- 5 months ago
برنامج يستضيف شخصيات فنية ثقافية إعلامية وصناع محتوى يعرض على قناة العالم سورية
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TVTranscript
00:00:00Welcome to the podcast.
00:00:03I'm afraid of my own.
00:00:03I'm afraid of my own.
00:00:03I'm afraid of my own...
00:00:04I'm afraid of my own.
00:00:07We're always in the same time.
00:00:12What was the memory that was very high in your life?
00:00:17I was afraid of my own.
00:00:18I'm afraid of my own.
00:00:19I mean, the door, the individual,
00:00:21to be something that's being used.
00:00:23You're from the other words that I'm talking about
00:00:26after I talk about the fact that I'm thinking about
00:00:29that you're doing today.
00:00:31Maybe one can be able to defend you because of the door you were playing before.
00:00:34You're not allowed to do any television
00:00:37or any television show.
00:00:41You're not allowed to do any television show.
00:00:41Today, I'm afraid of my own.
00:00:44I'm afraid of my own.
00:00:45And don't forget his many memories.
00:01:01I'm afraid of my own.
00:01:12I'm afraid of the TV show.
00:01:14And don't forget it.
00:01:15Today, you're afraid of me.
00:01:17I have some degree.
00:01:17A story about your country.
00:01:18It's my history.
00:01:20And let's start with you.
00:01:22but we'll talk about Gid Meshref, we'll know about Gid Meshref, or Gid Meshref, or the artist Gid Meshref,
00:01:28what is your name with Gid Meshref, and that is your name?
00:01:32No, I'm glad I'm very happy. I'm glad you're here with you.
00:01:37I see the beautiful place.
00:01:38That's what I'm with you.
00:01:40What is your name? I don't know.
00:01:43I feel like the name is Gid Meshref.
00:01:44I feel that from the time of talking to the day of the day,
00:01:47the arrival of the next day, it didn't get rid of it.
00:01:51I think that the work that you're talking about was that it was a problem.
00:01:58It was a problem with a problem.
00:02:01Maybe they can see me this kind of style.
00:02:05Maybe it's like a style.
00:02:06Maybe it's like a style.
00:02:07Maybe it's like a style.
00:02:08I don't know.
00:02:11I was thinking a lot about it, but it was a style.
00:02:16But at the same time, the other side is the job or the job, but there is something different from
00:02:25the other side.
00:02:26So we're going to this place, but we're trying not to get rid of it.
00:02:33You're afraid to get rid of it?
00:02:33Of course, I'm afraid to get rid of it.
00:02:36There are a lot of people who get rid of it.
00:02:39And it's hard to get rid of it.
00:02:40It's hard to get rid of it.
00:02:43And it's hard to get rid of it.
00:02:44Right.
00:02:44They're going to see it always.
00:02:46Yes, exactly.
00:02:48Okay, but you're not like that.
00:02:51And this is what you're going to do.
00:02:52And this is what you're going to do.
00:02:53It's like a different color.
00:02:56Like a different color.
00:02:57Or at the same time you take a different color.
00:02:59Is this a different color?
00:03:01Or is it something you feel?
00:03:01No, no.
00:03:02It's not.
00:03:03It's not.
00:03:04It's not.
00:03:05It's not.
00:03:05It's not.
00:03:05It's not.
00:03:08What's next?
00:03:11What should I do with it?
00:03:13What should I do here?
00:03:16It's hard to see you in the future.
00:03:19I've heard of it.
00:03:19I'm sure.
00:03:21So I hope that the next few times
00:03:23that we can't go with these two regions.
00:03:28Maybe there is something else.
00:03:30And other things will be different,
00:03:31so I hope maybe...
00:03:32If we understand why your own way is failing to be a person, let's get back to you a little
00:03:37bit.
00:03:38You can go to the front of the office, and you can go to the front of the office.
00:03:42And we're always going to start with someone who is leaving the office.
00:03:45And we start with him with a question, when I was at the office, how many times I was at
00:03:51the office?
00:03:52Who was there in the office? What was the difference between the office and the office?
00:03:57Now, I was at the 3rd time on the office.
00:04:01Yes, of course.
00:04:03Yes, of course.
00:04:03There are four and five.
00:04:05Yes, it's a little bit.
00:04:07The issue is a little different.
00:04:12I want to know someone how to play,
00:04:14to be prepared for him.
00:04:16For three years,
00:04:18the third year,
00:04:20every year, there was a long battle.
00:04:23If I tell you the name,
00:04:24I'm afraid.
00:04:25Like who, for example?
00:04:26The last year I had been
00:04:28Mr. Ghassan Masaud,
00:04:30Mr. Jihad Saad, Mr. Hassan Awaiti,
00:04:32Mr. Fais Khazak.
00:04:33Of course, Mr. Jihad Saad,
00:04:36Mr. Jihad Saad,
00:04:39and there were a series of
00:04:39with Dr. Ajajal Salim,
00:04:42Dr. Samar Ombran, Dr. Tamar Al-Arabi.
00:04:44I mean, there are a few
00:04:46people who are afraid.
00:04:47I remember when I started
00:04:49from California,
00:04:52Anton Tshikhov,
00:04:55and I made a book
00:04:57to the Lord,
00:04:59Muhammad Amrani,
00:05:02and there are a lot of
00:05:03possibilities in you.
00:05:05You could tell him,
00:05:06he was very happy.
00:05:09He was very happy.
00:05:10You said you were 3 years old.
00:05:11You said you were 3 years old.
00:05:12You were 3 years old.
00:05:13You had a bit more
00:05:13you had a little bit
00:05:15in your opinion.
00:05:17You were when you were?
00:05:18Yes.
00:05:18In the first year,
00:05:19when I introduced it,
00:05:20I was born
00:05:21and I was very happy.
00:05:24I didn't know what I did.
00:05:25When I came to the court,
00:05:26I did not.
00:05:27I did not.
00:05:39I did not.
00:05:41I did not.
00:05:42I did not.
00:05:42I did not.
00:05:43I did not.
00:05:43I did not.
00:05:43I did not.
00:05:44I did not.
00:05:46I did not.
00:05:50Is my own idea
00:05:51that when you started
00:05:51you could move on,
00:05:53you could move on,
00:05:54you could move on,
00:05:56you could move on,
00:05:56you could move on.
00:05:57I did not.
00:05:58Right.
00:05:59I kind of took it
00:06:01you could move on.
00:06:02I did not.
00:06:03I did not.
00:06:04We, the people.
00:06:06We had no idea for that is
00:06:14that they would have
00:06:15to work on television. There is Ali Abraham. They traveled. They traveled and went to a
00:06:22other field or went to study. So we remember that we had 13 children and 3 children.
00:06:33Today it is known that the children of the Daffعة are different. And the names that you
00:06:37mentioned today, we have to say all the people on television. Is there any more than
00:06:43What do you think about these things after you?
00:06:45Most of them have a constant connection.
00:06:48But most of them, who are watching them,
00:06:51Ayman Abdel Salam,
00:06:53Jouan Khadr.
00:06:55Two of them are talking about them
00:06:57and they have a constant connection.
00:06:59Is there a few times
00:07:00that someone has to bring you to the door
00:07:02in a separate relationship?
00:07:03Or is there something else?
00:07:05Now it's going to happen.
00:07:07For example,
00:07:08there is a way of thinking.
00:07:12It's going to happen.
00:07:14It's not going to happen,
00:07:16but it's not going to happen.
00:07:17What is the reason?
00:07:19Maybe they were not right.
00:07:21Or maybe
00:07:23they were in the casting.
00:07:25I don't know what are the reasons.
00:07:27Maybe I don't know the reasons.
00:07:30Do you feel
00:07:31that your relationship is the reason
00:07:33that you have a little bit
00:07:35that you don't want to be able to
00:07:37make your relationships
00:07:37to your relationship
00:07:38as you should.
00:07:40There are many relationships
00:07:41that are very important.
00:07:42Let's talk about it a little bit.
00:07:43But some of them say
00:07:44that there are other things
00:07:46that are not going to be seen.
00:07:48It's not going to be seen.
00:07:50It's not going to be seen.
00:07:58It's not going to be seen.
00:08:01It's not going to be seen.
00:08:02It's not going to be seen.
00:08:14It's not going to be seen.
00:08:31What's the reason?
00:08:34When you think about the relationship
00:08:38I think that
00:08:40even today
00:08:42we're doing
00:08:43the dream.
00:08:45Every person
00:08:46gets in the same way
00:08:47they're pushing to the same road and the other.
00:08:52The other things
00:08:52are in the same direction.
00:08:53I don't really know,
00:08:53I think a lot,
00:08:54I think a lot,
00:08:55we're doing some relationships.
00:08:59but there might be something else that might not have been wrong with it.
00:09:06We can say that everyone is sad.
00:09:09It's not sad.
00:09:11It's not sad that it's sad or sad.
00:09:14It's sad that it's sad.
00:09:21It's a good thing.
00:09:23But if you do this,
00:09:25every time you get to a certain level,
00:09:27you get back to a higher level.
00:09:29So it doesn't end.
00:09:30There is an opportunity to be a problem
00:09:31that you can't be able to get a lot of money.
00:09:34It's the way you can get a lot of money.
00:09:37Yes, it's the way it is.
00:09:39There are a lot of things
00:09:41and many people
00:09:42who work with their own.
00:09:43They will make sure that this is going to be over.
00:09:46And that's why we don't have it.
00:09:48Yes, the person who is working on it and has put all his opportunities and all his skills in it,
00:09:54that he is the person who is going to shoot, suddenly won't shoot.
00:09:59Yes, that's right. Let's come back to you a little bit.
00:10:02Do you remember what it was about?
00:10:05Of course, the first time we were in the fourth year, we were in Breispan with Mr. Manuel Gigi.
00:10:13The second time was Dr. Samar Amran.
00:10:18The second time was Dr. Samar Amran.
00:10:19The second time was Dr. Samar Amran.
00:10:23Who was with you who worked on this project?
00:10:28The second time was Dr. Samar Amran.
00:10:33There was a friend who was currently in Germany.
00:10:36He was currently working on this project.
00:10:41His family was the one who was in the last year.
00:10:44There was a group of brothers in the last year.
00:10:49How did you think about this project?
00:10:53The next time was Dr. Samar Amran.
00:10:57The second time was Dr. Samar Amran.
00:11:01Of the next time was Dr. Samar Amran.
00:11:03In this time, we were in the next time.
00:11:09But you feel that this place is still trying to make a decision and to take the family, and they
00:11:14have kids who come from the tribe and take the family.
00:11:17So, there are also some kind of reasons that they can't make a difference in the world, either by the
00:11:24people or by the people who are not involved.
00:11:26So, they're trying to make a decision, but the worldview is the problem.
00:11:29Do you agree to teach in the field or to teach in the education system?
00:11:34No, I didn't see it. In 2016, I studied one of them, which is the unit unit and the electric
00:11:41movement.
00:11:42But I didn't see it in this place.
00:11:45I didn't see it in the same place.
00:11:46No, I didn't see it. There are a number of reasons.
00:11:49When I'm recording, I feel like the subject of the unit is a very big issue.
00:11:57It's a big issue. It's a big issue. It's a big issue. It's a big issue. It's a big issue.
00:12:03It's a big issue. It's a big issue. It's a big issue. It's a big issue.
00:12:09I didn't feel like I could be there.
00:12:13I'm a person who is a representative and not a professional.
00:12:17If we're talking about academic, I don't have a professional.
00:12:21I feel like I'm in this place.
00:12:22You can see it more.
00:12:23Of course.
00:12:25Now, I can go to the subject of the development of the unit.
00:12:29It's a big issue.
00:12:31It's a big issue.
00:12:32I'm trying to try my research for the young people who want to know what is the art.
00:12:37Or the young people who are now beginning.
00:12:39But it's a big issue.
00:12:42It's more than that.
00:12:43It's a big issue.
00:12:45There are a lot of people who don't agree with you.
00:12:46That's right.
00:12:47Let me tell you about your life.
00:12:49Since you're an individual, it's a big issue.
00:12:55You are an individual, the side of the city.
00:12:59You're an individual.
00:13:00The city of Sweden.
00:13:02What was your pride in your life?
00:13:03I don't know who you are.
00:13:05I don't know why I'm a pride in my life.
00:13:06But it's a bit of a power.
00:13:08It's a bit of a power.
00:13:10It's a bit of a power.
00:13:11It's a bit of a power.
00:13:12The research that I love about the environment, the simple, the nutrition, the
00:13:23food, the food, the food, the food, the food, the food.
00:13:26These are all of us in the process of being a struggle.
00:13:29I mean, they are in every country.
00:13:32But every country's special is in this issue.
00:13:35You grew up in Sweden.
00:13:38Yes, I was born in Sweden and ended up in the Baccalaureate period, and I returned to the Shams.
00:13:45Of course, this is a lot of time. I'll tell you from 2003.
00:13:49Yes, of course.
00:13:52Did you get to the Shams? Yes, I did.
00:13:54Yes, I did. I studied something else, but I didn't complete it.
00:13:59What did you do?
00:14:00I studied with a machine and a machine.
00:14:02Yes, of course, I received the first year.
00:14:05I didn't have any questions. I didn't have any questions.
00:14:08And the last year, I didn't do anything.
00:14:10The last year I met on the Mahath, so I left the place and left.
00:14:15The Nail was a person's decision.
00:14:17Of course.
00:14:18Did you have a relationship between your family or your family?
00:14:21No, they were not. They were not the same.
00:14:25They were not the same for the day.
00:14:26They were the same for the thing I think about and the dream of my dream.
00:14:32What do you think of your children?
00:14:32Well, you think of the story, meanwhile, for some of my father,
00:14:35that led to the Swede and of the Swede, and the Swede, and the Swede and the Swede.
00:14:42You only hear your thoughts. What do you think of those?
00:14:45You are the son of Swede today. What do you tell them?
00:14:48No, I really want to say about this subject.
00:14:52And the idea of the record is the history.
00:14:53If you want to know the truth, it is a history.
00:14:59This is simple.
00:15:00What do you like?
00:15:02It is a history.
00:15:03Look at the history of the Soviet Union.
00:15:09Look at the Sultan Bashar al-Atrash.
00:15:10And before the Sultan Bashar al-Atrash.
00:15:16But it's all.
00:15:17I don't want to be...
00:15:20I don't want to do it.
00:15:23I don't want to do it.
00:15:27I don't want to do it.
00:15:28I don't want to do it.
00:15:30I don't want to do it.
00:15:31You've got a long time.
00:15:33You've got a long time.
00:15:34I've worked with a lot of drama.
00:15:38And these things
00:15:40I don't have to be able to do it.
00:15:42According to the number of years.
00:15:45What was the first time you arrived?
00:15:48You've worked with him.
00:15:49You've got a lot of pressure for you.
00:15:52Let's begin with the first time you've worked with him.
00:15:53And then you're going to the second time.
00:15:55I'm going to tell you something.
00:15:57I don't want to do anything.
00:16:00I don't want to do anything.
00:16:02We have this door.
00:16:04I don't want to do anything.
00:16:06I don't want to do anything.
00:16:11I don't want to do anything.
00:16:14I don't want to do anything.
00:16:15You're going to work with what you're going to do.
00:16:17But what I felt like I was working with him.
00:16:19I started to see my eyes.
00:16:23I started to see my eyes.
00:16:23There was a number of my eyes.
00:16:24There was a number of my eyes with the doctor.
00:16:25And he was able to do anything.
00:16:29I was able to do anything.
00:16:31But I was able to do anything.
00:16:32But I remember them.
00:16:34I remember them.
00:16:35I remember them.
00:16:36It was a very nice to me.
00:16:38It was a nice world.
00:16:41I was able to talk about it.
00:16:42The smell of the clothes.
00:16:46The smell of the clothes.
00:16:47The smell of the clothes.
00:16:51There were a lot of details.
00:16:53I thought it was the first one to the camera.
00:16:56And this is still the same.
00:16:58It was the same.
00:16:59So you're not talking about it.
00:17:00You're not talking about it.
00:17:01How did you feel about this moment?
00:17:05Today I'm just watching the camera.
00:17:06There's a great deal.
00:17:08It's a great deal.
00:17:10It's a great deal.
00:17:11It's about your work and your own work.
00:17:16What do you want to do with it?
00:17:17How do you get to work?
00:17:18How do you get to work?
00:17:20But in this period, I was still not understanding the issue.
00:17:24How do you get to work?
00:17:25How do you get to work?
00:17:26I have to do it.
00:17:29We didn't take a deal with the camera.
00:17:34We took a lot of work from the camera.
00:17:36We took a lot of work from the cinema.
00:17:37But we didn't have to do it.
00:17:39The view is not the same.
00:17:42You can learn a little bit.
00:17:43You can ask your friends who are more than you.
00:17:48They are more than you.
00:17:49They are more than you.
00:17:54And a little bit of work from the camera.
00:17:56You can understand the current policy.
00:18:00You can understand the quality of the camera.
00:18:01I remember when I was at the moment.
00:18:02When it was, when it was a small part.
00:18:04I felt like I was able to get to work.
00:18:07I was able to get to work with you.
00:18:08No, you can work with this small part.
00:18:10You can't tell me that here's a lot of work.
00:18:11You can understand the reaction.
00:18:13And the reaction is more.
00:18:15So you learn a little bit.
00:18:17And you will see how you have a story about it.
00:18:19Well, I told you a little bit about that in one of the years that you gave me this was
00:18:24the artist of Amal Arafah in the league.
00:18:26I started working with her in the first door with a friend of Amal Arafah.
00:18:32How was your job with her?
00:18:34Yes, of course I remember.
00:18:36I told you a lot.
00:18:37Yes, of course I remember.
00:18:41What do you want to say about this?
00:18:43This is the history of Amal Arafah.
00:18:46The history of Amal Arafah is very useful and focused on some of the characters.
00:18:55What is the character that you love when you started working with Amal Arafah?
00:19:02What is the question?
00:19:05I will tell you what is the character of Amal Arafah.
00:19:10I used to tell you that when I was a character of Amal Arafah, there were only a space that
00:19:18has just in the character of Amal Arafah.
00:19:21There are a lot of special relationships that have been used to be used by the character of Amal Arafah.
00:19:27And there are some sexual relationships that have been used to be used to be used by the character of
00:19:30Amal Arafah.
00:19:34So I always ask what is the role that you like to work or what is the personality that you
00:19:39want to work?
00:19:41I don't have a difference.
00:19:42But it's a personality.
00:19:44It's a reality.
00:19:45It needs to be used.
00:19:47I can show my power and my power.
00:19:51Give me an example, just to understand the idea more.
00:19:54But tell me about the personality.
00:19:56What is the role?
00:19:57What is the role of the personality that you don't like to work on?
00:20:01Yes, I'm even talking about the character so that we don't have a character.
00:20:03If we talk about the character like this, the character which is the character.
00:20:09For example, this character is nothing, a character, a character, a character who is a character.
00:20:14This character is a character.
00:20:16I love doing everything a lot.
00:20:20To mean the role of the character is to be a passive force, to induce myself, to accept myself from
00:20:28my own.
00:20:28And to have to get away from my own.
00:20:29or to work on the details.
00:20:31And every time it was in a wide range
00:20:34or in a high range,
00:20:36I also used to be able to get more.
00:20:38Who would you like to play with your friends today?
00:20:42You would like to play with your friends?
00:20:46I would like to tell you,
00:20:48I would like to work with every person
00:20:50who works a nice person
00:20:52with the details of him
00:20:53and he doesn't have any name.
00:20:55I would like to play with you,
00:20:56I would like to play with you.
00:20:59You would like to be like them.
00:21:00But today I would like to play with you
00:21:02or see any drama or cinema
00:21:05or anything,
00:21:06you would like to stay in the middle.
00:21:08I would like to be in this place.
00:21:10I would like to do something.
00:21:12So this is the negative.
00:21:14Can you see you in a day
00:21:15and you are working with your character?
00:21:18And you are working with your character?
00:21:20There was a book I had,
00:21:22I have a book I did,
00:21:24but I didn't see the fire.
00:21:25I didn't see the fire,
00:21:27I didn't see the fire,
00:21:27I was working with the fire.
00:21:29We were working with the man
00:21:32who was a man named Medad.
00:21:36We were writing a series of three things,
00:21:38and I wrote one of those things.
00:21:41And the goal was not only to write
00:21:42we were the men of these things,
00:21:44but I didn't see the light of this work.
00:21:46I did not see the light of this work.
00:21:48I did another one,
00:21:50but I stopped.
00:21:52What is the reason?
00:21:55I feel that there must be
00:21:56an intake of the light of this work.
00:21:59The other reason is that you say
00:22:01no, it's not the time.
00:22:02It's not the time.
00:22:02It's a little bit.
00:22:04How do you start to do it?
00:22:06I don't know.
00:22:07I don't know.
00:22:07If you come to the light of this work.
00:22:09You're a writer,
00:22:10how do you change your life?
00:22:14How do you change your life?
00:22:15Do you feel that you are ready or not?
00:22:17Do you want time to make this book
00:22:20a bit more than your life?
00:22:21Is there anyone who has changed from you?
00:22:24What do you think?
00:22:25There are people who love the book.
00:22:27But I don't know how to change my life.
00:22:30I don't know.
00:22:32I guess not.
00:22:33I don't see the numbers
00:22:34of people.
00:22:36This is the impulse,
00:22:38the human in need.
00:22:40It's one of the most important things.
00:22:40But I remember when I read the book
00:22:42I read the Flyers who wrote the book
00:22:45but I always do it.
00:22:46If I read the book,
00:22:47if I read anything
00:22:47we have to do work.
00:22:49It's an article
00:22:50it is published
00:22:51and created it
00:22:52If I'm looking for a moment, I'm going to give you a little bit.
00:22:57Can you see you in the past, the same thing?
00:23:00No.
00:23:01He's a good one.
00:23:03He's a good one.
00:23:04He's a good one.
00:23:06He's a good one.
00:23:06He's a good one.
00:23:07Can you imagine that you're a good one?
00:23:10If you're a good one, the circumstances and the circumstances?
00:23:15I'm looking for the best drama.
00:23:19I'm looking for the best drama.
00:23:22I'm looking for a well-known.
00:23:23I'm looking for a good one.
00:23:27I want to see you a good one.
00:23:28I'll pass you on.
00:23:30I'll see you.
00:23:31All of these things are different.
00:23:33I'll see you later.
00:23:38I will see you next time.
00:23:38But I don't know if I can see you even in the middle and teaching it back to this time.
00:23:42No, no, no.
00:23:43I don't know.
00:23:44Because, as you know, any evidence is at the same time.
00:23:48Who has written me in detail?
00:23:49Do you feel that you are able to talk about the Syrians and Syria, and the history of the Syrians,
00:23:56and the Syrians, and the Syrians, with a good idea?
00:24:00Now, I'm going to put you in a very difficult choice, and this is a very difficult choice.
00:24:04Because you want to forget, there are a lot of books.
00:24:07There are a lot of books.
00:24:08Can you give me an example?
00:24:10I want to tell you, for example, you want to be a history.
00:24:15For example, you can read the book of the Syrians, and you can read the book of the Syrians.
00:24:20Dr. Wally D'Saf.
00:24:22Let's talk about the comedy book of the Dr. Mondeo Hamaadah.
00:24:30What is the name of the drama of the Syrians, is the Syrians.
00:24:35The society has a lot of...
00:24:39And this is the drama of the Syrians.
00:24:42Yem Shadi,
00:24:45and the name of the Syrians and the interiors of Chabokah.
00:24:50And what's the name of the Syrians?
00:24:53And the name of the Syrians and the name of these.
00:24:53God bless you.
00:24:54And you kind of love, Hasan Sami.
00:24:55Yes, it is.
00:24:58There are some places that you can read.
00:25:01There are some places that you can read from the Syrians.
00:25:02There are some places that you can read today, that you can read.
00:25:05.
00:25:05.
00:25:06.
00:25:06.
00:25:06.
00:25:08.
00:25:08.
00:25:08.
00:25:08.
00:25:08.
00:25:09.
00:25:09.
00:25:11.
00:25:11.
00:25:11.
00:25:12.
00:25:12.
00:25:13.
00:25:13.
00:25:14.
00:25:14.
00:25:14.
00:25:14.
00:25:15.
00:25:15.
00:25:15.
00:25:15.
00:25:16.
00:25:17.
00:25:17.
00:25:17.
00:25:17.
00:25:18.
00:25:18.
00:25:18.
00:25:19.
00:25:19.
00:25:19.
00:25:21.
00:25:21.
00:25:21.
00:25:22.
00:25:23.
00:25:23.
00:25:25.
00:25:25.
00:25:26.
00:25:26.
00:25:26.
00:25:26.
00:25:26.
00:25:27.
00:25:29.
00:25:29.
00:25:29.
00:25:30.
00:25:30.
00:25:31.
00:25:32.
00:25:32.
00:25:32Why did you like this?
00:25:35There is a series of the battle.
00:25:38This was the last year.
00:25:41You can see this work a lot
00:25:44talking about the Russian community.
00:25:51How it happened after it was done.
00:25:53And there is a work that I found out.
00:25:56And this is a character that I found out.
00:25:56It's a character that I found out.
00:26:00It's a character that I found out.
00:26:01Do you like your character?
00:26:03Do you like your character?
00:26:05Do you like your character?
00:26:08Do you like your character?
00:26:09Yes, I like your character.
00:26:11It's not just me.
00:26:12And it's hard.
00:26:14It's hard.
00:26:15It's hard.
00:26:16It's hard.
00:26:16It's hard.
00:26:19If you took this character,
00:26:21and you want to do this character,
00:26:25what did you do?
00:26:27I don't know.
00:26:27I don't know.
00:26:28I mean, when I was a place,
00:26:30it's not a place.
00:26:31When you come to this character,
00:26:33you can see what you can do.
00:26:35I don't know.
00:26:37I don't know.
00:26:39Let's go back to you.
00:26:40Okay.
00:26:41Let's go back to you.
00:26:42Okay.
00:26:43Let's go.
00:26:43Let's go back to you.
00:26:55You're going back to me.
00:26:58and you can see the image.
00:27:00And you can see it with a lot of memory.
00:27:13My name is Maged Mishra,
00:27:14welcome to you with me in the podcast.
00:27:17Before the break, we're talking about
00:27:19about the views of the Soviet Union
00:27:21that you love to work in the world.
00:27:23Let's go back to you a little bit
00:27:24about the work that you've worked.
00:27:26Let's begin with the comedy.
00:27:28I've been sharing with you a lot of lines
00:27:29and you know how comedy is a comedy
00:27:32that is a good thing to do.
00:27:35Do you feel like you have a comedy?
00:27:38Or how do you see the subject?
00:27:42It's the same thing.
00:27:45It's the same thing.
00:27:46But it's the same thing.
00:27:47I'm a person in my life who knows it.
00:27:50I love the comedy.
00:27:54I love the comedy.
00:27:56I love the comedy.
00:27:58I've been working on the comedy.
00:28:01I've been working on the comedy.
00:28:02It was a comedy series.
00:28:04The comedy series is in general.
00:28:08It's not a good thing.
00:28:10So it needs to be written
00:28:12and to be written.
00:28:13It needs to be written.
00:28:16It needs to be written.
00:28:18It needs to be written.
00:28:19It needs to be written
00:28:22very well.
00:28:24It's the same question here.
00:28:26.
00:28:26.
00:28:26.
00:28:27.
00:28:27.
00:28:27.
00:28:28.
00:28:29.
00:28:29.
00:28:29Do you feel like there's a character in the comedy or in the drama that you feel like you're looking
00:28:34for yourself if you played this game or if you played this game or if you played this game?
00:28:39I'll tell you that I was in this series.
00:28:43I'll tell you that I was in this series.
00:28:45I was in this series.
00:28:45I was in this series.
00:28:45I was in Sweden too.
00:28:50Yes, of course.
00:28:51We did a casting, but now I was in this series.
00:28:57That's the reason why I didn't have it.
00:28:59I was in this series.
00:29:03There's a lot of work.
00:29:05I said to you, there's a lot of work that I love.
00:29:07There's a lot of work that I love.
00:29:08There's a lot of work that I love.
00:29:09There's a lot of work that I call Arabic.
00:29:10Yes.
00:29:14There's a lot of work that I call comedy.
00:29:17These movies are popular.
00:29:19To comedy's old comedy.
00:29:21Like these movies, I feel that they love them.
00:29:27As it was fun for them.
00:29:28These are the tasks that I have done in play.
00:29:30Has it taken me to work like comedy?
00:29:33No.
00:29:34Why did you see you when you didn't have a title?
00:29:36There's a couple more.
00:29:37I can't be connected with the same place I was creating, but I, God, can be it.
00:29:43I am not sure it could.
00:29:45That's what we're going to do.
00:30:15Do you think the artist has a choice to say no before the work?
00:30:19Or not?
00:30:20Do you have people who don't think about this way?
00:30:22Because he is a member and wants to work,
00:30:24regardless of what was the idea of this work?
00:30:26Well, let's talk about a community,
00:30:29and a community,
00:30:32and a community.
00:30:33I mean, someone is in the country.
00:30:36And the nature of the work that we do is like this.
00:30:39What do they do?
00:30:40Is it going to work?
00:30:42We don't know how to do this,
00:30:45but this is the same thing.
00:30:47He eats a food from this.
00:30:49The food is available.
00:30:51There is a food for all the time.
00:30:54It is a food for the industry.
00:30:56It is a food for the people.
00:30:58After 30 years,
00:30:59you can get food for the food for the food.
00:31:01You want to talk about food for the food.
00:31:05I don't know.
00:31:06But it is very difficult.
00:31:08It gets those kinds of food,
00:31:10and it is used for all that he was making it.
00:31:15He still has a food for the field.
00:31:15And they just become focused.
00:31:16As the people who want to do this part,
00:31:18he does not want to fix the business.
00:31:20He's trying to fix something that he has to do.
00:31:23He can create a business.
00:31:24He's doing a business,
00:31:24It's the business.
00:31:24This is our business.
00:31:25I'm playing with this business.
00:31:27Okay.
00:31:28You have to be a business,
00:31:29you have to be a business,
00:31:30you have to be a business.
00:31:33This is the work that was working in the country.
00:31:36What do you do?
00:31:37You're not working on everything.
00:31:40Or anything, regardless of what you can do with the possibility and the vision of your vision.
00:31:45If you can do it or not, but it's right to work on any way.
00:31:50Of course.
00:31:50And now, if he reached a certain level, he can say no.
00:31:55And he can do it.
00:31:57He can do it.
00:31:58He can do it.
00:32:00He can do it.
00:32:02He can do it.
00:32:07But there are people who are going to tell you now.
00:32:10What is the fan?
00:32:11It's just a matter of fact.
00:32:14Let's talk to these people.
00:32:16What did you know about this?
00:32:18Or this?
00:32:20In any sense?
00:32:21Before we were doing it, we had to do it.
00:32:24The previous regime and the past.
00:32:27And so, what did we know?
00:32:31What did we know about this?
00:32:32What did we know about this?
00:32:34There are things in the political system and the problems.
00:32:39And they don't show up after years.
00:32:42They can't show up in all the areas.
00:32:45But we can provide the concern.
00:32:46What happened to me from now?
00:32:47I don't believe there was any work that happened.
00:32:51There is nothing to say about that.
00:32:53It's only what we can pay attention to every center.
00:32:54Let's see.
00:32:56But maybe we can hold on the along with the thresholds.
00:32:57The path that affected these matters.
00:33:01Or the struggle.
00:33:02For the society and the society.
00:33:05So, maybe we can talk about other forces.
00:33:07But if we talk about all the things like this, then it would be a very difficult thing.
00:33:13Okay, you shared with two. Let's talk about the first one.
00:33:19And the other one saw this work as well.
00:33:23Do you think that today is possible that the other one is going to play with you?
00:33:29Do you have to be able to play with you?
00:33:32No, I didn't.
00:33:32I'm not going to play with you, because I was playing a very simple guy, who loves the dog.
00:33:38And he's press the button.
00:33:40He's going to leave the dog and he's going to play with another one.
00:33:42He's going to play with him.
00:33:44And then he's going to play with you.
00:33:45I didn't work at any of this work.
00:33:51So, how is the return to the river today?
00:33:53What's the difference between the river?
00:33:55The return to the river is that it happened in history, the story happened.
00:34:00The return to the river is that it happened in the river.
00:34:02It happened in 2007-2008.
00:34:042007-2008.
00:34:06So, you've seen this happen.
00:34:07So, you're going to see that the way you did it.
00:34:09We didn't see it.
00:34:12We didn't see it.
00:34:14We did it.
00:34:14We did it.
00:34:14After the day.
00:34:16So, we don't have to put it on the road.
00:34:19We don't have to be able to put the situation on all our lives.
00:34:20We know what was happening.
00:34:21We did it.
00:34:22We did it.
00:34:23We did it.
00:34:23It was a good one.
00:34:23It was a good one.
00:34:24or 20-30 years old.
00:34:27So I'm playing with one of the bosses in the hospital.
00:34:33That's a good job.
00:34:36And I played with the same thing.
00:34:38Yes, yes.
00:34:40I'm playing with the same music.
00:34:45And I'll tell you a little bit about it.
00:34:46For example, after a second,
00:34:49I'm not allowed to do any television
00:34:52or any other television.
00:34:55In Syria?
00:34:57What's the reason?
00:34:58They did a lot of news,
00:35:00and they were not allowed to do that.
00:35:04And when I came to the news,
00:35:07when I came to the news,
00:35:07when I came to the news,
00:35:09Mr. Amr Rebwan told me
00:35:11that they were fighting,
00:35:14and they were fighting.
00:35:16When I came to the news,
00:35:17I told you that we're in trouble.
00:35:19What are you doing?
00:35:21What's happening?
00:35:21We're working on the fessage.
00:35:25What's the fessage?
00:35:26What's the fessage?
00:35:27He's working on the problem.
00:35:31He's working on the problem,
00:35:33and he's working on the fessage
00:35:36and the power of the dead.
00:35:37That's what was happening.
00:35:40I'm working on the problem,
00:35:44and I'm working on the problem.
00:35:47But finally,
00:35:47he's working on the problem.
00:35:50He was working on the problem a lot,
00:35:52as he was known,
00:35:54but he didn't make sure the current system
00:35:56but he didn't make sure the current system.
00:35:57But if you're on the side of the person,
00:35:59without the resources,
00:36:01did you get to an emergency?
00:36:04No,
00:36:09no,
00:36:12no,
00:36:13no,
00:36:13no.
00:36:24No,
00:36:25no,
00:36:25no,
00:36:25no,
00:36:25no,
00:36:25no,
00:36:25no,
00:36:26no,
00:36:43no.
00:36:43no.
00:36:44No,
00:37:12No,
00:37:13We are going to work with the work.
00:37:15We are going to work with the problems that were there.
00:37:19But we are going to have a little bit to have a vision for the world.
00:37:23Today, the Surrey is not sure how to see the vision of the world.
00:37:27We don't have to put a lot of ideas in the past.
00:37:30We want you to put something in the past and look at what is the way you can reach the
00:37:35vision without making it more.
00:37:40Because the essence that came out, and the essence that came out,
00:37:43could not be able to do it.
00:37:46So this is the way to deal with it.
00:37:49And the way to deal with it.
00:37:52In Ramadan, we saw a series of
00:37:54in a place without a while, and that was done before we started on the screen.
00:38:01And we saw a message to the community after we started this series.
00:38:05How did you see this work?
00:38:08I was able to share with you this work,
00:38:12with one of the three things, and I was looking forward to it.
00:38:18I was looking forward to it.
00:38:19It was a lot of fun.
00:38:21It was a lot of fun.
00:38:23As you can see, the viewers have seen a lot of fun.
00:38:28They are not ready for it.
00:38:31They are not ready for it.
00:38:32This is what I told you,
00:38:34that this work, especially in a journey,
00:38:36after that, let's say,
00:38:38after the journey of the Soviet Union,
00:38:39after 14 years,
00:38:41they are talking about the situation of this world,
00:38:44and all the Russians, let's say,
00:38:46they are living here, or they know about it.
00:38:48And how would you try to create this new dream?
00:38:50What is the new dream to you in the future?
00:38:53From this work, without having to make up and do this.
00:38:56It's not something new.
00:39:03It's not something new,
00:39:18You don't have to deal with the idea without putting your hands on the ground.
00:39:22Because you said that the ground is not the ground, nor the ground.
00:39:25It's hard. I understand you that you are trusted to the political leaders.
00:39:32I'm sure I'm trusted to any other thing that is reduced from the syringe and the ground.
00:39:43Why? Let me ask you about my work here.
00:39:46You talked about the pressure and the pressure.
00:39:49You talked about these things that Mr. Hamadah.
00:39:54Like you said, you have a lot of fun.
00:39:57It has a lot of fun. It has a lot of fun.
00:39:59It has a lot of fun. It has a lot of fun.
00:40:02Why do we stay in Syria for the beginning of 14 years?
00:40:09What is the reason?
00:40:13Why do you have to deal with it?
00:40:15We can't be able to deal with it.
00:40:17They say that the reasons the wrong thing are not going to be done.
00:40:21We don't know if there's any other way.
00:40:24What do you want to do with it?
00:40:24a billion.
00:40:27هل بتشوف الكسافة العمالة اللي ان عملت هي هي نوع OF
00:40:31من المحاولة كردة فعل انه سقط النظام. تحررنا شوي من
00:40:35القيود الرقابة. فصار فينا نشتغل شو ما بدنا.
00:40:38في الله خلونا نجرب ونشوف الناس شو بد. طبعا هي هي هي
00:40:42هلأ اي عمل فني هو تجربة. لتشوف بناء على هالأ هي
00:40:46تجربة رد فعل الاخر. رد فعل متلقي عليها. هلأ اوكي
00:40:51تحررنا من الرقابة. ان شاء الله نقدر نظل متحررين.
00:40:56What do you think about these?
00:40:58Do you think you have a problem with the problem with them?
00:41:02I do not know.
00:41:04I don't know what happened during the pandemic.
00:41:06I don't know.
00:41:07I made the decision and the truth was working.
00:41:11I do not work.
00:41:14Let's get out of the political culture and look at all of us,
00:41:16and go to a single episode.
00:41:20In this episode,
00:41:21There was a lot of people who went and watched the nishath and there was a lot of people around
00:41:26the community.
00:41:26Did you feel that this kind of a kind of a strong arm that was reduced with the people's work
00:41:33because of the number of people's workers?
00:41:37No, there's a lot of people around it.
00:41:39I'm talking about a lot of people around the community.
00:41:40Of course, there's a lot of people around the community.
00:41:42It didn't have to.
00:41:44It was a mistake, I think.
00:41:45Maybe there was a mistake in the development of the system,
00:41:47maybe there wasn't a problem as they were,
00:41:52but I didn't see it.
00:41:54It didn't come to the system that the system was going to be a community.
00:41:57It also says that the situation was so difficult.
00:42:02Tell us a little bit about it.
00:42:04It was a difficult situation.
00:42:04They were working on Sweden,
00:42:08on the economic development of the United States.
00:42:10It was very difficult for us to find out about the mountains.
00:42:13The weather and the weather was very nice.
00:42:17The weather was very nice.
00:42:20What was the sun that was hot during the day and the rain during the night?
00:42:27It was difficult for us, but we were very happy.
00:42:31We were very happy with each other.
00:42:32We were happy with each other.
00:42:33We were happy with each other.
00:42:39Did you feel that you took the truth?
00:42:41Yes, of course.
00:42:43What is the reason?
00:42:44I don't know.
00:42:44If there was a mistake in the future or a mistake in the future,
00:42:49it didn't allow us to do the relationship.
00:42:52The relationship or the reality of the reality.
00:42:59Do you not play with each other as well?
00:43:01Of course.
00:43:02Today we started a little bit.
00:43:05The other thing that we do is to do the work.
00:43:10The work of your work.
00:43:11How are you working on this work?
00:43:13How are you working on this work?
00:43:15How are you working on this work?
00:43:16He's doing it.
00:43:19There is a process, a minute,
00:43:21that it was a process that it was a process.
00:43:22And sometimes, by the way,
00:43:24it was a process that it was a process.
00:43:27What was the process that made it that way?
00:43:30How are you working on this work?
00:43:32At the beginning, there was a work that was beautiful.
00:43:36Two, there was a work that was beautiful.
00:43:38Three, there was a work that was beautiful.
00:43:43Do you have to work on it?
00:43:47Yes, hopefully.
00:43:51The work that worked on it was beautiful.
00:43:53In other words, the work that was beautiful.
00:43:54This was an actual work that I am.
00:43:58A lot.
00:43:59Well, the works of the integration and the Restoration and the Mixing.
00:44:05It's an improvement to do something completely different.
00:44:06It's an improvement to do something different.
00:44:09What did you learn about the person's side?
00:44:15How was the location?
00:44:18I learned the feeling.
00:44:20I learned the feeling.
00:44:22He was a very quiet person.
00:44:24If you listen to the sound of the location,
00:44:26he says, if he says,
00:44:27he says,
00:44:28he says,
00:44:28he says,
00:44:30he says,
00:44:31he says,
00:44:35he says,
00:44:36the same thing is,
00:44:37he says,
00:44:38he lives in London taking care of things,
00:44:40he says,
00:44:44he says,
00:44:46he says so.
00:44:48So,
00:44:48he says,
00:44:49he knows the situation in London,
00:44:52he says,
00:44:54to the einmaligy,
00:44:55so,
00:44:55he says,
00:44:56he goes ahead and says,
00:45:00So I felt like a big brother, but we did not do it.
00:45:06So we felt like we were doing something to do so that we didn't do the job.
00:45:08We were trying to think how could we get rid of you?
00:45:15You didn't look at the high level.
00:45:17God did not give me a person.
00:45:22The whole world of art is what is known.
00:45:24What are you doing?
00:45:26At this time, you were also talking about other things.
00:45:29I think it's the same thing.
00:45:30The same thing.
00:45:32The same thing is the same thing.
00:45:33Did you play this game?
00:45:35I think it's one of the special ones.
00:45:38I don't think it's a lot of money.
00:45:40I don't think it's a lot of money.
00:45:41There's a lot of money coming from the job.
00:45:46Even though it's a character, it's the same thing.
00:45:48It's the same thing.
00:45:51What's the reason?
00:45:53I don't know.
00:45:54We don't feel the same.
00:45:56Unfortunately.
00:45:58There's a lot of money.
00:46:00It's a lot of money.
00:46:02Do you think it's a social media?
00:46:05Yes, it is.
00:46:06Yes, it is.
00:46:07It's possible.
00:46:10This is the same thing.
00:46:13When you were in the E.T. Syria,
00:46:15when it was 2019,
00:46:17you made a report.
00:46:18You made a report.
00:46:19You made a report.
00:46:22You made a report.
00:46:23Yes, it was a lot of money.
00:46:26I loved it.
00:46:30I didn't know how I was talking about it.
00:46:34I didn't know how I was talking about it.
00:46:35I didn't know how I was talking about it.
00:46:35I didn't know how I was talking about it.
00:46:36I went to the end of the journey.
00:46:38I found my name.
00:46:39I was talking about it.
00:46:41I was talking about it.
00:46:44And I was talking about it.
00:46:46In this period, I was very happy in this period.
00:46:53In the episode of the Aishik, there was a problem, according to what we were reading,
00:46:58related to the money for the money.
00:47:01They didn't have all the money for the money.
00:47:03Did you do that with you?
00:47:05No, I didn't do that with him.
00:47:06No, he did that with the world.
00:47:08But I didn't do that with him.
00:47:10I took all my money, and I was the first to first.
00:47:14Let me tell you about your experience with the young people.
00:47:20The young people in the field of art,
00:47:23the fans, not all of them,
00:47:26they have a kind of anger or fear that they work with.
00:47:29First of all, they don't know how to work.
00:47:31They don't know how to work.
00:47:32They don't know how to work on the camera.
00:47:33Maybe the young people are also working on the first experience.
00:47:38You worked for example,
00:47:39in the morning,
00:47:41with Pierre Callam.
00:47:42It was the first experience for him.
00:47:44You were scared,
00:47:45you liked the experience.
00:47:47How did you talk about this journey?
00:47:50Now, Mr. Pierre Callam is a friend.
00:47:53He is a friend.
00:47:54I know him previously.
00:47:56When I spoke to him about the work,
00:47:58he was the first experience for him.
00:47:59So we were able to help each other.
00:48:01And be with him.
00:48:04I love how to think about it.
00:48:06How to solve things.
00:48:08And he had his information
00:48:09about your own business,
00:48:11and he had his information
00:48:11for a long time.
00:48:13So when I spoke to him,
00:48:15I told him,
00:48:15I'm with you.
00:48:17I'm with you.
00:48:18I'm with you.
00:48:18I'm with you.
00:48:19I'm with you.
00:48:20I'm with you.
00:48:20I'm with you.
00:48:20I'm very happy.
00:48:21And even when I came to the result,
00:48:23the result was very good.
00:48:23I was very, very humble.
00:48:26Not only when I worked with him,
00:48:29and I worked with him
00:48:30an email.
00:48:32I haven't used it before.
00:48:34I didn't know why he got it.
00:48:35It was a wonderful time for him.
00:48:36I was both able to spend it on their own.
00:48:37How to think about this work?
00:48:38How to interact with the people,
00:48:40what that's about.
00:48:41And I think the truth is that
00:48:43the world's goal focus on it.
00:48:44I love values the previous values.
00:48:46It's obvious that there are
00:48:47all the people who are aider,
00:48:50and all the people who are living in the house.
00:48:51They can help out the people
00:48:51and get along the path.
00:48:52and this guy is coming with a new idea
00:48:54and someone is watching what's going on
00:48:56there is a transformation in the world's cinema
00:48:57or in the world's films
00:48:59and what's going on in the world's films
00:49:01we are seeing this transformation
00:49:03I'm a sadist
00:49:05I want to tell you later
00:49:07there is a movie
00:49:09of course
00:49:10of course
00:49:15I've worked
00:49:16for film cinema
00:49:18I've worked with the people
00:49:19Ali Maguut
00:49:21Ali Maguut
00:49:22we have had a great experience
00:49:23I worked with the realtor
00:49:26his cinema
00:49:26I can't I can't
00:49:31I can't even say
00:49:33I can't even say
00:49:33and learn a name
00:49:36like when they get married
00:49:38and they are still alive
00:49:39we have some who are in the world
00:49:41in the end
00:49:42I'm sure
00:49:43nd, at the end by Voldemort is the direction of Originals.
00:49:45yes, after Voldemort is the one who will изbegue you.
00:49:45Yeah, exactly, exactly!
00:49:47During that topic, this was an easy one's job with jeder menerton and discrimination..
00:49:54?
00:49:54What difference do you think about Leonardo's
00:49:58in my eyes also was that a lot of procrastination after his work?
00:50:03But I wanted to ask her to Ali daan, I did !
00:50:07I could turn him like that
00:50:10I felt that it was a mystery.
00:50:14I felt that she was just trying to look for the cinema and the world.
00:50:17I felt that it was a dreamer.
00:50:19I felt that it was a dreamer.
00:50:21I felt that I was a member.
00:50:24I didn't know how to give a new one.
00:50:26I want a period.
00:50:27I want this period.
00:50:30I want the whole power.
00:50:32I want to gather a whole power.
00:50:34I don't know what the reasons are.
00:50:36I don't know.
00:50:37There are many reasons.
00:50:38What can you make Mijid Mishraff think about an accident like that?
00:50:43The death.
00:50:44Only?
00:50:46Or something else?
00:50:47Or something else?
00:50:50I'm going to try it.
00:50:51If I have this thing that I want to do,
00:50:57I don't know.
00:50:59I don't know.
00:51:00I don't know.
00:51:04The death.
00:51:06The death.
00:51:08I'm going to try it.
00:51:09And, the death.
00:51:12The death.
00:51:14The death.
00:51:14The death.
00:51:15The death.
00:51:34The death.
00:51:35So we're not going to get back, but we're going to get back to the last 10 episodes of this
00:51:40work.
00:51:41But we didn't get back to it.
00:51:42So we got 20 episodes of the 20 episodes, and we can get back to the 30 episodes of the
00:51:48time.
00:51:49And it was a great experience for her.
00:51:51One of them was going to be in front of us, Mr. Rashid,
00:51:53Mr. Juliette,
00:51:55which I had a dream to see.
00:51:57A big dream.
00:51:57Of course.
00:51:59What was the time you played with this episode?
00:52:02I was taking the door of Faisal. Faisal doesn't resemble his father, but the two of them resemble his father
00:52:08in the issue of the war and the war and the war.
00:52:12Faisal is like his mother, he loves the sound. So he says that there is a story about love with
00:52:17his father in the family.
00:52:19And he says the sound like his mother, in the meetings, and in the meetings.
00:52:23He has kept something from this door.
00:52:26Okay.
00:52:26On the buddha.
00:52:28Okay.
00:52:29There is something I told you about from a while ago.
00:52:32I will say two of them.
00:52:34There is a wonderful book about the book that says
00:52:37What does a heart, what does it look like?
00:52:40The earth is on the ground.
00:52:42The blood is on the ground.
00:52:43The blood is on the ground.
00:52:45And it's on the ground and the person's body.
00:52:49These are the rituals that I remember.
00:52:50How do you feel?
00:52:51How do you feel?
00:52:54It's very nice.
00:52:55And even in the summer.
00:52:55...
00:52:57...
00:52:57...
00:52:58and the sound and the sound.
00:53:00God bless you.
00:53:02Beautiful, beautiful, beautiful.
00:53:04There is something that is very important,
00:53:05we are in Syria,
00:53:07and in Syria we listen to it.
00:53:09There is something that is very important,
00:53:10and in the past, and in the past, and in the past,
00:53:12and in the past, we have a lot of beautiful things.
00:53:16There is a lot of beautiful things.
00:53:18How much is it going to you?
00:53:21It's not good enough.
00:53:22How much is it?
00:53:23When I was in Dubai,
00:53:25I shared by the jurorines Carpenter with Åhurnina,
00:53:30the jurorines Carpenter,
00:53:32in the region of the in internment theiamoci,
00:53:35theεις Arish Disak tonic.
00:53:38It was the کے holding of the pesky ant algunos
00:53:40had or largerosas due to the 99% of Is Produktes
00:53:49With the film and the film, it was a very nice experience.
00:53:57How many years?
00:53:592016, 2015-2016.
00:54:0210 years ago.
00:54:03It was a very nice experience.
00:54:07What was the first decision to do today?
00:54:12I don't know.
00:54:13I don't have a relationship with it.
00:54:17What do you expect?
00:54:18You say today, and today I'm going back to you.
00:54:21You see the right conditions?
00:54:24It's not the right conditions.
00:54:27What do you expect?
00:54:28What do you expect?
00:54:29What do you expect from any point?
00:54:30You, on the personal side, as a fan today,
00:54:35What do you expect today to be working?
00:54:38The cinema is a bad thing.
00:54:39The people and the cinema are a bad thing.
00:54:41We're back to our memories of cinema.
00:54:47We're back to the cinema.
00:54:50But we're still doing the hard work for the cinema.
00:54:50And we're all back to the cinema.
00:54:50And to the cinema?
00:54:52It's the same to the cinema.
00:54:52There's a combination of the cinema.
00:54:54It's not always that those who are working in the cinema are gonna work with an angelic.
00:54:58It's also going to work with the cinema.
00:55:00It's all the cast, sociaux, etc.
00:55:02but they also want a adaptation of the cinema.
00:55:06and this is not a place for the country.
00:55:09This is a cause for a lot of people.
00:55:11I'm going to go to work for two months or two and a half.
00:55:17I'm going to take my hand.
00:55:18I don't have any responsibilities.
00:55:21The responsibilities are towards the others.
00:55:22The responsibilities are towards the same.
00:55:26We've reached the end of the process.
00:55:27I'll finish with you a question.
00:55:29What do you say to today?
00:55:35Let me give you hope.
00:55:37Maged, not really.
00:55:38Thank you very much for this.
00:55:43Thank you for your opinion.
00:55:45I'm going to ask you a question.
00:55:46I'm sure you put someone in the lives of you and in the lives of you.
00:55:51You can see that you're not giving you a good job.
00:55:54But it comes time to show you that the job is not.
00:55:57The job that you work with it is only for you.
00:55:59You can put it in place to take effect on people.
00:56:03You're certainly from the people who do it in place.
00:56:06May God.
00:56:07I always say that everyone is living in the world.
00:56:09For sure.
00:56:10The Rightishness will be up and reached a very good time for you.
00:56:14I'm going to say thanks.
00:56:17Thank you for all the people and all.
00:56:18Thank you Joan.
00:56:21Imagine that your friend is very good.
00:56:24That's the simple thing you have heard today.
00:56:26You are welcome.
00:56:26Thank you, Mohamed.
00:59:32I'm an actor.