make a scene.
00:33:08Shut up, you hear?
00:33:08Me not shut up.
00:33:10Hey, what's the trouble?
00:33:11Me not shut up?
00:33:12It doesn't matter.
00:33:12It's nothing at all.
00:33:13It's perfectly all right.
00:33:14I'm not going to correct you.
00:33:15It is not all right.
00:33:16He insults me in a very big way.
00:33:19He says this thing is nothing.
00:33:20I say this thing is very big something.
00:33:23You bet your sweet little ass.
00:33:25Now, General, really?
00:33:25No, no, no, no, no, no.
00:33:27I make the propuesta that we should climb the mountain all together.
00:33:32He said me not fit for mountain climbing because I only think on beautiful women.
00:33:37Now, that is too much.
00:33:38General, all I said was that you couldn't go climbing mountains and taking your beautiful
00:33:41women with you.
00:33:41Sure, that's all, General.
00:33:43He was only joking.
00:33:44Forget it.
00:33:44Don't be so touchy, General.
00:33:45Me touchy as much as I want.
00:33:48I bet you five English pounds that I can climb mountains much higher than you can.
00:33:54Don't be so silly.
00:33:55Go on, Ashton.
00:33:56He's called you blonde.
00:33:57No, no, no.
00:33:57But it's ridiculous to say a joke like it's serious.
00:33:59You see?
00:33:59You see?
00:33:59You see?
00:34:00He's making the climb out.
00:34:02You mean the back down.
00:34:03That's what I said.
00:34:05Well, it's a bit, is it?
00:34:07All right.
00:34:07I'm on.
00:34:08Fine.
00:34:09Ladies and gentlemen, the fight's on.
00:34:10All we need now is a little mountain.
00:34:12Anyone got a mountain?
00:34:13No.
00:34:14Well, there's the, uh, the hanging out.
00:34:16But you'd better take some old hand with you.
00:34:18There's rather a tricky bit about, uh, about a thousand feet above the funding hill.
00:34:23Oh, well, I wonder if there's anywhere in the town where we can get a guide.
00:34:26Of course, you know somebody.
00:34:28Oh, I think the, uh, old porters, may I ask?
00:34:31As a matter of fact, if I weren't going away the day after tomorrow, I should actually
00:34:34have taken you up myself.
00:34:39That would have been awful at night.
00:34:41What a pity.
00:34:43Well, of course, it can't be helped.
00:34:46I suppose you couldn't make it tomorrow, would you?
00:34:50Well, as a matter of fact, I could, of course.
00:34:52But, uh, how about you, General?
00:34:53It means breaking a date, wouldn't it?
00:34:55Why, what for?
00:34:56There's one climbed mountain in the middle of night.
00:34:58Well, the guide is engaged.
00:35:00While the boys are mobilizing, what about a dance for you and me?
00:35:03Sorry, I'm just one of those old-fashioned wives.
00:35:05How about it?
00:35:06Come on with pleasure.
00:35:08Excuse us, don't you?
00:35:19You're wonderful.
00:35:20What are you going to do?
00:35:22Wasn't it marvelous the way he fell for it?
00:35:24I'm glad you enjoyed it anyway.
00:35:26Do you think he suspects anything?
00:35:27No, he wouldn't be coming with us if he did.
00:35:30Look here, you want to stay behind and look after Mrs. Keper.
00:35:32Oh, why?
00:35:33Well, somebody's got to keep it occupied.
00:35:34You better practice German conversation with her.
00:35:36But why can't I come with you?
00:35:38Oh, don't be absurd.
00:35:39Oh, I see.
00:35:40I've got to stay at home with a stuffy old house, Frau,
00:35:42while you go out hunting and get all the fun.
00:35:43I call it rough.
00:35:46Did I tell you something?
00:35:47What?
00:35:48We aren't hunting a fox.
00:35:49We're hunting a man.
00:35:51It's an oldish man with a wife.
00:35:53Oh, I know.
00:35:53It's war and it's our job to do it.
00:35:55It doesn't prevent it being murder.
00:35:57It's simple murder.
00:35:59And all you can see in it is fun.
00:36:29Come here.
00:36:30Come to me, will you?
00:36:32Oh, dear.
00:36:34Oh, dear.
00:36:34Oh, dear.
00:36:35Don't you take any notes for that?
00:36:36Look at that sonny dog's bear.
00:36:49I suppose your husband's a very good man, Javier.
00:36:51Yes, then he is there.
00:36:54All is safe.
00:36:57Is this your home?
00:36:59It was our home.
00:37:01Where you lived before the war.
00:37:02If you please, we do not talk about the war.
00:37:07Will you sit down and we will have a little German conversation, yes?
00:37:11I'd love to.
00:37:13How much German do you know?
00:37:15I'm afraid very little.
00:37:16Suppose you say to me the days of the week in German.
00:37:25Sonntag, Montag, Dienstag, Mittwoch.
00:37:29That is good, but pronounce the words broader so.
00:37:34Sonntag, Montag, Dienstag.
00:37:41Please, ma'am, my mummy says, have you room for a new boy in your class?
00:37:44No, go away.
00:37:45Pardon me, I was speaking to the teacher.
00:37:47Do you understand German, Mr. Marvin?
00:37:50Not a word, but I speak it fluently.
00:37:53I'll sit down here by this little girl.
00:37:56I promise to be good.
00:37:57I won't pull your hair or anything.
00:37:59Not much.
00:38:00Here.
00:38:01Little girl shouldn't smoke cigarettes in class.
00:38:04Would you like to try it, please?
00:38:06The days of the week in German?
00:38:09Sure.
00:38:13Sonntag, Montag, Mittwoch.
00:38:17The, um, the, well, no.
00:38:20Oh, your pronunciation is terrible.
00:38:25I thought so.
00:38:27Look what it's done to the dog.
00:38:35Oh, we ought to be back in a comfortable time for dinner.
00:38:37What appetites we'll have, General, eh?
00:38:39Sure, sure.
00:38:40We'll have big fun when the thing is over.
00:38:43Huh?
00:38:48Now, perhaps you are going to an hotel
00:38:50and you wish to engage your room.
00:38:53In what way would you say?
00:38:55I would say I want a double bedroom and bath for myself
00:38:58and my beautiful wife.
00:38:59This is my beautiful wife.
00:39:00No, no.
00:39:01I speak to Mrs. Ashenden.
00:39:03What would you say?
00:39:05I would say I want a single room, please.
00:39:09Look at this.
00:39:10I want a small room.
00:39:21Well, the going's not too bad so far, is it?
00:39:24No, pretty good, really.
00:39:26I suppose we saw the works of Chilesbury, you, as you know.
00:39:28Oh, for me, just second nature.
00:39:32Look, we've got a grand day for it.
00:39:34Oh, yes.
00:39:35As Englishmen say, the more better the day, the more better the day.
00:39:39Correct?
00:39:40Yes, approximately.
00:39:45Christy, come.
00:39:46Come here, Christy.
00:39:47Come.
00:39:48He is always troubled when his master is away.
00:39:52He thinks of him all the time.
00:39:56Please do that again.
00:39:59What is it worth?
00:40:01One more time.
00:40:09What is it worth?
00:40:10This is not going through with us, do you hear?
00:40:12So, we are not.
00:40:13You forget instructions of Mr. Arf.
00:40:15You prepare me finish.
00:40:18Besides, what about my money for this job?
00:40:21What are you waiting for?
00:40:25You two fellows still at it.
00:40:27He makes again the back down.
00:40:28I mean the climb up.
00:40:30He is tired, he says.
00:40:31Well, if you are tired, let's cut it out.
00:40:33Good.
00:40:34No, no, no.
00:40:34This is the only trick for me losing my bed.
00:40:37Oh, you've won your bed, all right, if you like.
00:40:38I'll pay you the money down.
00:40:39No, but there is my honor to make the climb.
00:40:42All right.
00:40:42Well, then go and climb by yourself.
00:40:44Stay back here with me, will you, Kepa?
00:40:45No, please, please, come with me.
00:40:47No, you stay here.
00:40:48Let him carry on alone.
00:40:49No, no, no.
00:40:49I think I'd better go with him.
00:40:50It's a bit tricky up there.
00:40:52Now, you can see us reach the top from the observatory over there.
00:41:04No, he's being a very bad dog.
00:41:13Richard, when your master comes home, I tell him how you behave.
00:41:17And then what will happen, huh?
00:41:20Now, you lie there like a good little dog.
00:41:23Now, Mrs. Ashenden, we go back to our lesson.
00:41:27You think 20 marks is too much for your room.
00:41:30So what do you say?
00:41:34Last is too...
00:41:36Oh, I don't know. What does it matter?
00:41:40Now you will see them easily.
00:41:42Thanks very much.
00:41:54You don't understand.
00:41:56You've never liked this before.
00:41:59I wonder if...
00:42:05For God, Kepa, for God's sake!
00:42:13Engasser
00:42:14Engasser
00:42:17Engasser
00:42:17Jammer
00:42:18Engasser
00:42:18Engasser
00:42:18Engasser
00:42:18Engasseredd
00:43:06You're very quiet tonight.
00:43:08What's the matter?
00:43:11I'll bring you on a nice little steamer trip, and this is how you behave.
00:43:16Oh, sorry, I apologize.
00:43:19You seem to get their little American friend, I suppose.
00:43:31Hello, hello, General. How are you?
00:43:35Here we are. Good evening. How have you been? Good evening. How are you?
00:43:42How did the police inquire go?
00:43:44Oh, perfectamente, perfectamente. Beautiful accident.
00:43:49Very, very sad, but could not be helped. Poor, poor gentleman.
00:43:53Didn't I find out any more about him?
00:43:55Oh, nothing important. Only photography of his wife when she was young
00:43:59and photography of Little English Village, where he lived once.
00:44:24Oh, I forgot. I have telegram for you waiting in hotel.
00:44:30But me, gentlemen, I have not opened it.
00:44:40Come on. I'll have to be crowded.
00:44:41You, Wi-Fi.
00:44:50Did you go go?
00:44:59Do you go?
00:45:03No, no, no, no, no, no.
00:45:10You can go.
00:45:44The button.
00:45:53The wrong man.
00:46:04Seems very much like those buttons are more common here than we thought.
00:46:11We should hear the sound.
00:46:14We should hear the sound.
00:46:16We should hear the sound of God.
00:46:19And let us think about each other.
00:46:20Well, I want to fight the sound of God's hand.
00:46:41Lovely place, Switzerland, isn't it?
00:46:43So gay, such charming people.
00:46:45I think I've ever met so many really charming people in one place.
00:46:48I love them all, especially generals.
00:46:51I think generals are so... so funny, don't you?
00:46:54Elsa, please.
00:46:54There's nothing more I've got to say.
00:46:56I hope you won't be very scourge, but...
00:46:58I would like to tell you how wonderful it's been meeting you, Mr. Ashenden.
00:47:03I'd often wonder what you were like, of course, but now I know, I really know.
00:47:05Think about it.
00:47:06Shut up, for God's sake.
00:47:07Oh, I believe you're trying to snub me.
00:47:08Please don't.
00:47:10Because I'm being terribly sincere about all this.
00:47:12In fact, I'm going to be quite shameless.
00:47:15I'm going to tell you a secret.
00:47:17I fell in love with you at first.
00:47:19I...
00:47:20Not just a crash, but a crash.
00:47:22Doesn't that amuse you?
00:47:24I thought it would.
00:47:26I've been so faithful to my love for you.
00:47:28I can't tell you how unkind I've been to poor Marvin.
00:47:31I think that it's over now.
00:47:33I see, it's over.
00:47:35Isn't it funny?
00:47:37I thought it never could end, but it has.
00:47:40Aren't you glad?
00:47:41It must be so boring being idolised.
00:47:43Oh, yes, of course I'm glad.
00:47:45I suppose after this you'll be able to treat the whole thing just as an ordinary job,
00:47:48something you've paid for.
00:47:50You are paid a salary, I suppose.
00:47:52Oh, yes, that's what I'm doing it for, money.
00:47:53Didn't you know?
00:47:55It isn't.
00:47:57You know it isn't.
00:47:58Yes, it is, I tell you.
00:48:01It's only some high.
00:48:04I don't like murder of close quarters as much as I expected.
00:48:09Or murderers, for that matter.
00:48:11Please, Charlie, show me.
00:48:15I don't like them much either, as a matter of fact.
00:48:17Oh, don't make me laugh.
00:48:32It hasn't been much fun for me either lately.
00:48:36I don't wonder.
00:48:38I didn't kill him, you know.
00:48:43You were there when it was done?
00:48:45Oh, yes, I was there all right.
00:48:48Half a mile away at the other end of a telescope.
00:48:52Yes, it's quite true.
00:48:54Just one of those long-range assassins.
00:48:59That doesn't make it any better, does it?
00:49:04I think you're beginning to find that out too.
00:49:07Aren't you?
00:49:10Oh, I say, don't cry.
00:49:11Have a cigarette.
00:49:19Why can't we give it all up?
00:49:23Why, would that make any difference?
00:49:25To us?
00:49:29Yes, but I thought you said it was all over.
00:49:42You know, you weren't the only one that crashed.
00:49:50Come on, it's getting cold. Let's go in.
00:50:05There are times, Mrs. Ashenden, when it is almost a pleasure to be alive.
00:50:10Is this one, Mr. Ashenden?
00:50:11I don't quite know yet. Just hold this cup and I'll tell you.
00:50:17Ah, yes, it is.
00:50:18Idiot.
00:50:19Here, here, it's my copy.
00:50:20No, no, no, no, no. Business first.
00:50:22Have you finished that level of resignation?
00:50:23Yes, Mrs. on the table.
00:50:24Well.
00:50:26I shouldn't think I'll be very pleased when he gets it.
00:50:27Especially the post-script.
00:50:34Here, will you give me another couple of copies, please?
00:50:38What's going to happen when we get back to England?
00:50:39Oh, nothing much.
00:50:40I'll just send somebody else out to take my place, that's all.
00:50:43Why, it doesn't matter much to you, does it?
00:50:46Here, answer the telephone.
00:50:47Find it yourself, lady.
00:50:49That's a road.
00:50:50Yeah.
00:50:54There, you can drop in the sugar, you do.
00:50:57Mm-hmm.
00:50:58Yes?
00:50:59Oh.
00:51:00Is that the ugliest woman in the world?
00:51:02Who is it?
00:51:03Your hated rival.
00:51:04Oh.
00:51:04They're all my hated rival.
00:51:06We've got to see this time.
00:51:06Marvin.
00:51:07Oh.
00:51:08Yes.
00:51:10Yes, thanks.
00:51:10Much better.
00:51:12Yes, all alone.
00:51:14The neglected wife, as usual.
00:51:17Yes, you have my permission to still it.
00:51:19Oh!
00:51:21That's very sudden and...
00:51:22Chattering.
00:51:23Chattering for a girl.
00:51:25Yes.
00:51:28Oh, I'm afraid I can't.
00:51:30If I promised my husband I'd...
00:51:32Oh, you better not let him hear that.
00:51:36You can cut out that Darby and Jones stuff.
00:51:39You see, I know your husband.
00:51:44And look what you're passing up.
00:51:45Me!
00:51:47A caveman with a college education.
00:51:49What more do you want, for heaven's sake?
00:51:51You know, you're breaking my back.
00:51:54Well, this is my last word.
00:51:56Listen.
00:52:04Pardon me while the brain reels.
00:52:07Our first kiss.
00:52:08Or am I just goofy?
00:52:10Was that really you?
00:52:11Yes, my love.
00:52:12Not half.
00:52:13It wasn't.
00:52:14Hey, what's the idea?
00:52:16Whom have I been kissing?
00:52:17Hold on.
00:52:18Here's your little alpha.
00:52:19Oh!
00:52:21Hello.
00:52:22Is that you at last?
00:52:23Let me get this straight.
00:52:24Whom have I been kissing?
00:52:25You were the old man.
00:52:28Very well.
00:52:29I'm satisfied.
00:52:31Now get me.
00:52:33This, madam, is the end.
00:52:35So long.
00:52:37And goodbye.
00:52:38And may you have quintuplets.
00:52:40You know, I'm quite sorry for that chap.
00:52:41I believe he's really fond of you.
00:52:42Isn't anyone else?
00:52:44Yes.
00:52:44Me.
00:52:45Oh, hello, General.
00:52:46Good morning.
00:52:47Come to join the celebrations?
00:52:48Yes.
00:52:49Making the morning husband and wife exercises?
00:52:52No.
00:52:53Not this time.
00:52:53A genuine article today.
00:52:55One dozen daily.
00:52:58I intrude, yes?
00:52:59No.
00:53:00Not in the least, General.
00:53:01We've just come to a decision and we're celebrating it.
00:53:03That's all.
00:53:03Hooray.
00:53:04We're going away from here tomorrow.
00:53:06I've resigned.
00:53:11Resigned.
00:53:12Resigned.
00:53:12What does this word mean?
00:53:14In middle of war?
00:53:15Impassively.
00:53:16Imagine, could I resign?
00:53:17In middle of war?
00:53:18Or imagine whole army and front line would do this resign business?
00:53:23I wouldn't do it if I were in the army.
00:53:24Hiding in the front lines, I'd clean a job than this.
00:53:27And then, if the most respectful Mr. R does not accept your assignment, and he certainly
00:53:35will not.
00:53:36Oh, I can't help that anyway.
00:53:37Then what?
00:53:39Listen, look here.
00:53:39I'm fed up with this whole business.
00:53:41It isn't as if we've done any good since we've been out here so far.
00:53:44We aren't trained bloodhounds either of us.
00:53:45What do you mean?
00:53:46What do you mean?
00:53:46They can quite easily find somebody much better than we are to take our place.
00:53:49Maybe for you.
00:53:50Maybe for you they can find.
00:53:51Not for me.
00:53:52Me certainly very well trained bloodhound.
00:53:55Me.
00:53:55Me first class bloodhound.
00:53:57No worries.
00:53:57I know all about that, thank you.
00:53:58Yes?
00:53:59Then it's good.
00:54:01Come here.
00:54:01I'll tell you.
00:54:02What is it now?
00:54:02This is the reason why I'm here in this minute.
00:54:05Very big, important news.
00:54:07Very best up to now.
00:54:09I dare say.
00:54:09I dare say.
00:54:11Directamente to men.
00:54:12To the right men.
00:54:13No making mistakes this time.
00:54:14Please, please.
00:54:14No good.
00:54:15Nothing doing.
00:54:16I'm sure, I tell you.
00:54:17I'm finished.
00:54:17Me, me, promise.
00:54:18Me do everything.
00:54:19You only give advice.
00:54:21Word of honor.
00:54:22I mean, uh, promise.
00:54:23Well, look, your advice is all you get.
00:54:24Hurry up.
00:54:25Tell me what it's all about.
00:54:25Yes, fine.
00:54:27Don't go.
00:54:29It's all right.
00:54:29I shung all in a few minutes.
00:54:33Aschenden.
00:54:36It's all right.
00:54:38All right.
00:54:39I'll do that.
00:54:47Hello.
00:55:04Well...
00:55:05You've got to cross your room anyway.
00:55:06Yes, but here is my little baby's room.
00:55:08Now we go here.
00:55:10Wow, wow!
00:55:11Rita, carindissima!
00:55:12How have you been all the time?
00:55:14I brought you a very fine gentleman friend of mine to see you.
00:55:18Oh, why have you come into my bedroom in hell? I'm a nice girl.
00:55:22So I gather. How do you do?
00:55:23Isn't she sweet? Please, sit down.
00:55:27You're Secretary General, I suppose.
00:55:29No, yes, my private secretariat.
00:55:31Isn't she sweet?
00:55:32Oh, come on, come on, General. What's it all about?
00:55:34There is very much all about. You wait and see.
00:55:36You see, last night we met in the gasthouse.
00:55:39I play my little penny game with her.
00:55:41So, we get acquainted very quickly.
00:55:44Of course, you would.
00:55:45We also talk afterwards.
00:55:47Oh, I wonder what about.
00:55:48Little conversation.
00:55:49She tells me about her fiancé.
00:55:52What does he here do?
00:55:53Oh, no, no, no.
00:55:54He works in a chocolate factory on the top floor.
00:55:58But he's in big money.
00:55:59He makes about four times as big money as any other clerk.
00:56:02And here I come to the point.
00:56:04I can't believe it.
00:56:06You go and play find and seek with me.
00:56:10Yes?
00:56:11Here, baby.
00:56:13Ah!
00:56:14Swain!
00:56:15Ah!
00:56:15Look!
00:56:17You see, this chocolate factory is not only factory, but it is also.
00:56:21And now you will see that me very first-class bloodhound, that me big patio.
00:56:25You know what it is?
00:56:26You know?
00:56:27No, no, no.
00:56:28I don't know.
00:56:28It's the big German spy post office.
00:56:32You mean the clearinghouse for information?
00:56:33Yes, exactly.
00:56:35But secret, very secret.
00:56:36No one knows.
00:56:37Even manager does not know.
00:56:39Only one or two workmen know.
00:56:41Including her boyfriend, I suppose.
00:56:42Exactly.
00:56:44Yesterday, message came through, which is a very big sensation.
00:56:49Message for someone.
00:56:51You mean the man went after?
00:56:52Exactly.
00:56:52Are you quite sure of that?
00:56:54Positive.
00:56:55Well, I'm doing this time, really.
00:56:57That's what I said.
00:56:58Yes, but did the boyfriend mention any name?
00:57:00No, he did not.
00:57:01Well, then what's the good of that?
00:57:02But he knows.
00:57:03And I'm quite sure he will tell for a small money amount.
00:57:06Five thousand francs!
00:57:08What?
00:57:09Are you crazy?
00:57:11Are you completely crazy?
00:57:12Didn't I give you already big money amount for you?
00:57:15One hundred francs?
00:57:17Huh?
00:57:17Oh, that was for me.
00:57:18Yes?
00:57:18The other was for Carl.
00:57:19Oh.
00:57:20Because you want to get married.
00:57:21Room two, three, four, please.
00:57:22Room two, three, four, please.
00:57:32Hello?
00:57:32Listen, Elsa, something's happened.
00:57:34I've got to go out for a couple of hours.
00:57:35Will you send one of the boys down to the hall with my hat and coat?
00:57:38Well, we can easily still catch the night train.
00:57:43Did you get that?
00:57:45Yes.
00:57:48I'm sorry, my dear, but I can't help you.
00:57:50Yeah, I must.
00:57:52No, I haven't time to explain the details, but I'll let you know as soon as I get back.
00:57:55I shan't be long, really.
00:58:00You do understand, don't you?
00:58:01Yes.
00:58:08Okay.
00:58:14Okay.
00:58:38I'll go and find them and send them to you.
00:58:42Come along.
00:58:43Here's our guy.
00:58:47Here we go.
00:59:21Here we go.
00:59:56Here we go.
01:00:01Here we go.
01:00:27Here we go.
01:00:28Here we go.
01:00:29Here we go.
01:00:30Here we go.
01:00:30Here we go.
01:00:30Here we go.
01:00:31Here we go.
01:00:32Here we go.
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01:15:31here we go.
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01:16:04Here we go.
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01:16:20here we go.
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01:22:04Here we go.