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Making a movie is a monumental task, but what happens when the director isn't happy with the final product? This video explores the surprisingly common phenomenon of filmmakers disavowing their work, featuring confessions from the directors of 'The Game,' 'Fifty Shades of Grey,' and more.
Transcript
00:00It's so easy for moviegoers to take for granted just how damn difficult it is to get even the worst
00:05movie made.
00:06No matter how bad a film might be, there's someone, somewhere, who worked extremely hard on it.
00:12And for many directors, a gig is a gig.
00:14A film might not have the greatest script, but if it pays decently and keeps them in the life to
00:19which they're accustomed, that's not so bad, right?
00:21Yet that hasn't stopped filmmakers periodically piping up, getting uncommonly honest, and even straight up announcing that they regret one
00:29of their past ventures.
00:30So with that in mind, I'm Ellie with WhatCulture, here with films directors regret making.
00:36The Game, David Fincher.
00:38Though few are going to hold up The Game as one of David Fincher's better movies, by any metric, it's
00:43a taut, solidly crafted thriller.
00:45Yet Fincher, ever the famous perfectionist, has serious misgivings about the film's third act.
00:50Enough that he even wishes he followed the advice of his wife and producer, and didn't direct the movie at
00:56all.
00:56In a 2014 interview with IndieWire, Fincher said,
00:59In hindsight, my wife was right.
01:01We didn't figure out the third act, and it was my fault because I thought if you could just keep
01:05your foot on the throttle, it would be liberating and funny.
01:09Though the game's ending, where it's revealed that Nicholas's entire harrowing ordeal was indeed a stage game,
01:14is certainly the film's most polarising aspect,
01:17there are still many fans who are very, very happy that a director as skilled as Fincher was the one
01:23to make it.
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01:41Fifty Shades of Grey, Sam Taylor-Johnson
01:442015's big-screen adaptation of hit erotic novel Fifty Shades of Grey cycled through a bevy of named filmmakers
01:51before landing with on-the-rise director Sam Taylor-Johnson.
01:55The film was ultimately panned by critics, and Taylor-Johnson received a Worst Director Razzie nomination for her work.
02:02Yet her filmmaking was certainly totally competent, if unsurprisingly unable to elevate an atrocious script.
02:08Though the director was reportedly paid over $2 million for her work and initially approached to return for the two
02:14sequels,
02:15she opted to walk away due to her difficulty working with the series' author E.L. James.
02:20In a 2017 interview with The Sunday Times, Taylor-Johnson revealed that while she couldn't quite bring herself to say
02:26out loud
02:27that she regretted the experience, that's basically what she feels in retrospect.
02:31The Hunger Games Mockingjay Part 2, Frances Lawrence.
02:35Frances Lawrence was hired to direct the entire two-part adaptation of The Hunger Games series' final book, Mockingjay,
02:42with both movies being shot back-to-back.
02:45But even before Part 1 was released, many questioned the necessity of splitting a book the same length as its
02:51two predecessors in half,
02:52beyond the obvious money-grubbing reasons, of course.
02:55And indeed, once Part 2 came out, the most common criticism of the duology was that the split was unnecessary,
03:02and Mockingjay could have been easily adapted as a single film.
03:05Lawrence kept quiet about this for years, but while recently promoting his Hunger Games prequel,
03:10The Ballad of Songbirds and Snakes, he confirmed to people that he regretted making Part 2,
03:15rather than simply producing Mockingjay as one movie.
03:18He said,
03:24Ironically, perhaps the most vocal criticism of The Ballad of Songbirds and Snakes is that its ending is rushed,
03:30with some suggesting it might have actually benefited from a two-part split.
03:34Oh, the irony.
03:36Che, Steven Soderbergh.
03:38Though few will hold up Steven Soderbergh's two-part Che project as one of the director's better movies,
03:43it's certainly a laudably ambitious, sober-minded effort topped by a terrific performance from Benicio del Toro as the titular
03:50revolutionary.
03:51Both films prove bitterly divisive with critics,
03:54and Soderbergh has since spoken extensively about how personally draining the back-to-back production was,
04:00enough that he wishes he never actually made the movies at all.
04:04In a 2009 interview with The Guardian, he confessed,
04:26The interviewer also, point-blank, asked Soderbergh if he wished he hadn't made the film,
04:31and he replied with a clear, emphatic,
04:33Yeah.
04:34Transformers The Last Night, Michael Bay.
04:37Michael Bay doesn't really come off as a director who regrets anything he makes,
04:41and yet he's been incredibly candid about overstaying his welcome in the Transformers franchise,
04:46and continually accepting paychecks, even when his creative juice for the franchise was basically used up.
04:52In an interview with Unilad while promoting his most recent film, Ambulance, Bay said,
05:09Given that Bay revealed his net worth was sitting at around $500 million in 2016,
05:15the man clearly doesn't need Transformers-sized paydays to keep himself going,
05:20and if Ambulance proved nothing else, it's that he can deliver superior results on a smaller canvas and tighter budget.
05:26David Lynch's 1984 adaptation of Dune may well be one of the most disappointing films of all time,
05:35an intermittently enthralling yet oft-leden blockbuster which was quite obviously put through the executive mangle,
05:41enough that Lynch effectively disowned it.
05:43A big sticking point for Lynch is that he didn't have final cut on the production,
05:48and despite knowing the risks this presented, he signed on regardless.
05:52Though Lynch evidently doesn't like talking much about Dune,
05:55enough that he even vowed to never watch Denis Villeneuve's new adaptation,
05:59he has admitted that he shouldn't have made it,
06:01and since then, he has been adamant about having final cut on all of his projects,
06:06and with Dune's immediate follow-up, Blue Velvet,
06:09Lynch even agreed to slash his salary in half and drastically lower the film's budget to make that happen.
06:15Green Lantern, Martin Campbell.
06:17Martin Campbell is one of those reliable journeyman directors every studio wants to have on their speed dial,
06:23because if you give him a great script, he'll deliver spectacular results,
06:27and even if not, he'll do his damnedest to elevate mediocre material.
06:31But it's tough to picture anyone salvaging 2011's risible DC superhero film Green Lantern,
06:38which from the ground up just seemed like an egregiously ill-advised project.
06:42A $200 million budget for a movie based on a superhero general audiences weren't terribly familiar with,
06:49and one that dared to render Ryan Reynolds' lantern suit entirely in post-production,
06:54risky doesn't even begin to describe it.
06:57Green Lantern went on to flop critically and commercially.
07:00Its legacy cemented as something of a punchline once Reynolds' career rebounded with the Deadpool movies.
07:06Campbell, who hadn't directed a film as CGI-reliant as this before, seemed out of his depth,
07:11and in a 2021 interview with Screen Rant admitted that he shouldn't have made it.
07:16He said,
07:17The film did not work, really.
07:19That's the point, and I'm partly responsible for that.
07:21I shouldn't have done it.
07:23Superhero movies are not my cup of tea, and for that reason, I shouldn't have done it.
07:27But directors always have to carry the can for the failures.
07:30What do they say?
07:31Success has many fathers.
07:32Failure has won.
07:34And that's me.
07:35G. Lee, Martin Brest.
07:36G. Lee is one of the most infamous flops of all time, a stonking box office failure which also won
07:42six Razzie awards,
07:43including Worst Director and Worst Screenplay for filmmaker Martin Brest.
07:48The director effectively had his career torpedoed by G. Lee's catastrophic failure,
07:53and he hasn't directed anything in the 20 years since and has maintained an extremely low profile,
07:59though in a recent Variety interview finally broke his silence about the film.
08:03While Brest was reluctant to even speak the movie's name aloud, preferring to call it the G-movie,
08:08he said of his experience making the film,
08:11Extensive disagreements between the studio and myself got to the point where post-production was shut down for eight months
08:17while we battled it out.
08:18In the end, I was left with two choices, quit or be complicit in the mangling of the movie.
08:23To my eternal regret, I didn't quit, so I bear responsibility for a ghastly cadaver of a movie.
08:29Brest additionally revealed, as many suspected, that he struggled to get subsequent scripts off the ground,
08:35and so rather than spend years fighting to get them made, he decided to quit the industry altogether.
08:40The Impostors, Stanley Tucci.
08:431998's The Impostors, the second directorial effort from Stanley Tucci,
08:47while receiving broadly positive reviews from critics, was a box office flop.
08:52In a 2021 interview on Variety's Award Circuit podcast,
08:56Tucci spoke irreverently about the film's failure and his own regrets with making it as not only director,
09:02but also writer, producer and star.
09:04He said,
09:05Every now and then, someone will come up to me and say they loved the second movie I made,
09:09which was called The Impostors.
09:10They say,
09:11It's my favourite movie of all time, and then I accuse them having escaped from an asylum.
09:16Sure, the movie wasn't a hit and certainly a comedown from his acclaimed 1996 debut, Big Night,
09:21but Tucci's still being pretty damn harsh on himself here.
09:25It's not like he made Geely, right?
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