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Gigolettes of Paris - 1933 - Colorized - Classic Romance Movie

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TV
Transcript
00:05The
00:42Monsieur, what can I do for you?
00:44Well, let me see.
01:00Oh, yes, I see what I want.
01:07May I see the very ladies?
01:09We must do.
01:10Won't you be seated?
01:11Yes, please.
01:27Now, which is your favourite?
01:28This, and this, and this is it, and this.
01:40I see.
01:42They are all your favourites.
01:45Do you favour anything else around here?
01:55These.
01:57Well, I'll take them all.
02:02Where shall I send them?
02:14Oh, no, I'll take them with me.
02:26The cashier is right over there.
02:28I'll take them all.
02:50I'll take them all.
02:54Merci beaucoup, mademoiselle.
03:14Who is the clothes for us?
03:16Oh, that's Mr. Dubois, an old friend of mine.
03:20He's nice, isn't he?
03:22Why do I get all the cheapskates?
03:24My customers flit in, ask the price and flit out again.
03:27I'm getting so I can tell a flitter a mile off.
03:30Oh, why don't you run and hide?
03:38Well, how do you do, Mr. Dubois?
03:44Pardon me. I seem to have lost my way.
03:47Could you direct me to the Boulevard Saint-Germain?
03:50About a mile, straight ahead.
03:52Well, as long as we're going in the same direction.
03:54Would you permit me to give you a lift?
03:56No, thanks. We live just around the corner.
03:59Just around the corner? Five miles away?
04:02Come on.
04:03Pardon me.
04:23You're so lovely and fresh, I'm sure you'll enjoy the air.
04:38You know, for the last three nights, I've been watching you go home.
04:43A charming girl like you shouldn't have to take street cars.
04:46You must believe in fairy godmothers.
04:49Oh, I do.
04:51In fact, I think I'd make a fairly good one.
04:54As a godmother, I find your mustache particularly becoming.
04:59Well, godmothers are out of date anyway.
05:02Godfathers are the things nowadays.
05:04Really?
05:06If I were your godfather, I'd try to fulfill your every wish.
05:10If only you would...
05:11To the right here, please.
05:16As I was saying, I'd try to fulfill your every wish, if you only would let me.
05:21You're very generous.
05:23But godfathers, especially those with mustaches, have a way of keeping Cinderella out after twelve.
05:36Thanks for the ride.
05:37Don't mention it.
05:40Thanks for the ride.
05:42The air was so nice and fresh.
05:43But not half as fresh as you.
05:49You know, I'm sorry that you're just round the corner wasn't ten miles.
05:53Won't you take these with you?
05:56They're your favorites, you know.
05:57Thanks.
05:58I'm sure you won't have any trouble disposing of them.
06:05Boulevard Saint-Germain is about three miles that way.
06:09Yes.
06:09I hope you won't get lost again.
06:11Good night.
06:12Good night.
06:17Good night.
06:24Madame Pinot.
06:26Madame Pinot.
06:27Yes?
06:28Any mail for me today?
06:30Do you see it?
06:31No.
06:31What about your wrist is in it?
06:45No.
06:48Oh.
06:57But my son is in it.
06:59No.
07:02No.
07:03Well, thank you, guys.
07:04Yes?
07:05Yes?
07:06Yes?
07:06Yes?
07:13Yes?
07:18Not even a postal card yet, huh?
07:37I wonder if something's happened to him.
07:40Sure.
07:41Something happens to all of them.
07:42And of a donut order.
07:45You've got to snap out of it.
07:47In love, one of two things happen.
07:51You either leave or get left.
07:55Couldn't you read between the lines of his last letter?
07:57And you know yourself he was cheating plenty while he was here.
08:02That's what you get for playing square.
08:05Take Jimmy.
08:06He gave me the air, didn't he?
08:09I tell you, the better you treat him, the worse they like it.
08:12I mean, well, you know what I mean.
08:16I mean, by the big boots, I'd like to kill them all.
08:33Why, you want to be draped over a sage lounge, watching the world go by from a reserve seat.
08:38And you want to be saying, don't annoy me with these orchids.
08:43Look at this little bummer that drove us home tonight.
08:46Didn't I hear him say, I'd try to fulfill your every wish if you'd only let me?
08:54Say, you could have his shirt if you only knew how to unbutton it.
08:58Perhaps you're right, Paulette.
09:19Your fiancée is here, ma'am.
09:22Is that the right time?
09:24Well, I mean, you know what?
09:56I just couldn't wait until this evening to see you.
09:58I'm always glad to see you.
10:03You must have something unusual to tell me.
10:10No, not unusual.
10:12But there is something.
10:16Come on, tell me.
10:20If I fix one of your favorites, will you tell me then?
10:47Thank you, dear.
10:52I'll bet I know what it is.
10:54You want to go to San Marietz instead of Nice for our honeymoon.
10:58Am I right?
11:01On the right track.
11:03It concerns our marriage.
11:21I value that more than anything in the world.
11:31Have you learned a new game?
11:33I wouldn't call it exactly new.
11:36Let's see some more of it.
11:38There isn't any more.
11:40It's the end of the game.
11:48Everything has to end sometime, you know.
11:53I'm afraid you haven't learned the rules of the game.
11:56It's a charming game.
12:25It's the end of the game.
12:28But you promised if I finished with the...
12:38Don't tell me you're old-fashioned enough to believe in promises.
12:50I believe they should never be broken.
12:55And to prove what I say...
13:10A pretty little thing.
13:13My second gift today.
13:15Second.
13:23I picked this up this morning at Revelle's.
13:26Rather unique.
13:28As you'll see by the first of the month.
13:31You talk as though I'd been known to refuse you anything you wanted.
13:34Do you approve of my taste?
13:37Darling, I approve of everything you do.
13:40Except you're delaying our wedding.
13:43Let's announce our engagement tonight.
13:46If the party gets dull, I might consent to it.
13:50Well, I hope it'll be very, very dull.
13:55You know, it's all of what you did used to.
13:58I used to despise packing.
14:00I've even been known to pay my rent to avoid it.
14:02Step in the spring when you think it's easier to move than to clean house.
14:06But this mask top would get on anybody's nerves.
14:09Bet you're glad to get out of it.
14:22We won't bother taking those, Paulette.
14:25You don't mean those.
14:26You mean that.
14:30You're alone, although I'm dead.
14:33I don't think someone is fine.
14:33Guess how to get In fact.
14:46I'm monkeys are dead.
14:48You're muchrested now.
14:53You're both in front of me.
14:55You're not in front of me.
14:56You're eight months ago.
14:57I'm looking for my father.
15:03Shed no more tears over him.
15:04He's all wet anyhow.
15:10Well, we're on our merry way.
15:21Cheer up.
15:22There's plenty of more fish in the sea.
15:28In this gay cabaret, I'm a laughing roué, paid for being what they call gigolette.
15:40There are those who may say it's the easiest way, but it's all in a day for gigolette.
16:06At least a hundred men fell while you were singing.
16:10So I noticed.
16:11Even the chandelier almost took a tumble.
16:13I would have tumbled myself if I hadn't done it already.
16:39There's Louie with the evening mare.
16:42Well, to me, we'd better get busy.
16:45I'd hate to keep the poor darlings waiting.
17:05Mademoiselle?
17:07Monsieur Marshal?
17:08Oh, mademoiselle.
17:10I am argument for you.
17:12Would you please sit down?
17:16Oh, I beg your pardon.
17:17I'm afraid I've made him sleep.
17:25Come on.
17:27Come on.
17:29Come on.
17:31Come on.
17:32Come on.
17:32Come on.
17:33Come on.
17:44I enjoyed your singing more than ever tonight.
17:48But why do you sing the same song every night?
17:51Why not?
17:52Don't you like it?
17:54It doesn't give us men much of a break.
17:56You don't need much of a break.
17:59You have been hurt.
18:01You are singing of some particular man.
18:03Generalizations are dangerous, you know.
18:06Not dangerous.
18:08They.
18:39You are singing of some particular man.
19:14Shall we, dear?
19:16I'd love to.
19:40You're waiting to learn to dance, Will.
19:42How could I make a misstep with you guiding me?
19:44I'd love to.
19:59I'd love to.
20:12When did you learn to dance like that?
20:15That just shows you what practice will do, Bertie.
20:19How?
20:21I'm sorry, dear. I'm so very, very sorry.
21:00Thank you. I hope I may ask for another one later.
21:03Please do.
21:12No, thank you. Would you excuse me for a second?
21:16Certainly, but only for a second.
21:31It looks like a very interesting evening ahead of you.
21:34Not bad, is she?
21:36But the start you had, you shouldn't be long finding out.
21:40Worried?
21:41No, Tony. Did you find out who she is?
21:44No, Miss Detective. Not sufficiently interested.
21:47Did you notice the ring she's wearing?
21:50It's exactly like the one I told you about. Remember?
21:53Would you like to have it? I can get it for you.
21:57How? Silly.
21:59Oh, one of several ways.
22:01First, I might ask her as man to man if she minds my knocking her over the head so I
22:04can steal it.
22:05What a gruesome mind you have.
22:07There is no need for unnecessary violence.
22:10I always ask permission before I knock people over the head.
22:14Did anybody ever refuse?
22:18Yes.
22:19I believe there was a woman in South America once.
22:22But she didn't understand French and thought I said something else.
22:25What did you think you said?
22:27I never found out.
22:28She ran home and hid under the bed for three months.
22:34But this blonde might refuse too.
22:38We'll see.
22:39You're very generous.
22:43No, Tony.
22:45I don't want anything that isn't mine.
22:52Suzanne.
22:54Here is something that is yours.
22:56And you won't take it.
22:58Why?
23:08Find out who she is, Tony.
23:10Somehow I'd like to know.
23:21How many seconds have I been?
23:24Hours, ma'am.
23:25Not seconds.
23:26And my regret is I have only a few more minutes to spend with you.
23:30I'm leaving by midnight train for the Riviera.
23:32Oh, is it as late as that?
23:36What an unusual watch.
23:38You like it?
23:39It's the most beautiful watch I've ever seen.
23:41Oh, then I wish you would accept it as a little remembrance.
23:44Oh, I couldn't think of it.
23:46Oh, no.
23:46Please.
23:47I have quite a collection.
23:48I never miss it.
23:52If you should, by any chance, come to Monte Carlo within the next few months, you'll find me at the
23:58Metropole.
23:59Look me up.
24:00Or, if you are still here when I return, I hope to see more of you.
24:13What's this?
24:14Your caviar, mademoiselle.
24:16Is that supposed to give you an outside?
24:18Oui, mademoiselle.
24:23Yeah.
24:24I like it.
24:25Give me an order.
24:26But, mademoiselle, this is an order.
24:32An order?
24:33Oui, mademoiselle.
24:34Well, then, bring me half a dozen.
24:36Oui, mademoiselle.
24:38Hey.
24:39Wait a minute.
24:40Bring us another sample of this.
24:42Ha, ha, ha.
24:44Cute little honey punchy.
24:45Oh, yes.
24:48A waiter.
24:50A waiter.
24:52Hey.
24:53Be quiet.
24:54Give me a respectable play.
24:56A waiter.
24:59Am I having a good time?
25:02be honest.
25:04I see.
25:26And I'm going to have a little
25:26Hössace what is he talking about?
25:28Bernd was the system.
25:28Be quiet.
25:30Let us see beside you.
25:30Have a big day.
25:30I have to listen to you.
25:37Come, darling.
25:53Well, what do you see?
25:55If I only dare say...
25:56Please tell me.
25:59I see that you are married.
26:04And, uh, have a very generous husband.
26:07Be serious.
26:09This line shows great strength of character.
26:12Why do all fortune tellers begin with strength of character?
26:16They have to begin with something.
26:17All right, tell me about my love life.
26:19I was just coming to that.
26:22Mindy, I see that at the age of four...
26:26Four?
26:27Yes, four.
26:29I see that at the age of four...
26:31You'd better begin with twenty-four.
26:33I'm reading the present, not the future.
26:37Flatter.
26:39Great determination.
26:41You always get what you go after.
26:44How very intelligent.
26:46You are very kind-hearted and generous toward those whom you love.
26:57So, you don't believe in me yet, huh?
27:00Life has taught me not to believe in anyone anymore.
27:05Let me prove to you that I am different.
27:08I don't believe you realize what I would do.
27:12Yes, I know what you would do for me.
27:14If.
27:14Well, you misunderstand.
27:16There is no if.
27:18There is always an if.
27:23Will you let me prove to you that there isn't?
27:26One is always interested in miracles.
27:29Then, shall I call for you tomorrow, say, at two?
27:34To tomorrow.
27:37Pardon, mamma, so.
27:38You are wanted on the phone.
27:39Merci, pa.
27:41Will you pardon me, mamma?
27:42My sister, lady.
27:52Tony.
27:52I have some news for you.
27:54Yes?
27:54What is it?
27:55The lady is Madame Albert Valeraine.
28:00Valeraine?
28:01Where is he?
28:02He's out of town for a few days.
28:04Tony.
28:05I want that ring.
28:07What?
28:09It belongs to me.
28:10It was my engagement ring.
28:15Oh.
28:16So, uh, he's the man.
28:24So, the Count looked at his watch at the wrong time.
28:28Yes, the wrong time for him.
28:30But the right time for me.
28:32And Monsieur Valeraine let his wife wander to the right time.
28:35Cabaret tonight.
28:36The right one for you, but the wrong one for him.
28:38The Count just missed having his heart broken tonight.
28:41How's that?
28:42I didn't think I should accept his watch.
28:44But he would have been broken hearted had I refused.
28:47So, I had to take it.
28:49You know, Tony, I hate to disappoint men in that respect.
28:53I know how it is.
28:55Madame Valeraine felt the same way about my getting out of the cabaret and going into business.
28:59She wanted to finance me.
29:01Naturally, I couldn't accept money.
29:03Of course not.
29:04I had admired her ring.
29:05She generously offered it to me.
29:07And when I flatly refused, she became persistent.
29:10I couldn't disappoint her.
29:12And there it is.
29:16So, Madame Valeraine has a very jealous husband.
29:22Here is our chance to show him how it feels to be at the losing end of the game.
29:26It would be easy.
29:27She's already in love with you.
29:37Oh, I'm getting sick of it.
29:40You know the circumstances that brought me here?
29:42At first, I didn't think it mattered, but it does.
29:44A man can live this sort of life and retain his self-respect.
29:46I've got to get out.
29:51I know, Tony.
29:55Suzanne, let me take you away from all this.
29:58That's impossible now, Tony.
30:00I was driven here.
30:02And I'll not leave until I have what I came after.
30:06People with money can do anything.
30:09I'm going to get some of that money.
30:11I must have money.
30:12To find that, when you have it, you haven't anything.
30:16It doesn't bring happiness.
30:19Perhaps not.
30:21But, Tony, you've got to help me.
30:23I must show Monsieur Valeraine that in spite of all his money,
30:27there are some things he can't buy.
30:30Buy?
30:31Buy?
30:32Who the heck wants to buy anything?
30:45Paulette, how do you do it?
30:47It's a gift.
30:48Yes, we're quite a gifted family.
30:51Never miss.
30:53Well, it's getting late.
30:55I've got to run along.
30:56Go on, Tony.
31:03Good night, dear.
31:04I'll call you in the morning.
31:07Good night, Tony.
31:16Take it as a gift from me.
31:21Good night.
31:35I'm learning more about men every day.
31:37I mean, every night.
31:38What did you learn tonight?
31:40There's just two kinds.
31:41Yes?
31:42Yes.
31:43They're both alike.
31:45Look at this.
31:49Haven't I seen that before?
31:51I believe you have.
31:53It has returned to its rightful owner.
31:56From whom?
31:57From Madame Albert Valeraine.
32:00Madame Albert Valeraine?
32:02Yes.
32:03Did you notice the blonde Tony had in tow tonight?
32:06How did Valeraine ever get her?
32:08He didn't get her.
32:09She got him.
32:10So queen.
32:11She certainly is.
32:12And Tony got the crown jewel.
32:15Woo-wee!
32:16Local boy makes good.
32:17And you know, Paulette,
32:19something tells me
32:20the king is about to be dethroned.
32:23Down with the king!
32:3035,000 flanks.
32:3440,000 flanks.
32:3850,000 flanks.
32:4290,000 flanks.
32:46125,000 flanks.
32:51This?
32:5275,000 flanks.
32:53May I see that one?
32:55Most assuredly, Madame.
32:57I like this one very much.
33:01And if you like it, it's perfect.
33:04Will you give me the same guarantee
33:05that you gave me on my last purchase?
33:07Certainly, Madame.
33:09Then I'll take it.
33:10To whom shall I make out the bill?
33:11Suzanne Ricard.
33:18Merci.
33:19Don't you think, my dear,
33:20it would save time and trouble
33:22if you get the cash from the bank.
33:24It's right next door, you know.
33:25It's a splendid idea.
33:27Merci, monsieur.
33:28I'll be right back.
33:37Have you an exact duplicate of this?
33:40Oui, madame.
33:41How much is it?
33:4110,000 francs.
33:43And 5,000 commissioned to you?
33:45That's 15,000.
33:46Leaving me a balance of 60,000 francs.
33:50Correct, madame.
34:08You only seem to be happy
34:09when I'm a half a mile behind you.
34:11You would insist upon riding
34:13when there's so many other things we could do,
34:15especially on the last afternoon
34:16before Albert returns.
34:18But I thought you liked riding.
34:20I do,
34:20but there's a time and place for everything.
34:25I'll race you to the next time.
34:37Merci beaucoup, madame.
34:38Here's your guarantee.
34:39I hope you'll call soon again, madame.
34:45With pleasure.
34:47Thank you, madame.
34:56What a charming place.
34:59You'll find the telephone over there.
35:02You really thought I wanted the phone?
35:04You were very convincing.
35:07Don't you believe me now?
35:10Believe what?
35:11That I am different.
35:15After all,
35:16the very best of intentions are forgotten
35:18when one falls in love.
35:26This bell has quite an unusual history.
35:29Listen to this.
35:32Yes, my great, great grandfather here.
35:36Here, try it yourself.
35:38Here.
35:57Try it yourself.
36:03Oh, pardon me a moment.
36:06Certainly.
36:13Hello?
36:14Well, baby, I'm doing my stuff.
36:17Hope the bird takes the hit and moves along.
36:19How?
36:20Why, I'm busy.
36:23Couldn't you make it for luncheon tomorrow?
36:24Hey, be careful.
36:26You said that the last time.
36:28Someday you'll put on the same guy twice.
36:31No, really.
36:31It would be much more convenient tomorrow.
36:33Well, I've said my say,
36:35and now that I'm wide awake and hungry,
36:37I'll scram.
36:40No, no.
36:41Please don't come now.
36:43Hello?
36:44Hello?
36:46Isn't that the worst lunch?
36:48Someone coming over?
36:49Yes, my cousin.
36:51She has a way of popping in at the strangest times.
36:53She's so old-fashioned.
36:55Uh-huh.
36:56So I see.
37:04It's a shame to have our afternoon ruined.
37:07But won't you stay and meet her?
37:08No, thank you.
37:10I have a peculiar aversion to cousins.
37:14When shall I see you again?
37:16You'll find me at the cabaret anytime.
37:24I hope this is not going to be my own little reward.
37:27So there was, and if.
37:29Surely.
37:30You didn't expect?
37:31No, I didn't expect.
37:34I didn't expect.
38:03Goodbye.
38:03Goodbye.
38:09Well, what does the Miracle Man believe for?
38:11If he only knew.
38:35So, Monsieur Valrain may honor us with his presence.
38:39Well, Madame Valrain will.
38:41I'm sure he won't let her out of his sight the first night he's left in town.
38:48THE END
39:19THE END
39:52THE END
39:52You don't see what's so attractive about this place?
39:55No.
39:57It seems to grow up one.
40:07Darling.
40:09Your ring.
40:12Heaven.
40:14Could you by any chance have left it at home?
40:19I don't do.
40:20Let me see.
40:23No, I'm sure I didn't leave it at home.
40:26Then you must have lost it on the way.
40:28I'll call George and have him look in the car.
40:30Wait a minute, dear.
40:31Let me look in my bag.
40:37No, it isn't here.
40:40Well, don't worry, dear.
40:41We'll find it.
40:42I'll telephone George.
40:45George.
41:07Excuse me.
41:08I'll call you later.
41:11An old friend of mine just dropped in.
41:15I beg your pardon, but I thought I'd found something that belongs to me.
41:19I'm sure you don't mean me.
41:22No.
41:24Oh, that.
41:26I think I found something that belongs to me.
41:31Would you mind telling me where you got it?
41:33Not at all.
41:34But I shouldn't have to tell you.
41:36You know who had it last.
41:37Yes.
41:38My wife.
41:40She didn't give it to you.
41:42Then why don't you ask her to whom she gave it?
41:45What do you mean?
41:49Men are so absurdly sure of their wives' affection.
41:56Before you go, remember, if you start asking questions, you must answer some.
42:03And things you might have forgotten, I will remember.
42:09Sometimes people get what is coming to them.
42:24Did you get George?
42:26No, the line was busy.
42:28Anyway, I'm rather convinced it's useless.
42:31Never mind, dear.
42:33I'll get you the ring you admired so much the other day.
42:36Let's hope someone deserving found this one.
42:39Let's hope.
42:43May I serve now?
42:45Yes, please.
42:58So that's the attraction here.
43:01How can you be so cheap, humiliating me with a common gigolo?
43:06Commonly, scarcely, the word.
43:08We won't argue the point.
43:09We'll have dinner elsewhere.
43:10I'd prefer to have my dinner here.
43:13You may go if you wish.
43:15You're not serious.
43:16I was never more serious in my life.
43:19Leon, if I leave here alone, we're through for good.
43:21Albert, my darling, my love.
43:24I was through with you before I started.
43:29Very well.
43:45If the old boy expected some unusual entertainment tonight, he's certainly got it.
43:53We'll go over to her so she won't weaken.
43:57She's not the wickering type.
43:59You never know.
44:02Well, I want to show him what it means to have his place taken by someone else.
44:07This has gone far enough.
44:10Suzanne, please, let's leave this place tonight for good.
44:14I'm sorry, Tony.
44:16I can't go yet.
44:17You've got to make up your mind to go with me now or stay here alone.
44:22Then, Father Present, I'll stay here alone.
44:27Suzanne, you don't mean it.
44:30I do.
44:47Are you by any chance tired of this place?
44:49I certainly am.
44:51So am I.
44:51Let's get out.
44:52Good.
44:53Good.
44:57Good.
44:59Good.
45:04Good.
45:09Good.
45:23So far, it's been a delightful evening, hasn't it?
45:26Where are we going now, darling?
45:28I'm taking you home.
45:31Whose home?
45:33Yours, of course.
45:35But tell me that's impossible.
45:37Why?
45:40I'm through with Albert.
45:41I'm never going back.
45:44Because he left the cabaret?
45:46Diane, be sensible.
45:48By morning, he'd have forgotten all about it.
45:50Tell me I'm not going back.
45:54Very well.
45:55I will drop you off at a hotel.
45:58But tell me.
46:00Diane, you came into the cabaret looking for adventure.
46:03I was a gigolo.
46:05But now I'm through with that sort of life.
46:07I'm sorry if I've hurt you.
46:12Really?
46:16You're in love with that girl at the cabaret.
46:19I am.
46:23Drop me off at the Creon.
46:31I'll return your ring tomorrow.
46:35I venture she's wearing it right now.
46:37She is.
46:39She had a certain right to it.
46:41It was hers once.
46:42What do you mean?
46:44Before you marry Valrain, she was engaged to it.
46:53Oh, I see.
46:57That's just like him.
47:01It didn't mean anything to me, so you needn't bother to return it.
47:10This is the stolen watch we have been looking for.
47:15It was left here for repairs, you say?
47:17Ah, oui, monsieur.
47:19Have you ever seen the man before?
47:20I do not recall him, monsieur.
47:23When is he supposed to call for it?
47:27Sometime this afternoon.
47:29What was the trouble with it?
47:31Just needed cleaning.
47:32How much?
47:3535 francs.
47:40Oh, si, monsieur.
47:48What's this?
47:52Starting with us.
47:53You must be mistaken.
47:55Orders are orders.
47:56Let's go.
47:57Come along.
48:16Thanks.
48:16I don't care for anything.
48:23Where's Tony tonight?
48:24No one has seen him since he left with that blonde last night.
48:28Well, I guess you never know what's happened.
48:31But you've no one to blame for yourself.
48:33What did you expect?
48:34You put them together a chance you had.
48:36And every man's a weak leader.
48:53Snap out.
48:58May I sit down?
49:00If you must.
49:08May I ask you a question?
49:11Well?
49:13Where is the gigolo tonight?
49:18Where is your wife tonight?
49:21Find her, and you'll find him.
49:24What do you mean?
49:28You evidently don't know the rules of the game.
49:33I believe he said that to me, boss.
49:36Do you mind another question?
49:41Would you please tell me how you got that ring?
49:49Suzanne.
49:52I know I've been a fool.
49:54Would you ever care for me again?
50:04It does look as if you might need it again, doesn't it?
50:07You know I have to believe it.
50:15Come here.
50:18Louie, this is my last night here.
50:20I want you to have this for all your kindness to me.
50:25But on one condition, that if you ever give it to anyone, you will never take it away again.
50:32Oh, thank you, Mademoiselle.
50:34And don't worry, the one I have in mind never gives back anything.
51:00So it was given to you, and you won't say by whom?
51:03No.
51:03And you refuse to identify yourself?
51:05That's right.
51:06And you still want us to believe you're innocent?
51:08An innocent man is not afraid to talk.
51:10A friend gave it to me.
51:12She's as innocent as I am, and I won't have her implicated.
51:16Take him away.
51:17Take him away.
51:31It's strange.
51:32I always know what they're going to do.
51:36But Tony certainly for me.
51:39Well, he's just another one to forget.
51:42And the only way to do it is remember someone else.
51:45You've got plenty of numbers.
51:47Listen.
51:48No man is worth a nickel.
51:52Why did he get enough of them together?
51:53They amount to quite a lot.
52:00Why don't you give Henry a jingle?
52:02He's been looking for a heartache for months.
52:06I don't know.
52:10It's very political.
52:11I don't know.
52:11I'm not worried.
52:11It's very seldom.
52:22It's okay.
52:27Let's talk to him by my list.
52:29He's been looking for a good person.
52:29Today, I looked up a little ready since I was looking for him, and I looked up at your hand.
52:31I'm looking for someone in my knees.
52:31I'm верed to you in the hole.
52:32It looked like a minute.
53:40Suzanne.
53:49Paulette, I've been such a fool.
53:54I really love Tony.
53:57Oh, cheer up, darling.
53:59He'll come back.
54:00I can't stand this place any longer.
54:03Let's go away for a while.
54:05Where would you like to go?
54:07Oh, any place where it's quiet.
54:09Where there aren't any people.
54:11Around.
54:12Wouldn't that be something?
54:13You could sit and watch the grass wave in the breeze all day and cry about your broken heart.
54:18Oh, darling.
54:19I know you feel terrible, but you need noise, people, things like that.
54:23Let's go to Monte Carlo.
54:24Well, we've plenty of friends there.
54:27Oh, dear.
54:31Oh, dear.
54:33Oh, dear.
54:37Oh, dear.
54:39Oh, dear.
54:41Oh, dear.
54:44Oh, dear.
54:47Oh, dear.
55:05Oh, dear.
55:06A table for two.
55:20Thank you. I'll wait until my husband comes down.
55:22Bien, madame.
55:42Fine morning, dear, isn't it?
55:44Delightful.
55:46Have you ordered?
55:47No, I've been waiting for you.
55:49Oh, I...
56:04There! Look at this!
56:06I'm afraid things will go pretty badly for you.
56:09You've refused to help us by talking, so we found out a few things for ourselves.
56:13Your name is Antoine Ferrand, age 26, born in Lyon, son of Charles Ferrand, a wealthy silk manufacturer.
56:20You left home after a misunderstanding with your father about entering his business.
56:24We also know that you have an accomplice, a woman.
56:27Yes, there is a woman.
56:29But I repeat again, she's as innocent as I am.
56:32I won't have her drawn into this.
56:33If you're innocent, you could help us by giving us the information about this watch,
56:38which might lead to the arrest of the guilty person.
56:41On the other hand, people have been convicted on circumstantial evidence.
56:44You admit that what I told you about yourself is true?
56:46Yes, I admit that.
56:48But I refuse to say another word until I have consulted an attorney.
56:51Well, that's your privilege.
56:56Have you ever seen this person?
57:03Why, yes.
57:03Yes.
57:05He looks like the man that gave the watch to my friend.
57:08Well, since you're willing to help us, I'll try and make things as easy for you as possible.
57:13I could recommend an attorney to you with the suggestion that you follow the advice given.
57:19Thank you, Inspector.
57:24Tony.
57:26Susanne.
57:32Tony, I told them everything.
57:34She identified this criminal, and with her testimony we'll be able to convict one of the shrewdest we've ever had
57:39to deal with.
57:40We suspected him and have had him under surveillance.
57:43He was arrested yesterday in Marseille and made a full confession.
57:48You're free to go.
57:51Thanks, Inspector.
57:56Darling, and I thought you'd run away with-
57:59I have been wanting to run away with you for a long time.
58:02But you tried to turn me over to someone else.
58:05I think we'd better run home.
58:07And Dad was right.
58:09From now on, I'm going to help him make silk.
58:12Now that I have someone to wear it.
58:15My size is 34, size 8 stocking.
58:18Favorite colors are red, black, brown, green, yellow, and white.
58:23And don't forget my address.
58:28Since you're gonna leave me, I might as well confess.
58:31Louis and I beat you to it.
58:33Louis and I beat you to it.

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