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00:17Listen, I don't plan to wait for him, but I just want to stay happy days, and I want to
00:22stay in a nice memory.
00:24I don't want to stay in a nice memory.
00:32To ti je toxic, to ti je kao lutrija.
00:36Kada je tu, ti si na dobitku, a kada on pobegne od tebe,
00:39ti trčiš i juriš za njim sve dok ponovo ne dobiješ taj dobitek.
00:43To ti je čista zavisnost.
00:45Ipona, kako ti znaš? Si nam držala sveću.
00:49Mislim, ja sam budala što ti sve pričam.
00:51Čekaj, ja sam mislila da smo ti i ja najbolje drugarice.
00:54Pa dobro, jesmo.
00:56Pa šta onda?
00:57Pa onda ti to nisi iskusila.
01:00I ne možeš da pričaš o tome i onda nećemo više da pričamo o tome.
01:03E, hvala dragom Bogu što tako nešto nisam iskusila.
01:07Hvala dragom Bogu što tako nešto nisi iskusila, hvala dragom Bogu što sam tako nešto iskusila.
01:12A sada da promenimo tendu.
01:14Ajde.
01:15Imam dobre vesti.
01:16Kako imam?
01:17Pare od Baby Vange sam kljušta.
01:20Stvarno?
01:21Da.
01:22Mislim, ja sam toliko zahvalno ovim ljudima istužila što nisu objavili javno da sam i ja bila umešana u otmicu
01:28jer bi mi to totalno narušilo imid.
01:30Dijana je dosta bila zabrinuta zbog toga.
01:33Jel?
01:34Mhm.
01:35A znaš kako kažu, ko nema sreće u ljubavi ima u kartama.
01:39Ali ne poker, nego tarut.
01:41Zvezde će reći svoje.
01:45Slušaj, čim odležim ovu svoju nanogicu imam iznenađenje za tebe.
01:50Kako iznenađenje?
01:51U plaće Mikonos tri meseca vidi.
01:55Ti i ja.
01:57Žurke.
01:58Plaže.
01:59Frajeri.
02:00Ležaljke od 200 evra.
02:02Pa sad je Nikol Kidman tamo videla sam na Instagramu.
02:05Ksenija?
02:08A da, ovaj.
02:09Ti malo prištediš taj novac.
02:12Mislim, malo ti je nesiguran taj posao.
02:14Danas si popularan, sutra nisi.
02:17Nikad ne znaš šta sve može da se desi.
02:20Znaš?
02:22Ivona, ne mogu tu tvoju negativu.
02:25Evo, već me mozak zabolao.
02:27Šta je?
02:27A i uostalom, je li vidiš kako ima sati?
02:29Mislim, nanogica će da zapiš ti.
02:31Ajde, čao.
02:33Čao.
02:34Čao.
02:36E, neko razmišlja o Mikonosu, a neko o tome šta će sutra jesti.
02:42Stav.
02:43Iđu, iđu.
03:00Ja sam kriv, ja sam sve kriv.
03:02Za šta sam kriv?
03:03Kako za šta?
03:04Pa trebalo sam ja da kažem Aleksi da nam uzme odvojene stanove.
03:07Da budemo u jednom ti i Ruža i ja u drugom da budu Mido i Pančeta.
03:11To bi bilo mnogo bolje i logičnije.
03:13Goranaj, meni je ovako sasvim odgovara.
03:16Ovako ti sasvim, kako ti ovo odgovara, kumite Bogu.
03:18A ti je polako ne skače, ko da ja ne bih voljela da možemo da budemo sami.
03:22Dobro, pa šta te muči onda?
03:24Ništa me ne muči, ove dve su na moru, sam ovako samo imam brigu manje.
03:28Kako brigu manje?
03:29A moram da razmišljam gde mi je Ruža.
03:31U svakom trenutku, kako god da radim, znam da je sa Pančetom.
03:34A jes, osim prava.
03:35Pa da, što ti je?
03:36Ali vidi, ja bih polio ti, Ana, kako neđe da pobjegnemo.
03:39Toliko mi je hrivo što se nismo spuštili kod mene dolje u Srnu Goru da ti opisat ne mogu.
03:44Pa znaš da je to sad nemoguće?
03:46Znaš?
03:46Znaš?
03:47Zbog Ruža i zbog njene škole i zbog svega.
03:49Kako da ja ne bih vola da možemo da se osanimo?
03:52Znam, man, kad smo već kod toga isili ti obično svu kuću da isili.
03:55Našla možda neki štekić?
03:58Kakav štekić?
03:59Jel' moguće da samo o tome razmišljaš?
04:06Zbog Ruža, zao, zao, zao, zao.
04:27Ha, ha, ha, ha, ha…
04:31Oh, good evening, good evening, Fajo.
04:37What is it?
04:39Oh, what is that?
04:42It's a very new look, a very different person.
04:45It's a very new look, a new look, a new look.
04:49That's right.
04:52Now I have a new interest.
04:54This is a kind of transition.
04:56A transition from Konobara to the freezer.
05:00Rizelna transition.
05:02Eh, that's it.
05:04Good, good, good, Lence.
05:06I like it.
05:07Do you like it?
05:10Yes, I like it.
05:11I like it.
05:15It's a kind of authentic character.
05:20They give it a special taste.
05:21I like it.
05:22It's a good taste.
05:24It's a good taste.
05:27It's not even difficult to say.
05:29You have online drinks.
05:35What do you think?
05:38You have an app.
05:40You look at your face and you take a drink.
05:43You need to tell me.
05:45Why are people creative?
05:47What do they do not want to do that?
05:50It's interesting.
05:51And how does it work?
05:53How do you do it?
05:54You put your picture.
05:56You don't need drinks.
05:58I put my picture.
06:00You have Spanish drinks.
06:03You have French drinks.
06:05These are very popular.
06:06Even Turkish drinks.
06:08The Turkish drinks are...
06:09And these are some German drinks?
06:12Yes, they are German drinks.
06:14No, no, no.
06:15When I thought about which drinks I'm going to take as a big freezer,
06:19I took my picture.
06:20I took my picture between the German imperial and the Dalmatian rice.
06:27I look at it and I would not be able to take the third one.
06:32This is a Continental classic.
06:34When you see me, you say that this is a Continental classic.
06:39No, I don't want to talk about it.
06:41Okay.
06:43Let's see.
06:44Let's see.
06:44Let's see.
06:46Let's see.
06:46Let's see.
06:47Let's see.
06:48Let's see.
06:49Let's see.
06:50Let's see.
06:51Let's see.
06:53Let's see.
06:55Let's see.
06:57Let's see.
06:58Let's see.
06:59Let's see.
06:59Let's see.
07:00How does it look?
07:01What does it say?
07:02What does it say about you and that everyone already knows?
07:05One, one, unnoticed,
07:07the delicious,
07:08the sweet and classy, Diana Erskine.
07:10Please applause.
07:11Don't stare at me.
07:13Don't stare at me.
07:15Don't stare at me.
07:16Don't stare at me.
07:16No, no, no.
07:17I didn't want that.
07:19Everyone knows that.
07:20No.
07:20It's a place.
07:21No.
07:23Do you want something specific?
07:25Do you understand?
07:26Something just mine?
07:28Something authentic.
07:29If you want to work with women,
07:30then you have to be able to work with women.
07:33No.
07:34No.
07:34Just start listening to some stories that everyone knew.
07:37No, no, no.
07:39You have to make a need for that.
07:41Every woman knows something about herself,
07:43what is, do we tell you,
07:44personalised?
07:45Do you understand?
07:46To be the one who feels when she sits on the stove
07:48at the freezer like a princess.
07:50The princess.
07:51Yes, I am...
07:53You don't have a clue, you've already got a clue.
07:56I didn't get a clue, but I'm thinking.
07:59You don't have to think about it! You don't have to do it!
08:03You have to have 48 ready compliments on the table when the woman sits at the table.
08:0848.
08:0948!
08:10And then when she sits, she feels spectacular.
08:16And that's how you can do it when she was a konopar.
08:20Okay, since you are the best one, let me know how it is,
08:26because I expect a woman in my salon.
08:28What do we need to do?
08:30What do we need to do?
08:30What do we need to do?
08:31We need to do it in the beginning.
08:33We need to do it in the beginning.
08:35This color helps you get the most beautiful emotions.
08:41Or, for example, this race that I made you,
08:45it serves as if the most interesting character comes out to the video.
08:55Do you understand?
08:56That's something you need to do.
08:58And of course, you don't forget it.
09:01You don't have to forget it.
09:15You don't have to forget it.
09:26You don't have to forget it.
09:44You don't have to forget it.
09:47I will do it.
09:49And you need to forget it.
09:50You need to forget it.
09:51You need to forget it.
09:51You need to forget it.
09:53Yes, but I didn't call you because of that. I have a problem with one woman.
10:10What kind of woman can you have a problem with?
10:15I didn't think of that way, but...
10:21...and on the other side.
10:36Wait, what? I don't know what I'm talking about.
10:40Who doesn't know, I would pay for it.
10:42Who knows, I would pay for it.
10:44What? I don't know what I'm talking about.
10:46I'm asking you.
10:47I understand. I understand.
10:50I understand you.
10:51I understand you.
10:52I'm a murderer.
10:53I'm a murderer.
10:54It's not a moment to be the most important thing.
10:57I pray.
10:58Now you've got a heart to me.
11:00You've got a heart to me.
11:03What?
11:04What?
11:05What?
11:05It was funny.
11:07It wasn't funny.
11:08Let's go.
11:09What?
11:09I know what I'm asking.
11:10I'm fine.
11:11I'm fine.
11:11I'm fine.
11:12I'm fine.
11:12I'm fine.
11:16I'm fine.
11:17You're fine.
11:17You've got to know what I'm trying to do.
11:18You'll stay with me.
11:22I'm fine.
11:22I'm fine.
11:23I'm fine.
11:23I don't want to change my wife's world.
11:27I don't know.
11:28I don't know.
11:29I think you're fine.
11:30It's all that's good.
11:33Let's go.
11:34It's always the time.
11:35I'll take you to the next one.
11:37I'll take you to the next one.
12:02I have a problem with Kajom.
12:05Kajom?
12:07Well, you're not the only one who has a problem with Kajom.
12:10There's no one who has a problem with Kajom.
12:13But it's not something that the big D&R can't tell you.
12:17What kind of problem?
12:19You know that we agreed to open the freezer room, Kaja and Paja.
12:23I know.
12:24I know.
12:24It's the whole city. We agreed to go into the realisation.
12:30And she hit you on the cruiser.
12:32She goes to the cruiser to enjoy the sun.
12:34I'll stay alone with the master.
12:37The job is on me. You understand?
12:40Okay.
12:41Do you agree with me?
12:44Do you agree with me?
12:48I know.
12:48I know.
12:50Diana?
12:51Do you agree with me?
12:52I've been working with the court for the long term.
12:53We've done a lot.
12:54We've done a lot.
12:56What are my obligations?
12:57What are their obligations?
12:57What are their rights?
12:59What are our obligations?
12:59We've got all signed to our local.
13:01We've left.
13:01I tell you that when we left,
13:03the master came and I went to the master and I was like,
13:06a lot of ploches on the side.
13:07Where are the shampoo?
13:08Where are the bonbons?
13:09Where are the bonbons?
13:09Where are the keys?
13:11I want to be the architect.
13:14I don't know how to do that.
13:16I don't know this.
13:17And now I'll decide what I'm saying.
13:19I'll say, you know this one and she'll say,
13:21how did you decide without me?
13:24Do you understand?
13:25Yes, I was called me?
13:26I called me 200 times.
13:28I used my phone phone.
13:30I was holding the phone,
13:31and I was holding thenn call,
13:32and I was talking with her.
13:33And I didn't know that.
13:35I didn't know that she was able to give me.
13:36No, no, no.
13:36I'm going to open the door.
13:37I'm going to open the door.
13:38I'm going to open the door.
13:39I'm going to open the door.
13:41I'm going to open the door.
13:46And at the end of the day, there is a photograph of cocktails,
13:50palm trees, a golden body, and that's it, that's it.
13:55Good, good, good, good, good.
14:00It's not such a big thing,
14:04that a nurse can't be very easy and very easy to solve it.
14:10Yes, but it's a value.
14:16I don't have a lot of wine.
14:19I don't have a couple of mothers to get involved in the hotel.
14:24You know me, I am someone who doesn't have a lot of money.
14:27You know me, I don't have a lot of years.
14:29I don't have a lot of money.
14:30I don't have a different way, if we can do it,
14:34we can do it differently.
14:35We can do it differently.
14:38We can.
14:39Okay.
14:41I want ten without-spreads.
14:43Ten?
14:44Ten without-spreads?
14:46Wait, I have to say two, three, and four,
14:49and just two-digit number.
14:52No, I'm sorry, what?
14:53You have a lot of ten?
14:54How much?
14:55Wait, wait, wait.
14:56You want me to be a mediator between you and your personal friends,
15:00and a lot of ten.
15:02Ten is a little in this case.
15:05Ten, ten is nothing.
15:07Okay, let's get ten.
15:09You will get ten.
15:10You will get ten.
15:11You will get ten.
15:13You will get to meet me.
15:14You will get to meet me.
15:17You will get to meet me.
15:17Who will?
15:21What?
15:21What's the reason to fit in your eyes?
15:22What is my client?
15:22I want you to get to meet you and your eyes.
15:28I want you to meet you and your eyes.
15:30I want you to meet you and your eyes.
15:37OK.
15:38If you don't know all of your eyes,
15:38you can do them and smile.
15:41I want you to meet you and your eyes.
15:46What is that? That's fascinating. I don't know what to do.
15:50You will become virali, and then your salon will be a hype salon.
15:58I've done it for you, and you're not me. This is the other thing.
16:04I've done it for you, and you're my soul.
16:06We've all agreed.
16:07We've all agreed.
16:08It's normal.
16:10You'll never have such a offer.
16:15She said, Kaja, that she can be a manikir.
16:20No, I'm sorry.
16:21Now, every other girl, buy a lamp, a lamp, something like that,
16:26and she's here at home.
16:28I'm sorry, you're going to tell me that she's not a manikir.
16:32And she wants to be a freezer.
16:34No, no, no, no, no, no, no, no, no, no, no, no, no, no.
16:36And you're the one who's a manikir, I tell you.
16:39No, it's not so, Dina.
16:40I think our conversation is a little bit like that, but sorry,
16:44what I mean, it's not so.
16:46I wanted a freezer for a long time.
16:49First, I was a fan of a mess, and then I was a fan of myself,
16:52while I was not a manikir.
16:56While you were a manikir?
16:58Yes.
16:58Look, Maio, we need to revigify our circumstances.
17:21Maximilio Kohn.
17:23Daniel has done it well.
17:25The hardest thing would be to cut it off.
17:28How many years?
17:30What, Professor? He has done it, friend.
17:33You really didn't know it.
17:37How can you tell someone to take him in the office of the police?
17:42I really didn't know it.
17:43Professor, you know that I'm a little sad.
17:46We know that Daniel is a real man.
17:51If I would go on to him, I would have been drinking a drink,
17:54because you would have been able to put your hands on your hands.
17:57Okay.
17:59I'm sorry.
18:00I'm sorry to lose your mind.
18:01The emotion is falling on your mind to you.
18:06I understand.
18:09But there is one thing, Professor.
18:11Which one?
18:13You should be careful.
18:16You should be careful.
18:17She was hurt for the maximum.
18:19I've been calling her to block her.
18:24I'm afraid that Daniel is not going to stop her.
18:32Thank you, Professor.
18:33Thank you for your attention.
18:35Although I just dreamt that she could be able to do something.
18:40I don't care that she is so upset at the maximum.
18:45She is not upset at the maximum.
18:47Why?
18:47She is loved.
18:49But you don't understand that.
18:51You are the same.
18:51You are the same.
18:53You are the same.
18:54You are the same.
18:54If she is loved,
18:55she would be able to try to do something.
19:00For what she is doing with a child.
19:04Yes.
19:06I don't know just...
19:09What will be the maximum when it will happen?
19:11I don't know.
19:13If it will ever happen.
19:15It will never happen.
19:16It will never happen.
19:18It will never happen.
19:20It will never happen.
19:46I don't know.
19:47I am sorry.
19:47How do you think we're revisiting the meetings?
19:50I don't understand.
19:53It's fine.
19:55I need to check you out a little bit.
19:58There's nothing to help.
20:00I don't know.
20:01What do you want to do?
20:02What do you want?
20:02Do you want to do it?
20:03Do you want to do it?
20:03Do you want to do it?
20:05No, no, no.
20:06You don't have to do it.
20:08You don't have to do it.
20:09You don't have to do it.
20:10You don't have to do it.
20:10You are all right.
20:10I don't have to do it.
20:51You don't have to do it.
20:53I don't have to do it.
21:00I don't have to do it.
21:06What do you want to do?
21:08I'm a shvaleracist.
21:10That's it for two hours, so nobody will come.
21:13They're crazy, they're crazy, they're not bad.
21:17It's not important.
21:18Take care of clothes and clothes of my Xenia.
21:23And shvaleracist, forget it.
21:25I mean, it's so nice to sound when you get it up,
21:28you get it in the car, you get it all, but...
21:32No, no, no, no.
21:33I told you Kaju, before you go to the store.
21:37Okay.
21:38Okay.
21:39I'll do this.
21:41I'll do this.
21:41I'll do this.
21:42I'll do this.
21:43I'll do this.
21:45I'll do this.
21:46No, you don't need anything to do.
21:48No, you don't need anything to do.
21:49You have 24 hours and more minutes to do this.
21:54And if you don't do this, you don't need anything to do.
21:57Dijana?
21:58Dovijen se, Pajo, dovijen se.
22:01How 24 hours?
22:03Dijana?
22:09Konobar, daj ovdje još jedan viski.
22:13Dupli.
22:14Dupli.
22:26Undersina?
22:36No, no.
22:42Okay.
22:43Thank you so much.
22:43You...
22:45Here you go, love you.
22:50Thank you, mama. I forgot to eat as much as possible.
22:54Good, good, good. You started to eat normal.
22:57The tree of my heart.
22:59You don't care about it.
23:01How do you care about it?
23:02It's important that you have to fight vegetarian.
23:04Look at it.
23:05You look at it.
23:07You look at a healthy man.
23:09I don't know why I'm fighting.
23:12I think I needed more food during the day.
23:14And now, is it going to eat?
23:16Okay.
23:18Of course, you need more food during the day.
23:22I think...
23:23How?
23:24You always have some fancy theories on the internet.
23:29It's not fancy theories on the internet.
23:31Okay, I know.
23:32I know some of the documents.
23:35And the Academy?
23:37Is it someone who takes care of it?
23:38No.
23:39No.
23:40No, no.
23:40They are on every level.
23:42Yes, the academy is a tough one, but it's not just how people think about it.
23:47Okay, let's go. I don't want to talk about anything.
23:50You've asked me to comment anything about the academy and your call.
23:55And that I don't give up more than that.
23:58I have to admit that I'm just going to give up on my own voice.
24:03I have to admit that I'm not going to give up on my own voice.
24:03I have to admit that I'm going to give up on my own voice.
24:09I don't have a lot of police officers.
24:12Maybe ten boys have one or two girls.
24:16It's all about what colleagues are treated like a princess.
24:21Okay, tell me, criminals,
24:24they will always be so good when you go with them.
24:27Or when you don't know God, they will have a wedding.
24:30Or I will never have a wedding.
24:34Okay, let's go.
24:36With those difficult topics for today.
24:38Now, let's leave.
24:41We're still waiting for a while.
25:11Is what it?
25:12Eh, hold.
25:14Mm-hmm.
25:17Is it good? You're really tired.
25:19I'm tired.
25:20I'm tired.
25:20I'm tired of things all day.
25:24I'm waiting for you to leave.
25:25I'm sure.
25:26I'm sure.
25:28I hope something else will be nice.
25:30What are you saying?
25:31I don't have any strength.
25:33I don't have any conditions.
25:34I have to try something else to do.
25:37Why don't you go to me in the car?
25:39I'm now driving.
25:40How do you go in the car?
25:42What?
25:43Mm-hmm.
25:45I'm looking at these tags.
25:47I'm looking at these tags.
25:47I'm looking at these tags.
25:48I'm looking at these tags.
25:49Okay, it's not that way.
25:50I'm looking at these tags.
25:53I'm looking at these tags.
25:55I'm looking at these tags.
25:58It's really scary.
26:10What can you say to me?
26:14It's funny, Asija. That's nice.
26:16I see that it's not just funny.
26:18What do you want to do?
26:20No, no, Asija. Everything is okay.
26:22Everything is standard. I'm walking.
26:26Mama.
26:29I don't know what to say.
26:32Tell me what's going to do.
26:37Everyone watch this trial.
26:40And everyone say something.
26:43And when I go to the hospital, it's just silence.
26:47You didn't know that he was a crime.
26:50And just to visit you, that period you needed to do something.
26:55Okay, I did something else to do.
26:56You didn't have a lot of choice.
26:59Okay, Asija.
27:01I don't want anything to do with myself.
27:02I can't believe it.
27:06One so cultural and spiritual man at the end can be a monster.
27:12That's why you don't have to listen to what a man says.
27:44You don't have to listen to what to do.
27:46I don't think so.
27:48You don't have to listen to what to do.
27:50You don't have to listen to the hospital.
27:51You don't have to listen to the hospital.
27:52And the colleagues just stop talking.
27:53Okay, stop.
27:55What do you care about?
27:57What do they think?
27:57You know that you don't have to be a crime.
28:01What about the hospital?
28:02You don't have to go.
28:06Yes, you don't have to get from the hospital.
28:11I'm going to get the hospital and eat it.
28:12That's why.
28:12Let's lay it for the hospital.
28:25All right.
29:21All right.
29:55All right.
29:55All right.
30:03All right.
30:05All right.
30:07All right.
30:08All right.
31:00All right.
31:03All right.