- 23 hours ago
Igra sudbine 1944 epizoda (24. 10. 2026)
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TVTranscript
00:06What is the new problem with Kajom?
00:09Not with Kajom, but with Kajom I've done everything.
00:12I'm going to let it out.
00:16I'm going to let it out.
00:17No, no, no, no, no, no, no, no, no, no, no, no, no.
00:23I took some Japanese makaze for shišanje, and that's for a clean shišanje.
00:30Okay, well, and?
00:33I took them from one type and I'm just going to let it out.
00:38Well, you're looking for makaze, and you took everything in order?
00:42They are makaze, but they are very expensive.
00:45How much?
00:46A few thousand euros.
00:48A few thousand euros?
00:50A few thousand euros for one makaze?
00:53What are they?
00:54Is that makaze or a murajski mač?
00:56But they look like a murajski mač.
00:59You don't have to believe how they are.
01:01What are you going to do with them?
01:03You're going to shišanje, and you're going to shišanje,
01:05and you're going to shišanje.
01:06There's 101 little japanac who helps you to shišanje.
01:09Let's go.
01:10Let's go, let's go, let's go, let's go, let's go.
01:11Let's go, let's go, let's go, let's go.
01:12Let's go, let's go.
01:15Let's go, let's go, let's go.
01:26Let's go, let's go, let's go.
01:44What about me, there may be a moussaka, 2000 EUR for a magazine.
01:50Well, you see, I worked some additional work, besides cornobarism.
01:55I don't speak now, it's not that I don't remember, I don't want to remember,
01:58but I took them from one djuku.
02:06Well, who djuku?
02:07What, who djuku? I saw you on Instagram.
02:12I don't know any djuku, man.
02:14You don't know djuku?
02:14I don't know djuku.
02:18Well, djuka!
02:23Djuka Schaner!
02:26How do you know djuku Schaner?
02:30Do you know what I call him? That's how I write it on the phone.
02:33Djuka, the first copy.
02:35I know djuleta.
02:38Do you know who launched it?
02:39I am going to launch it.
02:42I see that he came out from one of the few years ago.
02:46He gave me some wine from Morocco.
02:49He tried to sell it and tried to buy it.
02:52He tried to buy it and tried to buy it.
02:53She says, listen, listen, it's not a problem with the quality of the film, it's a problem with your narrative.
02:59And I have to do all this.
03:01We're going to make a story that the film is there on the Mesechini,
03:07it has to be on the Mesechini, because the film is going to be more and more and more.
03:12So, I think Marrakesh, family, family manufacturing, history,
03:20and we're going to sell it all for three days.
03:24Really?
03:25What do you think? One is a D&R.
03:30Djuka, Djuka, Djuka, I can't believe it.
03:34After a certain time, I know that the film was not from Morocco, but from Bulgaria.
03:39But it's okay, it's not really important.
03:42But now I'm wondering if they were from Japan or where they were from.
03:45I don't know if they were from Morocco, it's not important, but it's important to me that he was from
03:51Morocco.
03:52You understand?
03:54Okay, I understand, but I don't see what I have with you with all of you.
03:59What do you do?
04:00You know the whole country, you know the whole country, you know the whole region.
04:05If you can call him, because he doesn't call me on the phone,
04:08it's nice to tell him, or to give him money or to give him money.
04:14I can't believe it.
04:16I can't believe it.
04:18I can.
04:18I can't believe it.
04:19I can't believe it.
04:20Only if it has its own value.
04:22I can't believe it.
04:40There is a lady, or a lady, to help us.
04:45Is that a lady, a witch?
04:48No, no, no, no.
04:51She's a witch.
04:53Like Harry Potter.
04:54Like Harry Potter.
04:55And she knows the words that she takes,
04:59when she comes to her, you know.
05:02Are you thinking that she'll help us?
05:04Yes, 100%.
05:09Oh, Stella.
05:11How divin you look.
05:13How did you look at it?
05:14Maybe some young people.
05:17I hope she will.
05:19But she will be very nice.
05:21Lule, tell me, Stella, you look beautiful.
05:24Be a gentleman.
05:25Stella, you look beautiful.
05:26Thank you, Lule.
05:28You're right in the heart.
05:29Yes, exactly.
05:30We're talking about the witch who will take these spirits
05:36and take care of her.
05:37We're engaging with her.
05:40That's right.
05:41That's right.
05:41That's right.
05:44I will not be here tomorrow.
05:46I have a lecture.
05:48That's right.
05:49We'll see you, Lule.
05:50We'll see you.
05:51We'll see you.
05:53Hello, Stella.
05:57Thank you very much, Lule.
05:58If this is your friend, not a man, not a man.
05:59Do you mind?
06:00Is everything you've got to be against?
06:02Is it your friend?
06:04Is there something you have to be your friend?
06:06Will you help him?
06:07I promise you, Beulah?
06:10All thanks for that.
06:11I want to make it for you and that I am one friend.
06:13I understand.
06:14I'm going to teach you how to work with someone who is a leader.
06:17You're a leader, you're a leader, you don't know.
06:20Thank you for that, but I'm not really a leader.
06:23Let's be honest.
06:25I'm a leader, but I'm not really a leader.
06:26Look, I'm a leader, but I'm not even without any experience.
06:29Look, there's no baby.
06:33That's the word for you.
06:36That's the word.
06:37I'm just a pedagogical word.
06:41But, at the time, Dixie will be a leader.
06:46Dixie is not a baby.
06:50It's the best years.
06:52I'll give it gratis.
06:55Gratis?
06:56Gratis?
06:57Yes.
06:58It's not gratis.
07:01Dixie, who doesn't know, you'll pay for it.
07:04I'm sure there's a little bit of a counter-uslug, but I'm sure I'm sure.
07:10Listen to me.
07:11Okay, there's something.
07:13There's something.
07:13There's something.
07:15There's something.
07:17There's something.
07:17You need to give a girl.
07:21What is Gabor?
07:23You want to give a girl.
07:24You can see it.
07:24Look, now I'm a man, see, now I'm a man.
07:28I'm a woman.
07:29You're a man who's a man who is not new at the laboratory.
07:44When you say this, you can be like this, but you don't want to call it like this.
07:50You, as a man from biotech industry, you need to see the top model, the top model, the top model.
07:57You understand, man?
07:58The reason for this is not that Gabor is not a good guy, but a good guy.
08:03You're right, you're not a good guy.
08:06Okay, what's your name?
08:08Ivona.
08:09Ivona, Ivona.
08:11What happened?
08:13What happened?
08:14Is that a little girl that we were in the restaurant?
08:16Look how you're throwing the ice cream.
08:20No, I'm not.
08:22What did you say? I know I'm not sure.
08:25I'm just saying that she is.
08:26Ivona Sorbona, that's how I said.
08:30She's her.
08:31Okay, and what should I do?
08:34I'll send her to her?
08:36I'll tell you what you need to do.
08:38I'll send you to the cafe where she is.
08:42I'll send you a few photos of her.
08:45So, in that Greek house, I'll send you to another one.
08:48I'll send you to another one.
08:49I'll send you to the other one.
08:52Dikili?
08:53Okay.
08:55But I don't know.
08:57Wait.
08:57What do you know?
08:58What do you know?
08:59What do you know?
09:00I don't know.
09:01It's not even moral to her.
09:03How many times do you know how it is.
09:08How many times does it have to do so?
09:11See, I don't know how much one should take that in.
09:14I don't know.
09:15What can I do to take that to you?
09:20What can I do to take that?
09:22I'm asking you.
09:25I don't know what a lot is going to do.
09:25A lot of times, look back.
09:27Look back.
09:27A little bit around.
09:28Look back.
09:28Let's go.
09:28Bye.
09:37Hello, Duka. Where is my Duka, my first hand?
09:46And I am as Erskija.
09:52Okay, we haven't heard 100 years.
09:55That's right.
09:57Okay, it's never been for good friends, right?
10:02You see, you've got something a little bit,
10:05I've said to myself.
10:07You've got one friend.
10:10One friend.
10:11One friend.
10:13You see how you know,
10:16you see how you know what they are in the question.
10:19Yes, yes.
10:20Yes, you see.
10:22Dukice, you don't want me to bring my friend.
10:25No, don't do it.
10:27Yes, let's do a service.
10:32Please, please.
10:34Then I will drink a coffee like a good time.
10:38Can you?
10:39Let's see.
10:40Let's see.
10:41Mm no.
10:48Yes, thank you.
10:50Bye.
10:51Bye.
10:51Bye bye.
10:53Bye bye.
11:20We see that someone is ready for a big date.
11:25Yes.
11:26Yes, I see that you have the perfume that you used when we met.
11:31You didn't forget it?
11:33Of course not.
11:34Yes, of course.
11:35Yes, of course.
11:38Yes, I'm starting to see you in the moment.
11:40I'm a girl, a company is a company, a father is a stranger.
11:45I'm still free.
11:46It's just a surprise when you look at that time.
11:51You were like a light with that invitation and invitation.
11:55Did you miss me?
11:57Yes.
11:58With the invitation, it was just to be a little bit of a job.
12:02And to be your father convinced me to sell a company.
12:08When I remember you, when I saw you, you made me a little bit of a little bit.
12:18And that was your feet.
12:21And nothing.
12:22And you are such a little bit.
12:24Do you remember me?
12:25I already knew that I had to hold you in close to me.
12:31Well, and now you're in the winter.
12:37That's all, I will not like you.
12:45Again, you love me.
12:47What do I do when I'm like?
12:49When do I need to explain to you?
12:50You can explain to me as much as you want.
12:52I'm just like that, and that's all.
12:59When I'm lying around the ceiling, I have to open my eyes
13:05and to think about you.
13:08That's so good.
13:10You want to lie around her.
13:15You know what?
13:17I'm going to start.
13:21Ciao.
13:23Ciao.
13:26Lep provod.
13:58Lep provod.
14:24Lep provod.
14:26Lep provod.
14:28Lep provod.
14:30Lep provod.
14:31Lep provod.
14:33Lep provod.
14:35Lep provod.
14:38Lep provod.
14:39Lep provod.
14:41Lep provod.
15:12Lep provod.
15:12Lep provod.
15:12Lep provod.
15:38Lep provod.
15:40Lep provod.
15:41Lep provod.
15:57Lep provod.
16:06Lep provod.
16:08Lep provod.
16:10Lep provod.
16:21Lep provod.
16:24Lep provod.
16:27Lep provod.
16:28Lep provod.
16:31Lep provod.
16:32Lep provod.
16:33Lep provod.
16:39I'm already dead.
16:40I'm gonna go.
16:43Okay, I'm gonna go.
16:45I'm gonna go.
16:47We're gonna go.
16:50We're gonna go.
16:52Do you want me to go?
16:53Do you want me to go?
16:55I want you to go.
16:56I don't want you to go.
16:59It's amazing.
17:04I'm going to go.
17:05You're going to go.
17:08I don't want you to go.
17:10I don't want you to go.
17:11I don't want you to go.
17:13I don't want you to go.
17:14I don't want you to go.
17:28Hey, tell me,
17:31my brother,
17:33who was the first?
17:36What's the first?
17:38The girl on whom you were looking for.
17:50Let's go.
17:57Dragan Kljajić.
18:02601,
18:03a 602.
18:05I was sitting in the window
18:07as I could see
18:09when I was physically
18:10on the floor.
18:12And?
18:13What?
18:16I wrote the book
18:18on three sides.
18:20Her brother found the book
18:22and it took me three days.
18:25four days later.
18:26And the fourth day?
18:28The fourth day.
18:30The fourth day I was on him.
18:33Ah.
18:37That was my first love,
18:40and he,
18:42the first stone.
18:43The same building,
18:46the same building.
18:49the fourth day I was on him.
18:52Ah.
18:54Ah.
18:55Ah.
18:56The second place
18:56except for me
18:57on him,
19:02the fourth day,
19:05the fifth day.
19:08And the second day,
19:10the fifth day of the church.
19:11The fourth day,
19:13the sixth day,
19:14the sixth day,
19:16the sixth day,
19:27I mean, with Angel and God.
19:29Yes, with Angel and God.
19:32Now, when we know the first man,
19:36tell me who was the first crime.
19:41Let's go first.
19:48A motor test, a friend of 13 years old.
19:55What are you, a motor test with 13 years old?
19:59I don't know, I had nothing to remember with her.
20:03But I liked her, you know, when she went out.
20:09And what did you do with her?
20:11I don't know what to do with her.
20:13That's right there.
20:16And you?
20:17And you?
20:18Yeah.
20:21The killing of the trafficking.
20:22Oh, because of the money?
20:25No, because of the image.
20:29World First of the 1994.
20:33I just lost one image.
20:35That Bulgarian Stoichkov.
20:39Stoichkov?
20:40Fede.
20:44Eeeet.
20:45Eeeet, čovečet.
20:47Pet kutija sam ukrao.
20:50Celu noć i cel dan sam otvaro i nisam ga naš.
20:53Pet kutija?
20:54Pet kutija.
20:56Pet kutija.
20:57Ha, ha, ha.
20:59Ha, ha, ha.
20:59Znači, prvi zločin ti je propao?
21:02Aha, ne, ne, ne, ne.
21:04Prvi zločin samo nije propao, nego nije se završio.
21:09Ta sličica me čeka negde.
21:15Eee, sad kad smo se pobratinili,
21:19gdje će mi žao da te roknem kad mi jave, ovi.
21:23Eee.
21:27A što da me rokneš?
21:33Slušaj, sve se završilo.
21:36Napravila sam dogovor sa komarce.
21:38Stvarno.
21:38Bravo.
21:39A kako si tu ispela?
21:41Pa Ivona, imam ja svoje metode.
21:45Dobra, pa šta kaže, jel hoće da ti pomogne ili?
21:48Pa hoće, hoće.
21:49Mislim, ja sam sigurna sada da on neće da ispali.
21:52I to je sigurno.
21:53Aha, a šta je rekao, šta će uraditi?
21:57Dobro, ne mogu sad da te smaram tim detaljima preko telefona.
22:00Samo je bitno da ti nastaviš da ga pritiskaš, razumeš?
22:05Dobro, dogovoram.
22:07A šta ti sad radiš?
22:11Ništa, evo, sala da popijem kafu i tražim neke ponude za posao.
22:16Ja moram nešto naći, Ksenija, što pre.
22:20Pa čoveče, ti bi mogla da budeš moja lična asistentkinja.
22:25A šta podrazumeva taj tvoj posao?
22:31Pa vidiš, da radiš ono što meni treba.
22:35Mhm, i to podrazumeva da ja tebi tražim prajere, a nešto mi se čini, Ksenija, da se tebi ne dopada
22:43toliko moj ukusi.
22:45Uuu, da, da, da, da, u stvari u praguci. Moram da idem, čeka me.
22:49Znam, znam, sve znam. Čeka, tebe neki zgodni frajer sa Instagram. E, svakako mi javlja šta je bilo vaši.
22:55Čao.
22:56Čao.
22:57Gospodine Pajak, nikako da vas pitam, šta je bilo sa biznis klubom?
23:01A, ništa to mesto više ne radi i to je to.
23:04Pa, zašto?
23:06Pa, zato što je bio neki skandal, nešto se desilo i vlasnici su odustali.
23:11Ja, stvarno, Grota, to je bio jedan vansirijski klub. A, jel znate razlog?
23:16Znam, jedan gost je upao u komu, bila je neka šorka, pobili su se i vlasnicima se smučilo. Sve tako
23:23da ne radi. Izvini.
23:24Ja, a stvarno, Grota, ali, mislim, znate kako ljudi se rađaju, umiru, sve je to normalno.
23:31Mislim, šta sad, treba ceo sve da stane zato što je neki gost tamo umro.
23:35Nije umro. U kom je. Slušaš ta pričam. Izvini, molim te za sve.
23:38Pa, pa, dobro, ali, mislim, to je stvarno bio jedan, jedan takav klub sa, sa duhom koji se stvarno više
23:46neće.
23:46Neće se ponoviti. Jeste, neće se ponoviti, šta ćete da se ponovi, neće, izvinite sada.
23:56Koji si ti, udav!
24:17A što se čudiš? Nemoj da mi kažeš da ti nije bilo jasno do sada.
24:23A šta to?
24:24Pa to, da ako mi jave, moram da te se otarasim.
24:29A ko da ti javi?
24:30A ko, ko javlja, javlja. Ni tebi nisu rekli nikad ko.
24:35A što mi jatačiš kad je tako?
24:38A eto, tako nam je lakše. Ne bi valjalo sada te jurt samo po gradu, znaš.
24:44A ta, ako si ođe sa mnom tu, spavaš, jedeš, piješ, tladiš se na pse.
24:51Svi srećni.
25:01Ajde, šta je? Šta si sad zanemeo? Šta si se... Šta ti je?
25:05Ko da nisi znao? Ajde, nije si ti toliko glup?
25:10Nisam.
25:11Palo mi je to na pamet. Jel?
25:14A kad?
25:16Kad si me prvi put pomodio dušekom.
25:21Vidiš, pametan si ti.
25:24Da, da. Pa i ja sam tako isto uklenjam naše saradnike koji nisu podobni kad mi narede.
25:34Isto kao i ti.
25:36E to vidiš. Sve znaš. Kako kaže Michael Corleone, ništa lično.
25:42To ne je rekao Majklu, to je rekao Vito Corleone.
25:45A nijesi znao ko je Boško Radonjić, a ovde mi spravljaš oko nekih filmskih likova. Daj.
25:52Nijesi ozbiljan čovjek.
25:54Boško Radonjić nije filmski čovjek. Nijesi čovjek iz filma.
25:58Pa nije. A trebalo bi. Jer je bolje od Corleonea.
26:03Pa ne može da bude bolje. Ovo je izmišljen.
26:05A isto tako, ovaj nijemo svog stanodavca pred sebe da ga rokne dok spava.
26:13A ko mi jave? A možda i ne jave?
26:17Pa, ljudi se predomisle šta.
26:19Da, da. Ako ti jave.
26:25A ti veži do tada konja da ti gazda gaši.
26:29Aaaa.
26:31Vidiš kako pamtiš to što sam ti rekao.
26:34Pamtim, pamtim.
26:36Pamtim ja i sličice, pamtim ja i dušek.
26:41Sa šta ja pamtim?
26:44Ništa idem da spavam.
26:46Gde?
26:47Gde se? Ostalo nam je po flaše.
26:51Ostalo i po noći. Moram da se odmorim.
26:55Čekaj, čekaj. Ja sad idem da šoram.
26:59A onda ćemo da završimo flašu.
27:02A ti nemoj slučajno da si legal.
27:17Gde se? Ostalo nam je po flašu.
27:26Čekaj, čekaj.
27:27Kajaj, čekaj.
27:30Pa, čekaj.
27:31Tako što sam však.
27:31Hvalšina na svijetu.
27:31Čekaj, čekaj.
27:34Ostalo nam je pa, čekaj.
27:34Čekaj, čekaj.
27:35Čekaj, čekaj.
27:35Čekaj, čekaj, čekaj.
27:40Čekaj, čekaj.