- il y a 2 semaines
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00:00:00Musique
00:00:30Musique
00:01:00Oh my goodness, get riddled 있고요
00:01:00Get riddled with the other flat side, you idiot
00:01:02Come on, lets go
00:01:04Oh Jesus Christ
00:01:05Come on
00:01:06Oh
00:01:12Good, back in it
00:01:13Back in it
00:01:15That's a good dog
00:01:16Such a good dog
00:23:16Sous-titrage Société Radio-Canada
00:23:45Sous-titrage Société Radio-Canada
00:24:15Sous-titrage Société Radio-Canada
00:24:17Sous-titrage Société Radio-Canada
00:25:27Sous-titrage Société Radio-Canada
00:25:28Sous-titrage Société Radio-Canada
00:25:32...call you dick.
00:25:42Sous-titrage Société Radio-Canada
00:26:09Sous-titrage Société Radio-Canada
00:26:12Sous-titrage Société Radio-Canada
00:26:34Sous-titrage Société Radio-Canada
00:26:37Sous-titrage Société Radio-Canada
00:26:41Sous-titrage Société Radio-Canada
00:26:55Sous-titrage Société Radio-Canada
00:26:57Sous-titrage Société Radio-Canada
00:27:00Sous-titrage Société Radio-Canada
00:27:26Sous-titrage Société Radio-Canada
00:27:28Sous-titrage Société Radio-Canada
00:27:43Sous-titrage Société Radio-Canada
00:27:50Sous-titrage Société Radio-Canada
00:27:52Sous-titrage Société Radio-Canada
00:27:57Sous-titrage Société Radio-Canada
00:28:15Sous-titrage Société Radio-Canada
00:28:17Sous-titrage Société Radio-Canada
00:28:28Sous-titrage Société Radio-Canada
00:28:34Sous-titrage Société Radio-Canada
00:28:37Sous-titrage Société Radio-Canada
00:28:38Sous-titrage Société Radio-Canada
00:28:39Sous-titrage Société Radio-Canada
00:28:39Sous-titrage Société Radio-Canada
00:28:39Sous-titrage Société Radio-Canada
00:28:39Sous-titrage Société Radio-Canada
00:28:39Sous-titrage Société Radio-Canada
00:28:42Sous-titrage Société Radio-Canada
00:28:43Oh, yes!
00:28:49Oh, yeah.
00:28:50Come on, come on, come on. Move over a little bit.
00:28:52I see a touch of you, babe. Come on.
00:28:54Come on, honey. Come to daddy.
00:28:57That's it. That's better.
00:28:58Oops, not enough.
00:29:00Just get your magi...
00:29:02Oh, come on. Get in the view. Come on.
00:29:04Let me strike a close-up
00:29:07on
00:29:08your magic spot.
00:29:12What are you doing to me?
00:29:16Come on.
00:29:27Yeah, well, I want to
00:29:29go someplace where I can totally be lost.
00:29:32But at the same time,
00:29:33if I wish to escape into some
00:29:35excitement, it's
00:29:37nearby.
00:29:39Oh, I understand, I think.
00:29:42But I want it to be magnificent.
00:29:44First class all the way.
00:29:46Of course.
00:29:47I like the ocean,
00:29:48but
00:29:49it has to be more than that.
00:29:51I want something that
00:29:54oozes love.
00:29:57Oozes?
00:29:58I beg your pardon?
00:30:00Oh, excuse me.
00:30:01Oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:05What do you have in mind?
00:30:07Well, the
00:30:09people in the travel business
00:30:11might call me Mr. T
00:30:12because
00:30:13T stands for travel,
00:30:15of course,
00:30:15so you've come to the right place.
00:30:16What I'm about to show you,
00:30:18young man,
00:30:21is splendor
00:30:22in the sand.
00:30:23Oh!
00:30:25Hold your breath,
00:30:26you'll be screaming for oxygen.
00:30:27This,
00:30:29this is Antigua,
00:30:31the island of beaches.
00:30:35Five years ago,
00:30:36very dear.
00:30:38Well,
00:30:39close,
00:30:40intimate.
00:30:41A friend of mine and I
00:30:43spent five glorious days there.
00:30:45It was magnificent.
00:30:46I'll never forget it.
00:30:47We'd lay on the beach
00:30:48and write love poems
00:30:50to each other
00:30:52and put them in a field.
00:30:55Empty orange juice
00:30:57bundling
00:30:57hiding under this rock.
00:30:59Look,
00:30:59this is the very rock
00:31:01and the nights
00:31:02don't ask.
00:31:04The nights
00:31:05were magical.
00:31:07The wind,
00:31:08the people,
00:31:10the island,
00:31:11the beaches,
00:31:13the love poems.
00:31:15Then when the mood struck us,
00:31:18which was quite often,
00:31:20we would adjourn
00:31:21to our magical suite.
00:31:24Yeah.
00:31:26This
00:31:26is the actual suite
00:31:29just between us.
00:31:32and we did it everywhere.
00:31:34Upstairs,
00:31:35downstairs,
00:31:35in my lady's chamber,
00:31:37so to speak.
00:31:40It was magnificent.
00:31:42I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh,
00:31:48excuse me.
00:31:50Now tell me,
00:31:50will you be traveling alone?
00:31:54No,
00:31:55I'll be traveling
00:31:55with my wife.
00:31:58Do I?
00:32:01Of course.
00:32:01Sorry.
00:32:02No harm done.
00:32:04Now,
00:32:05you want me to write that up?
00:32:08Yeah,
00:32:08sure thing, pal.
00:32:12Like I said,
00:32:12I want a first class
00:32:13all the way.
00:32:14I'll take the beach,
00:32:14I'll take the sand,
00:32:15I'll take the nightlife,
00:32:16but
00:32:16I definitely
00:32:17do not want that alone.
00:32:19Oh.
00:32:22Oh.
00:32:23Oh.
00:32:35Hello.
00:32:36This is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:43I have nothing against you.
00:32:46Please let me go.
00:32:48Not until your act
00:32:49is together,
00:32:50my darling.
00:32:52Okay.
00:32:54You're right,
00:32:54I'm sorry.
00:32:56Let me explain
00:32:57something to you,
00:32:58darling.
00:32:58Okay?
00:32:59I kidnapped you.
00:33:01I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved
00:33:04with this
00:33:04as we speak
00:33:05even here.
00:33:07And I'm not
00:33:08going to let you out
00:33:08until you get
00:33:09your head straight.
00:33:10And that,
00:33:11my love,
00:33:12is quite up to you.
00:33:14Look, Richard.
00:33:16I have nothing
00:33:18against you.
00:33:19Please let me go.
00:33:21Not until you
00:33:23get your act together.
00:33:25I know.
00:33:26You're right,
00:33:27I'm sorry.
00:33:29Not only do I
00:33:30hate women
00:33:31who use foul words,
00:33:33but I hate women
00:33:33who lie.
00:33:35Good night, sweetheart.
00:33:37Oh, no!
00:33:38Richard!
00:33:40Richard!
00:33:41Richard, come back!
00:33:43Oh, please,
00:33:44don't go away.
00:33:46Oh, please,
00:33:47you've got to come back.
00:33:50You've got to talk
00:33:51to me, Richard,
00:33:52please!
00:33:54Oh, God.
00:33:57Oh, God,
00:33:58no, God.
00:34:00Oh, God,
00:34:04Please, Richard.
00:34:07please.
00:34:10Yes, my darling.
00:34:12I can hear you.
00:34:14Isn't it nice
00:34:15to see a friendly face?
00:34:17Look, Richard,
00:34:20I have money.
00:34:22I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want, then?
00:34:30I want you to be
00:34:31a nice little girl.
00:34:33I want you to be nice
00:34:34to the men
00:34:35who support you.
00:34:36I want you to be
00:34:37barefoot and not pregnant.
00:34:39I hate kids.
00:34:42Look,
00:34:44I will do
00:34:45whatever you want.
00:34:49I have got
00:34:50to get out of here.
00:34:51I am going crazy
00:34:53in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:58I want to see you.
00:35:04You can see me?
00:35:08You've been watching me?
00:35:09Just relax, baby.
00:35:13How do I turn off
00:35:14this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:20What is it?
00:35:21Is it a peephole,
00:35:23dick, you prick?
00:35:25Oh, no,
00:35:26not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy
00:35:29is much too clever
00:35:30for that, isn't he?
00:35:31Oh, it's got to be
00:35:32something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it,
00:35:39and I will find it,
00:35:41I am going to
00:35:42smash the shit out of it.
00:35:45Don't even give it
00:35:46a thought, baby.
00:35:46You'll never find it.
00:35:47Never.
00:35:48You bastard.
00:35:50You sick son of a
00:35:51bitch.
00:35:52Who do you think
00:35:52you are, anyway?
00:35:54You listen to me
00:35:55and you pay attention.
00:35:56I'm the guy
00:35:57with the key
00:35:58to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest
00:36:02of the low.
00:36:04You listen to me,
00:36:06Dickie Boy.
00:36:07When I get out of here,
00:36:09you are dead meat.
00:36:14Don't do it.
00:36:15Don't do it.
00:36:15Don't do it.
00:36:16Don't do it.
00:36:19Don't do it.
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:26Fuck you.
00:36:31Good night, sweetheart.
00:36:33Oh, this is just perfect.
00:36:35Oh, what's the matter,
00:36:37Dickie Boy?
00:36:39Reality gets to be
00:36:40too much for you, huh?
00:36:42Reality gets to be
00:36:43a little tough
00:36:44and you can't take it.
00:36:45You gotta turn off
00:36:46the sound, huh, buddy?
00:36:48Well, let me tell you
00:36:49something.
00:36:50I'm still gonna find it.
00:36:52And when I find it,
00:36:54you can watch yourself
00:36:55for the rest
00:36:56of your fucking life.
00:37:18I'm still gonna find it.
00:37:35C'est parti.
00:37:59C'est parti.
00:38:28C'est parti.
00:38:40C'est parti.
00:38:43C'est parti.
00:38:45C'est parti.
00:38:46Je suis venu à la première classe de New York, j'ai trouvé la dernière personne à voir Emmanuel Griffith.
00:38:54Bien.
00:38:55Oui, japonais fille.
00:38:57J'ai travaillé à l'hôtel, m'a aidé à l'hôtel.
00:39:00Ok.
00:39:01Sam, je dois te dire.
00:39:03Je travaille une de la meilleure des agents de detective en cette région.
00:39:07Alors, on va s'arrêter un petit peu et faire un peu plus de business ensemble.
00:39:12Je peux vous avoir ici sur la semaine.
00:39:14Comment est-ce que vous ?
00:39:15Sounds good.
00:39:17She'll be here.
00:39:18Good.
00:39:44Hello?
00:39:47I have no water in here.
00:39:52What's going on?
00:39:55Richard, I have no water.
00:40:03How many ways do I love you?
00:40:09I'm gonna show you.
00:40:11I'm gonna show you now.
00:40:12I'll buy you nice little things and a big diamond ring.
00:40:19Oh, wow.
00:40:22You said that you didn't love me.
00:40:27Honey, I got class and style.
00:40:32I'll make sure we're together with stormy weather, mile after mile after mile.
00:40:41Yeah.
00:40:43How many ways do I love you?
00:40:47Let me tell the world.
00:40:49Let me tell them all.
00:40:52I'll buy you a rainbow.
00:40:55I'll buy you a rainbow.
00:40:56I'll buy you the moon.
00:40:57I'll buy you boats and planes.
00:41:00Horses and trains.
00:41:02I'll buy the size of the hall.
00:41:04Throw in the sleaze and all.
00:41:07You'll be the queen of the ball.
00:41:21The gown is $625.
00:41:24However, if you wish to purchase the undergarments we discussed, I'm sure we can come to some kind
00:41:30of agreement for a discount.
00:41:31Let's say, um, 5%.
00:41:35Well, that sounds okay.
00:41:37I'll tell you what.
00:41:37Why don't, uh, why don't you have her try the brown one?
00:41:41I'm sorry, sir.
00:41:42But we don't model underwear.
00:41:45Why not?
00:41:46Company policy.
00:41:47Who said what company?
00:41:49This company.
00:41:50You in charge of this company?
00:41:51I am.
00:41:52You set forth the rule?
00:41:53I did.
00:41:54Why don't you go and do that?
00:41:56I mean, why is everybody going to spoil my fun?
00:41:59Sir, this is a respectable establishment.
00:42:04Are you suggesting that I'm not respectable?
00:42:09Honey, could you go over and give me the gold dress?
00:42:11I mean, I don't like this at all.
00:42:12I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold.
00:42:16I mean, look at the shimmering of this.
00:42:17I mean, this is beautiful.
00:42:21Well, I'll tell you what.
00:42:22Why don't you throw all this shit in the box and, uh...
00:42:25Oh, let's see.
00:42:28A 10% discount seems, uh, pretty respectable to me.
00:42:33Don't you think?
00:42:34I can't afford it.
00:42:45Oh my god!
00:42:47Phew!
00:42:49Yes.
00:42:52Oh...
00:42:53Oh man!
00:42:56Phew!
00:42:56Sous-titrage Société Radio-Canada
00:43:34Sous-titrage Société Radio-Canada
00:44:04Sous-titrage Société Radio-Canada
00:44:05Sous-titrage Société Radio-Canada
00:44:37I think you'll figure it out.
00:45:07I'm not taking any calls, sweetheart, and I'm going to get some water, all right?
00:45:11Jeez.
00:45:12Please.
00:45:23Sous-titrage Société Radio-Canada
00:45:38I think you'll figure it out.
00:46:06God, you are persistent.
00:46:08Jesus.
00:46:15Honey, these are difficult times for both of us, okay? But I tell you what, I'm going to make it
00:46:21as easy on you as possible. Now all you gotta do to get started again is plug it back in.
00:46:31You better not mess your room up, honey. You're going to be living there for a long time. Also, I've
00:46:37turned the buzzer off so you can save your finger.
00:46:40All you gotta do is come over here. All you gotta do is plug it back in. You want something
00:46:44to drink, plug it back in. You want something to eat, plug it back in. It's that simple. Plug it
00:46:49back in. I wouldn't do that if I were you.
00:46:51That's your only contact with the outside world. That's your only contact with the outside world.
00:47:30Now you see there, sweetheart? You've already started to learn something. Don't bite the hand that feeds you. And don't
00:47:40unplug the TV set.
00:47:43Soon you'll have running water. And tonight, tonight I'm going to fix you a beautiful steak with bernet sauce. God,
00:47:51I love you, Matty. I love you with my heart and soul and I would do anything for you. But
00:47:57please cooperate with me.
00:48:07For some for yourself, darling. It's wonderful. Here's looking at you, baby. It's wonderful. Once you try the steak, it's
00:48:25great. I mean, I'd like to see what you think.
00:48:36It's very good. Later, I'll share the method and the recipe with you as soon as we get to know
00:48:42each other better. The secret is, though, that I use two egg yolks in the sauce at the end. It
00:48:48makes it smoother.
00:48:50It's very smooth. Look, Richard, can we talk? Of course we can. That's what I'm here for.
00:48:59That's good. I wanted to know when I could get out. I mean, when I could be released.
00:49:06That's quite up to you. You know that by now. Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:20Oh, no, no. I can't trust you to go anyplace. No.
00:49:25Oh, yes, you can. I'd behave.
00:49:28I love the word behave. Yes, I do. I mean, when you learn to apply that, it'd be better for
00:49:33both of us.
00:49:34I have learned that. Really, I have.
00:49:36Oh.
00:49:38Well, here, this toast. Okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What'd they call you?
00:50:06By my name.
00:50:09How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:33You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:45Here's looking at you, kid.
00:51:07Oh, I got you back on now.
00:51:10So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a
00:51:17fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:21No, just, just lucky.
00:51:25What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:35I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So, what happened?
00:51:49I found out I was no actress.
00:51:53Then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:11I did nude dancing at a Times Square bar.
00:52:16Well, I mean, uh, how'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:30I got off on guys watching me.
00:52:34It was a turn on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:44Doesn't matter if you're naked or not.
00:52:47It's a turn on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:55Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:04So, so when you're, uh, stark naked in front of those good old boys,
00:53:09I mean, uh, who has the advantage then?
00:53:21Why don't you play me some music?
00:53:27I want to dance for you.
00:53:33I want to dance for you.
00:54:01I'm yours forever.
00:54:13I'm yours forever.
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