00:00If there is something common in these films, then it's a film called Anil Mehta.
00:08Today, we are with our first Kashmir Film Festival.
00:11We know about them and how they feel about their experience.
00:15The kids asked them about their questions.
00:18How much, how tough job is it?
00:22First of all, sir, welcome back to you.
00:23Thank you so much.
00:25Sir, if you talk about your own journey, then you can't do some of them.
00:30But sir, one thing, the struggle of the cinematographer, whether he is with the director or the writer or the
00:36producer,
00:37how does it look like sets?
00:41It's very late in sets.
00:43When I decided to do cinematography, I didn't know where to start my journey.
00:50Because it is such an uncertain profession.
00:52It was very difficult to take a decision to make a film,
00:58then cinematography, then explain to my parents that I want to do it.
01:04Because it wasn't that we were an established family.
01:07It was very difficult to take a decision to make a film.
01:13If you were to focus on your work and your energy,
01:20then the chances are that you will find your path.
01:32And you can follow a certain pattern.
01:38In films, the uncertainty is written very very large.
01:41So this is my relationship.
01:44And this is my relationship.
01:45And this is my relationship.
02:02And because it was a good film in our lives,
02:05and because it was a very good film in our lives,
02:08it was a lot of pain in the industry.
02:10So that's why it was another work.
02:13So I'm not saying that there is just any one way.
02:17And I'm just once more saying that this is a very uncertain profession.
02:22How is the chemistry when you have the directors of your friends
02:48How is chemistry death time when you know the person personally in and out also?
02:53I don't have to worry about it.
02:57Why do I have to worry about it?
03:00Because I always ask myself what are the arguments like?
03:06I don't have to worry about it.
03:15As a cinematographer, you are going there to work for the film.
03:20And for the film that has been written either by the director or is being finished by the director.
03:26So you have to understand these things.
03:29And when you work with that spirit,
03:33the possibilities are very low.
03:36There is a new actor,
03:39who gives takes more time.
03:41How do cinematographers handle that actor
03:45and their friends?
03:45Do you have to do patience for yourself?
03:48Not to do it.
03:48It should be in your mind.
03:51Patience if you want to be in films.
03:52This is not the work that happens in the early stages.
03:55Sir, one more question.
03:57We often see that,
03:59like Shah Rukh Khan said,
04:00that he doesn't watch his films again.
04:02After shooting, he went on.
04:04He didn't watch it.
04:05He didn't watch it.
04:06Especially on your story.
04:07How many films do you then?
04:10How many films do you?
04:10I can take this shot.
04:12This could be better.
04:13For the next film,
04:13I have to implement it.
04:14So,
04:16it's a good thing.
04:17You have to say that Shah Rukh
04:18doesn't watch his films.
04:19Because Shah Rukh and me,
04:21there is one thing common.
04:22I don't watch his films again.
04:25I don't watch his films again.
04:28I have to watch the film
04:28once again.
04:30I have to watch it.
04:31I have to watch it.
04:32I have to complete it.
04:33But,
04:34once the film comes,
04:35the final film,
04:36which will be shown in the theatre,
04:37once the film
04:38after watching the audience,
04:40I find it very difficult
04:42to go back and watch my own film.
04:43Even if they are running
04:44on some OTT platform,
04:46I will,
04:47I don't go back.
04:48I wanted to stop you.
04:50But,
04:50what was your favorite film
04:52from today?
04:53Which one was left in Kashmir?
04:55You have done a lot of shoots.
04:55You have done a lot of shoots here.
04:57You have done a lot of shoots here.
04:58You have done a lot of shoots here.
04:59You have done a lot of shoots here.
05:00You have done a lot of shoots here.
05:00You have done a lot of shoots.
05:00So, overall,
05:01the best film,
05:02which you do yourself,
05:03which one was left?
05:05Actually,
05:05it's not a favorite film.
05:06But,
05:07maybe,
05:08that was my career
05:09when I was back-to-back
05:11rock star and highway
05:13and I found those,
05:15that experience
05:16and both those films
05:17were very interesting.
05:18Because,
05:19the one side of my career
05:20I worked for one side
05:22and the other side,
05:23I worked for a long time.
05:23And,
05:23these films,
05:25the actors and actors
05:26with the mainstream cinema
05:28were slightly different films.
05:31They were written,
05:33They were written,
05:34they were written.
05:35So, for me,
05:36both of those films are quite precious.
05:38For me,
05:38For me,
05:40This was Anil Mehta.
05:44Anil Mehta.
05:44One thing that's common is that
05:46that,
05:47after the film is produced,
05:48after the film,
05:50after the film,
05:51they won't watch the film again.
