L'omicidio di Antonella Di Veroli, noto come il "delitto dell'armadio", fu commesso a Roma il 10 aprile 1994 nel quartiere residenziale Talenti. La commercialista di 47 anni fu trovata morta in casa, colpita al volto da due colpi di pistola, soffocata con un sacchetto di plastica e chiusa in un armadio sigillato con del mastice. Il responsabile è a tutt'oggi ignoto.
Dopo l'allarme dei familiari, preoccupati per la sua assenza ingiustificata dal lavoro, il corpo fu rinvenuto all'interno dell'armadio della sua camera da letto solo durante un secondo accesso nell'appartamento.
L'assassino era entrato senza forzare la porta. La donna fu prima colpita alla testa con una pistola di piccolo calibro (usando un cuscino come ammortizzatore) e, non essendo morta subito, finita per soffocamento con una busta di nylon stretta al collo.
L'armadio era stato accuratamente richiuso e le ante sigillate con il mastice per ritardare il ritrovamento del cadavere.
Le indagini si concentrarono subito sulla vita privata della professionista. Finirono sotto accusa l'ex compagno e collega Umberto Nardinocchi e un fotografo, Vittorio Biffani, a cui la donna aveva prestato una grossa somma di denaro. Entrambi furono in seguito prosciolti o assolti.
Nel luglio del 2025, a seguito dell'istanza presentata dai familiari e supportata da nuove analisi e pressioni mediatiche, la Procura di Roma ha formalmente riaperto le indagini. I carabinieri del Nucleo Investigativo stanno riesaminando i reperti dell'epoca (bossoli, ogive e tracce biologiche) con l'ausilio di moderne tecnologie forensi e indagini scientifiche avanzate
#Chilhavisto #Chilhavintage #Delitto #Armadio #AntonellaDiVeroli #Roma #BluNotte #CarloLucarelli #Blu #Notte
Dopo l'allarme dei familiari, preoccupati per la sua assenza ingiustificata dal lavoro, il corpo fu rinvenuto all'interno dell'armadio della sua camera da letto solo durante un secondo accesso nell'appartamento.
L'assassino era entrato senza forzare la porta. La donna fu prima colpita alla testa con una pistola di piccolo calibro (usando un cuscino come ammortizzatore) e, non essendo morta subito, finita per soffocamento con una busta di nylon stretta al collo.
L'armadio era stato accuratamente richiuso e le ante sigillate con il mastice per ritardare il ritrovamento del cadavere.
Le indagini si concentrarono subito sulla vita privata della professionista. Finirono sotto accusa l'ex compagno e collega Umberto Nardinocchi e un fotografo, Vittorio Biffani, a cui la donna aveva prestato una grossa somma di denaro. Entrambi furono in seguito prosciolti o assolti.
Nel luglio del 2025, a seguito dell'istanza presentata dai familiari e supportata da nuove analisi e pressioni mediatiche, la Procura di Roma ha formalmente riaperto le indagini. I carabinieri del Nucleo Investigativo stanno riesaminando i reperti dell'epoca (bossoli, ogive e tracce biologiche) con l'ausilio di moderne tecnologie forensi e indagini scientifiche avanzate
#Chilhavisto #Chilhavintage #Delitto #Armadio #AntonellaDiVeroli #Roma #BluNotte #CarloLucarelli #Blu #Notte
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TVTrascrizione
00:01Her name is Antonella di Veroli, she is 47 years old and she is a labor consultant by profession. We are in Rome.
00:08in the Talenti neighborhood in the mid 90s his body was found locked in the closet of the
00:16her bedroom is why it is remembered in the chronicles as the crime of the woman
00:22in the closet a crime still unsolved today who killed antonella di veroli the investigation by chiara
00:31Cazzaniga with Massimo Terranova and Raffaella Offidani
01:12Antonella, I'm your mom, call me back please
01:19We are in Rome's Talenti district, a residential area in the north of the city, on the first floor of Via Domenico.
01:26Liva 8 lives a single woman her name is Antonella from Veroli because she doesn't answer the phone and because
01:35she doesn't even respond to messages left on her answering machine
01:49Antonella di Veroli, 47 years of profession, is a respected and appreciated labor consultant
02:01Antonella is a methodical woman, she leaves the house every morning around 9 and walks the few kilometres that
02:10She is separated from her office by a room inside her mother's house on Via delle Isole Pelagia.
02:16he works until 7 pm then goes home
02:36It's April 10th 1994 and it's Sunday and Antonella spends that Sunday out of town
02:45he goes to a friend's house, stays with her all day, then in the evening he goes back home, he goes back to Rome around
02:55to the
02:55At half past eight he leaves his car in the garage, just enough time to climb the stairs and he's in his apartment.
03:00at via domenico oliva number 8, something to eat is prepared, then antonella starts to phone and speaks
03:10with several people the last phone call and at 11 well from this moment the mystery begins
03:19of the street
03:22of the street
03:24of the street
03:25of the street
03:35Proto!
04:05The next day, Monday, April 11, the secretary doesn't see her arrive at the office, but she isn't alarmed.
04:12In the afternoon, however, Antonella's mother begins to worry.
04:17He calls her at home, but it goes to his answering machine.
04:26Once, twice, three times.
04:30Then the others start looking for her too.
04:36Umberto Nardinocchi and Carla, his sister, left her increasingly worried messages.
04:48Antonella doesn't answer her phone all day and becomes unreachable.
04:54An unusual, indeed inexplicable, fact for a woman as methodical as her.
04:59What could have happened to her?
05:02My mother called me in the afternoon, it must have been five, four thirty, something like that.
05:08And she told me, Carla says, look, Antonella didn't come to work, she had some commitments and she didn't show up.
05:16The secretary tells me it's strange, she didn't call and didn't show up.
05:20I mean, he couldn't have called, don't worry, don't be alarmed, absolutely nothing will have happened,
05:24and anyway, let's talk again in a bit.
05:27He calls me again and says, look, Carla, they're calling the people he had an appointment with,
05:33she didn't show up, and she says, I'm starting to get worried.
05:36And I say, okay, what can we do?
05:38She says, you can't go to her house to see, maybe she felt sick at home, living alone.
05:43I say, okay, now wait a minute, let me organize a minute and I'll see.
05:50Around eight in the evening, sister Carla and her husband Giuseppe show up on Via Domenico Oliva.
05:57Towards evening we went to Antonella's house, I didn't have the keys to Antonella's house.
06:02They ring Antonella's intercom, but no one answers.
06:06At that point they ask the neighbor, Ninive Colombo, to open the door.
06:11My mother had told me that if the neighbor, a neighbor, had the keys to the house
06:16by Antonella.
06:18Ninive is 64 years old. His apartment is located directly below Antonella's.
06:25The two have known each other for years. Antonella, always very reserved, confides and talks to Ninive.
06:35He trusts her and even gave her the keys to his apartment.
06:43Antonella had two locks and only one was closed, the other was open.
06:49The three enter.
06:52We found the lights on and that already put us a little on edge.
06:59At that point we started calling Antonella, Antonella.
07:03We started shooting.
07:06In the apartment everything seems normal, even if a little messy.
07:11In the bedroom there was a bag on the bed, in the kitchen sink there were dirty dishes from the
07:17evening.
07:17What was your initial impression?
07:19It was the impression of a person who had left the house in a hurry.
07:25Strange though, Antonella, always so meticulous and precise, almost seems to have left in a rush.
07:34We opened some closets to see if the coat and things were there.
07:40And we said, Antonella is not here, that's enough.
07:46After a couple of hours someone else goes looking for Antonella.
07:51At 9.30 pm Umberto Nardinocchi, the accountant, his boss, his business partner, arrives in via Domenico Oliva,
08:04her ex-lover.
08:07Antonella and I had a working relationship and then we were great friends.
08:13We also had a relationship from '87 to '91.
08:16We saw each other three, four times a week.
08:19Then we mutually decided to end the relationship, because I couldn't live such a demanding life.
08:27Umberto Nardinocchi is 63 years old.
08:29He is a married man and that evening on Via Oliva his son is also there.
08:33Not only that, he also had a police officer, a friend of his, accompany him.
08:40Nardinocchi wants to see if everything is really okay at Antonella's house.
08:44He knows that house very well.
08:49After the end of the story, in fact, they continued to see each other.
08:53Even the Saturday before he was with Antonella.
08:57They had gone to eat a pizza and, on the way back, he had gone up to Antonella's house because he didn't feel like it.
09:03Very good.
09:07Ninive Colombo, who knows Umberto Nardinocchi very well,
09:12for the second time in the same day, she enters her friend's house.
09:16Look under the bed.
09:19See if there are any shell casings.
09:22But why is Umberto Nardinocchi looking for shell casings at Antonella's house?
09:28And why do you suspect that someone in that house shot?
09:32And why did he bring a policeman friend of his with him?
09:37After all, Antonella, her friend, has only been away from home for a few hours.
09:45That detail, the one about the search for the shell casings, will be reported by Ninive Colombo himself.
09:50He heard Nardinocchi ask his policeman friend to look for some shell casings under Antonella's bed.
09:56However, when Nardinocchi was asked if this was true, he denied everything.
10:01I never talked about shell casings.
10:06But a few hours later, around midnight, the accountant returns to Via Oliva again and hangs up on the intercom
10:13by Antonella.
10:14It rings once, twice, several times, until Nineveh Colombo appears at the window and shouts at him that it's useless.
10:21that he insists.
10:23Antonella isn't home, she hasn't come back.
10:28We arrive at Tuesday, April 12th.
10:3036 hours have passed and Antonella seems to have vanished into thin air.
10:35The mother is very worried, so much so that she calls the editorial office of the person who saw him to make an appeal.
10:41He called a somewhat elderly lady of a certain age and worried about the absence of her daughter, named
10:47Veroli.
10:49What happened to Antonella and why hasn't she been in touch?
10:53That same morning, Ninive Colombo received a phone call from Umberto Nardinocchi.
10:59The man, in a firm tone, speaks to her about a possible kidnapping.
11:04It surprised me that Nardinocchi was convinced that they had kidnapped Antonella.
11:10Why does Nardinocchi, just hours after Antonella's disappearance, think his friend was kidnapped?
11:17What secrets does he know?
11:21Perhaps he knew that Antonella had in her hands documents so confidential that they could put her life at risk?
11:30Perhaps Antonella had ended up in shady business dealings?
11:33Because Nardinocchi, this time too, will deny having ever told Ninive Colombo that Antonella had been kidnapped.
11:46Around 5pm, Umberto Nardinocchi, Carla Di Beroli, her husband Giuseppe and a friend of Antonella, Sandra Campo,
11:55they enter the apartment always accompanied by Ninive Colombo.
12:00This is the third time in less than 20 hours since Antonella's disappearance that someone has entered her home.
12:07Antonella?
12:08We open the door and I have the first sensation of a smell in the house, of a smell that
12:15in my opinion it wasn't there the day before.
12:17Antonella, are you there?
12:19Then there were glasses, glasses and cigarette butts, my sister smoked, and glasses.
12:26There were two glasses on the nightstand, another glass on the dressing table at the end of the bed, against the wall of the bed.
12:36Carla Di Beroli isn't the only one to notice something strange.
12:39I remember exactly the presence of a soft bag that was on the floor between the armchair and the wardrobe,
12:49the first time we went in, but it seems like the next day it was gone.
12:55And then there was this putty that we hadn't noticed the day before.
12:59Where was this tube of putty?
13:01There was a shoe rack and on top of it there was this putty, which wasn't putty, it was a room filler.
13:11And then, as far as I remember, the keys to the wardrobe were missing.
13:18The day before they were there, in my opinion the next day there was only one key.
13:23Nardinocchi begins looking in the closets, opening the doors one by one, but the last one seems to be sealed.
13:30And then he did, but here there is the putty, there is the glue.
13:34I mean, the glue.
13:36I mean, if we opened some cabinets yesterday, the glue wasn't there.
13:58Do you remember if you opened the closet where you found Antonella the next day?
14:05No, I don't think so. In my opinion, the mastic wasn't there on Monday evening.
14:12Perhaps someone else entered that house between Monday and Tuesday.
14:16And who? There are no signs of forced entry on the door or windows.
14:22Antonella had perhaps given the keys to her house to other people.
14:29According to investigators, Antonella was killed in her bed.
14:34The killer shot her twice in the head with a small caliber pistol,
14:39a Beretta or a Brawing 6.35 that will never be found.
14:45To muffle the noise he used a pillow.
14:49But it wasn't those two shots that killed her.
14:53Antonella dies suffocated by that plastic bag
14:56that the killer had tightened around her neck.
15:00But why did the killer seal the top of the closet with that floor glue?
15:05Does he perhaps want to delay the discovery of Antonella's body?
15:09And for what reason? To give himself time to construct an alibi?
15:16The autopsy revealed that Antonella had taken rohypnol, a powerful hypnotic,
15:21but the medicine package was not found in the house.
15:26We must start from the assumption that Antonella is a coward.
15:31That is, Antonella would never have taken rohypnol.
15:33Aside from the fact that rohypnol makes you stupid, rohypnol actually relaxes you.
15:38It's a bomb.
15:39That is, he had no need.
15:40A woman who was taking valerian suddenly goes on rohypnol.
15:43Who gave you the rohypnol?
15:45Did he perhaps want to extort her before killing her?
15:49So, what really happened that night?
15:55She, reserved and very cautious,
15:58he would never have opened the door to a stranger.
16:01And then at that time.
16:02The hypothesis is that Antonella knew her killer well.
16:08Enough to open his pajamas and without makeup.
16:12Ready?
16:14After he let him in, did the two start talking and then drinking?
16:21And was it under those circumstances that her killer dissolved the rohypnol in her glass?
16:27Did he wait for it to take effect and then shoot her twice?
16:35Or did the rohypnol not knock her out?
16:37Tell me, what do you want to do?
16:39And from that point a fight broke out which ended as we know.
16:44What do you want from me?
16:46We don't know exactly what happened that evening.
16:52Nineveh Colombo, who had fallen asleep in front of the TV,
16:56he hears a sharp noise and wakes up.
17:00I woke up with a sharp bang and I was a little sleepy, it was late.
17:10What seemed strange to me was that immediately after I heard very heavy and rhythmic footsteps.
17:21near the threshold of Antonella's door.
17:23Then you hear those footsteps again, but a little softer, the same path but in reverse.
17:35And they weren't Antonella's footsteps anyway, because I knew Antonella's habits and noises very well.
17:43Well.
17:44Whose footsteps were those?
17:46Did they belong to the killer who, after shooting Antonella, left the house and then came back in?
17:53And with what keys?
17:54And to do what?
17:57Maybe to take the putty and glue the door of the closet where he locked Antonella's body?
18:06Did she imagine that there could be a person in Antonella's life who hated her to that extent?
18:13No, at that moment I probably thought it was a theft, a robbery, but then thinking calmly in my mind
18:20I said
18:20but sorry there's a robbery, I'll put you in the closet, I mean it doesn't make sense, I'll come to your house, I'll
18:26I'll rob you, I'll kill you, I'll leave, I'll escape as soon as possible,
18:33what do I do, do I put it there, do I lock you in the closet, do I hide you, it makes no sense.
18:42Who could have done such a thing to him?
18:45Who was it that was so mean to do something like that to him?
18:52More than anything to know why, why so much ferocity?
18:56I mean, my sister died of suffocation, it's crazy how they killed her.
19:02Why is this crazy?
19:05It's absurd.
19:07Why lock her in the closet?
19:10It's not clear.
19:13The investigations immediately turned towards the crime of passion.
19:19The two men in her life are the suspects.
19:24Umberto Nardinocchi, the old accountant, his Pygmalion,
19:28and Vittorio Biffani, the photographer, younger than the accountant and more intriguing.
19:34Both married.
19:39But who killed Antonella?
19:45So there are two suspects, the two former lovers, Nardinocchi and Biffani.
19:50Both had recently had tense relationships with Antonella.
19:55And both are subjected to the stab test.
19:59The technique used to determine whether a shot was fired.
20:04Well, both of them tested positive.
20:10After 20 years, his granddaughter, then a young girl,
20:15He remembers that he was supposed to spend that very evening with her, with his aunt.
20:21It was a special evening and I had to go and eat at her place.
20:25And I always wondered, if I had been there, what would have happened?
20:31Maybe she wouldn't have died.
20:35Or maybe I would have died with her.
20:37I don't know, because I don't know what happened that damned night.
20:42The killer first shot her twice in the head through a pillow,
20:49but they only stunned her.
20:53Then he tied a plastic bag around her neck.
21:02He locked her in the closet and sealed the door with putty.
21:10Antonella died of asphyxiation, but who could hate her so much?
21:16Whoever went, went with the gun.
21:18He shot her, he didn't kill her, because Antonella had a chest, a very straight skull,
21:26so he only scratched her, so he didn't kill her.
21:30It turns out she was lying there for hours, because this person must have thought what am I doing with this.
21:40So, who killed Antonella from Veroli?
21:44The old accountant or the seductive photographer?
21:47Accountant Umberto Nardinocchi is an important point of reference in Antonella's life.
21:55Much older than her and also her business partner.
22:00We also had a relationship from '87 to '91.
22:04We saw each other three or four times a week.
22:09Although the story between the two ended in 1991,
22:13Umberto and Antonella continue to see each other, and not just for work reasons.
22:19In August 1993 they even went on holiday together, to Switzerland and then to France.
22:25Nardinocchi will say, I was playing at the casino, she was waiting for me at the hotel.
22:30And they are together again on April 9, 1994, the day before Antonella's death.
22:36In the afternoon they go shopping in the streets of Rome and then have dinner for pizza.
22:44And when at the end of the day he accompanies her home in Via Domenico Oliva,
22:49Umberto Nardinocchi feels ill.
22:52I lay on the bed for over an hour and left at midnight.
22:59On that very same bed where Antonella would be killed 24 hours later.
23:06So, even though they broke up, Antonella still maintains a very close bond with Nardinocchi,
23:14sharing not only pleasant moments, but also moments of great tension.
23:19It's not too long, can you understand?
23:21A few days before Antonella's death I went to her house and Nardinocchi was there
23:26and they were arguing very heatedly, because I think it was about money.
23:33So what about that gentleman I sent you?
23:35In this regard, also a friend of Antonella, Sandra Campo,
23:39the same one who entered the apartment and discovered together with four other people
23:44the body of the Veroli woman tells the police a particular episode.
23:49Are you really disappointing yourself?
23:51Yes, an employee of my father told me that 20 days ago
23:55he had seen Antonella and Nardinocchi arguing heatedly.
23:59The two exchanged insults and even pushed each other.
24:05But why do Antonella and Nardinocchi argue?
24:08For money?
24:09Or is money just a pretext?
24:13What if those arguments were due to other reasons?
24:17What if jealousy was the real reason for those disagreements?
24:22Umberto Nardinocchi knows that Antonella has another man
24:26and Antonella told him that after they broke up
24:30she started a relationship with a photographer named Vittorio Biffani.
24:36During the trial Nardinocchi declared that he knew nothing about that relationship.
24:41He only found out about it after Antonella's death.
24:45There is one important detail, however.
24:47When asked to say what voice he heard on Antonella's answering machine
24:52the accountant has no doubts.
24:54On that answering machine was her friend's voice.
24:59But no.
25:00For months on that tape the message engraved was recorded by a man.
25:06Antonella di Veruli invites you to leave a message
25:09or a fax after the gustic signal.
25:12Thank you.
25:13That voice is Vittorio Biffani's.
25:16I met Antonella at the end of 1998, she came to my studio.
25:22And since January 1992 our relationship has changed.
25:27At the end of February, for the first time,
25:29I made love to Antonella, we went to her house.
25:33The photographer literally makes Antonella lose her head
25:38who tells her friends that she is madly in love with him.
25:42She spoke to me about it as if she were in love.
25:45What did he tell her?
25:46That she was taken by this person,
25:48who was a wonderful person for her,
25:51who was in love,
25:53who dreamed of a future with him,
25:55that perhaps he had found the right person.
25:57I was so happy about this news, for her.
26:01Vittorio Biffani, in Antonella's eyes,
26:03He is a seductive, intriguing and adventurous man.
26:06But in reality it is just full of debt.
26:09He promises her that he will leave his wife
26:11and in the meantime he borrows money.
26:14Lots of money.
26:1742 million lire.
26:2042 million that Biffani will never give back to her.
26:25After we were born we watched a little television
26:28and then we moved,
26:32we went to the room to have sex.
26:35She was usually the one who took the initiative,
26:39because if nothing else I have recently
26:43I would have gladly done without it.
26:44and so, but I didn't tell him,
26:48because I didn't want him to get angry,
26:50as I wanted to prolong our relationship,
26:53I wanted to keep it standing
26:55to get to the point where I can give her her money back.
27:01Vittorio Biffani, in front of the police,
27:04it doesn't show any emotions.
27:07He appears cold, detached,
27:09almost a cynical calculator,
27:12with a single interest,
27:14Antonella's money.
27:17For Antonella, however,
27:18the one with Biffani
27:19It's an important love story.
27:22From the very first moment
27:24she saw in him the man of her life,
27:27even though he had a wife and children.
27:32At some point,
27:33when he introduced me,
27:35he told me he was a person
27:36that she liked,
27:37who was in love with this person
27:39and that, precisely,
27:42I saw her as serene, in short,
27:44I didn't see her particularly agitated,
27:47so, evidently,
27:48it was a good story.
27:51The story ends suddenly
27:53and in an abrupt way.
27:55In July 1993,
27:58father, Aleandra,
27:59Vittorio's wife,
28:00she discovers that her husband
28:02he has another woman.
28:04Antonella from Veruli,
28:05invites you to leave a message
28:06or a do
28:08after the beep.
28:09Thank you.
28:11I was invited
28:13to leave a message.
28:14I invite her instead
28:15to erase my husband's voice
28:17from his secretary.
28:19At that point,
28:21Aleandra puts Vittorio
28:22faced with a choice.
28:24Either the wife or the lover.
28:26And he chooses family.
28:28My relationship with Antonella from Veruli
28:30ended on July 27, 1993.
28:34The story ends,
28:35but for Antonella
28:36a nightmare begins.
28:39I remember that a month before
28:40that Antonella was killed,
28:42she was forced to flee
28:44from the internal stairs
28:45that overlook the garage
28:46because the wife was there
28:48of Biffani under the house
28:50who kept ringing the doorbell
28:52and it wasn't the first time.
28:56Antonella was more fearful,
28:58more fearful.
28:59This one had collided with him
29:00my mother.
29:02Can you explain this to me?
29:04He was receiving phone calls
29:05which then turned out to be
29:07belong to Mrs. Biffani.
29:09He was afraid to open the door.
29:11She was more fearful
29:13even the fact
29:13what he had said
29:14also to Mrs. Colombo
29:15who was afraid
29:17that if he felt something
29:18it had to be activated.
29:21So obviously
29:22he was living
29:24a moment of fear.
29:28Now Antonella
29:29must give up seven cards.
29:31Antonella feels alone,
29:32betrayed and abandoned.
29:34Not only that.
29:35She's scared
29:36and he doesn't know what to do.
29:38It starts like this
29:38to turn to
29:39to magicians and fortune tellers.
29:41She so rational
29:43determined
29:44give in to the charm
29:45of the occult
29:46and trusts
29:47in the forces
29:48supernatural
29:49to get back
29:50his victory.
29:51I should call her.
29:52Yes.
29:53Wait for your call.
29:54Would she ever have thought
29:55that a woman
29:56safe
29:57and above all rational
29:59like her sister
30:00could arrive
30:01so much for a man?
30:01Inside me I said
30:04Antonella had to be
30:05just alone
30:06at that moment.
30:08And I thought
30:09yes, Antonella
30:10had to pass
30:11must have passed
30:11a moment
30:12really sad
30:14why didn't he talk about it.
30:18Vittorio comes back to life
30:19but only
30:20to get back
30:21a gold watch.
30:23A clock
30:24which had belonged
30:24to his father
30:25and that he had donated
30:26to Antonella
30:27as a pledge of love
30:29or maybe just
30:31as a pledge
30:31until
30:33that is, he had not returned it to her
30:34the 42 million lire
30:36that Antonella
30:36he had lent it to him.
30:38This is a gift
30:39by Vittorio.
30:40Antonella instead
30:41she was very proud
30:42of that clock
30:43and he showed it
30:44with pride.
30:45Love,
30:46just out of affection
30:46deep.
30:47But Aleandra
30:48Biffani's wife
30:49that clock
30:50he wants it back
30:51and family
30:52and one day
30:53he will have to bring it
30:54on the arm
30:55his son.
30:58My husband
30:59he had this watch
31:01which among other things
31:02era
31:04he had to go
31:05to my son
31:06and my husband
31:07he told me
31:07who had given it
31:08on loan
31:09to the lady
31:10from Veroli.
31:12When then
31:13the story
31:13it's over
31:15I said
31:15to my husband
31:16do me a favor
31:17resume
31:18the clock.
31:20So
31:21there was
31:21a succession
31:22of phone calls
31:23in operation
31:24of this
31:26clock.
31:27for which
31:28Yes
31:28we insisted
31:29on this
31:30Done
31:30Why
31:32I wanted it back
31:33that clock
31:34not so much
31:34for a speech
31:35economic
31:36as for a speech
31:37affective
31:37then the lady
31:38what was done with it
31:38of that clock
31:39In short
31:39it seemed to me
31:40a spite
31:41towards
31:42not mine
31:42but in comparison
31:43of my son
31:44that had nothing to do with it
31:45Nothing
31:45in this story.
31:46Aleandra
31:47Biffani's wife
31:48call Antonella
31:49over and over again
31:50leave messages
31:52on the secretariat
31:53telephone
31:53the storm
31:55and Antonella
31:56he's scared
31:57enough to note
31:59All
31:59on a diary
32:00he calls me
32:02the bitch
32:03Lady
32:04from Veroli
32:05I inform you
32:06anything
32:07she must have
32:08from my husband
32:09to turn to
32:10to me
32:10screaming
32:11like an eagle
32:12to Aleandra
32:14but it's not enough
32:15that her husband
32:15have closed
32:16the story
32:16with Antonella
32:17she wants it back
32:19at all costs
32:20the gold watch
32:21and then there is
32:22that affront
32:22the husband's voice
32:24on the secretariat
32:25telephone
32:25of the lover
32:26what was I saying
32:27on the phone
32:28and therefore
32:29I called her
32:31the first times
32:32I called her
32:32why in the secretariat
32:34of his phones
32:36be that one
32:36of the study
32:37that that
32:37at home
32:38there was
32:39the voice
32:40of my husband
32:41honestly
32:42this in short
32:43it seems to me
32:43a little annoying
32:44secretariat
32:46telephone
32:46that Antonella
32:47he received
32:48as a gift
32:48right from Vittorio
32:50and that as
32:51every secretariat
32:51has a code
32:53through which
32:53you can listen to them
32:55the messages
32:56even when
32:57you are out of the house
32:58and possibly
32:59delete them
33:00well
33:01Biffani
33:02has that code
33:03and uses it
33:06Antonella
33:06he told me
33:07That
33:09Victor
33:10and his wife
33:10they had succeeded
33:11to introduce oneself
33:12in his secretary's office
33:13telephone
33:14because he
33:15he had the code
33:16and they had deleted
33:17all messages
33:18threatening
33:19of insults
33:20that the wife
33:20he left to Antonella
33:21and that Antonella
33:22it was being preserved
33:23who killed
33:25Antonella
33:25and why
33:27who killed
33:28Antonella
33:29he shot him
33:30two shots
33:30of gun
33:32for this reason
33:34both
33:34the ex-lovers
33:35Nardinocchi
33:36and Biffani
33:37are subjected
33:38at the exam
33:38of the Stab
33:39which reveals
33:40traces
33:41of dust
33:42from shooting
33:42on the skin
33:44surprisingly
33:45both
33:46they test positive
33:49Nardinocchi
33:50Nardinocchi
33:50he defends himself
33:50saying
33:51of having shot
33:52days before
33:53at the shooting range
33:53of shooting
33:54Biffani
33:55Instead
33:55he can't explain himself
33:56like those particles
33:58are finished
33:58on his hand
33:59left
34:00we have
34:01Truly
34:01watched
34:02not to the rays
34:03X
34:04moreover
34:05how do you say
34:06at the start
34:07what was coming
34:08Done
34:09with regard to
34:10for example
34:10the person
34:11physics
34:12of my husband
34:13type
34:13the exams
34:15on me
34:16they were made
34:18Also
34:18to the other gentleman
34:20up to a certain point
34:22Then
34:23the thing instead
34:25practically
34:26the other gentleman
34:27it has been archived
34:27And
34:28the pressing investigation
34:30it continued
34:31about my husband
34:33Nardinocchi
34:34so he goes out
34:35on stage
34:36while Biffani
34:37it is postponed
34:38on trial
34:38Vittorio Biffani
34:40it is postponed
34:42on trial
34:42from the public prosecutor
34:44essentially
34:45for three reasons
34:46the first
34:47he lied
34:48according to the public prosecutor
34:49When
34:51he says
34:51of not having had
34:53more contacts
34:53with the victim
34:54in the last nine months
34:55the second
34:57it's the debt
34:59that he contracted
35:00with the victim
35:00of 42 million
35:02which he never returned
35:04the third
35:06is that
35:06the same
35:07Biffani
35:08he comes
35:08found positive
35:10at the stable
35:13October 2nd
35:14of 1996
35:16the process begins
35:17against
35:18Vittorio Biffani
35:19it was a trial
35:20very bright
35:20they felt
35:22many witnesses
35:24the witnesses
35:25they were just
35:26stripped bare
35:27to the bone
35:28Despite
35:29107 witnesses
35:30called to testify
35:31some questions
35:32they won't find
35:33never an answer
35:35it's true that
35:36Nardinocchi
35:37he looked for the shell casings
35:38under the bed
35:38by Antonella
35:39before he came
35:40discovered his body
35:41who did they belong to?
35:43the steps
35:44that he felt
35:45Nineveh Columbus
35:45and the stucco
35:47for wood
35:48it was Antonella's
35:49or of the murderer
35:51during the process
35:53there is no shortage
35:54the twists and turns
35:55for example
35:56one of the finds
35:57most important
35:58of the investigation
35:59or the platform
36:00where it was found
36:01Antonella's body
36:02with a blood stain
36:04which could have been
36:05a footprint
36:06left by the killer
36:07is no longer found
36:08or even
36:10the same envelope
36:11plastic
36:12with which
36:12Antonella
36:14she dies of suffocation
36:15it has never been
36:17found
36:18in the first degree
36:19the public prosecutor
36:20Nicholas Maiorano
36:21asks 22 years
36:22of condemnation
36:23but Vittorio Biffani
36:25he is acquitted
36:26not having done
36:27Nothing
36:28we thought
36:29that the prosecution
36:30would melt
36:31immediately
36:32these
36:33these knots
36:35but like this
36:36it wasn't
36:37they are convinced
36:38that the murderer
36:39be it him
36:39the photographer
36:40and the proof
36:41that nails him
36:42they would have it too
36:43it's the exam
36:44of the stable
36:44according to that exam
36:46Indeed
36:46Biffani
36:47he challenged
36:48a gun
36:48and he shot
36:50on appeal
36:51for the prosecution
36:52that
36:52it's the proof
36:53queen
36:57at this point
36:58he arrives
36:59another blow
37:00on stage
37:01the most incredible
37:02the exam
37:04which had established
37:05that to challenge
37:06the gun
37:06it had been
37:07Biffani
37:07it turns out
37:08wrong
37:10In short
37:11DNA
37:11present on the find
37:13it's not of
37:14Vittorio Biffani
37:15there was
37:16an exchange
37:17a mistake
37:18in cataloging
37:19or what else
37:21if it hadn't been there
37:23this cross-examination
37:25Biffani
37:26probably
37:27it would have ended
37:28in jail
37:30the story
37:31he gives me reason
37:31it's obvious
37:32which is something
37:32Of
37:33nothing wrong
37:35perhaps unseen
37:36perhaps forgotten
37:37maybe of
37:37I do not know
37:38there was
37:40because my wife
37:40it was under
37:41at three levels of judgment
37:43a year later
37:44the absolution
37:45also in the Supreme Court
37:46in July
37:47of 2003
37:48Vittorio Biffani
37:49he dies
37:50what he has
37:51devastated
37:52Surely
37:52Biffani
37:53and I said it
37:54even in a short time
37:55funeral oration
37:56that I wanted to do
37:58to pay homage to him
37:59it was the fact
38:01that he
38:01he met
38:02human wickedness
38:03but the wickedness
38:05the most cowardly
38:08after twenty years
38:09the killer
38:10by Antonella
38:11from Veroli
38:11he hasn't yet
38:12a name
38:15an article
38:17of the Courier
38:17of the Evening
38:18reveals that
38:19the day
38:19Valentine's Day
38:20of 1993
38:21a year ago
38:23of his death
38:24Therefore
38:25Antonella
38:26he went to a shop
38:27near his house
38:28to buy
38:29the traditional little gift
38:30of lovers
38:32not one though
38:33but two
38:34two packages
38:35distinct
38:36for two men
38:37a belt
38:38and a wallet
38:39crocodile
38:40and had it engraved
38:41two initials
38:44the shopkeeper
38:45he doesn't remember
38:45one of the two
38:46but one for sure
38:48it was an E
38:50so there is a gift
38:52a gift for a man
38:53and an initial
38:54the letter E
38:56that gift
38:57so it wasn't
38:58nor for Umberto
38:59Nardinocchi
39:00nor for Vittorio Biffani
39:01and then
39:03Who was it for?
39:06Is there perhaps a third man?
39:08in Antonella's life
39:09a man that Antonella
39:11had held
39:12hidden from everyone
39:13but does it really exist?
39:15I'm sure
39:16as I knew her
39:17that he didn't have
39:18a third man
39:19I'm sure
39:20that there were not
39:21other people
39:22or a secret life
39:23in
39:24Surely
39:25he was a discreet person
39:26he was a person
39:27that wasn't going well
39:27to advertise
39:28his private life
39:29but I don't think so
39:31that he had
39:32a parallel life
39:33that he kept hidden
39:35to us
39:37I hope
39:38that it doesn't go
39:38into oblivion
39:39I really hope so
39:40that something happens
39:42because if not
39:43don't stay here
39:44and we deserve it
39:45also an answer
39:45because it's not fair
39:46to die like this
39:47in your own home
39:48that is, it is not death
39:50in the middle of the street
39:50it is death in one's own home
39:52so things
39:53they are there
39:55what there is to say
39:56in that house
39:57it's there
39:58it can't be anywhere else
40:00it is possible that it was
40:02so lucky
40:03this person
40:04because really
40:05he was very lucky
40:07no one saw it
40:08enter
40:09go out
40:10stay there
40:13Maybe though
40:14an indication
40:15about the killer
40:16can come
40:17right from her
40:18from the victim
40:19Antonella
40:20shortly before dying
40:21he wrote these words
40:22in his diary
40:28I consider myself
40:30a lady by birth
40:31and in fact
40:32but above all
40:33I don't need it
40:34to offend
40:35to feel fulfilled
40:37because I
40:38I'm already fulfilled
40:40but if this
40:42still the loose dog
40:43he hadn't understood it
40:44or it was just envy
40:46now it has arrived
40:48the right moment
40:49to prove it to him
40:50my culture
40:51goes beyond
40:52the maxims
40:53by Cicero
40:54but above all
40:55it's not stuck
40:57Who is the maverick?
41:00Is it him perhaps?
41:01his killer?
41:05Who is the dog doore
41:05Thank you.
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