- 2 gün önce
öğretmenlikten atılmış ve üç arkadaşıyla birlikte demiryolu işçisi olarak yaşamını sürdürmektedir. İstasyon şefi Necmi'nin kızı Gülsüm'le bir ilişkisi vardır. Ancak Gülsüm hayatı pek ciddiye almayan, daha rahat ve uçarı bir karakterdir. Ferhat bir kaza geçirip hastaneye kaldırılınca olaylar ve ilişkileri farklı bir yöne sürüklenir
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YaratıcılıkDöküm
00:00:17Thank you for watching.
00:00:44Thank you for watching.
00:01:25Thank you for watching.
00:01:37Thank you for watching.
00:02:08Thank you for watching.
00:02:37Thank you for watching.
00:03:06Thank you for watching.
00:03:24Thank you for watching.
00:03:38It's the ants' turn to do the job.
00:03:39What happened to your team again? You've turned us into buckets!
00:03:41No, brother Halil.
00:03:42The referee was being unfair.
00:03:44Otherwise, when you say Payas Spor, you'll stop right there.
00:03:47We have the best players in this region, but...
00:03:49Give me a ticket.
00:03:50Damn, every month you collect money from us under the guise of helping Payas Sports.
00:03:54Uh...
00:03:54Please, for once, make us smile.
00:03:56Okay, bro.
00:03:57You should see our team this season.
00:03:59It's going to be a real pain, I swear.
00:04:01If we don't get promoted to the second league, come and spit in my face.
00:04:05Hi.
00:04:06Allah.
00:04:07Look at that woman!
00:04:08Hi.
00:04:09I swear I'm dishonorable.
00:04:10They should make a movie with that woman of mine.
00:04:12I would give ten years of my life.
00:04:14Oh, oh, damn it!
00:04:23Dad ran out of gas right in the middle of dinner.
00:04:26Gosh.
00:04:28Why didn't you say this earlier, my daughter?
00:04:29How would I know?
00:04:31What are we going to do now?
00:04:33How do we get to the town?
00:04:35You've done something shameful, Father Necmi.
00:04:36I'll grab it and be there in ten minutes.
00:04:39That would be a hardship for you now, Mr. Recai, my son.
00:04:42What kind of trouble is this, Father Necmi?
00:04:43As you wish.
00:04:44Anyway, I'll just wait here doing nothing for my delayed mail bag on the train.
00:04:50I'll be useful.
00:04:56Honestly, that's unfair to that child.
00:04:58No way.
00:04:59He does this job willingly.
00:05:01I'll clean the garden, quietly.
00:05:03Can you help me?
00:05:12Let me be a doormat for you, madam.
00:05:14My little bird, my sweetie pie.
00:05:15My little bird, my sweetie pie.
00:05:15Are these all yours, little one?
00:05:41Okay, Dad Necmi, the way is clear.
00:05:44Thank you, I'll let you know right away.
00:05:46Ah, Celal, they sent it to you by mail.
00:05:52Come here, my friend, first let me show you where you'll sleep, then you can get your work clothes.
00:06:16Come.
00:06:23Hi, you sniffle!
00:06:27Hello!
00:06:32Is this new?
00:06:33Uh huh.
00:06:33You are taking his own life.
00:06:36Oh!
00:06:41Oh!
00:06:45This is where we're staying.
00:06:52Why does it say "Ant Troop" there?
00:06:55That sign had been there for years.
00:06:57Ceral Çavuş is the oldest among us here.
00:07:00Even he doesn't know when it was written.
00:07:03Amazing.
00:07:04We also have a Turk with that name, Yılcılı.
00:07:06What is it?
00:07:08Let's go inside.
00:07:09Give me your father.
00:07:27Attention, attention!
00:07:28The much-anticipated Eastern Express is about to arrive at our station.
00:07:31It is announced.
00:07:34Yes, your tube is ready.
00:07:36Here you go, my little nightingale.
00:07:39Oh, that was a lot of trouble!
00:07:43Thank you.
00:07:44Don't say thank you for everything every time, girl.
00:07:46I'm so embarrassed.
00:07:48What the hell is a nightingale?
00:07:49Your face is sour again.
00:07:52Don't bother with him, Recai.
00:07:54I'm not dealing with him.
00:07:55He's messing with me.
00:07:58Ah, the train has arrived.
00:08:00Okay, goodbye for now.
00:08:26Come on, man.
00:08:27Pay attention.
00:08:29Okay. You can leave too.
00:08:32Very good.
00:08:57Ok.
00:09:03That's what I taught him, the saying "right hand."
00:09:05Our song is about brother Ferhat.
00:09:07It's a very beautiful folk song.
00:09:08Whoever found it, found it well.
00:09:10Because we too...
00:09:11...working like ants...
00:09:13...we are nephews as small as ants.
00:09:23...girl.
00:09:25Thank you. Great job, my dear.
00:09:27Enjoy your meal, Dad.
00:09:30You should get a piece of Silent (Suskun) too.
00:09:33Okay, fine, whatever you want?
00:09:35I'll make you a coffee then.
00:09:37Uh huh.
00:09:44Gülsün was ten years old when her mother died.
00:09:47I've been taking care of her until today, Silent.
00:09:51I loved her mother.
00:09:52Well, it's not easy.
00:09:54I shared the same pillow with him for eleven years.
00:09:59I felt very lonely after he died.
00:10:01People get used to everything, Suskun.
00:10:08Even a stone couldn't withstand the pain that humans endure.
00:10:14I'm almost retired now.
00:10:17Now...
00:10:18...I have only one request...
00:10:20...to see my daughter get married in a wedding dress and see her fulfill her desires.
00:10:23Even if I die after this, I swear I won't grieve.
00:10:35...Silent.
00:10:36I can never get enough of your conversation, Suskun.
00:10:46Hey, who are you, Silent One?
00:10:49What are you?
00:10:51What are you?
00:10:52We know nothing.
00:10:55One day you got off the train, and that was the end of it.
00:10:58You dropped anchor.
00:10:59You stayed here.
00:11:00From where?
00:11:16You stayed here.
00:11:18You stayed here.
00:11:21You stayed here.
00:11:25You stayed here.
00:11:35Anyway...
00:11:36...whatever your origin and reason may be, that's fine.
00:11:38Now that you're here.
00:11:39That's what's important.
00:11:42Cheers!
00:11:49I became Gülsüm's best friend up here in the mountains.
00:11:51That's good, that's good.
00:12:10Does Sergeant Keral always drink like this?
00:12:12No interior.
00:12:14Too bad.
00:12:16There is certainly a lament.
00:12:18He never told me, though...
00:12:21...It's clearly a big problem.
00:12:23It makes you drink it with the taste of sorrow.
00:12:25Like that.
00:12:27People drink when they're troubled, and they become more troubled when they drink.
00:12:31And so it goes on and on.
00:12:33Oh come on, forget about it.
00:12:35Ali in our village had one too.
00:12:37He used to say...
00:12:38...Leave the people alone...
00:12:39...Let them live as they wish.
00:12:41That's right, of course.
00:12:42It's a good thing for people to live as they wish.
00:12:46Beautiful, but...
00:12:47...So that he can use it correctly...
00:12:49...This place should be full of people.
00:12:51If this place isn't full...
00:12:53...lives amidst the burns.
00:12:54I've spent my whole life in train stations.
00:12:57Even in my dreams now...
00:13:00...I see rays.
00:13:01I see a train.
00:13:03Sometimes...
00:13:05...I see your mother, Gülsüm.
00:13:07But...
00:13:08...he was on the train too...
00:13:10...I see him sitting in the compartment.
00:13:15Come on, let me put you to bed, Dad.
00:13:18Okay, my daughter.
00:13:29I'll be right there.
00:13:46Silent.
00:13:47Give me a cigarette now.
00:14:02What's this?
00:14:09But it's not my birthday today.
00:14:18...A lot of cigarettes now.
00:14:19That's a lot of cigarettes now.
00:14:30Now...
00:14:31...a lot of cigarettes...
00:14:37...a lot of cigarettes.
00:14:40Yes.
00:14:40Let's go in without you.
00:14:40We saw you in town last time, didn't we?
00:14:44Thank you again.
00:14:45I'll take this to Aunt Hayriye tomorrow to have it sewn.
00:14:48What?
00:14:50Will you be choosing the model yourself?
00:14:52Okay, sure. Alright.
00:15:01Okay, goodbye girl.
00:15:02Bye.
00:15:13There was a breakdown at the twenty-fifth kilometer.
00:15:16Basically, don't forget to get the rail hooks, okay?
00:15:18Come on.
00:15:19Ok.
00:15:37Oh.
00:15:40Come on.
00:15:46Good morning, Halil abi.
00:15:47Good morning.
00:15:48Here you go, your bread and newspaper.
00:15:51Thank you.
00:15:52Is Hayriye sister home today?
00:15:53At home, of course, where else would it be?
00:15:55Why did you ask?
00:15:56I have some fabric and I was going to get it sewn.
00:15:59Go ahead, of course go.
00:16:00Home all day.
00:16:01Version.
00:16:04Good morning.
00:16:05Good morning, Sergeant Celal.
00:16:07What's wrong?
00:16:07The breakdown at the twenty-fifth kilometer was significant.
00:16:09May God make it easy for you.
00:16:10Thank.
00:16:12Silent.
00:16:12Sister Hayri was at home.
00:16:13We can go in the afternoon, okay?
00:16:20Hey kid.
00:16:22Masallah.
00:16:23Ram.
00:16:23Coach, man.
00:16:26Look at that figure!
00:16:28He's five times better than the best artist.
00:16:30Let me take your sidewalk so you can trample me, baby.
00:16:32If Recai hears about this, he'll kill you.
00:16:34Heh.
00:16:35As if Recai cared at all.
00:16:37This guy is messing with me, seriously.
00:16:43There you go.
00:16:44A good man always keeps his word.
00:16:46Look at that nice guy.
00:16:51My dear daughter-in-law.
00:16:52There's only one in town.
00:17:11Oh, Gülsüm, welcome!
00:17:13Thank you.
00:17:14Sit down.
00:17:15Oh, and my older sister arrived quite quiet.
00:17:17Oh, why is that?
00:17:18She will choose my model.
00:17:21May they love the moon's fashion designer.
00:17:23Let him come and sit down in the room.
00:17:24Come on.
00:17:29Girl, you wouldn't come unless you had a really bad reason to.
00:17:32Doesn't a person even bother to call and ask?
00:17:33Don't say that, dear sister.
00:17:35Is there ever a time when the job is finished?
00:17:36You know, I'm responsible for all the housework.
00:17:39Let's see how that goes.
00:17:40I'll put some tea on the stove.
00:17:42Don't bother, dear sister.
00:17:44Don't look at the girl.
00:17:45What a hassle that was.
00:17:46Much.
00:17:48Look, he's quiet.
00:17:49Is there a model you like among them?
00:17:56Wow, your fashion designer is quick!
00:17:57He started working immediately.
00:17:59What's your father like, girl?
00:18:00Is that good?
00:18:00It's just like you always know, big sister.
00:18:02He works until evening and gets tired.
00:18:04He's relaxing at the locksmith's table in the evening.
00:18:06That much alcohol is no good for that old man.
00:18:08Allah bless.
00:18:09I say the same thing, but who listens, sister?
00:18:12He just says, "Let the horse die from eating too much barley," and nothing else.
00:18:15Well, that's up to him.
00:18:17Let me see the fabric.
00:18:24What a beautiful fabric this is.
00:18:26Where did you find this?
00:18:27The gift of silence.
00:18:30That girl understands fashion, she really knows what she's doing.
00:18:36Oh, so you liked that one?
00:18:41Yes, that's great.
00:18:43Let me take a look at it too, girl.
00:18:44Take it.
00:18:49What on earth is your education that makes you so quiet?
00:18:52I don't know, sister, it doesn't tell me anything.
00:18:57Oh, I'm so glad I'm healthy.
00:18:59What is this lunatic doing here?
00:19:08He probably came to pick us up.
00:19:10He'll take you to the station.
00:19:12Look, you're giving this crazy guy too much leeway, I think.
00:19:15Uh huh.
00:19:16You're a little quiet too.
00:19:17Why would I even bother with him?
00:19:19My father told him to go and get ours.
00:19:23Let's see how that goes.
00:19:24Here you go.
00:19:26You could have at least had some tea.
00:19:27Thank you, Hayriye sister.
00:19:29Next time, God willing.
00:19:30I have my measurements.
00:19:31Come to rehearsal next week.
00:19:33Okay, dear sister.
00:19:34Goodbye.
00:19:35Bye.
00:19:37Fashion designer.
00:19:38There's something about you that I can't quite figure out.
00:20:35Thank you for watching.
00:21:58Ferhat, if you have anything that needs washing, give it to me and I'll wash it for you.
00:22:00Thanks, I'll wash it.
00:22:03It's up to you, brother.
00:22:05Where is Temel?
00:22:07He went down to the town.
00:22:08I will stay for dinner.
00:22:10Sergeant Celal?
00:22:11He's filming inside.
00:22:19Hi.
00:22:21Hi.
00:22:41Not to interfere, but aren't you drinking too much?
00:22:46You're already involved.
00:22:47We don't live here alone.
00:22:50We are all responsible for each other.
00:22:52A misfortune that befalls one of us affects us all.
00:22:54Impressive.
00:22:56We are people who share the same things.
00:23:00Nevermind.
00:23:01Giving up doesn't solve anything, Sergeant Celal.
00:23:04I think you shouldn't give up on anything.
00:23:06Look.
00:23:07What did you do before this?
00:23:10Nevermind.
00:23:18Laundry beauty.
00:23:18What's up, laundry beauty?
00:23:20Where have you been? We were starving!
00:23:22Now I'm going to make you a dish so delicious it will bring you back to life.
00:23:27Let me help you too.
00:23:28Help me cook the meal all by myself.
00:23:30Eyvon, we're doomed.
00:23:31It would be good if we didn't get poisoned.
00:23:32Hmph.
00:23:33Don't meddle in men's affairs with your own hands.
00:23:36Laundry beauty.
00:23:38Hmph.
00:23:38Hmph.
00:23:49Hello.
00:23:51Hello.
00:23:55Yes, you said sprinkle it on paper.
00:23:57Take it.
00:23:58Thank.
00:23:59Are you determined to cook the meal all by yourself?
00:24:00Yes.
00:24:01You sit down and write your letter.
00:24:11If you'd like to write too, I can give you some paper.
00:24:13There are too many.
00:24:15I have no one to write letters to.
00:24:23Yours are ready, Sergeant Celal.
00:24:25Thank.
00:24:30By God, even a woman couldn't have washed me cleaner than this.
00:24:42Thing...
00:24:42Sergeant Celal.
00:24:44Hmph.
00:24:45Speaking of women, that reminds me...
00:24:47What came?
00:24:48So there you go.
00:24:49So there you go.
00:24:51Crazy boy.
00:24:52Your hands are busy, but your eyes are wandering, huh?
00:24:54Am I wrong, sergeant?
00:24:56How much time has passed?
00:24:57Hmph.
00:25:11The lion, who will get better, has come to the doctor's door.
00:25:14The experts have arrived.
00:25:15Hello ants.
00:25:17Your letters have arrived.
00:25:19Do I have one?
00:25:19Not for you this time.
00:25:20It has a foundation.
00:25:22And what was the name of that person who came along?
00:25:23Ferhat.
00:25:24Ah, there is one for that.
00:25:28Your letters.
00:25:30Wow wow wow.
00:25:33What are these things?
00:25:34Is this what you're managing with?
00:25:36Ha ha.
00:25:37Thing...
00:25:37Recai...
00:25:38Now, what am I going to tell you?
00:25:39You understand these things.
00:25:42Just tell me, brother.
00:25:42Come outside and listen to what I have to say.
00:25:43Okay, tell me, I'm coming right now.
00:26:18Shhh.
00:26:21Welcome, Dad.
00:26:23Thank you, my daughter.
00:26:28Watch your eyes. Turn off that tape. My head is already spinning.
00:26:34I'll set the table now, Dad.
00:26:36I won't eat it.
00:26:37Oh, why?
00:26:39I don't feel well at all. My heart is pounding.
00:26:42I'm going to bed right away.
00:26:43Okay Dad, I'll make the bed.
00:27:03Your bed is ready, daddy.
00:27:05Thank.
00:27:06I feel so bad that I don't even want a drink tonight.
00:37:56Simple M.K.
00:37:57Oh, I've arrived, Mr. Recae, my son, hello.
00:37:59Hello, Dad Necim.
00:38:00How are you?
00:38:01As always.
00:38:02Let them open the sack and find the letter bag...
00:38:05...Take it away.
00:38:06What's up, Halil abi?
00:38:08How's Payas Sports?
00:38:11We took five pictures yesterday, Dad.
00:38:13The children were like lightning.
00:38:15Isn't that right, Brother Halil?
00:38:19It was true, I swear to God...
00:38:20...Our donations were well-deserved.
00:38:22That's better!
00:38:24Now give me our mailbag too...
00:38:26I'm leaving.
00:38:33Hi.
00:38:34Hello.
00:38:35Dad, please let's go to the movies tonight.
00:38:38There's a really great movie.
00:38:40Moreover, this will be his last performance tonight.
00:38:42My dear daughter, does she look like she's in a state to go to the cinema?
00:38:45Please, for God's sake, stop.
00:38:46But I really want to, Dad.
00:38:48Gosh.
00:38:49We're going with Hayriye tonight, Necmi father.
00:38:53Hayriye also insisted that we go.
00:38:56If you'd like, we can take Gülsüm with us.
00:38:58May God bless you, okay, you can go with your brother Halli.
00:39:00Cihan, my dear father, thank you.
00:39:03Come on then, Mr. Recai, the artist.
00:39:06Drop your signature here and get your bag.
00:39:07Let's throw it away, bro.
00:39:13Come on.
00:39:14Ah.
00:39:16Come on, let's go.
00:39:17Forget the chatter, it's all about the basics.
00:39:18Put all your strength into your wrist.
00:39:21Come on Adanaspor, let's push forward!
00:39:23You'll get a horse.
00:39:25Not at all, sir.
00:39:26Here you go.
00:39:26I was going to ask about Ferhat.
00:39:27Where is it?
00:39:28Ferhat?
00:39:29Yes.
00:39:30I'm his friend too.
00:39:31Ah.
00:39:32Ferhat.
00:39:33Sir.
00:39:34Look, someone wants you.
00:39:37Ahmet.
00:39:38Yes, indeed.
00:39:39Welcome.
00:39:40Thank you.
00:39:41You came as soon as you received my letter.
00:39:44Welcome.
00:39:45Sergeant Celal.
00:39:46This is Ahmet, my fellow townsman.
00:39:48Welcome.
00:39:48Thank you.
00:39:50This is fundamental.
00:39:51Hello.
00:39:52Welcome, my plane.
00:39:53Sorry.
00:39:54Our opinion is assertive.
00:39:56The other wrestler is Nuri.
00:39:58Welcome, brother.
00:39:59Thank you.
00:39:59Let me make him kiss my hand on the ground, then we'll talk.
00:40:01Of course, of course.
00:40:02I'll let you kiss me.
00:40:02Of course, you focus on your wrestling.
00:40:04Look ahead, look ahead.
00:40:05Come on.
00:40:08Keep up the good work, Nuri.
00:40:10Hang in there, Temel, hang in there!
00:40:12My lion!
00:40:13I'll stick it on.
00:40:13Let's go.
00:40:14You need to make a decision, Sergeant Celal.
00:40:15Which side?
00:40:16My damn things.
00:40:17From my side, of course.
00:40:18No way.
00:40:22What happened?
00:40:23What will happen?
00:40:24Let's hang in there.
00:40:25Come on.
00:40:31Goodbye.
00:40:32We're talking.
00:40:33Where are you going so fast?
00:40:34I need to go back immediately.
00:40:37Okay, goodbye.
00:40:38Bye.
00:40:38Bye.
00:40:39We won't count this, brother.
00:40:40We'll be waiting for you again.
00:40:41Look ahead, Adanalı.
00:40:43Come on.
00:40:44We're talking to him.
00:40:45Give it to him.
00:40:47I'll send more later.
00:40:48Have a safe journey.
00:40:50Thank.
00:40:51Goodbye.
00:40:52Bye.
00:40:53Don't worry, I can take you even with my eyes closed.
00:40:55Don't forget me, my love, don't forget me.
00:41:00Don't forget me.
00:41:02Don't forget me.
00:41:05Don't forget me.
00:41:15Fire immediately!
00:41:16Throw your weapons!
00:41:19Surrender!
00:41:20We surrender!
00:41:48Translation and Subtitles by M.K.
00:42:16Translation and Subtitles by M.K.
00:42:21Goodnight.
00:42:22Goodnight.
00:42:23Goodbye.
00:42:23Goodbye.
00:42:25Goodbye.
00:42:48Goodbye.
00:42:57Goodbye.
00:43:00Goodbye.
00:43:01Goodbye.
00:43:18Goodbye.
00:43:29Goodbye.
00:43:32Goodbye.
00:43:33Goodbye.
00:43:43Goodbye.
00:43:58Goodbye.
00:44:09Goodbye.
00:44:33Goodbye.
00:44:48Goodbye.
00:44:52Goodbye.
00:44:56Goodbye.
00:45:00Goodbye.
00:45:21Goodbye.
00:45:48Goodbye.
00:45:58Goodbye.
00:46:16Goodbye.
00:46:47Hello
00:46:49Yes
00:46:51Yes
00:46:53Or
00:46:55Well, son.
00:46:57Goodnight
00:47:01Oh my God, it's raining too!
00:47:04What happened, Dad?
00:47:06The rail broke at the 159th kilometer.
00:47:09They want our people to go and fix it.
00:47:12Or
00:47:14I'll go and inform Sergeant Celal.
00:47:16You are sick, father.
00:47:17Good
00:47:29What's wrong, Gülsüm?
00:47:30My father received a phone call.
00:47:31The rail broke at the 159th kilometer.
00:47:33You need to fix it immediately.
00:47:35Come on, if you want, I can wake the others up.
00:47:37Thank you, I'll go now, my father is home alone.
00:47:39Goodbye and take care.
00:47:40Is it ok?
00:47:41Bye
00:47:42Is it ok?
00:48:10Bye
00:48:24Hello
00:48:26Yes
00:48:27Let me call her in a minute.
00:48:29Father
00:48:30Daddy
00:48:32What is it, my dear?
00:48:34They're calling you on the phone.
00:48:41Sir?
00:48:43Yes.
00:48:44Yes.
00:48:46Ugh.
00:48:48But how am I going to tell them now?
00:48:54Okay, okay son.
00:48:56I'll try to do something.
00:49:00Give it to him, Ali.
00:49:01What happened, Daddy?
00:49:03They couldn't inform the train that the tracks had broken.
00:49:06That's why we're heading towards where the problem is.
00:49:08Oh no! So?
00:49:10We need to inform our people about this.
00:49:13Either they'll act quickly.
00:49:15Or?
00:49:17Or...
00:49:18Or...
00:49:19They'll stray from the path and just sit and wait to see what happens.
00:49:23But they need to be informed.
00:49:25Yes, but how?
00:49:27Something comes to my mind, though.
00:49:29What?
00:49:30Hush, take this with me.
00:49:33What do you say?
00:49:35Yes.
00:49:36There seems to be no other option.
00:49:38Come on, girl, hurry up!
00:49:47Subscribe.
00:49:48Subscribe.
00:49:48Hurry up, Çiler!
00:49:52Subscribe!
00:49:53Hurry up, Çiler!
00:49:54What's going on with this migration?
00:49:55They couldn't signal the brakes; clear the way immediately.
00:49:58Are you crazy?
00:49:59They have something else, something else.
00:49:59Here it comes!
00:50:00Come on, wake up quickly.
00:50:03Move aside, let me tighten these screws!
00:50:06Move aside, let me tighten these screws!
00:50:08Move aside, let me tighten these screws!
00:50:11Karat, think about yourself!
00:50:13Are you crazy? Think about the people inside the train!
00:50:16Get out of the way!
00:50:17Come on, my dear!
00:50:21Come on, move aside!
00:50:32Karat!
00:50:33Karat, stop it!
00:50:35Karat!
00:50:38Karat!
00:50:41Karat!
00:50:42Karat!
00:50:44Karat!
00:50:45Karat!
00:50:45Add quickly!
00:51:00Karat!
00:51:06Subtitles by M.R.
00:51:07clips'a
00:51:09Okay, back off.
00:51:13My beautiful God.
00:51:16What are you going to do now?
00:51:21Let's leave him, we need to take him to the doctor.
00:51:23Avoid entry.
00:51:24Get well soon.
00:51:26Jump cheaply.
00:51:27Thank.
00:51:29Good night.
00:51:30Goodnight.
00:51:36Kids, those people on that train owe you a lot.
00:51:40If it weren't for you, there would now be hundreds wounded and dead.
00:51:45Thank you.
00:51:46Let me make you some hot soup.
00:51:48Let me help you.
00:51:50No, no.
00:51:51You sit down and rest, Temel.
00:51:52Silence helps me.
00:51:54Get up.
00:51:58I'm going home too.
00:52:00Perhaps another new phone will arrive.
00:52:02Okay Nezmir.
00:52:04He travels well, he travels well.
00:52:05Daughter, don't be late.
00:52:34Thank you for watching.
00:52:38What are you talking about?
00:52:39I swim like a fish.
00:52:41Look how fast I swim, like a fish.
00:52:44Hey, where did you learn to swim?
00:52:46Is there a sea in Adana?
00:52:48Gee.
00:52:49Did they remove it?
00:52:50What was it in the sea?
00:52:52There is a channel.
00:52:53We didn't learn in saltwater like you did.
00:52:55We learned this in the freshwater of the canal.
00:52:58Saltwater lifts the man up.
00:52:59Freshwater pulls it to the bottom.
00:53:00Let's race on the road.
00:53:02Then the people will see who can swim.
00:53:05Come on.
00:53:06Come on.
00:53:08Ah!
00:53:18Silent!
00:53:19Let's be referees too.
00:53:21What warm and friendly people.
00:53:23Do you know, Ferhat?
00:53:25I don't want to leave at all.
00:53:27We don't want to leave you either.
00:53:30But...
00:53:31But what happened?
00:53:34No.
00:53:35Nothing.
00:53:37Look, Nuriye.
00:53:38How hard is he trying to get past the foundation?
00:53:41Do you know?
00:53:42I don't speak to Recai anymore.
00:53:44Yeah.
00:53:46I ended my friendship with Recai.
00:53:47I also created photo novels.
00:53:50So, tell me about it now.
00:53:52What?
00:53:54Remember how you were going to explain what those book-like phrases meant?
00:53:57Okay, let me explain.
00:54:01I'll throw you out.
00:54:04Leave me alone, let me deal with this.
00:54:06Two years later, it came to light.
00:54:08One is a roller, the other a roller.
00:54:10Leave me alone.
00:54:14The roads of Adana are made of stone.
00:54:24Leave it alone for 45 years.
00:54:37Okay, fine.
00:54:39Okay, okay, it's over, come on, it's over.
00:54:41Okay, go ahead, leave, it's over.
00:54:43Come on, come on.
00:54:45World champion Temel Peylivan.
00:54:48Hey son, you're right, he's also a champion with a score of 100.
00:54:54My plane is taking off.
00:55:02What do you say, Silent?
00:55:04They look great together, don't they?
00:55:17Thank.
00:55:18I have water.
00:55:21Hey Suskun, you're obsessed with this water thing too!
00:55:24You distribute water to everyone.
00:55:26You never leave home without a water bottle when you go somewhere.
00:55:29Why?
00:55:55What's wrong, what happened, Suskun?
00:55:57What's wrong, what happened, Suskun?
00:55:59Hmph.
00:56:01Hmph.
00:56:04But that's not what he says.
00:56:05He says don't give up on anything.
00:56:08We are all responsible for each other, we are brothers and sisters, he says.
00:56:12Hmph.
00:56:13Hmph.
00:56:14What will you become?
00:56:16Hmph.
00:56:17Oh God.
00:56:17Get lost!
00:56:19Hmph.
00:56:19Hmph.
00:56:21Hmph.
00:56:22Hey, okay, that's it now.
00:56:24Hmph.
00:56:25Hold on, let's go to the channel.
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01:01:09They'll stay bad.
01:01:10Please come in.
01:01:11Come on, let's get this horse for my milk.
01:01:17Hey, look over there, they've added us to their list.
01:01:20Us?
01:01:21How?
01:01:21From where?
01:01:22Listen.
01:01:23Four workers saved the lives of passengers on the Orient Express.
01:01:28The rail that came loose on the Adana-İskenderun line,
01:01:30Repairing the damage at the cost of lives lost just before the Eastern Express passed by.
01:01:34The workers named Ferhat Özer, Celal Sıla, Nuri Tan and Temel Özdeniz
01:01:39The General Directorate will pay a bonus.
01:01:41Wow, so our guy was in the newspapers, huh?
01:01:44Well, that's great news, they're going to give out bonuses too!
01:01:52When did this news come out?
01:01:55Four days ago.
01:01:57Four days ago?
01:02:02What happened to it?
01:02:03I don't know.
01:02:04But how did the newspaper find out about it?
01:02:07Huh?
01:02:09Or...
01:02:10My father reported it to the general management.
01:02:12They must have given it to the newspapers as well.
01:02:15Thank goodness you're alive, Neşim dad.
01:02:17How much of a bonus will they give, I wonder?
01:02:19My father says it's up to the discretion of the general management.
01:02:22But it must be a considerable amount of money.
01:02:35What happened, Temel?
01:02:36What's wrong?
01:02:38Nothing.
01:02:40I understand
01:02:41You don't want to talk about it.
01:02:42But problems are shared when you talk about them.
01:02:45It decreases.
01:02:46Thank.
01:02:47I have no worries.
01:02:49Ok.
01:02:50Then don't stand like that.
01:02:51Whatever your problem is.
01:02:52It's not the end of the world, is it?
01:02:57Thank you.
01:02:58You've put me at ease.
01:03:00Here you go.
01:03:01Come on, get up.
01:03:03Come on, get up.
01:03:39It's not the end of the world, is it?
01:03:41It's not the end of the world, is it?
01:03:51Father!
01:03:52Mustafa!
01:03:59Oh you sons of the cruel Omar!
01:04:01If I leave Erim's revenge on you, then don't call me Tonyal Ali.
01:04:07Take good care of me, Temel.
01:04:09Take good care of your father's dead body.
01:04:11Never forget this.
01:04:14Here's Temel.
01:04:16This is how you will avenge your father.
01:04:19Just wait until you grow up a little more.
01:04:20May his son grow up so that his pain will also be great.
01:04:23Mom, I can't kill anyone.
01:04:25What do you mean you can't kill me?
01:04:27Aren't you a man?
01:04:30Are you going to leave your father's blood unavenged?
01:04:32Damn your manhood.
01:04:34Is this how I taught you?
01:04:36If you get married, he'll take your wife away from you tomorrow too.
01:04:39You can't even protect that.
01:05:17Thank you for watching.
01:05:57Thank you for watching.
01:06:27Thank you for watching.
01:06:50Thank you for watching.
01:07:20Thank you for watching.
01:07:30I brought your letters.
01:07:32For some reason, the artist never visits Reca.
01:07:35My condolences.
01:07:48A letter Temel sent to his mother.
01:07:50He's back.
01:07:55Her deceased mother.
01:08:08My dearest mother, I am very comfortable here.
01:08:11Don't be sad.
01:08:12I am among friends who love and are loved by me.
01:08:17But after everything we've been through, I hope you understand now how terrible blood feuds are.
01:08:24Don't give my address to anyone.
01:08:26Or don't let it slip.
01:08:28I haven't even told my friends here about the situation.
01:08:31What do they say?
01:08:32The ground has ears.
01:08:33I only have one friend here named Nuri.
01:08:36He's the only one who knows the situation.
01:08:39Because he's in the same situation as me.
01:08:41His father shot someone.
01:08:42On the other side, they wanted to shoot Nuri, the only male in the family.
01:08:53The intermediaries got involved.
01:08:55Ultimately, the matter came down to blood money.
01:08:57Little Nuri is also working hard, saving every penny he can while living abroad, to earn that money.
01:09:03And she doesn't tell anyone else about it either.
01:09:06If I had a lot of money, I would give it to Nuri without hesitation.
01:09:10Only those who have experienced the fear of death can understand it.
01:09:26Take it.
01:09:28Go ahead and object.
01:09:30Brother Al Nuri.
01:09:31Take this.
01:09:33And in this way, he too will rest in peace in his grave.
01:09:37The important thing is to save lives, not to kill.
01:09:41Love also sustains existence.
01:09:43Especially the ants.
01:09:46If there is no love and unity among ants...
01:09:50They get trampled under the elephants' feet.
01:09:56Thank.
01:10:00Thank.
01:10:07Don't go to bed, artist.
01:10:10I swear I'm dishonorable.
01:10:11I finished work that night after the movie.
01:10:14I ate the cream off the top of the design column, man.
01:10:16That's just how it is.
01:10:18Why don't you ever go to the station now?
01:10:21My son.
01:10:22After the first time, it doesn't appeal to me anymore.
01:10:24She begged me to stay, but I'm fed up.
01:10:29Now, just to spite me, she's sleeping with the workers there.
01:10:34No, no.
01:10:35No, no.
01:10:36As if I cared.
01:10:38If you're fed up, we're here, son.
01:10:41Honestly, she's a gorgeous girl, man.
01:10:45The girl is also a scoundrel, the one she's with now.
01:10:48Roadman.
01:10:50If you sort that out, the girl will come around.
01:10:54Let's go to the station and x-ray him.
01:10:57Come on, come on, let's see.
01:10:59Come on, turn on your meter too!
01:11:01Here you go.
01:11:06I used to be very open about it.
01:11:08You wouldn't feel so sorry for Temel.
01:11:10But after I got to know him.
01:11:12That's right, Gülsüm.
01:11:13This is a process of change.
01:11:15The more a person gets to know someone, the more they learn about them, the more their discomfort increases.
01:11:20People who don't know or haven't heard are at ease.
01:11:36I used to be very open about it.
01:11:38You wouldn't feel so sorry for Temel.
01:11:40But after I got to know him.
01:11:43You're right, Gülsüm.
01:11:45The more a person gets to know someone, the more they learn about them, the more their discomfort increases.
01:11:51Look over there.
01:11:52They'll keep you going.
01:11:53My son, there are all sorts of options with that girl.
01:11:55I told you.
01:11:57On land, in the air, and at sea.
01:11:59Recai's car.
01:12:03There are other thugs with him too.
01:12:05Come on, let's go.
01:12:09May those who don't love you die.
01:12:14May those who don't love you die.
01:12:17May those who don't love you die.
01:12:19May those who don't love you die.
01:12:21May those who don't love you die.
01:12:21Let's get out of here.
01:12:23What if?
01:12:25Did you get married, Mire?
01:12:26May those who don't love you die.
01:12:31May those who don't love you die.
01:12:34May those who don't love you die.
01:12:34What's up, girl?
01:12:35Everyone else gets slurping and slurping, but we get slurping and slurping too.
01:12:37Thank God?
01:12:41Come here.
01:12:45Aaaa!
01:12:51Don't run away, mom.
01:12:53Escape.
01:12:55Kidnapping children.
01:12:57Catch.
01:12:57Aaaa!
01:13:07You can't escape anyway, mom.
01:13:19Subtitle.
01:13:20Let's go.
01:13:22Let's go.
01:22:29Speak up!
01:22:31Talk!
01:22:33Talk!
01:22:35Speak up!
01:22:40Let me go! Let me go! What are you doing?
01:22:43I said!
01:22:50Let go, I tell you! You'll suffocate me!
01:22:53Leave!