00:00This is nice, I don't want to be able to do it.
00:03It's a pity the car.
00:05I don't want to be able to do it.
00:07Let's wait for you to leave the car.
00:31Hey!
00:32We're just waiting for a day.
00:35We're going to take a rehearsal with Franco.
00:37We're going to go to Lancaster.
00:43I'm going to go to Lancaster.
00:43I'm going to prepare my in-ears.
00:46I'm going to go to the rehearsal.
00:49We're going to go to Lancaster and Makati.
00:53So I'm going to go to Ciccio.
00:56I'm trying to go.
01:00It's been hard to go on.
01:02The rehearsal of Franco is often for me.
01:07The show is very difficult and difficult.
01:10Just letting us know what the drum muscle is.
01:14I know we're going to power this way.
01:18It's like this one.
01:19And then, ah, almost 30 songs yung, ano, yung, binanatan natin, binanatan eh, yung ginawa natin lo, with Chico Sai,
01:31tapos ito naman sa Franco is 20.
01:34So, ah, medyo mas maahaba nga lang yung kanta ng, ano, kanta ng Franco.
01:40Ano rin eh, medyo nanibago rin ako kasi, parehas naman drums, diba, pero kahit pa pano, parehas rock, pero magkaiba
01:47rin yung style and approach nila.
01:49May kaiba yung, ano ba ito, yung mga style group ng drums na, make sense ba yun?
01:57Kasi, iba rin yung dynamics na kailangan na palo.
02:00So, for Franco, iba rin yung kay Chico.
02:02Parang mas mabagal nga yung kay Franco, pero mas, paiba-iba naman yung volume ko.
02:08Tapos, sa Chico naman, mas mabibilis yung tanta.
02:12Parang tata ng speed yung, yung, yung, and then, may dynamics pa rin.
02:17Mas, ano lang, mas, naku, hindi, parehas naman natin nasasagad yung power na bigyan natin.
02:24Kasi, rock, yun lang, pero may adjustment pa rin kahit, ano.
02:30Kaya, dapat, guys, yun, sobrang importante na nag-e-end sa'yo.
02:36Parang, sobrang ma-familiar yung muscles natin.
02:39Bilang drums, eh, ano nga, ang daming departs na nagalaw sa'yo sa'yo.
02:45Yung apat na limbs natin, wrist, fingers, and arms natin.
02:52Para pagdating ng performance time, or pagdating ng day na tutugtog, tutugtog na kayo,
02:58mas, ang niintindi nyo na lang, is mag-perform, hindi na masyado yung mga parts,
03:04dahil yung parts, pag lagi nyo, lagi nyo ginagawa, ay, kusang lalabasin.
03:10And then, kaya, ano ba, kagabi, may nag-message siya akin.
03:14Ang tanong niya is, bakit daw iba yung palo niya pag nasa studio siya,
03:20tapos iba pag nasa live, parang Joe Marie, Joe Marie yung pangalan niya.
03:25Ano lang doon, kailangan mo lang mag-ensaya with the metronome.
03:30Pag na-familiar ka na doon sa higa ng pyesa, sa metronome,
03:36ayun, mas magiging relax yung pagpagtugme,
03:39kasi hindi mo na mababawa sa isipin mo yung,
03:42kung mabagal ba ako, bumibilis ba ako.
03:44So, pag inisip natin yun, mas doon pa ano eh,
03:48mas doon pa tayo bibilis, mas doon pa tayo mabagal.
03:50Na, ano yan, na-experience ko rin yan,
03:52pag mas lalo akong na-conscious doon sa tempo,
03:56mas lalo siya lumalaylay.
03:59Pero, yun, practice lang with the click.
04:01Pag kaya mo na mag-ensayo,
04:04and relax na relax ka na mag-ensayo with the click,
04:06try mo naman siya with the, ano na,
04:08sa performance na mismo.
04:11Hanggang sa maka-adapt mo.
04:14Ayun lang.
04:15Ayun pa, punta na ako nga.
04:17Sadcaster.
04:19Parang matikam natin ang ating in-ears.
04:21It's good.
04:24Ayun, nakuha ko na ang ating, ano,
04:26in-ears.
04:27So, bali yung, ganyan, sinukat ko,
04:30salyado-salyado na ulit.
04:32Ang naging concern ko dun kasi is,
04:35medyo nawala yung seal niya.
04:37Dahil,
04:37tayo ay,
04:39parang two years ago,
04:40kung pa pinaplano yung papapayat,
04:42pero,
04:42eto,
04:44kahit pa panay pumayat na tayo,
04:55naglalaro na lang ako sa, ano,
04:5762 to 64, 65, ganyan.
05:00Depende sa sarap ng kinakain ng araw.
05:03Pero, may nabasa kasi ako,
05:04kung ano eh,
05:05tatuha ko,
05:06may nag,
05:07stories,
05:07minsan,
05:08nag, ano daw,
05:09nag-turok daw ako,
05:10pampapayat.
05:10Hindi po,
05:11nag-anda lang ako.
05:12Nag,
05:13nag-adjust ng kain,
05:15kasi,
05:15before talaga yung kain ko,
05:16pang,
05:17pang-unlilagi eh.
05:18Ayun,
05:19nag, ano,
05:19fasting control,
05:21tsaka,
05:21konting walking.
05:23Walking lang,
05:23hindi ako natakbo.
05:25Mahabang walking lang sa madaling araw.
05:28Ayun,
05:29hawa naman ng Diyos,
05:30medyo,
05:32lumiitlet yung tiyan na.
05:34Nararabdam ako na nun,
05:35napag natagtog,
05:35tumatama,
05:36pag nag-feeling ako,
05:37tumatama na sa tiyan ko eh.
05:39ayun na,
05:40that's the sign.
05:42Ah,
05:42medyo maaga pa rin pala ako,
05:44iniisip ko,
05:45santa ako,
05:46pwede pumunta bago or sell.
05:48Baka dumaray siya na,
05:49tampay na lang,
05:50sa parking lot.
05:51Okay, let's go.
06:08Ayun,
06:09tapos na tayo dito.
06:10Tatakbo na ako sa,
06:11sa Noctos na bar.
06:14Bihis lang ako.
06:15Balit ang pantalon!
06:16Dito na akong magbibihis.
06:18Tsaka,
06:19bus na poist tayo eh.
06:21Sensored pa tayo.
06:22I-map out na natin.
06:24Saan tayo dadaan?
06:25Sa Noctos.
06:2742 minutes away.
06:29Ayaw.
06:31Let's take me to,
06:32Sky.
06:38Parah.
06:41Oh,
06:42for a second.
06:43Ayaw,
06:51please.
06:52Ayaw.
07:24I don't have to move on
07:371, 2, 1, 2, 3, 4
07:562, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1,
08:162, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1,
08:162, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1,
08:162, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1,
08:162, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1,
08:162, 1, 2, 1, 2, 1, 2, 1, 2, 1, 2, 1
