Devghar On Rent Producer Shocking Allegations On Ankit Mohan | Sachin Rode Patil, Sanjay Navgire Interview | Lokmat Filmy
Why KGF Fame Garuda Ram In Marathi Movie? Devghar On Rent Team Reveals Untold Truth
'देवघर ऑन रेंट' (Devghar On Rent) या आगामी मराठी चित्रपटाचे लेखक आणि निर्माते यांनी लोकमत फिल्मीला (Lokmat Filmy) दिलेल्या Exclusive Interview मध्ये अनेक खळबळजनक खुलासे केले आहेत. अभिनेता अंकित मोहन (Ankit Mohan) सोबत झालेला वाद, मराठी कलाकारांचे मानधन आणि उद्धट वर्तन, तसेच KGF फेम अभिनेते Garuda Ram आणि दाक्षिणात्य कलाकारांना सिनेमात कास्ट करण्यामागचे कारण त्यांनी उघड केले आहे.
चित्रपटाची कथा, क्राईम-पॉलिटिकल ड्रामा जॉनर, गौतमी पाटीलचे (Gautami Patil) गाणे आणि आगामी 'महाराष्ट्र फाइल्स' (Maharashtra Files) संदर्भातील २५ कोटींच्या नोटीसवर निर्मात्यांनी काय भाष्य केले? जाणून घेण्यासाठी संपूर्ण व्हिडिओ नक्की पहा.
Important Highlights & Keywords:
Devghar On Rent Marathi Movie Exclusive Interview
Producer & Writer Interview on Ankit Mohan Controversy
Garuda Ram & South Indian Actors in Marathi Cinema
Marathi Film Industry Budget & Actor Issues
Gautami Patil Song in Devghar On Rent
Latest Marathi Movie Updates 2026
#DevgharOnRent #AnkitMohan #GarudaRam #MarathiMovie #LokmatFilmy #MarathiCinema #GautamiPatil #MaharashtraFiles #ExclusiveInterview #EntertainmentNews #MarathiCelebs #MarathiIndustry #KGF #SouthActors #TrendingMarathi
Devghar On Rent Teaser | Releasing on 25 Sept | Swaroop Sawant | Garuda Ram, Raghavendra Sravan
Devghar On Rent Trailer | 25 sept | Swaroop Sawant | Nikhil Chavan, Vaibhav Chavan, Shashank Shende
Why KGF Fame Garuda Ram In Marathi Movie? Devghar On Rent Team Reveals Untold Truth
'देवघर ऑन रेंट' (Devghar On Rent) या आगामी मराठी चित्रपटाचे लेखक आणि निर्माते यांनी लोकमत फिल्मीला (Lokmat Filmy) दिलेल्या Exclusive Interview मध्ये अनेक खळबळजनक खुलासे केले आहेत. अभिनेता अंकित मोहन (Ankit Mohan) सोबत झालेला वाद, मराठी कलाकारांचे मानधन आणि उद्धट वर्तन, तसेच KGF फेम अभिनेते Garuda Ram आणि दाक्षिणात्य कलाकारांना सिनेमात कास्ट करण्यामागचे कारण त्यांनी उघड केले आहे.
चित्रपटाची कथा, क्राईम-पॉलिटिकल ड्रामा जॉनर, गौतमी पाटीलचे (Gautami Patil) गाणे आणि आगामी 'महाराष्ट्र फाइल्स' (Maharashtra Files) संदर्भातील २५ कोटींच्या नोटीसवर निर्मात्यांनी काय भाष्य केले? जाणून घेण्यासाठी संपूर्ण व्हिडिओ नक्की पहा.
Important Highlights & Keywords:
Devghar On Rent Marathi Movie Exclusive Interview
Producer & Writer Interview on Ankit Mohan Controversy
Garuda Ram & South Indian Actors in Marathi Cinema
Marathi Film Industry Budget & Actor Issues
Gautami Patil Song in Devghar On Rent
Latest Marathi Movie Updates 2026
#DevgharOnRent #AnkitMohan #GarudaRam #MarathiMovie #LokmatFilmy #MarathiCinema #GautamiPatil #MaharashtraFiles #ExclusiveInterview #EntertainmentNews #MarathiCelebs #MarathiIndustry #KGF #SouthActors #TrendingMarathi
Devghar On Rent Teaser | Releasing on 25 Sept | Swaroop Sawant | Garuda Ram, Raghavendra Sravan
Devghar On Rent Trailer | 25 sept | Swaroop Sawant | Nikhil Chavan, Vaibhav Chavan, Shashank Shende
Category
🗞
NewsTranscript
00:00We have made such a movie in Marathi.
00:03And we've got to work in our industry.
00:05We've been working in Bollywood, where we work in our industry.
00:08We're doing the same approach as we own.
00:12We're very happy in this role.
00:14We've seen that in some of these industries we've got to the bottom of our industry.
00:16We've got about that in all the work of the film industry.
00:19We've got to act the same with the same film coverage but.
00:23We've got to act by the same film.
00:24We've got to act in our cinema.
00:27I don't want to stand by any way. We want to cooperate, we want to make great cinema
00:31We want to make great cinema and everything for the full cinema
00:37The best for us is taking the pictures of the budget
00:42I think they are waiting to do the budget
00:44I think when the actor Garuda, I got asked for the chance
00:53We responded very politely.
00:56Sravan Raybendra is working in the film.
01:00In the audience, we met two actors.
01:03When the whole nation was raised,
01:07when the whole nation was raised,
01:09then we can get one.
01:11foreign
01:24foreign
01:25foreign
01:25foreign
01:26foreign
01:26There is a lot of great news.
01:27Because you have got a trailer.
01:30You have got a lot of news.
01:32This is a lot of news.
01:33And it is called Devgar on Rent.
01:35We have got a lot of news.
01:38Welcome to this channel.
01:41Namaskar.
01:41But now it is very interesting.
01:44When we have a lot of news,
01:48we have got a lot of news.
01:51We have got a lot of news.
01:51We have got a lot of news.
01:52We have got a lot of news.
01:56We have got a lot of news.
02:01I would like to ask you a lot.
02:07We have got a lot of news.
02:07We would like to ask you questions.
02:09If you had all this news,
02:12if you had any new news,
02:14I would like to ask you a little bit.
02:17If you do not,
02:19you have really few news.
02:23It is wonderful.
02:24Exactly.
02:26So please,
02:28The truth is, it is very important.
02:28If we have had a good idea,
02:30it is often possible to make the people
02:33that we would like to make the people
02:34When we don't believe in this,
02:37it's something that we will make.
02:39That's what we have to say.
02:43In this case, we had to tell ourselves,
02:47that when we are living in our hearts,
02:51that's why we are living in our hearts.
02:53One is the two of us.
02:56But, it is the meaning of the haggar.
02:58The nature of the land is very difficult.
03:00A lot of the things we do, we do a lot of work.
03:02We do a lot of work.
03:04And, we do a lot of work.
03:07So, it is a lot of work.
03:08The work is very difficult,
03:10This is a task.
03:11The work is very difficult.
03:14The work is very difficult.
03:15It is a waste.
03:16It is a great job.
03:19To choose actors in cinema,
03:21This is a great task.
03:22What is the process of making this work?
03:27We have a lot of difficulties in making this work.
03:31In the first cinema, Poonam Madam and me, we have made this picture.
03:38We have made this picture of Poonam, Poonam and my producer.
03:46When we were in film industry, we had made this picture of Poonam.
03:55We have made this picture of Poonam.
03:58But if we were to make this picture, we would have made this picture of Poonam.
04:03We would have made this picture of Poonam.
04:11However, when our concept of passion can be made, it isn't a plan.
04:20There became使 insults of Poonam made this picture.
04:20On this point, we have argued that Poonam's film industry will grow at the lowest.
04:28In that period, there was a film industry in that period, and we didn't have to change the culture.
04:35There are some things that we have to do in this industry.
04:40If I was in the college, I would like to go to Nappurla,
04:43I would like to teach Nappurla a little bit about MPA,
04:47and I would like to teach Nappurla a little bit about the course.
04:52But I would like to go to the hostel,
04:52and I would like to say,
04:53and I would like to go to the hostel,
04:54and I would like to try to take a picture and make sure
05:00that the city of Nappurla would be a good picture,
05:08that if you would like the picture,
05:12and then we would like to take the picture,
05:15I would like to ask for a response
05:18to the budget of the city.
05:20But the fact that it is the most important thing to me is that the actor of the KJP, Garuda,
05:29was the most important thing to him, that he was the most important thing to him.
05:34He was able to respond to us so lightly.
05:37And the person who worked with the actor of Sravan Raghavendra was working on Telugu picture,
05:43died in the south.
05:45We have two actors.
05:48We have a lot of action director, Karthik Dangri.
05:53They have heard that they have so politely.
05:56They have said that we have to go to the picture.
05:59We have to go to the picture.
06:01We are so happy.
06:03We have to do this.
06:04We have to do this.
06:05We have to do this.
06:05We have to shoot in Karnataka.
06:12We have a lot of action.
06:15It's very difficult.
06:19We got an answers that is interesting.
06:23We have to do this.
06:26I lost a lot of interest.
06:30We have a lot of interest in the UPS.
06:31With the AFCN File, we wrote it.
06:34There are many other producers.
06:38I think that's the only thing I've seen in the past.
06:39But the director of this picture is also in the section file.
06:45What do we do?
06:46I think that's why we have to say that
06:48if we have to get pressure on this picture,
06:52we have to get the section file.
06:54I think that's why we have to say that.
06:56Don't call me the message.
06:59We have to pay for the rest of the payment.
07:02I think that's why we have to get the section file.
07:05I think it's a good thing.
07:08But you have to do PR and managing team
07:11so that you have to reach the person
07:13who is the person who is the person.
07:15Yes, we have to block the number.
07:17We have to send messages.
07:19We have to send phone calls.
07:22We have to send a phone call.
07:26But in shooting,
07:26we have to send a phone call.
07:28No, no, no, no.
07:30In shooting, there are hoodlars.
07:33Even there is no post-pand.
07:35We have to send a promotion.
07:37But you have to send payments?
07:39No, no, no.
07:40In the agreement,
07:41we have to send a promotion.
07:45I have to say that
07:46the legal action should be
07:48and the producers should be able to do it.
07:50We have to make a picture.
07:51We have to shoot three pictures in the line.
07:53We have to shoot one picture in October.
07:58Sanjay Sarath wrote it.
07:59And I have to send pictures.
08:01If you have a picture here,
08:04And we have to send a movie in Hindi and Marathi.
08:08And we have the original main language
08:09you know, Marathi and Hindi.
08:10Opposite from the original two languages.
08:10In Telugu, we did release them.
08:12If you wanted to make a standalone movie,
08:14we could do a nice stand now.
08:15We could cooperate.
08:17We could do a movie.
08:18I could get a movie,
08:19if you wanted to give at the movie.
08:29But as you see in the camera, do you have to contact your team?
08:35No, we have to contact with you.
08:38We have to contact Soroop Saran.
08:41But if you have to contact Soroop Saran in the block list, that is possible.
08:45Do you ever want to talk about Soroop Saran?
08:48I don't want to talk about Soroop Saran.
08:50We have to talk about Soroop Saran.
08:53We have to talk about Soroop Sar.
08:54We have to talk about that.
08:56We have to talk about Soroop Saran.
09:02We have to talk about Soroop Saran.
09:03We have to talk about Soroop Saran.
09:09We have to talk about Soroop Saran.
09:10We have to talk about Soroop Saran.
09:12We have to talk about Soroop Saran.
09:20We have to talk about Soroop Saran.
09:21We have to talk about Soroop Saran.
09:22We have to talk about Soroop Saran.
09:23We have to talk about Soroop Saran.
09:24We have to talk about Soroop Saran.
09:25We have to talk about Soroop Saran.
09:26We have to talk about Soroop Saran.
09:26If you don't have a lot of money, do you think that's a good thing?
09:33Yes, we don't have a lot of money.
09:35I think we have to do that promotion at that level.
09:40That's why we have to post it promotion at that level.
09:44That's not good.
09:45If we don't have a good time, we don't have to do that.
09:50In Epstein files, we have to write a notice.
09:55You know we can't get it, we can't get it.
10:02But this is a controversy, but you have to question a lot.
10:06Because there are dialogues so many people you can't eat, but we can't eat it.
10:12As long as you read dialogues, you can't read a word.
10:17So how do you think there are any concepts and these dialogues?
10:22In my book, there was a film called Redun, Taka Taka, Aliyad Palyan, Ghabad Kunda, but there was a film
10:35called Pani Purina.
10:35And there was a film called Bahaigiri, the word, or the word, or the word, or the word, or the
10:44word, or the word, or the word, or the word.
10:47And there was a film called the commercial way.
10:51But there was no film called the theater, the other country, so it was completely different.
11:01So, there is no reason for this to be wrong.
11:04This is the only reason for this.
11:07We are in the first place.
11:09But we are in the first place.
11:11We are in the first place.
11:12There is a trend of this.
11:14So, we have a situation.
11:15The people can't judge that.
11:17We are in the next place.
11:18The first case is a majority of people.
11:21We have never seen this before.
11:22They have seen the most of the people who have the status of the people.
11:24We have seen that.
11:24would have been a good person here.
11:27No, but I think if we were to find out more,
11:32we would still find out more.
11:33It's much more.
11:36I would have never thought about that.
11:41I would have never thought about it.
11:42I would have never thought about it.
11:43I would have thought about it.
11:46It's been a great time.
11:49So it's not that it's not that you're talking about.
11:55And it's not a lot of time.
11:58Because it's a lot of time.
11:59That's a lot.
12:01So, there is a political drama.
12:03And it's interesting to be a political drama.
12:05Because we have to get a political drama.
12:08We have to get a political drama.
12:11We have to get a political drama.
12:13What do you think of this?
12:16I think you can tell the producer.
12:18I don't know a political drama.
12:24It's a lot of action thriller cinema.
12:28Everything is happening to a political drama.
12:34And the emotions are lots of fun.
12:36Please leave a lot of time.
12:41We have to get a lot of time for all.
12:43But we haven't made a lot of time for all.
12:48I am a part of the HM.
12:53It is a package that you don't have a political drama.
12:58You are a part of the HM.
13:03The HM is a part of the HM.
13:09The HM is a part of the HM.
13:12It is a part of the HM.
13:13I was surprised to hear it.
13:14I was surprised that I wouldn't say anything.
13:17I would say that a lot of people are doing things.
13:22And they would say,
13:22let's take a big exit door.
13:25We don't have to go in the missing lane.
13:28Let's take a big exit.
13:29We don't have to go in the next 6-5km exit.
13:32So, we used to say we had to go in the next 10-10s.
13:36We'd say,
13:36We'd say,
13:37We'd say,
13:38But we have to talk about some of the things that we have to talk about, and we have to
13:44talk about it.
13:45Nirmath, because of your cinema and Epstein Files, there is a pressure.
13:55There is a lot of pressure.
13:56There is a lot of pressure.
14:00There is a lot of pressure.
14:06Why do you support the producers?
14:11No, the producers have a lot of pressure.
14:17There is a lot of pressure.
14:19There is a lot of pressure.
14:21There is a lot of pressure.
14:23But we have to be creative.
14:27So, there is a lot of pressure.
14:31There is a lot of pressure.
14:34There is a lot of pressure.
14:35We have to talk about it.
14:37We have to talk about it.
15:04We have to talk about it.
15:08We have to talk about it.
15:09We have to talk about the pressure.
15:10And we have to talk about it.
15:14There is a lot of pressure.
15:25They have the same, and they have the same, but the same, they have the same, but they have the
15:31same.
15:31Well, I tell Ram Guruda and Isravan Kumar,
15:36and the other characters that have been selected, the same thing has been an issue.
15:43They have a very good role in a villain.
15:47They have a very good role in the industry.
15:49They have a very good role in Hollywood and film industry.
15:52I think that's the idea of painting.
15:54And when we have the film industry, we're all very surprised to see if we're interested in that film industry
16:02is a part of it.
16:03And the film industry is not a part of it.
16:05And the film industry is a part of it.
16:07And it's not a part of it.
16:08And when we're changing the film industry, we need to advance the film industry.
16:16So, we have a question that if you are a senior in our party, we will be happy to have
16:23a good day.
16:25If you have a budget, we will be happy to have a good day.
16:31So, I would like to say that Mahadeva is not the case of the face value and that is the
16:41case of Ramguruda.
16:44That's what I would like to say.
16:47But there are also some of the films that we have seen in Maharashtra and films.
16:53So, Dipali did not see any of the films that you have seen in the film.
17:00So, if you have seen the film in the film, you can see the film in the film.
17:07So, what do you think?
17:10Yes, if you have seen the film in the film, you can see the film in the film.
17:13No, it's a pressure.
17:15We have to discuss the news about how to speak,
17:19but we have to hear the news.
17:22That news is not possible to speak,
17:25the news is that we don't have to speak.
17:27Yes, we don't have to speak about your opinions.
17:30You know, they will already hear the news in the media.
17:33Yes, yes.
17:35So, you know, we've been talking about two great film audiences.
17:37I think there is a lot of people who are in the cinema and have a great idea.
17:42You will know that you will be able to see the film in the cinema.
17:45Because the film will be able to see the film in the cinema.
17:48And then the film will be able to see the film in the cinema.
17:50No, no.
17:51I know that you will know about the film in the cinema.
17:55And that film is a film in Wigdhra cinema.
17:56It is made with family and 5 September.
18:01With family.
18:02And that film is a family cinema.
18:05I don't know if it's a cinema, but I don't know if it's Bollywood or Marathi Slim industry.
18:11If it's only three generations, it's a beautiful picture.
18:17It's a beautiful picture.
18:19It's a beautiful picture.
18:22It's a beautiful picture.
18:33Let's get to the team.
18:36They are signing a lot of money.
18:39May the opportunity to fund all of this.
18:40They will put it back in the hand.
18:40It's a beautiful opportunity for all of this.
18:42We have something for Marathi Slim industry.
18:44We have all the opportunity coming from this opportunity.
18:47Thank you very much for your happiness.
Comments