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Mumbai, Maharashtra: In an exclusive interview with IANS, director and screenwriter Sanoj Mishra opened up about his upcoming biographical film titled 'Sanoj: Tanha Safar', which is based on his real-life struggles and controversies. The director also spoke about his past controversy involving Mahakumbh viral girl Monalisa and revealed how he first met her. Sanoj further addressed about the case registered against him under the POCSO Act, stating that he will continue to fight for the truth no matter what. Towards the end, he also shared his views on the recent controversy involving singer Daler Mehndi, where Uttarakhand Forest Minister Subodh Uniyal interrupted Mehndi's live performance on stage, accusing him of being intoxicated and lip-syncing.

#SanojMishra #SanojTanhaSafar #Monalisa #MahakumbhGirl #POCSO #DalerMehndi #SubodhUniyal #UttarakhandNews #BollywoodControversy #IANSInterview #ExclusiveInterview #Biopic #DirectorSanojMishra #DalerMehndiControversy #EntertainmentNews #IANS

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Transcript
00:00First of all, welcome to INS Sanoj Ji.
00:02Thank you so much.
00:03Sanoj Tanha Saffar,
00:04which way you should describe it?
00:06I want to tell you that
00:09we have a habit of forgetting to forget it.
00:13And I'm announcing it to be clear for it.
00:18Because you will remember that
00:20a few years ago,
00:21I was in jail for a small time.
00:23Before that,
00:24the DADARIA of West Bengal,
00:25the time of Bengal,
00:26the government had a lot of cases.
00:28Before Ram Kijan,
00:30the time of the time of the Ram Kijan,
00:30there were many such things.
00:32Kashi to Kashmir,
00:33there were many allegations on me.
00:35And you will also have seen the latest
00:36that a girl was a viral girl,
00:39Mona Lisa,
00:39who I have made a film,
00:40The DADARIA of Manipur.
00:42But in the end of the day,
00:43the end of the day came to the end.
00:44After the release of the film,
00:45after the release of the film,
00:47after the release of the film,
00:48after the release of the film,
00:49and after the release of the film,
00:50I will be married.
00:51My career of the film has completely
00:52changed.
00:53So, behind the scenes of the film,
00:55the story of the Tihar,
00:56the story of the film was
00:57about Bengal in
00:58I was death.
01:02What did the evil human stories
01:03ago ,
01:04in which,
01:06after anything,
01:08you didn't have zoo
01:09the truth.
01:10That's how,
01:11if people are murdered,
01:14I saw the
01:14Elliot,
01:18but
01:19this theorykind of
01:21No one didn't see it, no one didn't see it. And even the judgment of Niyale, the judgment
01:27came in my favor and told me, the media didn't have any search for it. So the story behind
01:33this is my associate, Kripa Ji. They had a boost up for me for about a year and I thought
01:42that I should work and they had the command of the direction. And to write a story,
01:50the story of Niyale, the truth, which is the evidence, which is the truth, which is
01:53evidence on which it has been found. Because I am making a film, I will ask you to ask
01:57something, and I will go to Niyale, to go to Niyale, to go to Censor Board, because it is
02:01a real story. So the real story is related to the evidence, the documents, which we
02:07will show you, will be behind all the details. The story behind the Tihar story, will be
02:11behind all the details. Which I am going to be a rape case, will be behind all the details.
02:15So the story behind the Tihar story, we will be behind all the details.
02:18When did you get to Monalisa and where did you get to Monalisa?
02:25Well, it was a very big deal. Monalisa was viral, the family was gone, and the people
02:30came to their home. So a journalist suggested that you can take a challenge as a way.
02:35The big people are not sure how people are taking a film to make it.
02:39You may help a young man to a young man. So I gave him a great support.
02:43was
02:43.
02:44.
02:44.
02:44.
02:46And I had the same experience as a student.
02:48And I had the entire neighborhood.
02:51There was a student, writing, dance, classes, all the time.
02:55After that, I got into jail.
02:59I started the film.
03:01I got into the film and it was still a movie.
03:03The film was released.
03:04And after that, there was a tragedy.
03:06And a man named a man who was like a man.
03:08And I was like, how did the brainwash go?
03:11What was the story behind this movie?
03:16Okay.
03:16I thought you had a post.
03:18Yes, that's what happened.
03:20I didn't get here.
03:21I didn't get married.
03:22I didn't get married to my family.
03:24My family told me.
03:26My father told me that I had to take my care.
03:29I was in the anger.
03:31I said that I couldn't reach the situation.
03:34Therefore, I was going to go to the girl.
03:37I was going to go to the police station.
03:39I listened to the police station and I listened to them.
03:42In the situation, I got to go to the police station.
03:46I was going to go to the S.C.S.T. and I was going to work with a girl.
03:52I was working with the police station.
03:56I also went to the police station.
03:59I went to the police station and came to the police station.
04:01The situation was going to go to the police station.
04:03I thought that was going to go out on the matter.
04:06I didn't study this.
04:08But when I take a job,
04:09foreign
04:19foreign
04:21I said, yes, it's all, but it's me today too.
04:23And I'm fighting in a fight.
04:24I put a box on my face.
04:26I said, if you don't move from this matter,
04:29you will be able to get a fight.
04:31I said, whatever it will be, it will be.
04:33I have finished my life.
04:35Because I am true.
04:37If I am saying true,
04:38and I want to hit someone's voice,
04:40I will not say where I am,
04:43I will not end my life.
04:44I will fight the true fight.
04:46So, now, there is no matter with Mona Lisa?
04:48No, no.
04:49There is no matter with Mona Lisa.
04:52There is no matter with Mona Lisa.
04:55There is no matter with Mona Lisa.
04:56It's very common.
04:57It's the same.
05:01It's a different story.
05:02The woman who said,
05:03she said she said,
05:05my father and my life,
05:07she was given from me.
05:08She found out the wrong way.
05:10The country was looking at the same place.
05:13Now, who is the issue?
05:15Is it a different question?
05:19foreign
05:31foreign
05:47recently in bholivud in bholivud in hiripa ji
05:49in utrakanndh me koi concert
05:51karnay gaya the
05:53manniye mandri ji
05:54nne unka kaafi hi
05:56dur vayvar kiya
05:58unko daru uru
06:00PKH
06:00performance na karne kisala
06:03di
06:03iske vare me kya kaya na chahi
06:05dhiki unhiyan ji se
06:06mera hai wikta kat maamla bhi
06:07kai baar mila hain se
06:08lekin ishtarhi ki juhun
06:09nne set per jake
06:11manch pere jake
06:11jishtarhi se kala kaar
06:12ko vizat kiya
06:13toh mahi kahi se bhi
06:14unka saath nne li saakta
06:15agar ho bimar thay
06:17ya ho nashay me bhi thay
06:18toh bhi
06:19tariqa alag ho saktata
06:20public me jahkar
06:21kisi gizat ko uchhalna
06:22aur itinne sal
06:23puranay senior aadmi ko
06:25ye shobha bilkul nnehi deta hai
06:26aur mai iski alochina kharata ho
06:28yuzurui nnehi ki mladab
06:29aap
06:30dusere tariqe se bhi
06:31samjha saktay thay
06:32baat kar saktay thay
06:33kyao ki bheizat karke
06:34aapko kaya milnay wala ta
06:35agar maanlo kal ko
06:36ya sabit hoti
06:37ki ho bimar thay
06:37bimari kubhi bhi ho sakti
06:39kubhi bhi chizhe ho sakti
06:40hain toh aapko
06:41is tarihe se
06:41ya ahiankar hai
06:43ahiankar nnehi bholna
06:44chahiye
06:44hain nne 35 laak rupay
06:45dhe dhe
06:4535 laak rupay
06:46kisi ko kharid nnehi saktay
06:4735 laak rupay
06:49dhe kar koi
06:49dillere mehndi nnehi
06:50bun saktay
06:5035 laak rupay
06:51dhe kar koi
06:52sanoj misra bhi nnehi
06:53bun saktay
06:53ye baat
06:54hemeesha dhyan
06:54me rakhna chahiye
06:55hain paise
06:55dhe kar kisi ko
06:56bhi nnehi
06:56kharid saktay
06:57aur khasper rupay
06:58kala kari ko
06:58bilkul bhi nnehi
06:59kala toh
06:59ikdem
07:00amul
07:00iske
07:01toh koji
07:01qi mati
07:01nnehi
07:01ho
07:01tii
07:03haadzai
07:04ke baad
07:04meh
07:05dhuljit
07:05dhwosan
07:05ka bhi
07:06koncet
07:06honne
07:07wala
07:07dillii
07:07meh
07:08dillii
07:08dillii
07:08polis
07:09nne
07:09manakar
07:09koncet
07:10honne
07:10meh
07:10jis
07:11pek
07:11kya
07:11kya
07:12chahi
07:12dhiki
07:12is
07:12tari
07:13ki
07:13bata
07:13gilat
07:14kala
07:14kari
07:14kari
07:14kari
07:14kari
07:14kari
07:15marnothing
07:15was
07:15toh
07:17toh
07:19service
07:19vayas
07:20se ke
07:20program
07:20waha
07:20pa
07:21fail
07:21o
07:21toh
07:21permission
07:22na
07:22dena
07:22iha
07:23police
07:23kari
07:24six
07:24kari
07:26kari
07:26kari
07:27kari
07:27kari
07:27kari
07:27kari
07:28kari
07:28kari
07:41kari
07:43kari
07:43I think I'm always happy. I'm still empty.
07:47But the story is not complete.
07:48But Kripash Ji and Kudusa said that we worked on this issue
07:54so that people don't forget to forget.
07:57And the other thing is that the failure of this issue is.
08:01The failure of the SST Act, the Haryan Act, the Poxo, the Rep Case,
08:12This is a good environment for people who live in Bollywood and people who struggle and struggle.
08:23This is a story of Sanoj Tanha Saffar.
08:28Last year, you had a lot of experience behind me, but I was in jail for two months.
08:38Sorry to ask for that, but how was your experience?
08:41My experience was a lot of learning.
08:45I didn't learn anything outside the world.
08:47I learned that I was in jail.
08:50There was a small obligation when you go to jail.
08:54When the whole country was in jail, when my mother had a brain,
08:59the world didn't see anyone, nobody wanted to know that this is true or not.
09:04The same person who had a allegation, said that it was a mistake.
09:08But the media didn't even give me a lot of attention.
09:10Only the attention that she was in the face of a bed,
09:13and she was in jail.
09:16So in the media trial, there is a lot of damage in the family, family.
09:45Thank you so much.

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