00:00Hello, my name is Dipali Mahatreya and you are the best film of Lokhmath.
00:02We will have a set of Lappandav Maliki's set where we will be.
00:04Good morning and welcome to Lokhmath Filmy.
00:07Thank you so much.
00:09And today we are going to play a little rapid fire type game.
00:12But you can buy it all.
00:14And if you have any reason for it, you will know.
00:17Okay.
00:18Who is the set where is the mood?
00:24Me?
00:25No actually.
00:26But you don't have to be honest.
00:28I don't care whether or not.
00:29Yes, sometimes.
00:30I like to be honest.
00:31Because I am outside.
00:34I am outside.
00:35Who is outside.
00:38You don't even know that.
00:39I like to be outside.
00:39I am outside.
00:39No, her days.
00:40Well, my mom was getting hot then.
00:42I was feeling warm when I was outside.
00:46And I am feeling really excited.
00:47It's actually to be a blazer.
00:49Since today, you put that in a fashion, the blazer is great.
00:52I am wearing a big wail and it is warm.
00:55I have to say, it's really a problem.
00:56You're like a perfect mood.
00:59Okay.
01:00So do you think of yourself and dance with yourself?
01:02I'm sure.
01:04I'm sure you're in a break with 10 minutes.
01:06I think that's the first time I went to work with my kids.
01:08And I was just like, it's ok with yourself.
01:11This is the best way to dance.
01:14I'm a little bit like this.
01:15Just like that.
01:16But I don't want to dance.
01:17If you're in a break with yourself, then you can dance with yourself again.
01:19I don't want to dance.
01:20Okay.
01:21Hey, how are you going?
01:22I will be going.
01:23Why are you doing this?
01:24I don't know what to do, but I don't know what to do with the time pass.
01:30We are here, Parishu.
01:32Yes.
01:33It's hard to do this.
01:35But the time pass is fun.
01:39So, what is it?
01:41And you have a lot of fun.
01:44You have a lot of fun.
01:46Parishu has a lot of fun.
01:48He has a lot of fun.
01:50He has a lot of fun.
01:51He has a lot of fun.
01:52So, you have a lot of fun.
01:56You have a lot of fun.
01:56You have a lot of fun.
01:59Okay.
02:00Let's talk to you.
02:01Do it.
02:03Do it.
02:04Do it.
02:05Who is Fumble?
02:08The dialogue is Fumble.
02:10No, actually.
02:12What?
02:12I'm like, wow.
02:14No, actually.
02:16No, it's Parna.
02:17It's Parna.
02:18It's Parna.
02:19I don't think it's Fumble.
02:22I can think of it.
02:23I can think of it.
02:24I'm like, why are you talking?
02:26Lona, Lona.
02:27That's why you're talking about.
02:28I'm not.
02:28I'm not.
02:29I'm going to sleep off.
02:30No, sleep off.
02:31You don't have to sleep off.
02:33Lona, Lona.
02:34And you have a big question.
02:35I don't know.
02:36I don't know.
02:36But Lona, Lona, Lona.
02:39I'm going two and three.
02:40And I don't know.
02:41And you're two people.
02:41While we are in the scene,
02:43there's a mention on the bar,
02:44you're not...
02:45Lona's are lying.
02:47I said, I didn't stop.
02:48I just had to do it in the jeeps.
02:51Okay.
02:52Who is being pranking someone?
02:54Who is doing the prank,
02:54who should do you?
02:56No, no.
02:57No.
02:57Who is prankster?
02:59Okay.
03:01Who is taking the phone?
03:02Who is taking the phone?
03:03No.
03:05I didn't say editor.
03:06I was like the main thing, you know?
03:08I had fun.
03:09I was addicted to it.
03:11I said, that's why I was chronically online.
03:13I had to have so many reels.
03:16In the past, my friends were thinking that I'm going to be mad.
03:20So, my friends were thinking that it was a little bit of addiction.
03:23I was getting reels.
03:25Because Parashuk Khan complained that
03:28I don't have an reels.
03:32I was able to understand how many of us were.
03:35If you don't like Prashukhakan, you don't like Prashukhakan, but you don't like Prashukhakan.
03:38Yeshudhan Gadhari, Kaka, Prashukhaka.
03:44Chachana, do you know who is a dadagiri?
03:47No, he is a director.
03:51Dadagiri is a director.
03:52Sir?
03:52Sir?
03:53Sir?
03:54Sir?
03:54Sir?
03:54Sir?
03:54Sir?
03:54Sir?
03:55Sir?
03:55Sir?
03:55For your point, you're turning it over.
03:57So, you're turning it over.
03:58They need to turn the camera into you.
04:01Sir?
04:04I'm gonna turn it over.
04:06Sir?
04:08Sir?
04:08I don't need it.
04:10I'm not going to turn it over.
04:11I'm not going to turn it over.
04:15Let's do it.
04:16But I still don't like Prashukhari.
04:18If I have the first video I'll turn it over, you'll see you at your store.
04:21Then we will also try to explore.
04:22So, I would like to ask you what's going on.
04:24We're going to get some more.
04:26I'm not going to get some more.
04:27I'm going to get some more.
04:29I'll get some more.
04:32I'm going to get some more.
04:34I'm going to get some more.
04:38Okay, I'm going to get some more.
04:38Okay.
04:39Is it like a girl who is playing?
04:45No.
04:48No.
04:48My hair is not in the grass.
04:50Not in the grass.
04:52I thought you were talking about a little bit.
04:54No, I'm a big one.
04:59I'm a mature one.
05:03What would you do with the family?
05:06I'm a big one.
05:08My family is so big.
05:10I have a small family, and I have a small family.
05:14I've got a family and I've had a small family.
05:16There was a question I had.
05:18Okay then, what do you think?
05:19I was going to do a question.
05:20I had to ask that I had a question in my bag.
05:23I had to ask that I went to my room and I was going to ask that.
05:26I asked if I were to listen to the comments,
05:28I would ask that one thing.
05:31I would tell a series.
05:33I would tell you a series.
05:34I would tell you a bit about the truth.
05:37Oh, I am so drunk.
05:39I would tell you that.
05:43That's the result of Sangatitra.
05:45Yes, Sangatitra.
05:47Okay, well.
05:48This is the latest kiss of the shooting dharma.
05:52That's what you're talking about.
05:55We don't have any idea about it.
05:56We don't have any idea about it in social media.
05:58But this is the funny kiss of the shooting dharma.
06:02We don't have any idea about it.
06:03So, we're going to take a look at it?
06:04Yes.
06:07We're going to take a look at it.
06:08But, it's like a fumble.
06:13It's not a problem.
06:15It's not a problem.
06:16It's a problem.
06:18It's a problem.
06:19It's a big chunk of Malaysia, Australia.
06:23It's a big chunk of the song.
06:24I'm not sure how many of you are doing it.
06:29I'm not sure how many of you are doing it.
06:31I'm not sure how many of you are doing it.
06:33But, it's a speed line.
06:35It's not a good deal.
06:36It's ailstack of the delivery.
06:39It's like a speed line.
06:41I don't have any more speed.
06:42It's always a seat from the master.
06:44I will see a rehearsal for the first scene.
06:46I'll see a bit.
06:49I had to take a look at it.
06:51I thought I'm close.
06:52I thought, I will take a look at it.
06:54One of the first steps in my nous is thinking,
06:56I could take the distance.
06:57I have to take a look at it.
06:59I can't take a look at the robot.
07:02Oh, that's right.
07:04So, I thought, how are we going?
07:07I don't know.
07:08I started downfall.
07:10So, I didn't recover.
07:11And I did recover.
07:12I said, I'm going to recover.
07:14But I don't know how to go.
07:16So, I said,
07:18I'm sorry.
07:19I'm sorry.
07:19I'm sorry.
07:20I'm sorry.
07:21I'm sorry.
07:21I'm sorry.
07:21I'm sorry.
07:21I'm sorry.
07:21I'm sorry.
07:22I'm sorry.
07:24And then,
07:25Adhi Crack dh in,
07:26I was shocked.
07:28And then,
07:29one of my favorite patients.
07:31She toldεί Talmit.
07:32And then they come to sleep at her.
07:35And then they are like,
07:36they're the place that comes in.
07:37And so, they've said it.
07:38I was on your own script.
07:39And then,
07:40I'll say Talmit.
07:42Then,
07:42I said,
07:45And then,
07:46I'm not saying anything.
07:47I'm not saying anything.
07:47But I was being serious.
07:49I was saying very seriously.
07:51But I was saying,
07:52I just thought that there were cracks that way
07:54And then I thought, you should throw it away
07:59You can't throw it away, I can't do it
08:01But in shooting, when you see a scene, you see a scene
08:05How about that scene?
08:06That's how he does it
08:08How about that scene?
08:11How about that scene?
08:14How about that scene?
08:15How about that scene?
08:17No, actually, it's not that scene
08:19No
08:20Actually, we are going to survive on this set
08:22Because we have the floor from the set
08:25So, we are going to sleep with the shoes
08:28We are going to sleep with the shoes
08:30Okay
08:30You don't have to worry about that
08:32No
08:32Okay, last question is
08:34One question is
08:36One question is
08:36In shooting during the shooting
08:38So, wow, normally you are going to be in the house
08:40And you are not going to be in the house
08:41So, do you have to be in the house?
08:43Oh, man
08:44You have to be in the house
08:46A little bit
08:47You are going to be in the house
08:48So, you are going to be in the house
08:49Actuality
08:49Yes, no
08:50Even the house is in the house
08:52We have to be in the house
08:57When the house is in the house
08:58It is the latest
08:58Who is going to be bad?
09:04You are not going to be bad
09:10No
09:10No
09:10I don't want to say that
09:11It's a hollow
09:12No
09:12You are not going to be bad
09:14Especially when you are concerned
09:16And there are many people who are doing something.
09:19Yes, the four gangs have been doing something.
09:23But I think there are many people who are doing something.
09:27So there is a segment that is where we have to study some of our projects.
09:31Some of our work, some of our work, some of our work, some of our work.
09:36So we have to do this.
09:38So thank you so much for your support.
09:41And if you are a chemist, you want to be a very good friend.
09:43What are the latest news for us?
09:47I am a little extra.
09:49I don't know all of these news.
09:52Because we have a few days in Ethiopia.
09:54It's a long time.
10:00We are going to be talking about the news.
10:02We are going to be talking about the news.
10:03We are going to be talking about the news.
10:06We are going to be talking about the news.
10:13Thank you so much.
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