- 3 gün önce
Olaylar şöyle gelişiyor: Erol adında, hayatı, işleri ve aşk hayatı tam anlamıyla arap saçına dönmüş, bunalımda bir adam var. Adam o kadar çaresiz ki, ruhsal olarak adeta bir kurtarıcı bekliyor. İşte tam bu sırada, tam 25 yıl önce genç yaşta ölmüş olan annesi Suzan, oğlunun bu içsel çığlığını duyup pat diye öteki dünyadan dünyaya geri ışınlanıyor.
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YaratıcılıkDöküm
00:00:00Erol!
00:00:03Erol!
00:00:07Erol!
00:00:13Erol!
00:00:16Erol!
00:00:25I'm talking about love!
00:00:32Erol!
00:00:34Erol, are you going to open the door?
00:00:40Who's inside?
00:00:41Nobody's here.
00:00:42Are you ill?
00:00:43I am not.
00:00:45I was at a loss for what to do.
00:00:46I was about to call the police, the fire department, everything I could find.
00:00:51Why did you open the door so late when no one was there?
00:00:54Iris, stop talking nonsense.
00:00:56Don't look at me like you've seen ghosts.
00:00:58The ghosts are on your face, is it you?
00:01:00What happened? What's going on?
00:01:01Nothing.
00:01:02More nightmares, more nightmares.
00:01:04Tell me what happened?
00:01:05Nevermind.
00:01:06What did you see?
00:01:08Forget about it right away.
00:01:09I have an appointment for today at six o'clock, you're going.
00:01:11No, I'm not going.
00:01:12The days will eventually come when those who are one will be led away in chains.
00:01:14He's speaking so sweetly again.
00:01:16Then kiss her and make her come.
00:01:21Promise me you won't fall in love with your psychotherapist.
00:01:23I don't think my problem is latent homosexuality.
00:01:26Don't be so sure.
00:01:27The psychotherapist is a beautiful woman.
00:01:28What?
00:01:29Disgrace.
00:01:31What am I going to say to a woman I don't know?
00:01:32How about this one, for example?
00:01:34Dear psychotherapist.
00:01:35I'm a useless, goddamn bastard.
00:01:37My boyfriend is causing me trouble.
00:01:39Could you please help me?
00:01:41Is that okay?
00:01:41I can't make an iris.
00:01:42Erol, stop being a sore loser.
00:01:45It broke again.
00:01:48I need to change this shoemaker.
00:01:51I think you should change your feet.
00:01:54Stop joking, I'm too late.
00:01:56My car is being repaired, could you drop me off at the hotel?
00:02:01You buy your shoes and your cars from the same place, right?
00:02:15Good morning, Ms. Iris.
00:02:17Good morning, Rudif.
00:02:19Why don't you come and we can have a coffee?
00:02:21You can shave too.
00:02:33Erol.
00:02:41Erol.
00:02:46Ms. Iris's spare shoes.
00:02:48Which?
00:02:48Black people.
00:02:51Good morning, Ms. Iris.
00:02:52Everyone arrived.
00:02:53Mr. Samir was asking about you.
00:02:55Is this a press conference?
00:02:57I had completely forgotten.
00:03:03Thank you.
00:03:05From now on, I'll call it Telepete Opera.
00:03:07Thank you.
00:03:08I'm sorry, darling.
00:03:09Nevermind.
00:03:09I also drink coffee at the barber shop.
00:03:12Get a massage too.
00:03:13It's relaxing.
00:03:14I hope.
00:03:25Anyone calling?
00:03:26I left it on your table.
00:03:27The cassettes you requested have arrived.
00:03:29They're picking them up from customs today.
00:03:31Good morning, boss.
00:03:32How are you today?
00:03:35As you can see, I couldn't sleep again.
00:03:38Not sitting alone at home all the time
00:03:40If you drink coffee when you're a pro
00:03:41Of course you can't sleep.
00:03:46It's pointless to even look at Hakan.
00:03:50I met two models last night.
00:03:52One is a peybolu pistachio.
00:03:54You need to disperse it a bit.
00:03:55My situation can't go on like this.
00:03:57Shall we put it on tonight if you want?
00:04:00Don't worry, I won't tell you.
00:04:02Forget me.
00:04:04I'm a hopeless case.
00:04:04What happened with your motorcycle project?
00:04:07Didn't you see it at the door?
00:04:09I didn't notice.
00:04:10Which one was it?
00:04:11It makes it two hundred times bigger.
00:04:13It's as fast as a jet, bless it.
00:04:15Peruvian?
00:04:16Let it be.
00:04:19I prefer that.
00:04:21Hakan is single.
00:04:22I'm waiting for you.
00:04:24Oh Necat.
00:04:25Why don't you call them?
00:04:27I'm completely exhausted.
00:04:28You connect callers to Mr. Necat.
00:04:30Ah.
00:04:31Call Ms. Iris.
00:04:31I had an appointment at six o'clock.
00:04:33Note down the address.
00:04:33You can give it to me when you leave.
00:04:35Try tying these together in order.
00:04:41The line on the sock is smudged.
00:04:49I went to America on a student exchange program when I was fifteen.
00:04:53I picked up an eight-millimeter camera on the way back.
00:04:55I took all these photos with him.
00:04:58Your mother is truly a different kind of woman.
00:05:00How full of life!
00:05:02So that's what it was.
00:05:04May God have mercy on his soul.
00:05:07We lost him six months after these photos were taken.
00:05:10What a pity.
00:05:11How young he is.
00:05:13He was very young.
00:05:17We had come all the way there.
00:05:20Cassette three.
00:05:22Twenty-seven eighteen.
00:05:26Heart or something?
00:05:29Traffic accident.
00:05:31My father was driving the car.
00:05:35He survived.
00:05:37Almost without a scratch?
00:05:40Take a look.
00:05:42How do we connect it?
00:05:55I'm waiting for you, Mr. Erol.
00:05:57Please tell us.
00:05:59I know you've been waiting.
00:06:03Excuse me.
00:06:06I can't smoke cigars here, can I?
00:06:08You can drink it if you really want to.
00:06:10I don't really want to.
00:06:12Do you want to be here?
00:06:15Obviously not.
00:06:17Iris insisted.
00:06:19What do you think is the reason for this insistence?
00:06:23We have problems.
00:06:25Both of you?
00:06:27No, actually, I have a problem.
00:06:28At least, that's what someone thinks.
00:06:31What do you think?
00:06:34There seems to be a problem.
00:06:36Also.
00:06:37I don't know where to begin.
00:06:40There is no rule.
00:06:41We can start wherever you prefer.
00:06:46What comes to mind?
00:06:48Is there anything that's been affecting you lately?
00:06:52Yes there is.
00:06:54My dreams.
00:06:55Actually, it's not really a dream.
00:06:58Nightmare.
00:07:00Last night
00:07:02Iris and I were... well, you know.
00:07:05We were making love in my dream.
00:07:08Suddenly, Iris's face transformed into my mother's.
00:07:11Does your mother often appear in your dreams?
00:07:15Once in a while.
00:07:16But it had never been like this before.
00:07:18I mean, it had never happened before.
00:07:51Surprise.
00:07:52We came to cheer our friend up a bit.
00:07:54Welcome, please come in.
00:07:55If I were you, I'd check the parking lot.
00:08:00So you've released the engine to the market, huh?
00:08:02I was telling Sabine about the tricks to staying young.
00:08:04The engine stalled as it sped up.
00:08:06I was on the back of the horse.
00:08:06I had to show it to you too.
00:08:08Is this your friend's motorcycle?
00:08:09Both of them.
00:08:10Erol.
00:08:11My closest friend and business partner.
00:08:13I'm sure now.
00:08:13Me too.
00:08:14Won't you sit down?
00:08:22What would you like to drink?
00:08:24Necad drinks a Margarita at this hour.
00:08:25Let's hope it's not like last night.
00:08:27A single unit of measurement.
00:08:28It will be white, though.
00:08:29Then quanta, ice, and lemon.
00:08:31I thought he knew that much.
00:08:32You drink too, don't you?
00:08:34It will be a bother for you.
00:08:35I'll prepare it.
00:08:36Enjoy yourself.
00:08:38That was a pleasant memory.
00:08:40I told you.
00:08:41Let me at least help you a little.
00:08:44It seems you, like Necad, didn't trust me very much either.
00:08:46No, it's not because of that.
00:08:51Don't you drink?
00:08:54I poured myself a whiskey.
00:08:56I won't change it.
00:08:59How long have you known Najad?
00:09:01Actually, it hasn't been that long.
00:09:03Maybe in two or three months.
00:09:04He's a very funny guy.
00:09:06It makes people laugh.
00:09:08That's right.
00:09:12Ismail.
00:09:13So you're working?
00:09:15Oh, I'm a fashion designer.
00:09:17I work for a large textile company.
00:09:19I also worked as a model for a while.
00:09:21But it didn't really grab me.
00:09:22I really love my current job.
00:09:24I'm comfortable, then.
00:09:29It turned out great.
00:09:30Necad has invited you to iftar (the evening meal during Ramadan).
00:09:32Your effort is greater.
00:09:34Let's call it coproduction.
00:09:40Necad?
00:09:43Necad?
00:10:01Gone.
00:10:02Let's hope it goes well.
00:10:04What should we do?
00:10:05Would you like to drink Margaret's?
00:10:06Shall I pour you a whiskey?
00:10:08Okay, but weren't you going somewhere together?
00:10:10No.
00:10:11He wanted to show off his motorcycle.
00:10:13I'm curious too.
00:10:14Then we came here.
00:10:16We hadn't made a plan, in other words.
00:10:21Is it speeding up?
00:10:23On television?
00:10:24Yes.
00:10:24Which channel?
00:10:26I don't know.
00:10:2733, I think.
00:10:32There was the Monte Carlo Grand Prix one day.
00:10:34I'm hooked on my car races.
00:10:37You won't get bored, will you?
00:10:39Yeah.
00:10:39Why should I be bored?
00:10:41Ah!
00:10:43He was inside.
00:10:47You've met, haven't you?
00:10:49You ate.
00:10:52It appears again.
00:10:59You ate.
00:11:01You ate.
00:11:02You ate.
00:11:29Don't forget to subscribe and like the video.
00:11:33Leave it in the middle.
00:11:35Isn't it?
00:11:37I'll bring you a pillow.
00:12:24Thank you for watching.
00:12:56Thank you for watching.
00:12:56Mother.
00:12:57Come on Erol, open the door.
00:12:58I am here.
00:13:00I can't be.
00:13:02I'm still dreaming.
00:13:03This is a bad dream.
00:13:16I've been shouting for a while now.
00:13:18Where are you?
00:13:19Why did you lock the door?
00:13:21I.
00:13:31It's always been this way.
00:13:33He gets a fever, seizures, and keeps fainting.
00:13:35He's grown into a big guy, look, and he's still fainting.
00:13:41Is that you, Mom?
00:13:43Yes, my dear.
00:13:45Mother.
00:13:46Sir.
00:13:47Will you pinch me?
00:13:48Alright.
00:13:50I'm not dreaming.
00:13:54She fainted again.
00:13:56It's unbelievable.
00:13:58How did you get here?
00:14:00You wouldn't leave me alone, son.
00:14:02You kept calling out, "Mother, mother!"
00:14:04I'm here too.
00:14:07But you're dead, aren't you?
00:14:10Unfortunately, I'm dead.
00:14:11So what happens when you die?
00:14:16I felt such a lightness.
00:14:18I flew, and flew, and flew.
00:14:22I looked around and everyone was flying around.
00:14:25Such lightness, such lightness.
00:14:28No worries, no anxieties.
00:14:31Such lightness.
00:14:33But I couldn't feel comfortable.
00:14:35They kept coming to me and saying, "Your son is calling."
00:14:38Finally, they said, "Get up and leave, this can't go on like this."
00:14:41No one has been invited this much.
00:14:43I thought I'd get up and come over too.
00:14:46Someone must be playing a cruel joke on me.
00:14:49Perhaps it's a dream within a dream.
00:14:53Or maybe I'm hallucinating.
00:14:56You are a dream.
00:14:58Well done, Erol.
00:15:00Of course, this is no joke.
00:15:02But perhaps I'm just a figment of imagination.
00:15:06Shall I tell you how we got your first bicycle?
00:15:10I saw that bicycle with the neighbor's son.
00:15:13I said to your father, "Asım, what can we do? Let's get Erol out of this situation."
00:15:17But let it be a surprise.
00:15:19First we tricked you and left you with the neighbor.
00:15:21You were so happy, so very happy, that you were going to ride the boy's bicycle.
00:15:25And then...
00:15:30He fell asleep, poor thing.
00:15:32The poor fellow was quite surprised.
00:15:42Excuse me, I ended up here by chance.
00:15:45Mr. Erol doesn't have any milkmen.
00:15:46You are his wife, aren't you?
00:15:48Me?
00:15:49No.
00:15:51So you are a sage then.
00:15:53What am I?
00:15:55I'm her aunt.
00:15:56Yes, I'm her aunt.
00:15:58There's no need to panic.
00:15:59Erol is almost awake.
00:16:00We used to have breakfast together.
00:16:06Mother.
00:16:08Good day, Ms. Tayyiz.
00:16:12One minute.
00:16:14Do you see the woman here now?
00:16:17Can I see it?
00:16:19Of course I see it.
00:16:22He saw you.
00:16:24So you're not a dream.
00:16:26But everyone will see you.
00:16:29What's wrong with that, darling?
00:16:31Do you still think I'm not an attractive woman?
00:16:33No, yes.
00:16:35Well...
00:16:35I suddenly got confused.
00:16:40When I saw the girl a moment ago, I thought to myself, "Why did this boy call me when she's here?"
00:16:44I believe we met for the first time last night.
00:16:46I already slept in the study room.
00:16:48He's Necat's friend.
00:16:50He had nowhere to sleep.
00:16:51You can't just go out on the street in the middle of the night, can you?
00:16:53Well...
00:16:54Didn't you do that?
00:16:57Honestly, we didn't do that.
00:16:59Gee.
00:17:01Anyway, let me make you some lazy bread.
00:17:03You loved it very much when you were little.
00:17:06Mommy.
00:17:08Oh yes, really do it.
00:17:11Damn Necat.
00:17:19Have you never been married?
00:17:22No.
00:17:24You like your eggs soft-boiled, right?
00:17:27You remember everything about me.
00:17:28Certainly.
00:17:31Can humans forget those they love?
00:17:44Do you remember how I used to call you my little knitted one?
00:17:49How could I forget?
00:17:51I replied, "Look, look!"
00:17:54Come on, take a look.
00:17:56Mom, I'm a big boy now.
00:17:57You are my little knitted one again.
00:18:00Come on, let's have a bean.
00:18:01For my sake.
00:18:04Look!
00:18:06Look!
00:18:07Look!
00:18:12Look!
00:18:13How much I've missed you.
00:18:26Tell me.
00:18:28How is your father?
00:18:31It's probably fine.
00:18:34We rarely see each other.
00:18:37Wow!
00:18:38Why, my child?
00:18:40Mom, if she had been a little more careful, you wouldn't have died.
00:18:42You were always there for me.
00:18:45I'm here with you now, my little knitted one.
00:18:47You look at him.
00:18:48Mom, please don't say this in front of other people, okay?
00:18:51Am I a shareholder in this together?
00:18:57It's Mrs. Fatma.
00:18:58She takes care of our household chores.
00:19:03Good morning.
00:19:06Good morning, Fatma.
00:19:08Tutu tutu.
00:19:09Hopefully everything will be alright?
00:19:10May God give strength to Fatma's arm.
00:19:12Come and get vaccinated.
00:19:13She's not going to be my mother, is she?
00:19:16My aunt.
00:19:19Isn't that a picture on the wall?
00:19:20No, no, no.
00:19:21Common.
00:19:22No, no.
00:19:23Far from home.
00:19:24Far from home.
00:19:25Far from home.
00:19:27Divine woman.
00:19:28Do I look like a ghost?
00:19:30There's nothing to be afraid of.
00:19:31I am Erol's aunt.
00:19:32Oh, my aunt.
00:19:33Calm down.
00:19:34It came from something last night.
00:19:36Welcome.
00:19:38Welcome!
00:19:39My Lord, the Almighty.
00:19:41You are capable of anything.
00:19:43Honestly, nobody would believe me if I told them.
00:19:51He was the only one who entered the room.
00:19:52No one else has seen his picture.
00:20:02I'm sorry, Mommy.
00:20:03We also have a business partnership with foreigners.
00:20:05Otherwise, I wouldn't have left you.
00:20:06Goodbye, my child.
00:20:08May God grant you success in your endeavors.
00:20:10Fatma and I both work and chat at the same time.
00:20:12Thank you, Mommy.
00:20:13Please forgive me.
00:20:19I'll be back early.
00:20:265,4,3,2,1 records.
00:20:32Good morning.
00:20:33Good morning.
00:20:34What's up, Aydın?
00:20:35Thank you, sir.
00:20:36My dear Necat.
00:20:37Oh, boss, this is great fun!
00:20:39May no evil eye befall us.
00:20:41Come here.
00:20:44Tell me about it.
00:20:45What an evening!
00:20:46What was it like?
00:20:47Oh, girl Sabina.
00:20:48Which?
00:20:49Aha, Sabina.
00:20:50Damn, I swore at you quite a bit.
00:20:52Doing good is like doing evil.
00:20:53Tell me what happened.
00:20:54What's going to happen now?
00:20:55Where did he go?
00:20:56Without doing anything?
00:20:57Without doing anything.
00:20:58So why are you so cheerful?
00:21:00Gee.
00:21:01Is it forbidden to enjoy yourself without doing anything?
00:21:04If anyone calls Ayten, I won't be there.
00:21:06They should also leave a note saying my cell phone is switched off.
00:21:07Necat, let's talk a bit before the men arrive.
00:21:11Did you see what I saw?
00:21:13It's very enjoyable.
00:21:14Look, it's screaming brightly this morning.
00:21:15What kind of guy is he?
00:21:24Hello.
00:21:25Hello.
00:21:28Speak up, for goodness sake!
00:21:30Of course, it's Mr. Erol's house.
00:21:32Mrs. Fatma went to the market.
00:21:34Who am I speaking to?
00:21:37Suzan?
00:21:40I couldn't reach you from work either.
00:21:45So I promised to come early.
00:21:49So you stay there.
00:21:53It's not important.
00:21:59I had looked at Ilis.
00:22:00He left a couple of minutes ago.
00:22:02They are around here.
00:22:03Thank.
00:22:07I could tell from his panic.
00:22:09You left Erol and now you want to marry me.
00:22:11Actually, that's the best thing to do.
00:22:13Listen quietly.
00:22:14I need you desperately.
00:22:16What happened?
00:22:16It's already bad enough when an empty-headed person needs you.
00:22:20TRUE.
00:22:21Will you listen to me without me having to beg?
00:22:22Of course I'll listen.
00:22:22Why shouldn't I listen?
00:22:23Let's find ourselves a quiet place then.
00:22:35You left Erol.
00:22:54Huh?
00:22:54I am a little bird. It chirps and chatters.
00:22:56Like the owner of the house.
00:22:58Ms. Suzan, huh?
00:23:00I think we owe Erol's condition this morning to Mrs. Suzan.
00:23:03What's wrong with you?
00:23:04What else could happen? I've known the guy for years.
00:23:06I've never seen anything like it.
00:23:09Well-groomed, cheerful, sparkling clean,
00:23:11Happy. I visited Erol last night.
00:23:13There was no such person. Did this woman fall from the sky in the middle of the night?
00:23:22Happy.
00:23:23Cheerful.
00:23:24Sparkling.
00:23:26Honestly, I think you should just go. Go see the woman.
00:23:28As of today, she is considered Erol's fiancée.
00:23:30The woman said Erol would be home early.
00:23:34To foreign partners
00:23:34The meeting is ongoing.
00:23:36As soon as Ayten Erol mentioned it, I got up and came.
00:23:38Otherwise, I would have come with you.
00:23:39It would be one thing if it were me.
00:23:41This is definitely not a job for our Erol.
00:23:44Look at me. If the woman doesn't see it, call her.
00:23:46Don't keep us in suspense.
00:23:51I am coming.
00:23:55Here you go.
00:23:58You must be Ms. Suzan.
00:24:01I had looked at Erol.
00:24:03He just called.
00:24:04It will pass in a little while.
00:24:06Okay. Have a good day.
00:24:08Who should I say it is?
00:24:10I don't know if he remembers, though.
00:24:11You can say that Idisi visited.
00:24:12Oh, was that you?
00:24:14Fatma Hanım mentioned you this morning.
00:24:17I was wondering how we could meet.
00:24:19Please come in.
00:24:20I am Erol's aunt.
00:24:23Oh, I'm so glad you came.
00:24:25We'll chat a bit.
00:24:26You know this house inside and out better than I do.
00:24:29Let's get some work done, I'll have some raki.
00:24:31Give me a punch too.
00:24:33So, something tough.
00:24:38Yes.
00:24:43It will happen.
00:24:45To our honor, since we met.
00:24:52Gee.
00:24:53What do you mean by that?
00:24:55I have no objection.
00:24:56No, I mean, I have no objection.
00:24:58So what's wrong?
00:25:00What will become of me?
00:25:01That's good.
00:25:03You met each other on your own.
00:25:05Actually, I came for a raid.
00:25:08I did the right thing, didn't I?
00:25:09By stopping him from walking.
00:25:11Really?
00:25:12Very good.
00:25:13Of course.
00:25:14Yes.
00:25:16Anyway.
00:25:18I'm going to go wash my face and hands and compose myself.
00:25:23It seems to have broken down.
00:25:26Don't pay attention to him, sweetie.
00:25:27Even in his childhood, he was like a turn signal, sometimes flashing, sometimes not.
00:25:35It was a wonderful night, thank you.
00:25:38I'll stop by and pick it up for you when I go shopping, okay?
00:25:39I'm always at home, honey.
00:25:41Whichever one hears it.
00:25:43Goodnight.
00:25:45Goodbye.
00:25:49Aren't you thinking about getting married?
00:25:52I don't understand
00:25:54Iris, that sweet girl, has a lovely piece of evidence.
00:25:56It seems like he/she loves you too.
00:25:58See you tomorrow.
00:26:00Goodnight.
00:26:12I've missed the sky too.
00:26:15The moon, the stars.
00:26:18No stars?
00:26:21Over there, on the other side.
00:26:23Is that even the world?
00:26:39Great.
00:26:41You've probably seen much bigger ones abroad.
00:26:45Actually, where I was, there wasn't much room for such worldly audiences.
00:26:51Were you living in Kathmandu, by the way?
00:26:53Ah!
00:26:56What do you say, if we just stopped talking about this whole thing?
00:26:59At the Gazoda venue, the audience would request the song "I Met You on a Spring Evening," but they could never get them to sing it.
00:27:04I don't even like the part about you and us in the song.
00:27:06So you have a singing background.
00:27:08That is, the past.
00:27:13I met you one spring evening.
00:27:18I wonder if there's a record store around here?
00:27:21Of course it's possible.
00:27:30Where are the records then?
00:27:33It's in the museum now.
00:27:34I assume you mean you wanted a compact size.
00:27:36Zeki Müren, Milya Nurettin.
00:27:38Hafiz Burhan.
00:28:19I became his mirror.
00:28:21That's very nice.
00:28:22Give it to me.
00:28:26I explain human characters using musical modes.
00:28:31For example, my musical mode is Nihavend.
00:28:33A mix of many beautiful things.
00:28:36The quartet of Kurdish folk dancers is standing next to the Buzelik trail.
00:28:39Nevesler, Nihavendikebir, and Şataraban are also included.
00:28:42Isn't it lovely?
00:28:43What is my rank then?
00:28:46At first glance, I thought of Hüzzem, but I need to get to know him better.
00:28:49What about Erol?
00:28:51It wasn't quite like that when I left the moon.
00:28:53Now, look at me, I'm looking for something stale.
00:28:56What exactly is wrong with this child?
00:28:58His troubles never end.
00:29:00But it seems the same thing comes out from under every bush.
00:29:03Her mother.
00:29:04Having lost her early on, he created a new mother figure in his mind.
00:29:08All women look for the qualities they assumed their mothers possessed.
00:29:12She was my dream girlfriend, but I can't even get close to her.
00:29:17Her mother is always with us.
00:29:19In short, we're in a threesome.
00:29:20Moreover, I didn't choose my co-wife either.
00:29:22So what's going on?
00:29:23Isn't that happening?
00:29:28She mostly doesn't give permission, especially when her mother allows it.
00:29:33I've never heard of anything like this before.
00:29:34Isn't this the boy?
00:29:36The other day, I reluctantly sent it to a psychotherapist friend of mine.
00:29:39Hopefully it will continue so I can finally get rid of having to be Erol's mother.
00:29:43Could you introduce me to your friend?
00:29:46I don't know if he'll accept.
00:29:47Why is that?
00:29:49They may find it problematic from a treatment perspective.
00:29:53What is that whistle?
00:29:55My cell phone.
00:29:57Gee.
00:29:58Hello.
00:29:59Hello Erol.
00:30:00I'm at a cafe with your aunt.
00:30:02We did some shopping.
00:30:04She's become a real stunner, you won't recognize her.
00:30:07Hi.
00:30:07Bedim, I want to talk to you.
00:30:13Hello.
00:30:14Hello Mom.
00:30:15Oh dear auntie.
00:30:19I was wondering about you.
00:30:22Huh?
00:30:24Good morning my baby.
00:30:26Enjoy yourself.
00:30:29Okay, Mommy.
00:30:31Anyway.
00:30:32See you this evening.
00:30:38This Erol is jealous of you because of me.
00:30:40Would that person be jealous of their aunt?
00:30:43You're really her aunt, aren't you?
00:30:45I'm certainly not going to be her boyfriend.
00:30:47I think it would suit him better.
00:30:49I need to find you a new position immediately.
00:30:51A cheerful melody that brings lightness to the soul.
00:30:54Can't I be like you, in the Nihavent style?
00:30:57If you introduce me to your friend who's looking after Erol, I might accept your application.
00:31:01I'll promote him from Hizlam to Nihavent.
00:31:03We don't usually interact much with patients' relatives, but since you know his mother, I'm mentioning it in case you can be of any help.
00:31:10This obsession, which is quite common in men, is called the Oedipus complex.
00:31:14So, it's an obsession with the mother.
00:31:17For Mr. Erol to overcome this obsession, he must realize that his mother was just an ordinary mother, like other mothers.
00:31:22It depends on whether he believes there's nothing about it that can be idealized.
00:31:25More precisely, he needs to somehow get his mother out of his head.
00:31:33The deceased was certainly not a woman who would be easily forgotten.
00:32:13Mother!
00:32:16Mother!
00:32:17Mother!
00:32:19Come and grab a drink and join me.
00:32:23Mom, your hair?
00:32:24What should I do?
00:32:26There's no barber over there.
00:32:28But I really liked the big one.
00:32:34Did her big brother like this outfit too?
00:32:36No.
00:32:37I chose this.
00:32:39Doesn't it suit me?
00:32:40No.
00:32:42It suits you.
00:32:43It suits you well.
00:32:44So, considering her age, isn't that hair and that outfit a little... off?
00:32:48Oh, how shameful.
00:32:49What's wrong with my age?
00:32:51We're practically the same age today.
00:32:52Oh dear.
00:32:55Did you bring this for me?
00:32:56What an elegant man.
00:32:59I'm hungry.
00:33:01There will be something in the cupboard.
00:33:03I won't eat it.
00:33:04It's impossible to build a Feris there.
00:33:06Speaking of the world, I'm thinking of losing these extra pounds.
00:33:09Me too, me too, me too, me too, me too, me too, me too.
00:33:18What a pity.
00:33:19The child was devastated.
00:33:21This is good.
00:33:22Let's talk about a project for Enes.
00:33:24Yes.
00:33:25And also, take a look at the sound.
00:33:26Come.
00:33:27Thanks.
00:33:29Thanks.
00:33:31Nejdin?
00:33:34Nejdin?
00:33:35Nejdin?
00:33:36Nejdin?
00:33:37Nejdin?
00:33:38Nejdin?
00:33:39You've never done that in your life.
00:33:40You didn't do that either.
00:33:41While I was thinking about my bad luck, you came to my mind.
00:33:43Mashallah, you seem to be in good spirits.
00:33:45Why didn't you call me?
00:33:46Oh, Suzan, my dear.
00:33:48Did you see who he is?
00:33:48She was Erol's aunt.
00:33:50He arrived two or three days ago.
00:33:51He lives abroad.
00:33:52Gee.
00:33:53I've known this man for years.
00:33:54I've never heard anyone use the word "aunt" or anything like that.
00:33:56As if you didn't have enough trouble with Erol.
00:33:58And now, a senile old lady too.
00:34:00Wearing butterfly glasses.
00:34:01Compression stockings.
00:34:03Pulling at her headscarf.
00:34:06She's a total menopausal aunt.
00:34:14Who is like this in this disaster?
00:34:16Ah, welcome.
00:34:19Thank you.
00:34:22Ms. Suzan.
00:34:23Erol's aunt.
00:34:25Her aunt?
00:34:27Why are you surprised?
00:34:28Why can't I be?
00:34:30I am sorry.
00:34:31You can't.
00:34:32Necad Erol is a business partner.
00:34:34I was honored.
00:34:36That honor is mine, madam.
00:34:40Your desk is ready, Mr. Necad.
00:34:41Uh huh.
00:34:42May I call you?
00:34:44Of course, I'd be happy to.
00:34:45Let me show you around Istanbul.
00:34:47I'll be waiting for your call.
00:34:54Nice kid.
00:34:56Hello, Ms. Fatma.
00:34:57Give me my aunt.
00:34:59Did it leave? Where did it leave to?
00:35:02To dinner later?
00:35:05Okay, okay, you mind your own business.
00:35:07Boss.
00:35:10What kind of aunt is she?
00:35:13Would a man have an aunt like that, and keep it a secret from his business partner?
00:35:15Where did you see my aunt?
00:35:17We met at the hotel.
00:35:18With Yeris.
00:35:20If you allow me, I'll show you around Istanbul.
00:35:21No, no.
00:35:22He doesn't really like traveling that much.
00:35:23That doesn't seem to be the case at all.
00:35:25Gee.
00:35:29Oh, is that famous movie finally over?
00:35:31It's not completely finished yet.
00:35:33I want my aunt to see it.
00:35:35Can I join this show?
00:35:37No, you cannot join, Mr. Necad.
00:35:43Hakan, tell me a little bit about it.
00:35:45I'm dying of curiosity.
00:35:45A collage of films he made as a child.
00:35:47There are also some photos of his mother.
00:35:49That's nice.
00:35:50Mr. Erol's late mother was a beautiful woman.
00:35:53Her aunt is the same way.
00:36:00Shall we begin, Mommy?
00:36:01When you mentioned movies, they were movies.
00:36:03When you took the picture, there was only a very thin strip.
00:36:05We used to watch it at home.
00:36:06Now they're all in that box I showed you.
00:36:08The cassette, I mean.
00:36:09Am I inside that box right now?
00:36:11In a way, yes.
00:36:13Another form of film.
00:36:14Look, if you press this button, we'll start watching it on TV.
00:36:19Come on, everyone has a television at home.
00:36:20Everyone will see me.
00:36:21I wonder how it turned out.
00:36:23Only our television will show that, Mommy.
00:36:25Don't worry.
00:36:25Shall we begin?
00:36:26Let's begin.
00:36:27Oh, I'm so excited!
00:36:28My heart is fluttering.
00:36:36Oh, how lovely.
00:36:38Honestly, I haven't aged at all.
00:36:40Will no one else see this besides us?
00:36:42I actually made it for myself, but if you like it, we can show it to your friends and family.
00:36:48If everyone's going to see it, cut this part out.
00:36:50I look really fat.
00:36:52What's going to happen, Mommy, are you a movie star?
00:36:54Let it be.
00:36:55I don't want to be remembered as a woman with a big butt.
00:36:58You're going to cut it, right?
00:36:59Okay, I'll cut it.
00:37:04Look, I bought this scarf for twelve lira.
00:37:07Now everything costs millions.
00:37:11Do you earn that much?
00:37:13No bad.
00:37:15We have a film studio.
00:37:17Isn't she in partnership with Necate?
00:37:21Ah!
00:37:22What happened?
00:37:24Look, Mom.
00:37:25This Necate is good, he's nice too.
00:37:28It's a bit...
00:37:29Why?
00:37:30It is.
00:37:31How can I say this?
00:37:33He's a flirt.
00:37:35So what's wrong with that?
00:37:37I wish you could be there too.
00:37:39No, that's not the case.
00:37:41He flirts with every woman he sees.
00:37:44What does this have to do with me, my child?
00:37:45Nothing will happen unless the woman wants it to.
00:37:47Haven't you learned this by this age?
00:37:49Start it, I'm dying of curiosity, hurry up.
00:37:54Ah!
00:37:55Göksu stream.
00:37:57My face looks very dark in the picture.
00:38:00Why didn't you take a picture of your father then?
00:38:12Look, look, I made this to dress you.
00:38:19Isn't that a baby bicarbonate?
00:38:21Hmm, I took this picture while you were rehearsing.
00:38:24Is it Ferhunda Hanımsağ?
00:38:25Who is Ferhunda Hanım?
00:38:27You know, the one who sews my stage costumes.
00:38:29How would I know, Mom?
00:38:31Oh Erol, you don't know anything either.
00:38:32I hadn't taken a close-up photo of your father.
00:38:43I told you not to let any part of you swell up.
00:38:46I look like the head teacher here.
00:38:49My father forced me to buy this suit.
00:39:01Was the car severely damaged in the accident?
00:39:04Oh mom, you're something else!
00:39:06You're dead and gone, and you're still thinking about the car?
00:39:12Has Asım gotten very old?
00:39:14Hmm.
00:39:16He must be old by now.
00:39:18He must be seventy-five years old.
00:39:24Look at these.
00:39:25Everyone knew me much better than Asım.
00:39:28What is this?
00:39:29This thing.
00:39:30Your funeral.
00:39:32Oh, am I in that coffin?
00:39:34Unfortunately, that's what happened, Mom, you know.
00:39:37The same horrible thing.
00:39:39He knew the inside of the fire, and so did I.
00:39:41Now you're here, Mommy, it's over.
00:39:45I stopped; I didn't want to see that.
00:39:48I'm sorry, Mommy.
00:39:50I didn't mean to upset you, I'm sorry.
00:39:53Your father was there too.
00:39:54His time wasted.
00:39:57Yes.
00:39:57Your father was upset too.
00:40:00Did your father get married?
00:40:02No, she didn't get married.
00:40:04Does he live alone?
00:40:05Uh huh.
00:40:08My dear, Asım is such a good man.
00:40:11How much I want to see him.
00:40:13Mom, forget about it.
00:40:15She already has a weak heart, and imagine what would happen if she saw you in front of her.
00:40:17Or do you want to make him pay the price for his sin?
00:40:20What sin did she commit?
00:40:21Your father is an angelic man.
00:40:22So who killed you, Mom?
00:40:24Me?
00:40:25Electricity pole.
00:40:27That was the last thing I saw while I was alive.
00:40:30You were the one who crashed into the power pole at 90 km/h at that hour of the night, weren't you?
00:40:33How am I supposed to drive at 90 km/h?
00:40:36Of course, he was hit by a car, son.
00:40:38So who was driving the car?
00:40:39Of course, Asım.
00:40:40I don't know how to drive.
00:40:43Despite his insistence, I just couldn't manage to pass that driving test.
00:40:46The mother hit the electric pole.
00:40:49And not even a scratch on his nose.
00:40:50You.
00:40:51But what could my son do?
00:40:53He could have been more careful, couldn't he?
00:40:55He never knew how to drive anyway.
00:40:57Why are you shouting?
00:40:58Don't worry, I'm already dead.
00:41:00I can't die again, can I?
00:41:01But you agree, right?
00:41:02My father killed you.
00:41:03Erol, don't ever hear that again.
00:41:05They just need to be a little careful, that's all.
00:41:08He killed you, Dad.
00:41:11Oh dear, poor thing.
00:41:12Oh, that you saw me!
00:41:14Do not you worry child.
00:41:16Don't be sad, my child.
00:41:17I could never forgive you, Mom.
00:41:19Look, I'm here again.
00:41:21I'm here for you, my child.
00:41:23Mother.
00:41:24Tell me, darling.
00:41:26You didn't cry when he left, you know?
00:41:30I couldn't cry.
00:41:32Mother.
00:41:35Cry, my dear.
00:41:36Cry.
00:41:55I couldn't cry.
00:42:08My dear Asım, I'm here, don't faint!
00:42:12Your skylark, Suzan
00:42:17Suzan
00:42:18My husband
00:42:26She fainted.
00:42:28Asim
00:42:30Asim
00:42:31Asim
00:42:44Asim
00:42:45In the name of Allah, the Most Gracious, the Most Merciful.
00:42:47Oh dear
00:42:49I told you not to faint.
00:42:51Suzan
00:42:52The moon fainted again.
00:42:54Asım, wake up!
00:42:56You never used to faint!
00:42:58Come on, open your eyes!
00:43:00Hadi Asım
00:43:02Asim
00:43:04My husband
00:43:05Open your eyes
00:43:08Look, tomorrow I easily explained how to pour 15 different kinds of water into a glass.
00:43:11Come on Asım!
00:43:12Let's calm this down too.
00:43:18Suzan
00:43:20I can't believe it.
00:43:21Miracle Life
00:43:23A little miracle, that's all.
00:43:24Were we supposed to believe in miracles at this age?
00:43:28The power of Almighty God
00:43:29You shouldn't cuddle too much.
00:43:33At my age
00:43:34This is a blessing from God for me, Susan.
00:43:38I called you often too.
00:43:40Did you hear?
00:43:42Of course I heard!
00:43:45Come
00:43:56Hello, how can I help you?
00:43:59Dad, I'm Erol.
00:44:01Our boy is looking for
00:44:03I'm not here
00:44:05How are you, son?
00:44:06I am good how are you?
00:44:08Are you alone, Dad?
00:44:09Of course I'm alone, son?
00:44:12Was I going to say something?
00:44:14None
00:44:15I thought I'd ask how you were doing.
00:44:18Goodbye, Dad
00:44:21No one has seen Nejat here.
00:44:23So where did this woman go?
00:44:31Okay boss
00:44:32We managed this job.
00:44:34Congratulations!
00:44:36We suffered a lot, but it was worth it.
00:44:38Albert said yes to all the conditions.
00:44:40We are signing the agreement next week.
00:44:45What's wrong with you?
00:44:46What's wrong with you?
00:44:48I can't find my lighter.
00:44:54Your mind is elsewhere.
00:44:58My aunt is nowhere to be found.
00:44:59Dad was home
00:45:01How do you know that?
00:45:03I made a phone call.
00:45:04From where?
00:45:05I suggested we take a walk, but he didn't agree.
00:45:08Did he say where he was going?
00:45:10Why would she tell me?
00:45:12I'm sure it's also for pleasure.
00:45:24I still listen to these records.
00:45:28Oh my
00:45:29Something really nice called CD has come out.
00:45:31They've put everything in it.
00:45:33I know
00:45:34I know that too.
00:45:35Everyone here
00:45:36Leham holds another memory for me.
00:45:38Some are bitter, some are sweet.
00:45:40But they're all mine.
00:45:44Do you remember this?
00:45:47Our final song
00:45:49There is no other place's grace
00:45:51Neither from summer nor from winter
00:45:55I can't play like I used to because of rheumatism, but...
00:46:06Iris, please don't cause any more problems.
00:46:08Okay, nothing happened.
00:46:10It's best if you don't leave me alone.
00:46:24There wasn't anything to be so curious about.
00:46:26Here he is.
00:46:26See?
00:46:28Erol
00:46:29Erol
00:46:30What what
00:46:35Remember, he/she is an adult.
00:46:36I listen to this music from morning till night.
00:46:38The CDs you bought
00:46:39He chose it himself.
00:46:52He chose it himself.
00:46:53It's entirely his own taste.
00:46:54What a pleasure!
00:46:56I told him to say no.
00:46:58When you said you hadn't seen me in a while
00:47:00I brought it with me.
00:47:01I did the right thing, didn't I?
00:47:03My dear Iris
00:47:04Erol hadn't introduced you, had he?
00:47:07My dear Asım
00:47:07What are you to me now?
00:47:09Okay, brother-in-law.
00:47:11This Iris
00:47:12Erol's girlfriend
00:47:13Isn't it sweet and cute?
00:47:15I'm very pleased, my daughter.
00:47:16Come on, kiss your bride!
00:47:32I am ready
00:47:37You are so beautiful!
00:47:39Really?
00:47:41Thank you
00:47:42Please come in.
00:47:54How are we getting there?
00:48:02Month
00:48:04Are we going to travel with this?
00:48:06You'll see how enjoyable it is.
00:48:08Oh, I had no idea!
00:48:09Give everyone the thrill of it all.
00:48:10Are you afraid of first attempts?
00:48:12I love it
00:48:13Skip E
00:48:17You turned yellow to me
00:48:42You turned yellow to me
00:48:50Where have we arrived?
00:48:52To the airport
00:48:53Weren't we going to visit Istanbul?
00:48:55We will travel
00:48:59Bride
00:49:02I think we'll be facing each other again, Mr. Necad.
00:49:06From where?
00:49:07Didn't you arrive in Istanbul by plane?
00:49:09That's right.
00:49:09I came flying
00:49:19There is an island
00:49:20This is how I will see Istanbul.
00:49:22It would never have crossed my mind.
00:49:24Why isn't Erol like you?
00:49:26Can I take that as a compliment?
00:49:29You are very nice.
00:49:32Isn't that Haydar Pasha?
00:49:34Selimiye, Salacak
00:49:37What's happened to Çamlıca? It's all thorny like a cactus!
00:49:41Telephone, television, radio, communication poles
00:49:43Oh wow, they built a bridge over the Bosphorus!
00:49:48One more thing, who built these bridges?
00:49:51Honestly, I didn't do it.
00:49:52But it turned out well.
00:49:54Are there too many sick people?
00:49:57Has it been too long since you've been to Ayvalık from Istanbul?
00:50:00A lot
00:50:03Is the golden sand beach still there?
00:50:05I don't know, even if it's there, it's empty.
00:50:07Nobody is going into the sea.
00:50:09Why aren't they entering?
00:50:11While you were away, the environment and its surroundings took off.
00:50:13The sea is full of germs now.
00:50:16Anyway, it's not clear from above.
00:50:22What are these?
00:50:24The administrative buildings of large holding companies and banks.
00:50:26Wow, Istanbul has changed so much!
00:50:30Aren't you looking for your daughters' Istanbul?
00:50:33I don't know.
00:50:34Everything is changing.
00:50:37People are born and die.
00:50:40Is this a good thing or a bad thing?
00:50:49What happened, didn't you call home?
00:50:51Your home is not responding.
00:50:52But Mr. Nejat called me on my cell phone a little while ago.
00:50:54She told you not to worry about Mrs. Suzan.
00:50:56He's coming too.
00:50:57Nejat? Where are they?
00:50:58I don't know, I didn't say.
00:51:00Call Nejat, call him on his cell phone.
00:51:05It's ringing
00:51:08Hello Nejat, where are you?
00:51:11I am her
00:51:15Come with me for a moment.
00:51:17Oh, the moon
00:51:19Come here
00:51:22What's wrong with you?
00:51:24Why don't you hang out with someone you like?
00:51:25There are a lot of women around him.
00:51:26What do you want from your aunt?
00:51:27Doesn't my aunt have the right to have some fun?
00:51:29A pleasant, lively woman.
00:51:30Live
00:51:30Oh yes, of course, I showed him Istanbul from the air.
00:51:33And by plane.
00:51:35What's the big deal?
00:51:36Look at the expression on your face when you should be thanking me.
00:51:38It's like a safe area
00:51:39Cut, cut, cut Nejat
00:51:40Leave my memory alone.
00:51:42Your classes are messed up.
00:51:43Please go back to your bird-brained daughters.
00:51:45My aunt isn't right for you.
00:51:46Ok
00:51:48Ok
00:51:48Okay, we'll talk later.
00:51:54Don't you think Erol is acting strangely these days?
00:51:56I've never seen him like this before.
00:51:57It's always strange, so what happened?
00:52:00Unbelievable!
00:52:01The man was shocked when I got on the plane with Suzan.
00:52:05Maybe she's jealous of her aunt.
00:52:06Neck and stuff
00:52:07Because she knows what kind of person you are.
00:52:09I mean, can't I fall in love with Suzan right now?
00:52:12You don't want me.
00:52:13I'm telling you, he hanged a man.
00:52:14This has nothing to do with flirting or anything like that.
00:52:16He can't get enough of women.
00:52:17Erol, you're shouting.
00:52:19Let me tell you something...
00:52:20I'm not the one who needs psychological treatment, Nejat.
00:52:22Your aunt is a beautiful, attractive woman.
00:52:25Nejat is a nice guy too.
00:52:26Intelligent
00:52:27Playful
00:52:28They will travel together for 3-5 days.
00:52:30This is everything
00:52:31Put your hand on your conscience.
00:52:32What's here?
00:52:34Is that all?
00:52:35This is everything
00:52:35There's nothing to get angry about, Erol.
00:52:36Calm down
00:52:37I have no use for people who have no respect for the feelings of others.
00:52:46Neşat is probably right.
00:52:50here you go
00:52:53Let's see.
00:52:55Has the wind picked up outside?
00:52:57What wind?
00:52:58The door slammed shut.
00:52:59Ha
00:53:00Yes
00:53:01Wind
00:53:03My neighbors came to welcome me.
00:53:05Mrs. Makbule
00:53:06Mrs. Aysel
00:53:07I forgot your name.
00:53:08Care
00:53:09Mr. Erol and his friends are exploding.
00:53:11Welcome
00:53:12Thank you
00:53:13You should rest a little.
00:53:14You must be tired.
00:53:20You're finished
00:53:21Aaa
00:53:31Can you imagine?
00:53:32I'm jealous of my mother because of my business partner.
00:53:34Didn't your mother die?
00:53:35Yes, indeed.
00:53:37This is a complicated issue.
00:53:39So, can you explain?
00:53:42My partner is a very old friend of mine.
00:53:43He's a very good friend of mine.
00:53:45I'm afraid my partner and my mother might be having an affair.
00:53:49What is this thing?
00:53:50You said our mother died 25 years ago.
00:53:53Yes, that's what happened.
00:53:55But it's like...
00:53:58How can I explain it?
00:53:59It's as if it came back to life.
00:54:04It's difficult to explain the situation.
00:54:07How should I explain it?
00:54:09It seemed to me like you were describing one of your dreams.
00:54:11I am not dreaming.
00:54:13Really?
00:54:14Yet you were dreaming very often.
00:54:16I don't see it anymore
00:54:17So, are you sleeping well?
00:54:19My sleep isn't good either.
00:54:21I can't sleep anyway.
00:54:22Mr. Erol
00:54:23Mr. Erol, please.
00:54:23That's enough for today.
00:54:25You've gone a bit too far with me.
00:54:26You're welcome.
00:54:27Enough
00:54:30Do you think I don't understand you?
00:54:32Yes, I think so.
00:54:33Nobody understands me anyway.
00:54:37In this relationship, not once was my hair stroked.
00:54:39Tombstone
00:54:41Under this stone
00:54:42He was very jealous.
00:54:43But there lies a woman who has not been envied.
00:54:46He loved it very much
00:54:47He/She was not loved
00:54:48I don't know what to do.
00:54:50Looking at yourself in the mirror
00:54:52Have you ever thought, "What a beautiful woman I am"?
00:54:55I can't remember
00:54:55I don't even know if I'm beautiful or not in the picture.
00:55:00All women are beautiful.
00:55:03You're also very beautiful, Iris.
00:55:07She should know that he's been staring at you at the bar for minutes now, and that he's aware of how good-looking you are, right?
00:55:13Really?
00:55:16How did you notice?
00:55:19Moreover, I didn't see him look in that direction.
00:55:21I was also annoyed that he was looking at you while I was standing there.
00:55:26Honey, you don't know how to play games.
00:55:29You don't love yourself.
00:55:30You've become friends with Erol.
00:55:32Men like women they get along with, but...
00:55:35Falling in love with them wouldn't even cross their minds.
00:55:39First, you need to discover your power over men.
00:55:43How do I do it?
00:55:45I have no training in this.
00:55:46Let's start with this handsome one.
00:55:49Feeling unbearable, just glance into her eyes.
00:55:52You'll see the result.
00:55:55Why would I look at another man?
00:55:57Then the man misunderstands.
00:56:00There's no right or wrong way to do this.
00:56:04People feel better with these little games.
00:56:08Look at that guy, if you keep playing hard to get, I'll take him away from you, he's so handsome.
00:56:26Well, he says it's good, he says it's good.
00:56:27So what good does that do me?
00:56:31In my relationship with Erol
00:56:33Don't forget this, my love.
00:56:34Erol, this isn't your last chance in life.
00:56:37The world is teeming with men.
00:56:39If you keep this in mind, Erol won't see you as just another option.
00:56:44Necad, what are you doing here?
00:56:46Come
00:56:48We had an appointment here; he was going to show me around Istanbul.
00:56:51With the two most beautiful women in the world
00:56:53With my deepest feelings
00:56:58Isn't he a lovely man?
00:57:00I'm not Yuris' type.
00:57:01They generally prefer men with problems.
00:57:04Spoony
00:57:05Suzan, shall we get up?
00:57:07We have many places to go.
00:57:14I'm not here tonight, okay?
00:57:16According to him
00:57:18Enjoy
00:57:23Can he sit down?
00:57:24I'm sorry, I don't have time.
00:57:27Actually, I would love to get to know you better, but...
00:57:30Hopefully in another life.
00:57:34Auntie
00:57:49Thank you for watching.
00:58:11You never used to smell like this.
00:58:13Didn't you like it?
00:58:15So, you think it's natural for me to be curious about my aunt?
00:58:18There's no aunt obsession in nature.
00:58:20For example, moles don't even recognize their aunts.
00:58:23If you call bears, lions, and horses "auntie," they'll roar and howl and laugh.
00:58:28Even plants don't have clearly defined parents, let alone aunts.
00:58:30You still have meat
00:58:31I called Recep while Tebisen was in the kitchen, but he wasn't home.
00:58:33The cell phone is also switched off.
00:58:34Doesn't this mean anything to you either?
00:58:36This seems very natural to me.
00:58:37What he is expressing is this:
00:58:39My aunt Suzan is currently experiencing something that I can't.
00:58:42So there's nothing to worry about.
00:58:49Besides tripe soup, what else do you miss about Istanbul?
00:58:53I love watching the sunrise over the sea.
00:58:56But isn't it too early?
00:58:59No, the sun is almost rising.
00:59:24Could you bring me a glass of milk without undressing?
00:59:29Of course!
00:59:32Iris
00:59:34Add some sugar to it too.
00:59:36Sure, dear.
01:00:03Thank you
01:00:14Aren't you coming?
01:00:17Istanbul played a trick on us.
01:00:19Shall we go back?
01:00:20No, let's not go back.
01:00:21I've missed Yağmur too.
01:00:24You are one of those rare women who knows how to savor every moment of life.
01:00:27Am I?
01:00:29What is it?
01:00:32I wish he didn't have to come back.
01:00:34I won't leave you
01:00:41Would it be okay if I said I'm not coming?
01:00:48Iris
01:00:51Gone
01:00:53Gone
01:01:18Gone
01:01:19Thank you
01:01:20Let's hope for many more beautiful days and nights together.
01:01:39Oh darling, good morning!
01:01:41Why did you get up so early?
01:01:42Mother
01:01:43What's in Münikör?
01:01:45Mom, it's morning.
01:01:46Can you tell me where you've been until this hour?
01:01:49Oh my dear
01:01:49It was a dreamlike night.
01:01:51We greeted the morning at sea.
01:01:54It was incredible.
01:01:56I had a lot of fun.
01:01:57Can we talk for a word or two?
01:01:58I'm completely exhausted; I have no words left.
01:02:00Very tired
01:02:01Go ahead and put her to sleep.
01:02:02We'll talk later.
01:02:03Is it ok?
01:02:05Oh come on, good morning!
01:02:14Don't leave inside, we succeeded.
01:02:16This is extraordinary technology.
01:02:17Extraordinary
01:02:19Great
01:02:20Oguz, stop! What are you doing?
01:02:22Erol is
01:02:23Erol escape
01:02:24What are you doing?
01:02:25Are you crazy?
01:02:26Erol is
01:02:27Erol
01:02:28Get out
01:02:33But that's not all, just so you know.
01:02:39Have a nice day
01:02:48She brought my guy into this.
01:02:50Did you see that?
01:02:52We saw
01:02:53The guy's gone crazy.
01:02:55I thought I would feel more at ease having my mother by my side.
01:02:59It never happened that way.
01:03:01Don't overestimate anyone.
01:03:03We are all human.
01:03:05Only
01:03:06There is a very important issue that we are neglecting.
01:03:10We don't appreciate what we have.
01:03:12However
01:03:14We understand when we lose.
01:03:15You too
01:03:16Learn to appreciate the beautiful things in your own life.
01:03:20Look what a lovely young woman you have in your life.
01:03:23Beautiful
01:03:24Clever
01:03:25It's obvious she loves you too.
01:03:29Instead of constantly bothering your mother, spend some time with him.
01:03:38Yes
01:03:39I was very insensitive last night.
01:03:42It's all my mother's fault.
01:03:49Can I make a phone call, Dad?
01:03:50Of course, son.
01:03:51This is your home
01:03:54There was tea on the stove.
01:04:05Iris
01:04:06Honey, look, I was very upset about last night.
01:04:09What do you mean, don't talk nonsense?
01:04:13I don't understand
01:04:13I don't understand
01:04:15How could you leave me, Iriz?
01:04:18I thought you understood my feelings.
01:04:22Your feelings
01:04:26You're right, I hadn't thought of that.
01:04:32How can this end after all these years?
01:04:40He closed it.
01:04:46Iriz left me.
01:04:48I sensed this would happen.
01:05:01So what am I going to do now?
01:05:05If you haven't worn it out too much
01:05:07You will try to win her heart again.
01:05:11Women are much more giving than we are.
01:05:13They are much more patient, my son.
01:05:15But only up to a point.
01:05:19You shouldn't overdo it.
01:05:23Forgive me
01:05:25I treated you very badly too.
01:05:32Aren't you going to drink your tea?
01:05:34I need to think about it.
01:05:35I need to think about it a bit.
01:05:46Daddy
01:05:47My son
01:05:57What a pity
01:05:58The poor thing was devastated.
01:06:00Did he go too far with the lies?
01:06:03We had no other choice.
01:06:06And then you added insult to injury.
01:06:08You heard, right?
01:06:10The girl is right.
01:06:11For years, grandmother has also been reading aloud to her daughter.
01:06:16Do you think he regrets inviting me?
01:06:19I don't think so
01:06:21Are you going to die?
01:06:24Hopeless
01:06:27I don't really want it inside, though.
01:06:28I'll probably come soon too.
01:06:32I will be reunited with you
01:06:34Look at your vaccine.
01:06:35May God grant you a long life!
01:06:37Look Asli
01:06:39This time I noticed something
01:06:41Heaven and hell are both here.
01:06:44I have no complaints there either, but...
01:06:46I will miss this place.
01:06:50Especially you
01:07:20Erol
01:07:26What are you doing here?
01:07:30What am I going to do now?
01:07:32I'm free tonight
01:07:33You'll get up right away and take your mother out for dinner.
01:07:37You probably realize you're not interested in me.
01:07:39I love the hotel poolside.
01:07:42I can't go there.
01:07:43What did our elders say?
01:07:45What did he say?
01:07:46Didn't they say one nail kicks another?
01:07:49Let's see...
01:07:49How do you know that?
01:07:51What do I know?
01:07:53Iris and I broke up
01:07:56What's wrong with that?
01:07:58Didn't I come from the other world?
01:08:00He
01:08:02Everything is becoming clear to me.
01:08:14Come on
01:08:15Get a little starch.
01:08:28Enjoy your meal
01:08:45He proposes marriage in English.
01:08:47Ours also needs time.
01:08:48He'll think about it.
01:08:49It started from day one.
01:08:50Have you seen?
01:08:52I eat very badly, my child.
01:08:53It might be a business conversation, who knows?
01:08:55Or maybe he's a friend or something.
01:08:57Iris isn't exactly a married, stay-at-home girl.
01:09:12Mom, please don't look that way.
01:09:14I don't want him to think I'm still interested.
01:09:16So, what are they looking for?
01:09:21I'm going to style my makeup.
01:09:50I'm sorry I didn't get in touch.
01:09:52Our hotel's Middle East manager
01:09:54He wanted to get some information from me.
01:09:57Our idiot friend will go crazy with jealousy.
01:10:00May things get even worse for them.
01:10:02Maybe you know
01:10:03Did his mother put Erol to sleep by scratching his back?
01:10:08I don't know
01:10:10What could have happened?
01:10:12I decided to follow his advice and flirt a little.
01:10:13The greatest compliment from my dear nephew.
01:10:16Getting my back scratched in bed
01:10:17How?
01:10:19Pretty
01:10:20That part is a little lower down.
01:10:22A little more
01:10:23A little to the right
01:10:24A little to the left
01:10:45Do you still love him/her?
01:10:49I don't know
01:10:49But I definitely broke the diet.
01:10:51This three-year diet has been eating away at my soul.
01:10:53Everything will change after tonight.
01:10:55You'll see.
01:11:17Shall I prepare it for you with a skewer first?
01:11:19I don't want to.
01:11:20Am I a kidney wreck?
01:11:35Shall I scratch your back?
01:11:36You'll be comfortable.
01:11:37Mother!
01:11:39I've reached forty years of age.
01:11:41Of course, I said.
01:11:54You can go to bed if you want, Mommy.
01:11:56I'm thinking of going for a walk.
01:11:58I need time to think, to get some fresh air.
01:12:01Of course, Erol.
01:12:02You relax.
01:12:25I felt like doing it.
01:12:30Life is a wonderful thing, Erolcu.
01:12:33Appreciate it.
01:12:37Okay Mommy.
01:12:39Don't worry.
01:12:41Goodnight.
01:12:46You too, my son.
01:13:14What are you doing here?
01:13:17I came to apologize.
01:13:23Are you going to make your wish here?
01:13:25Is he inside?
01:13:42Would you like some coffee?
01:13:48Is he inside?
01:13:58Is he inside?
01:14:14Tell me, what's wrong?
01:14:18Doesn't a person talk about their aunt?
01:14:22You're drunk.
01:14:23I'm not drunk, I'm your aunt.
01:14:26Aunt Atifet.
01:14:27Remember how you used to call me "sweet aunt"? Have you forgotten?
01:14:30Iris, are you alright?
01:14:32I am good.
01:14:33Iris!
01:14:34What did that man do to you?
01:14:36It ruined me.
01:14:37He drove me crazy.
01:14:39It changed my whole life.
01:14:40What do you want to say?
01:14:42Because you were jealous of me.
01:14:44For the first time in your life, you were jealous of me.
01:14:46I also stayed somewhere in between, for an in-between week.
01:14:50Iris, please tell me, who was that man?
01:14:54My life isn't as colorful as you suspect.
01:14:57That man is the hotel's Middle East manager.
01:14:58He wants to record me, to get laid.
01:15:02Are you going?
01:15:03I don't know.
01:15:04What advice would you give as a friend?
01:15:07I don't know.
01:15:10You know best.
01:15:12I know.
01:15:13Each sheep hangs by its own leg.
01:15:16Married people to their homes, villagers to their villages.
01:15:18Take your basket and go your own way.
01:15:21Really, little one?
01:15:22Iris.
01:15:24I'm going to bed.
01:15:30I'm going to bury the last three years of my life in sleep.
01:15:46Thank you for watching.
01:15:51Thank you for watching.
01:16:02Iris
01:16:05Iris
01:16:06What's wrong?
01:16:10I love you more than I thought I would.
01:16:11I don't want you to go anywhere.
01:16:14I'm insanely jealous of you.
01:16:18Should I believe it?
01:16:20I feel a sense of relief inside me for reasons I can't explain.
01:16:22Believe me, everything will be much different from now on.
01:16:26My one and only love
01:16:30What are you doing?
01:16:31You can't stay here.
01:16:33From where?
01:16:35Your aunt will wonder
01:16:36But whatever he says
01:16:50Erol
01:16:53Scratch my back
01:16:57Don't worry, Auntie.
01:16:58Yes
01:17:08Yes
01:17:25Thank you for watching.
01:18:08Thank you for watching.
01:18:09Thank you very much.
01:18:11I look like I'm saying goodbye.
01:18:13They called me. I'm returning today.
01:18:16How do you get back?
01:18:18By flying.
01:18:47Thank you for watching.
01:18:50Thank you for watching.
01:18:50Lie down!
01:18:55Hey, what are you doing here?
01:18:58Nihaben is a miracle, Suzan.
01:19:01I had a very pleasant heart attack last night.
01:19:04I was genuinely pleased.