An American reporter travels to Venice to interview a Romanian general, falling for a young heiress and blending duty with unexpected romance.
#family #comedy #musical #B&W
#family #comedy #musical #B&W
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00:00:00The End
00:00:36The End
00:01:17With the dawn of a new day
00:01:22Comes the sun in the sky
00:01:27With the dawn of a blue day
00:01:31Comes a tear in your eyes
00:01:34With the song of a singer
00:01:38Comes a lingering fool
00:01:42Out of the thrilling day
00:01:48Only comes with a permanent smile
00:01:53I want you here
00:01:59To have you here
00:02:04When love comes in the moonlight
00:02:12To have the right
00:02:17To hold you tight
00:02:22When love comes in the moonlight
00:02:30Tonight
00:02:32There is no time for sorrow
00:02:38Tonight
00:02:40Who cares about tomorrow
00:02:47So while we may
00:02:53Let's do the way
00:02:57When love comes in the moonlight
00:03:07Isn't it wonderful, darling
00:03:09That just you and I
00:03:11Can be here alone
00:03:12You love me, don't you?
00:03:14What was your question?
00:03:16Do you love me?
00:03:19Well
00:03:20Well, answer me
00:03:39That's better
00:03:41Gee, I never knew I could love like this
00:03:44I'll bet your sister
00:03:45Will raise Cain
00:03:46When she knows
00:03:47Knows what?
00:03:49But you're going to marry me
00:03:51Am I?
00:03:52What do you mean, am I?
00:03:56Of course I am
00:03:57Oh, I'm so happy
00:03:58It doesn't seem real
00:03:59Have you got another kiss
00:04:01You're not using?
00:04:02You spent the last weekend
00:04:03Kissing me
00:04:04Well, do you know
00:04:05Of a better way
00:04:06To spend a weekend?
00:04:07But you've got to find
00:04:08General
00:04:09What's his name
00:04:10And get that interview
00:04:11Or you'll lose your job
00:04:12Forget it, darling
00:04:14I'll get my story
00:04:15A fish may bite
00:04:17Listen
00:04:17In broad daylight
00:04:19But he makes love
00:04:21In the moonlight
00:04:23He finds an eel
00:04:26With sex appeal
00:04:28And they make love
00:04:30In the moonlight
00:04:33Tonight there is no time
00:04:36For sorrow
00:04:39Tonight who cares
00:04:41About tomorrow
00:04:45If we have brains
00:04:47We'd fight
00:04:48But of day
00:04:49And death
00:04:50A load of moonlight
00:04:55Oh, boy
00:04:56What a great berg
00:04:58This Naples is
00:04:58I wonder if any big men
00:05:00Are born here
00:05:01No, only babies
00:05:05Hey
00:05:07You'd better get down
00:05:08To steady bailing
00:05:09Look at there
00:05:17Where's the can?
00:05:20Where's the what?
00:05:21Where's the can?
00:05:28There, there ain't no can
00:05:29Who ever heard of a boat
00:05:31Without a can?
00:05:32Wait a minute
00:05:33I got an idea
00:05:34Well, let's have it
00:05:35Before it dies
00:05:36Of solitary confinement
00:05:39What'd you do?
00:05:40Win this boat
00:05:40On a punch board?
00:05:41No, I made it myself
00:05:44You were a carpenter?
00:05:45No, but my father was
00:05:47What'd he build?
00:05:48Buildings?
00:05:49No, he built houses
00:05:51What, big houses?
00:05:52No, little houses
00:05:53What kind?
00:05:54Little houses
00:05:56I see
00:05:57He was a specialist
00:06:01Hey, what was all
00:06:02The excitement
00:06:02On shore last night?
00:06:04I found an end
00:06:05Dead in the alley
00:06:05With a knife in his hand
00:06:06With a knife in his hand?
00:06:08Who do you think poisoned him?
00:06:10I don't know
00:06:11Who?
00:06:12Nobody
00:06:13He hung himself
00:06:15I know, but how
00:06:15How do you know
00:06:17He hung himself?
00:06:17How do I know
00:06:18Why the gas jet
00:06:19Was wide open?
00:06:21Was there
00:06:22Was there much gas?
00:06:23Much gas
00:06:24As he was cut
00:06:24From ear to ear
00:06:27Did he
00:06:27Did he bleed much?
00:06:30What's that?
00:06:30Did he bleed much?
00:06:32Every bone
00:06:33In his body
00:06:33Was broke
00:06:36He'd been in the water
00:06:37Over 72 hours
00:06:3972 hours, eh?
00:06:40Well, was he dead?
00:06:41I beg your pardon
00:06:42Was he dead?
00:06:43I don't know
00:06:44He's gonna phone
00:06:45Let me know
00:06:45In the morning
00:06:48Here we are, sweetheart
00:06:50Be careful
00:06:52Now, let me help you
00:06:53On with your coat
00:06:53You know
00:06:54I don't want
00:06:55My little darling
00:06:56To catch cold
00:06:56Oh, you're always
00:06:57So thoughtful, honey
00:06:58You betcha
00:06:58Why, Miss Winston
00:07:00What are you doing here?
00:07:01Oh, Miss Dodge
00:07:01Something terrible
00:07:02Has happened
00:07:03Something's happened?
00:07:04Yes, your sister
00:07:05Missy has telephoned
00:07:06From London
00:07:06And wants you
00:07:07To come at once
00:07:07My sister?
00:07:09Well, didn't she
00:07:10Say what it was?
00:07:11No, she said
00:07:12She could not
00:07:12Tell me on the telephone
00:07:14It must be
00:07:15Something dreadful
00:07:16Now, don't get
00:07:17Excited, dear
00:07:18I've talked
00:07:19At a seaplane
00:07:19Have your bags
00:07:20All packed
00:07:21You can leave
00:07:22At once
00:07:22Oh, well
00:07:23I suppose I can
00:07:25Then I'll go
00:07:26And see about the boat
00:07:26Oh, Charlie
00:07:28Listen, honey
00:07:30I'm going with you
00:07:30I'll go upstairs
00:07:31And pack my bags
00:07:32No, no
00:07:33You can't do that
00:07:34Why not?
00:07:35You've got to stay here
00:07:36And get that interview
00:07:37Oh, what do I care
00:07:38About the interview?
00:07:39What do I care
00:07:39About the general?
00:07:40You're in trouble?
00:07:41I'm going with you
00:07:42Job or no job?
00:07:43Now, wait a minute, darling
00:07:44We both can't
00:07:45Lose our heads
00:07:46It's best that you
00:07:47Stay here
00:07:48You see
00:07:49That'll give me
00:07:50A chance to tell
00:07:50The folks about us
00:07:52Oh, if I only knew
00:07:53About Missy
00:07:54Already, Miss Dodge
00:07:55I'm coming
00:07:58I don't know
00:07:59What I'm going to do
00:07:59Here without you
00:08:01I'll be right
00:08:02No, you won't
00:08:04You get the interview
00:08:05And I'll be right back
00:08:07And I'll be right here
00:08:16Goodbye, darling
00:08:17Oh, don't say goodbye
00:08:18It sounds too much
00:08:19Like the finish
00:08:20Just say so long
00:08:22I just knew
00:08:23Two people couldn't be
00:08:24So much in love
00:08:25Without something happening
00:08:42Adieu, my dear
00:08:45I'll be right here
00:08:51When love comes in
00:08:57The moonlight
00:09:27Wait a minute, wait a minute
00:09:29There's a guy we're looking for
00:09:30That's a monk
00:09:31With a wooden leg
00:09:33He hasn't got a wooden leg
00:09:34Sure, he's got a wooden leg
00:09:36If that guy's got a wooden leg
00:09:38Then I'm an incubator baby
00:09:40You're wrong
00:09:41I'm always wrong
00:09:42Now you're right
00:09:43Look the way he's standing
00:09:44One, where's your slingshot?
00:09:46Right there
00:09:46Well, use it
00:09:47I don't want it
00:09:48I say use it
00:09:49I don't want it
00:09:50Why don't you want to?
00:09:52Because he hasn't got a wooden leg
00:09:55Listen, I'm telling you
00:09:57Use it
00:09:58All right, if you say so
00:09:59Well, I'm telling you
00:10:00All right
00:10:01All right
00:10:03Here goes
00:10:09You know, I don't think that guy's got a wooden leg
00:10:11Will you listen to me?
00:10:13Do as I tell you
00:10:14All right
00:10:15All right
00:10:16All right
00:10:20Ow!
00:10:24You know, I can't understand that
00:10:26Hey
00:10:29What's the idea of shooting me with a pin?
00:10:32Just a little joke on my friend here
00:10:34He thought you had a wooden leg
00:10:35Well, he has a wooden head
00:10:36He did it
00:10:37He told me to
00:10:38Anyhow, we're just down here in line of duty
00:10:39What duty?
00:10:40Well, you see, we're looking for a guy with a wooden leg
00:10:42He robbed a Navy store
00:10:43So the captain sends us out to get him
00:10:44And we always get our man
00:10:45Say, listen, who's telling this?
00:10:46I'm telling it
00:10:48Don't show your ignorance
00:10:50Hey, did your mother ever raise any children?
00:10:52Well, what of it?
00:10:53I say, did your mother ever raise any children?
00:10:56No, my old man won me in a craft game
00:11:00Is that so?
00:11:01Yes, that's so
00:11:02Is that so?
00:11:04Yes, that's so
00:11:06Hey, listen
00:11:07You listen to what I got to tell you
00:11:09You know this, buddy
00:11:10Wait a minute
00:11:11What's the matter with your pals?
00:11:15That's nothing
00:11:15I'll stop that
00:11:18Are you two boys really in the Navy?
00:11:20Sure
00:11:21Who'd you think we were?
00:11:22Topsy and Eva?
00:11:24Well, what boat are you on?
00:11:25The Walla Walla
00:11:26The Walla Walla?
00:11:27They liked it so well
00:11:28They named his wife
00:11:29Well, that's a coincidence
00:11:30I was on that boat during the war
00:11:32You were on that boat
00:11:34Sure, sure
00:11:35I got you now
00:11:36You was a lieutenant, wasn't you?
00:11:38Right
00:11:38You
00:11:38We liked you just the same
00:11:41You were Lieutenant Carol
00:11:42I remember you now
00:11:45You're the guy that gave us leave one night
00:11:47The same night we took the two girls out from Hoboken
00:11:49Yes
00:11:49The same night you gave me the girl you didn't want
00:11:52That's a lie
00:11:53The girl I don't want
00:11:55Don't live
00:11:57Hey, wait a minute
00:11:59Wait a minute
00:12:00Wait a minute
00:12:00You're in the presence of a gentleman
00:12:02Don't you know the difference?
00:12:04Sure
00:12:05You and him
00:12:06Yes, listen
00:12:07And if you ever need a friend
00:12:08Call on us
00:12:10Say, we're your friends
00:12:11Fine
00:12:11We're your friends to the bitter end
00:12:13That's what we are
00:12:15We're your friends to the end
00:12:24That's for you
00:12:31Oh, you little snooky snaggy
00:12:32Oh, you little snooky snooky
00:12:34You little ducky ducky
00:12:36Do you want me?
00:12:37Oh, how could you have such questions?
00:12:41How do you do?
00:12:42Yes, it is a lovely day today, isn't it?
00:12:45Well, how are you?
00:12:46How are you feeling?
00:12:47I mean, I'm sorry you said what I did, thank you
00:12:50Maybe I'm wrong
00:12:52It's a niff-a-diffle
00:12:53Hello, baby
00:12:54Say, listen
00:12:55There's only one word in the English language
00:12:57That would express my feeling for you
00:12:58But he forgot the word
00:13:00Hey, listen
00:13:01Haven't we
00:13:02Haven't we met before?
00:13:03No, no
00:13:04I have not met you
00:13:06But I have met him
00:13:08It's still a deal
00:13:10Do you like me?
00:13:11Oh, I'm just crazy about you
00:13:15Please
00:13:16Give me a little kiss
00:13:17It'll cost you three dollars
00:13:19Oh, I'm sorry
00:13:21I only got one dollar
00:13:23Well, I'll kiss you
00:13:25But remember
00:13:26I'm losing money
00:13:41How dare you
00:13:47Whistle
00:13:48Whistle, I'll kiss him
00:13:50Whistle
00:13:52Where is she?
00:13:54Where is she?
00:13:55You know I'm crazy about women that beat me
00:14:00Well, here I am, you gorgeous man
00:14:04I'm coming, baby
00:14:07I'm coming, baby
00:14:14I'm coming
00:14:15But I want you to be
00:14:38I'm coming
00:14:39Come on
00:14:41Attention, come here.
00:14:44I want you to force that man off the General's family.
00:14:47Oh, why don't you give a fellow a break?
00:14:50What's this all about, Secretary Quantro?
00:14:51I tell you again, for the 18th time, the General will not see any reporter.
00:14:57He will give no interview.
00:14:59Well, my paper gave me this assignment.
00:15:01And when I go after a story, I've got to get it.
00:15:04Oh, so you forced me to be unpleasant, eh?
00:15:21I thought you said I could see the General.
00:15:23How about giving me my money back?
00:15:24Your money is now being used for the cause of liberty.
00:15:38The one who just bought the doll?
00:15:42Say, what's the connection between her and the General?
00:15:45There is a very good connection.
00:15:49Do you understand?
00:15:51Yes.
00:15:55Oh, but I don't want to get it that way.
00:15:57It's the only way I know all that you can get to meet the General.
00:16:07Well, here I go.
00:16:10Have a nice time.
00:16:11Bye-bye.
00:16:16Pardon me, miss.
00:16:18Pardon me.
00:16:20My name is Carol of the Paris Herald.
00:16:22I...
00:16:22I do not care if you are Carol from Paris Green.
00:16:25I've come to...
00:16:26You may go, too.
00:16:27I do not care if I am.
00:16:36Oh, waiter.
00:16:38Okay, Eddie.
00:16:39You, senor?
00:16:40No.
00:16:58Who is that man over there?
00:17:02He says he is Carol from the Paris Herald.
00:17:06Oh, Bambola.
00:17:08This doll speak?
00:17:12That's a sense.
00:17:14Handsome, isn't he?
00:17:17Handsome?
00:17:18Oh, yes.
00:17:19Cute doll, isn't she?
00:17:21Which one?
00:17:22The big one or the little one?
00:17:24The little one?
00:17:25Why don't you go over and meet the little doll?
00:17:28I can't.
00:17:29I'm too bashful.
00:17:30Why don't you take me over?
00:17:32Do you think she'd mind?
00:17:38Pardon, but my little doll would like to meet your charming little lady.
00:17:41So, yes?
00:17:42Her name is Charlotte.
00:17:43His name is Ruth.
00:17:45Ruth, meet Charlotte.
00:17:46Charlotte, Ruth.
00:17:48I am very glad to know you, sir.
00:17:50Oh, the pleasure is municipal.
00:17:53Now that we've introduced the doll,
00:17:55I'd like to ask you a few very important questions.
00:17:59Alone, if you don't mind.
00:18:01I do not mind.
00:18:03Come, Charlotte.
00:18:04Come, Ruth.
00:18:16Come, Ruth.
00:18:19Wait a minute, wait a minute, wait a minute.
00:18:21What do you mean running away from us like this?
00:18:22Listen, baby, we haven't got the measles.
00:18:24You boys have nothing that would interest me.
00:18:27No?
00:18:28Well, you'd be surprised.
00:18:29Listen, we've been from one end of the world to the other.
00:18:31And what we haven't seen ain't.
00:18:34Did you boys forever in Paris?
00:18:37Did we boys forever in Paris?
00:18:40Well, I should say so.
00:18:42Ah, vollez-vous français, monsieur.
00:18:45I beg your pardon?
00:18:46Vollez-vous français, monsieur?
00:18:47I don't get you.
00:18:48I said, do you speak French?
00:18:50Oh, sure.
00:18:52Don't we?
00:18:54But I still don't think you were ever in Paris.
00:18:57No?
00:18:58Sure, the affidavit.
00:19:00Take a look at this postcard.
00:19:04Oh, how dare you?
00:19:09Hey, wait a minute, wait a minute, wait a minute.
00:19:11What do you mean by showing her this picture?
00:19:13What?
00:19:13What do you mean by showing her this picture?
00:19:18I thought it was the Eiffel Tower.
00:19:23Hopefully sorry I'm late, Miss Wando.
00:19:26What's the matter?
00:19:28Oh, the general has beat me, Charles.
00:19:30See, I am blue and black all over.
00:19:32What?
00:19:32Look.
00:19:34He pinched me here twice.
00:19:35I've got a good mind to go over there and...
00:19:37Oh, no, no, Charles.
00:19:38The guards, they will kill you.
00:19:39Let him try.
00:19:39Oh, but that is not the right way.
00:19:41Well, why did he do it?
00:19:43Because you know I have fallen in love with you.
00:19:47Well, come on, let's go.
00:19:49Here's to happiness.
00:19:51And lots of it.
00:19:52To happiness.
00:19:57A telegram for you, senor.
00:19:59When did this come?
00:20:00Yesterday before the other day at the 135 minutes, not yet.
00:20:03Oh, I'm quick like a fish.
00:20:05Well, if this came yesterday, why do you deliver it today?
00:20:08Oh, in Italy we never make a hurry up.
00:20:10But the air shifts and they bring in the mail.
00:20:11What do we take on time?
00:20:13Oh, I see.
00:20:14Well, thank you very much.
00:20:15Take you too much, too.
00:20:16To guard his disease.
00:20:17Oh, man.
00:20:19I'm probably an ex-reporter by now.
00:20:22Remember, kill me, promise.
00:20:24I will see that you get the interview with the general.
00:20:39Is there something wrong, Charles?
00:20:45Oh, somebody is kidding me, I guess.
00:20:48Does this old paper want you to get something for them?
00:20:52Why?
00:20:53This is a joke.
00:20:54Somebody is joking.
00:20:56Here, read it.
00:21:01Oh, no.
00:21:02This is no joke.
00:21:03I read this in the Italian paper this morning.
00:21:05It is true.
00:21:09You're not kidding me, are you?
00:21:11I know I read it this morning.
00:21:17Oh, I can't believe it.
00:21:21Charles, can you understand?
00:21:23It is something about the girl you love.
00:21:25Yes?
00:21:26Oh, this can't be true.
00:21:29But there are many girls, Charles.
00:21:31You will find another one.
00:21:34Yes?
00:21:35No, it's nothing.
00:21:38Nothing important.
00:21:41It don't mean a thing.
00:21:43Do not be sad, Charles.
00:21:46Remember the song you sang to me?
00:21:50Wherever you stay, wherever you go,
00:21:55Leave a little smile
00:21:59With someone you know
00:22:03And if you don't feel
00:22:07Like singing a song
00:22:11Leave a little smile
00:22:14As you go along
00:22:17Look, Charles
00:22:19You can cross
00:22:21Every cloud
00:22:23From the sky
00:22:24You can clear
00:22:28Every tear
00:22:30From your eyes
00:22:32Oh, polish your blue
00:22:35With plenty of sun
00:22:39And leave a little smile
00:22:43For each and every one
00:22:54There, you feel better now?
00:22:55You have forgotten all your troubles?
00:22:58CUNY has made you happy, you know?
00:23:00I never felt better in my life.
00:23:02Charles, the general is leaving tomorrow.
00:23:05But I thought...
00:23:05Oh, no, the plans have been changed.
00:23:07The big push to push over the Montenegrin government
00:23:09Has for next week been decided.
00:23:11In one week, the general will be a dictator
00:23:14Or a court.
00:23:15Boy, that's news.
00:23:16That's a front-page scoop.
00:23:17You have seen, perhaps,
00:23:19The big seaplane that arrived this morning
00:23:20From Constantinople?
00:23:21Yes, I saw it.
00:23:22He has brought it to take him away.
00:23:24If he go on the train,
00:23:25He is afraid for someone will kill him.
00:23:28But, CUNY, what about you?
00:23:29You are not going with him, are you?
00:23:31Oh, I do not want to go.
00:23:33Well, then don't go.
00:23:34But what will I do?
00:23:35I have very little money.
00:23:37Listen, CUNY,
00:23:38You're going to Paris with me.
00:23:40Oh, I do not know, Charles.
00:23:42I do not know.
00:23:43All right, I'll do the knowing for both of us.
00:23:46Oh, I'm caring for you so much, Charles.
00:23:48My sweetheart, my love.
00:23:51Then we go.
00:23:52Tomorrow.
00:23:53You and me, CUNY.
00:23:55Paris.
00:23:55Paris.
00:23:57Paris.
00:23:58Paris.
00:24:24Ah, Louisa!
00:24:33Why did you follow me here tonight?
00:24:34Me and my shadow?
00:24:36Why are y'all looking for that guy with a wooden leg?
00:24:38On a beautiful night like this?
00:24:40Who wants a wooden leg?
00:24:42But what's tonight got to do with it?
00:24:43Tonight's night for love. Gorgeous love.
00:24:47Give any love.
00:24:48Give any love. Why, you don't even know what love is.
00:24:50No? No.
00:24:52Yes? Yes. Yes.
00:24:53Tell me what love is.
00:24:55Love? Yes, love.
00:24:56Love is like mushrooms.
00:24:58You never know the real thing until it's too late.
00:25:04No, but wait a minute.
00:25:05Wait a minute.
00:25:06I've got business to do here tonight.
00:25:10Ah, Louisa!
00:25:12I wonder where she could be.
00:25:13Maybe she's painting her gondola.
00:25:16She's what?
00:25:17I say maybe she's painting her gondola.
00:25:19I never knew they'd painted those things.
00:25:25Oh, Louisa!
00:25:28Louisa!
00:25:29Ah, you wonderful navy bean!
00:25:32Did you come tonight to serenade me?
00:25:36Well...
00:25:36That's one of the reasons.
00:25:41Oh, Sola Mia!
00:25:44You have no idea
00:25:45How we can massage a guitar!
00:25:49We've nothing to sell you
00:25:51We just want to tell you
00:25:52The kind of polluters we are!
00:25:56I'm Julius and Caesar
00:25:58Oh, tell us, Louisa
00:26:00Oh, tell us, which one do you love?
00:26:03I'm Coca
00:26:04I'm Cola
00:26:05You sweet raviola
00:26:07Oh, tell us, which one do you love?
00:26:10From what we have seen of your Napoli
00:26:14We could stay here and die happily
00:26:18I'm Rudy
00:26:19I'm Valley
00:26:20Come down to the alley
00:26:22And tell us, which one do you love?
00:26:27I'm Siam
00:26:28I'm Easy
00:26:29We're both Siam
00:26:30Easy
00:26:31Oh, tell us, which one do you love?
00:26:34I'm Simon
00:26:35I'm Peter
00:26:36You sweet garlic eater
00:26:38Oh, tell us, which one do you love?
00:26:41While you're standing there dressed so simply
00:26:45We're down here feeding
00:26:47Goose
00:26:47and police
00:26:49I'm Dee
00:26:49Sam
00:26:50I'm Dove
00:26:51Come down, let's rub noses
00:26:53And tell us, which one do you love?
00:26:57Oh, tell us, which one do you love?
00:27:13Oh, tell us, which one do you love?
00:27:16Oh, tell us, which one do you love?
00:27:27Where ever you stray, where ever you go, leave a little smile with someone you know.
00:27:40And if you don't feel like singing a song, leave a little smile as you go along.
00:27:54You can crowd every cloud from the sky. You can clear every tear from your eye.
00:28:07So party your blues with plenty of sun. And leave a little smile for each and every one.
00:28:20I want you near, to have you here, when love comes in the moonlight.
00:28:36To have the right, to hold you tight, when love comes in the moonlight.
00:28:53Tonight, there is no time for sorrow. Tonight, who cares about tomorrow?
00:29:08The while we may, let dreams away, when love comes in the moonlight.
00:29:36Charlie!
00:29:38Well, that isn't the princess.
00:29:41You're in a fine condition.
00:29:43It's marvelous how royalty can see things.
00:29:47Why didn't you meet me at the boat landing?
00:29:49Meet you? You'll pardon me if I don't seem to follow you.
00:29:52You slabbed us so erratic.
00:29:54You got my telegram.
00:29:56Did you honor me with a telegram, princess?
00:29:59You mean to say that you didn't get it?
00:30:02Oh, this is Italy. You should have brought it with you.
00:30:06Charlie, who's that woman?
00:30:08What woman?
00:30:10Juliet.
00:30:11Oh, that's my fiancée.
00:30:13Your... your what?
00:30:15My fiancée.
00:30:16You want to know what a fiancée is?
00:30:19Yes.
00:30:20Oh, that's a fine way to congratulate me.
00:30:24Isn't this someplace in Goward?
00:30:26Quiet.
00:30:27I must talk to you.
00:30:29Why, the view is lovely from here.
00:30:32The pleasant waters of the Mediterranean.
00:30:34And look, Mount Festuvius, brooding over the peaceful landscape.
00:30:37See Naples and die.
00:30:41Please, Charlie.
00:30:42Please.
00:30:43Oh, there's so much I want to tell you.
00:30:46Can't we get away from these?
00:30:48Well, that's all right, princess.
00:30:50That's all right.
00:30:51They don't speak English.
00:30:52Anyhow, what is there to talk about?
00:30:54There's a lot to talk about.
00:30:55What do you think I came here for?
00:30:57Well, that's a matter I've practically given no thought to, princess.
00:31:01Don't act that way and stop calling me princess.
00:31:04You mean to imply that you did not marry His Highness?
00:31:06That's what I want to talk about.
00:31:08Of course I marry His Highness.
00:31:10Oh, Charles.
00:31:14Will you come up here at once and fix my suitcase for me?
00:31:16It is broken.
00:31:17Why, certainly, darling.
00:31:19I'll be right with you.
00:31:21You can depend upon me for anything, baby.
00:31:26Well, so long, princess.
00:31:28I'll be seeing you.
00:31:29Wait a minute, Charlie.
00:31:31Toodle-oo.
00:31:33Charlie.
00:31:34Toodle-oo.
00:31:44Toodle-oo.
00:31:46With you, it's one sham after the other.
00:31:48You know, you'll make the blood of my Spanish mother boil within me.
00:31:52And the potatoes of your Irish father ought to be cooked by now.
00:31:55Yes.
00:31:56Yes.
00:31:56Waiter.
00:31:57Waiter.
00:32:05What do you want?
00:32:06What do you want?
00:32:07Everything.
00:32:08Pardon me.
00:32:09What do you do?
00:32:10Oh, that stupid.
00:32:12Oh, Mr. Emery.
00:32:13If you want to get me out of the river, how are you?
00:32:15Good evening, my friend.
00:32:16Take it, my friend.
00:32:17Take it, my friend.
00:32:20Take it, my friend.
00:32:21Take it, my friend.
00:32:22Take it, my friend.
00:32:22Oh, oh, oh, oh, oh, oh.
00:32:23Oh, oh, oh, oh, oh, oh.
00:32:26Oh, oh, oh, oh, oh.
00:32:30There's that guy we're looking for.
00:32:31Where?
00:32:32The guy with the wooden leg.
00:32:33Where?
00:32:33See, we're up in the door there.
00:32:35Are you sure?
00:32:35I'm positive, but you better prove it.
00:32:38I don't want to get in no trouble now.
00:32:39Shoot.
00:32:40All right, if you say so.
00:32:41I tell you.
00:32:42All right.
00:32:43All right, if you say so.
00:32:53You bitch!
00:32:55How do you get like such, eh?
00:32:57How do you get like such?
00:32:58How dare you pinch me?
00:33:00I pinch you?
00:33:02Yes.
00:33:03Where I pinch you?
00:33:04None of your business.
00:33:06Well, if I pinch you into my pinch,
00:33:08show me the pinch.
00:33:09Show me the pinch.
00:33:09How dare you?
00:33:10What do you mean by flirting with my wife?
00:33:13I flirt with your wife?
00:33:15Yes, I saw you put your arms around her.
00:33:17I put my...
00:33:18What do you think I am, octopus?
00:33:20I do tricks?
00:33:22I do tricks?
00:33:23You know that twice around the wrist is so big as the neck?
00:33:26And twice around the neck is as big as the waist?
00:33:29And once around the Camille Capartin de la Pompola is as big as Napoli!
00:33:34How you like them, eh?
00:33:35How you like them?
00:33:38Hey!
00:33:38Fubinacci!
00:33:39Fubinacci!
00:33:40Quick!
00:33:40Hurry up!
00:33:41They fixed the cheque!
00:33:42They fixed the cheque!
00:33:43You got us in another jam again.
00:33:45Left our money on the ship and now we can't pay the cheque.
00:33:48You big...
00:33:56Hey, wait a minute.
00:33:57Here he comes.
00:33:59Act of concern.
00:34:05What's the idea you know how to pay the cheque?
00:34:07You eat the spaghetti in my face.
00:34:08You eat the salado in my face.
00:34:09You eat my salad.
00:34:10You eat my fruit.
00:34:11You drink my coffee.
00:34:13What kind of people you are anyhow.
00:34:17Now, can you make it any cheaper?
00:34:19Not cheaper.
00:34:20Everything is the same price.
00:34:21Don't get excited.
00:34:22We've got the money.
00:34:23You got the money?
00:34:24Yes, I've got the money.
00:34:25The money?
00:34:26No!
00:34:28What is a cuckoo or something this boy?
00:34:30What are you getting excited for?
00:34:31I've got the money.
00:34:32I've invited the man out to eat and I'm going to pay for it.
00:34:34Of course.
00:34:35But I want to pay for it.
00:34:36You want to pay for it.
00:34:37Yeah, but I insist upon paying for it.
00:34:38You want to pay for it.
00:34:39Yeah, but I'm going to pay for it.
00:34:41Listen, listen, listen to the real.
00:34:43If you'd invite a man out to eat, what would you do if you were me?
00:34:46I'd pay the cheque.
00:34:48We'll pay it.
00:34:52You see cowboys.
00:34:54I demand compensation.
00:34:56What do you mean compensation?
00:34:57I want you to pay this cheque.
00:35:00All right, we'll pay it.
00:35:01We'll sing for you.
00:35:02Yeah?
00:35:03Yeah.
00:35:03When we finish, you'll owe us money.
00:35:05Come on.
00:35:06Mostra mila, madame and Angela parkuttgoes,
00:35:08the lacutti, lacutti in the two.
00:35:13Cheers.
00:35:16Yeah.
00:35:16Yeah, I want to...
00:35:17Each other port of sailor has met, give us hope.
00:35:19A girl whom he's told he would never forget.
00:35:21Never forget.
00:35:22But we've found a girl that we'll never forget.
00:35:35And that's why we want the girls a
00:35:38And everything we know
00:35:40We want the girls a
00:35:41And everything we know
00:35:42We want to fill up our kisses
00:35:44While we love to sew
00:35:45That's why we need our
00:35:46In every port we go
00:35:48Because ain't we got fun
00:35:49Sail out at sea
00:35:51Ain't we got fun
00:35:52No life to worry me
00:35:54Now you chase me
00:35:55And I'll chase you
00:35:55The fun has just begun
00:35:57Oh gosh, oh gosh, oh gosh
00:35:58Girls ain't we got fun
00:36:03You know
00:36:07You know
00:36:09Oh
00:36:12Oh
00:36:15Oh
00:36:15Oh
00:36:15Oh
00:36:32You still owe me money
00:37:00I like it
00:37:05Everything she did
00:37:06The bill she paid
00:37:08And you know what I'm going to do for you
00:37:11No
00:37:11I'm going to give you
00:37:15What's that?
00:37:17You will find out
00:37:18Don't do that
00:37:18That's my famous cocktail
00:37:22How do you make it?
00:37:25Oh, that's the big thing
00:37:26Don't do that
00:37:27Now the first thing you do
00:37:29Is you take some high
00:37:31Some what?
00:37:33Some high
00:37:34I beg your pardon?
00:37:35He means ice
00:37:36Oh, ice
00:37:37Smart little American boy
00:37:41He's got us wrong
00:37:42And the next thing you take now
00:37:45Is some little green leaves
00:37:47What do you call those little green leaves in English?
00:37:50Shamrock
00:37:52No
00:37:52Don't do that
00:37:54Then the next thing is
00:37:56What do you call that?
00:37:57Those little green cracks
00:37:58No, no, no, no
00:38:00Those little green leaves
00:38:01Poison ivy
00:38:02He means mint
00:38:06Oh
00:38:07Mint
00:38:08I love you
00:38:11Now I know he's got us wrong
00:38:13The next thing you take now
00:38:15It's a macquandromicu
00:38:17Ullacaral
00:38:17De tutta questa diria fa
00:38:18Elacendo diria fa
00:38:20De non dependa diria
00:38:21Que
00:38:23Makes it exquisato
00:38:25Then you take that
00:38:28What do you call that you squeeze like that?
00:38:30Lemon
00:38:31Wonderful
00:38:32Great, my boy
00:38:34Orange
00:38:35Orange
00:38:35Orange
00:38:37Orange you the fellow with
00:38:39The open up umbrella
00:38:41We're both
00:38:42Oh, look, look
00:38:43And jelly time was head for all
00:38:49What do you think of this?
00:38:55Are you going to say something you never have before in your life?
00:39:00Wine from the package
00:39:02Wine from the package
00:39:04Because you because you love mandalope
00:39:07Wine from the package
00:39:10How you like for them, eh?
00:39:11All right
00:39:12Here we go
00:39:13Together like brothers
00:39:14Allez
00:39:17Benzene
00:39:18Speak that way about this drink when he gave it to you
00:39:20It's terrible
00:39:21No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:39:23no, no, no
00:39:23Please don't fight, boys
00:39:25Let us drink
00:39:26I won't drink with him
00:39:27No, no, please
00:39:27I won't drink with him
00:39:29Oh, come on
00:39:29I won't drink with him
00:39:30I, I
00:39:36Oh, my God, no, no, no
00:39:38We go
00:39:38We go.
00:39:39We go.
00:39:39We go.
00:39:51Van Clos.
00:39:55What are you doing here?
00:39:57I thought you were in Paris.
00:40:00Have you been following me?
00:40:01Prince Ivani Ivanovich Kosov, your husband,
00:40:04was greatly concerned that no harm should befall your highness.
00:40:07I am your servant.
00:40:09How sweet of it.
00:40:10His highness will presently be here in person for your honeymoon.
00:40:14What?
00:40:15The prince is coming here?
00:40:17Yes, your highness.
00:40:19And now, if you'll be so good as to excuse me,
00:40:21I'll see that everything is in redis for Prince Ivani Ivanovich Kosov.
00:40:37This princess is here.
00:40:39Where is she?
00:40:39Where is she?
00:40:40I thought you were.
00:40:41But you met my queen.
00:40:43Oh, princess.
00:40:44I was here two minutes ago when I see you.
00:40:46And I don't see you.
00:40:46And I'm not too much.
00:40:47I'm not too much.
00:40:48I'm not too much.
00:40:49I'm not too much.
00:40:50I'm not too much.
00:40:50I'm not too much.
00:40:50Oh.
00:40:51What's the matter with you?
00:40:52I'm a dick.
00:40:53What is it you want?
00:40:54I've come to tell you that everything is arranged.
00:40:57A beautiful bridal suite with two antique beds.
00:41:00One Julius Caesar he sleeps in, and the other Josephine.
00:41:03What?
00:41:04Oh, but 2,000 years apart.
00:41:06Oh, but I don't want to, Ben.
00:41:08Oh, I see.
00:41:09Well, one big bed.
00:41:10Beautiful American sentiment.
00:41:12Whatever gave you the idea that I want to occupy the same room with the prince?
00:41:15Well, you are married?
00:41:17Yes.
00:41:18Well, it's an old Italian customer.
00:41:20You don't understand.
00:41:21I want to get as far away from the prince as I possibly can.
00:41:24Oh, I see.
00:41:25Happy family.
00:41:26Well, I put the prince east, and I put you south.
00:41:37The prince.
00:41:38The prince.
00:41:39The prince.
00:41:39The prince.
00:41:43Where's my luggage?
00:41:44In the brighter suite of the prince.
00:41:46The prince.
00:41:58The prince here.
00:41:59The princess here.
00:41:59The princess is already here, Your Highness.
00:42:01In Paris I followed her to the railway station where I found she'd booked a ticket for Naples.
00:42:05But I arrived here first.
00:42:08Well, you've done it splendidly.
00:42:09Splendidly.
00:42:10And don't forget to remind me to make you a baron when we get back to Moscow.
00:42:14The prince!
00:42:15The prince!
00:42:16Hurry up!
00:42:16The prince!
00:42:17The prince!
00:42:17Oh!
00:42:18The prince!
00:42:19The prince!
00:42:21The prince!
00:42:22The prince!
00:42:23The prince!
00:42:24The prince!
00:42:25Pardon me.
00:42:25But I'm not the prince.
00:42:27I'm his valet.
00:42:28His valet?
00:42:29Yes, his valet.
00:42:32Oh!
00:42:33The prince!
00:42:34My man!
00:42:35The man!
00:42:35The prince!
00:42:37The prince!
00:42:37Bow!
00:42:38Bow!
00:42:38Bow!
00:42:39Bow!
00:42:39The prince!
00:42:40Bow!
00:42:40Bow everybody!
00:42:41Bow!
00:42:43Bow!
00:42:44Bow!
00:42:44Bow!
00:42:45The prince!
00:42:45Bow!
00:42:46Bow!
00:42:46Bow!
00:42:48You talk like an Airedale.
00:42:50Airedale?
00:42:51No.
00:42:52God love me.
00:42:53Look who can.
00:42:53The prince of Airedale.
00:42:57Oh, my love, my sweet.
00:42:58I found you at last.
00:43:00And it's the last you're going to see of me.
00:43:01Oh, don't say that.
00:43:03It's been a terrible journey.
00:43:05I hate railroad trains.
00:43:06I despise motor cars.
00:43:08And I load airplanes.
00:43:11Oh, for it's only snow.
00:43:14Tell them where to take the luggage.
00:43:16Luggage always makes me restless.
00:43:18Oh, Stepan.
00:43:19Yes, sir.
00:43:19See that the luggage is taken in there.
00:43:21The bedroom.
00:43:22At once, sir.
00:43:23I regret, your highness, that there's been some slight misunderstanding as to your rooms.
00:43:27Her highness!
00:43:27A big misunderstanding.
00:43:29Oh, well, it doesn't matter.
00:43:31It's not improbable that the princess and I will spend the night elsewhere.
00:43:34If my yacht were only here.
00:43:36Yes, your highness, but your yacht.
00:43:38I know.
00:43:39It isn't here.
00:43:40And for your information, we are not going to spend the night anywhere.
00:43:50Would you mind calling at your lady, Hugo?
00:43:52Young lady.
00:43:54Yes, your highness.
00:43:55Are you selling those oranges?
00:43:57No, your highness.
00:43:59They give them to the customers.
00:44:00Ah, they give them to the customers.
00:44:02You know, I'd like one of those oranges, Hugo, but I'm afraid it might hurt my liver.
00:44:06Do you think it hurt my liver?
00:44:07I think not, your highness.
00:44:08They ripen very thoroughly in the sun here.
00:44:10Yes, but I've heard.
00:44:12Well, I think I have heard that one.
00:44:16Thank you, your highness.
00:44:27It's a pity we don't grow oranges in Moscow.
00:44:30Now, I demand, and old friend, you're going to live up to your agreement and stop following me around.
00:44:34You have your money.
00:44:35Just one minute, darling.
00:44:37Oh, Hugo, I'd like to have a word alone with the princess, but those two persons there...
00:44:43I am informed, your highness.
00:44:45They don't understand English.
00:44:47Anything I have to say, I'd be glad to broadcast to three continents, you, you...
00:44:51No, no, no, no, no profanity.
00:44:53You may go, Hugo.
00:44:54Thank you, your highness.
00:44:56I shall go now and see about the wine for dinner.
00:45:00And you might bring him a box of animal crackers.
00:45:05Hugo is right.
00:45:06The darling is excellent.
00:45:08And this war battalion, sir, I wish I could get used to it.
00:45:11Oh, the devil with the sun.
00:45:13Now, let's get down to cases.
00:45:15What animation, what grace you have.
00:45:17You know why I adore you.
00:45:18Well, I don't adore you.
00:45:20Now, listen, when are you going to stop following me around?
00:45:23How come I take you home, my darling?
00:45:27Home to Moscow.
00:45:28I don't like Paris this time of year.
00:45:30There are too many Frenchmen there.
00:45:31You'll not take me anywhere.
00:45:33Now, don't oppose me, Anushka.
00:45:36I must have you.
00:45:38I must have you.
00:45:40I'm a weakling, my darling.
00:45:43We Moscow Kazakhs are all weaklings.
00:45:45For 16 centuries, we've been weaklings.
00:45:48If we don't have what we want, it makes us unhappy.
00:45:51It's our destiny.
00:45:52Oh, you miserable.
00:45:54Hmm?
00:45:56You wouldn't say what you're going to say to a weakling, would you?
00:46:00Oh.
00:46:03Ah, listen, come I adored one.
00:46:06I wish you.
00:46:08The more you hate me, the more I love you.
00:46:14Now, listen, Castle.
00:46:15We've got to settle this thing now and forever.
00:46:17You're not living up to your contract.
00:46:20What is a contract, my dear?
00:46:21A mere sheet of paper?
00:46:22When I gave you that money, you agreed to stay out of my life forever.
00:46:25But then I didn't know how adorable you are.
00:46:28I can never give you up now.
00:46:29It is my destiny.
00:46:31Oh, that's your destiny.
00:46:33But you're my wife.
00:46:34My legal wife.
00:46:35I'm going to hold you to it.
00:46:36Legal or not legal, I'll never be your wife.
00:46:39Not in a million years.
00:46:40Oh.
00:46:41How I wish it was snow.
00:46:48Come in.
00:46:51Senior girl, telegram for you.
00:46:54When did this come?
00:46:55I give you my words.
00:46:56It just come.
00:46:57Four or five days ago.
00:46:59Thanks.
00:47:00Oh, I bring them up myself.
00:47:02Well, that's very considerate of you.
00:47:03I'm always considerate.
00:47:05I'm a kid.
00:47:05Quick like a fish.
00:47:06The barraci, the barraci, the barraci, the barraci, il barraci, il barraci, il baracito del
00:47:41Man, what does this mean?
00:47:44You mean you just got it?
00:47:45Just this minute.
00:47:46I think I should retire to my room.
00:47:48I get dreadfully bored with strangers.
00:47:50You will not.
00:47:51There are a lot of things I want cleared up here and now.
00:47:55If you don't think you'll have any physical reaction from this,
00:47:57I want you to meet the thing I married.
00:47:59What is it all about?
00:48:00I don't understand.
00:48:02Oh, I don't like to tell you,
00:48:03but it's only fair that you should know.
00:48:05My sister, Misty,
00:48:07met this worm in Paris during the war
00:48:09and foolishly wrote him a lot of letters.
00:48:12Oh, I see. Blackmail, huh?
00:48:13He showed up in London and explained to Misty
00:48:15what hot reading he'd make,
00:48:17especially to her husband.
00:48:18Nice boy.
00:48:20Then he found out that I was to inherit a lot of money
00:48:22from my father's estate when I married.
00:48:24And you let yourself in and...
00:48:26Not at first, but he outwitted me.
00:48:29Well, we agreed to marry and he was to get the money
00:48:31and I was to get a Paris divorce in two months' time.
00:48:35Then it was just a formal marriage to cover the money deal.
00:48:37I mean, you haven't...
00:48:40I mean, you're...
00:48:41I mean, you didn't...
00:48:42You know darn well I didn't.
00:48:44Well, I'd rather commit suicide
00:48:45than have this Russian wolf on within 11 miles of me.
00:48:48Now, we've got to make him go through with his divorce at once.
00:48:51He's been following me all over Europe.
00:48:53Divorce is impossible.
00:48:55There's never been a divorce in my family.
00:48:58It's my destiny.
00:48:59You were paid for it.
00:49:01You've got the money.
00:49:02Money, money, money, money.
00:49:03You're like all Americans.
00:49:04You think only of money.
00:49:06I'm only thinking of divorce.
00:49:08Now, Anushka, my darling,
00:49:09don't send me to London to see Mitzi's husband
00:49:12be too dreadful.
00:49:13What kind of a man are you?
00:49:15Force is useless.
00:49:17I found that out when I was a mere boy.
00:49:20Do you know where Hugo's gone?
00:49:23I feel the need of a glass of port.
00:49:28Well, I think I should retire to my room.
00:49:31This warm, Italian sun has made me drowsy.
00:49:35Oh.
00:49:54Oh, come on, honey.
00:49:55Where's your spirit?
00:49:57Don't give in like this.
00:49:59Gee, it's just great being married to him.
00:50:01I feel terrible the way I acted.
00:50:04I don't blame you, dear.
00:50:06You didn't get my telegram.
00:50:08If I'd been in your shoes, I'd done worse.
00:50:11You couldn't have.
00:50:12You're not the type.
00:50:15Don't cry, darling.
00:50:18Oh, I love you now better than I ever did.
00:50:21I'll get you out of this somehow.
00:50:24And we'll be married.
00:50:25Just like we planned.
00:50:28Dry those eyes.
00:50:29Come on.
00:50:30And let's see your little smile.
00:50:32Come on, now.
00:50:33Let me have a little smile.
00:50:35Come on.
00:50:36Pucker up there.
00:50:38One.
00:50:40Two.
00:50:42Three.
00:50:43That's it.
00:50:44Now hold it.
00:50:45Now that I know how you feel about me, there's a heavy heart that's feeling light.
00:50:53Since I know that you're not going on without me, everything is going to be all right.
00:51:00I'm going your way.
00:51:02You're going my way.
00:51:04We're on the highway to heaven.
00:51:07We're off the blue road.
00:51:09We're on the new road.
00:51:11We're on the highway to heaven.
00:51:13We can't go wrong.
00:51:15The love we'll bring along.
00:51:17We'll make us sing a song.
00:51:19We're going to swing along.
00:51:21That bright, sunny skyway.
00:51:23Your way is my way.
00:51:25We're on the highway to heaven.
00:51:28Great.
00:51:28I'm going your way.
00:51:30You're going my way.
00:51:32We're on the highway to heaven.
00:51:35So we're off the blue road.
00:51:37We're on the new road.
00:51:39We're on the highway to heaven.
00:51:42We can't go wrong.
00:51:44The love we'll bring along.
00:51:45We'll make us sing a song.
00:51:47We're going to swing along.
00:51:49That bright, sunny skyway.
00:51:51Your way is my way.
00:51:53We're on the highway to heaven.
00:51:55That bright, I'm going this way.
00:51:58I'm going that way.
00:52:00I'm on the highway to heaven.
00:52:03I'm going which way.
00:52:05I don't know what way.
00:52:06I'm on the highway to heaven.
00:52:09I wonder, me, Mr. Mio.
00:52:11In my lady's boudoir.
00:52:12That's where my feelings are.
00:52:16I'm going this way.
00:52:18I don't know what way.
00:52:19I'm on the highway to heaven.
00:52:22For I'm going your way.
00:52:24You're going my way.
00:52:26We're on the highway to heaven.
00:52:29We're on the blue road.
00:52:31We're on the new road.
00:52:33We're on the highway to heaven.
00:52:35We can't go wrong.
00:52:37The love we bring along.
00:52:39We'll make us sing a song.
00:52:41We're going to swing along.
00:52:42That bright, sunny skyway.
00:52:45Your way is my way.
00:52:46We're on the highway to heaven.
00:52:49Let's go.
00:52:50She's going our way.
00:52:51We're going her way.
00:52:53We're on the highway to heaven.
00:52:56Right up the hallway.
00:52:58Right through her doorway.
00:53:00We're on the highway to heaven.
00:53:02Oh, shipahoy.
00:53:04We're on our merry way.
00:53:06The weasel says we may.
00:53:07And everything's okay.
00:53:09Oh, she's waiting for us.
00:53:11Join in the chorus.
00:53:13We're on the highway to heaven.
00:53:16Oh, I'm going your way.
00:53:18You're going my way.
00:53:19We're on the highway to heaven.
00:53:23We're on the blue road.
00:53:25We're on the blue road.
00:53:26We're on the highway to heaven.
00:53:29We can't go wrong.
00:53:30The love we bring along.
00:53:32We're going to sing a song.
00:53:34We're going to swing along.
00:53:35That bright, sunny skyway.
00:53:38You're going my way.
00:53:39We're on the highway to heaven.
00:53:45Now, this young American is most offensive.
00:53:47I fear it will be necessary to remove the princess from his influence.
00:53:51As you wish, your highness.
00:53:53My brother has a via near Rome.
00:53:55I think it's best to take her there.
00:53:59Then when does your highness desire to depart?
00:54:02Oh, at once, Hugo.
00:54:04At once.
00:54:05Well, I'm going down to my room and telephoning the American Council
00:54:08and find out what your rights and the divorce matter are.
00:54:10Now, wait a minute.
00:54:11Are you free to go?
00:54:12Why, of course.
00:54:12Who could?
00:54:13The blonde.
00:54:14She acts as though she owns you.
00:54:16Oh, Cuny.
00:54:17I've forgotten all about her.
00:54:19She's a good boy.
00:54:20She'll understand.
00:54:21I'll be right back.
00:54:29Wait a minute, Constance.
00:54:30I want to speak to you.
00:54:34And this is the last time.
00:54:36I'm always going to speak to you, my sweet.
00:54:38Before I leave here, how much more money do you want?
00:54:40Well, we could live on the interest of the money you've already given me,
00:54:43but it's you I want, all of you.
00:54:45Oh, please be sensible.
00:54:46Oh, come now.
00:54:47If you dare touch me, I'll shut your eyes out.
00:54:49Oh, you must be sorry.
00:55:03Oh, I wish it would snow.
00:55:21Oh, come in.
00:55:23Oh, Charles.
00:55:24My darling, I have been waiting for you so long.
00:55:27Yes, I see, but, um...
00:55:28Oh, is there something wrong, Charles?
00:55:30Cuny, something very important has come up.
00:55:32You mean you do not wish to go with Cuny to Paris?
00:55:35You guessed it.
00:55:37Oh, Cuny, Nan's got herself into an awful jam.
00:55:40Oh, I see.
00:55:43You still love her, Charles, huh?
00:55:45I feel rotten the way I've acted.
00:55:47Now, how do I explain?
00:55:49Oh, Cuny, I'm awfully sorry.
00:55:51Oh, it is not to be sorry, Charles.
00:55:53I have known all the time that you are loving her the most.
00:55:56This way is the best.
00:55:58I will stay here with the general.
00:56:00Who knows?
00:56:01Someday I may be a queen or a widow.
00:56:03Well, suppose if the general doesn't want you anymore on account of me.
00:56:07Oh, that is all right.
00:56:09Montenegro has many generals.
00:56:12Cuny, you're a peach.
00:56:13And I appreciate it.
00:56:14See you later.
00:56:15Oh, Charles, wait.
00:56:18Now that I know how much you love her, Charles, you must act quickly.
00:56:22The princess has been kidnapped.
00:56:23I saw it a moment ago.
00:56:24What are you saying, Cuny?
00:56:25Yes, the prince, he has kidnapped her.
00:56:27You must go quickly.
00:56:37You swine.
00:56:38I heard every word you said.
00:56:41Trying to deceive me, are you?
00:56:44Harboring an anarchist, an assassin.
00:56:46Oh, no, no, you are mistaken.
00:56:47I knew you'd say that.
00:56:49You're trying to have me killed so that you can run off with this man.
00:56:52I'll teach you a lesson, you vampire.
00:56:54You leave her alone.
00:56:55She's done nothing wrong.
00:56:58Get away.
00:56:59Take him in there.
00:57:00Hold him.
00:57:00Why, he's not a reporter.
00:57:01He's an assassin.
00:57:03Leave it on the bed.
00:57:09All right.
00:57:10Search him and hold him prisoner.
00:57:11I'll make him pay for this insult.
00:57:14Leave four of the guards here with the prisoner.
00:57:16Force him to talk and tell who his accomplices are.
00:57:21You're drunk.
00:57:22I haven't had a drink.
00:57:23You're drunk with love.
00:57:24Well, haven't you ever been so drunk with love that you kiss a little girl on the neck?
00:57:29I've been drunker than that.
00:57:34Oh, please.
00:57:34Please, come quick.
00:57:35Your young American friend.
00:57:37The guards, they are killing him.
00:57:38Who, Carol?
00:57:39Yes.
00:57:39Where is he?
00:57:40He is up in my room.
00:57:41They have bound him.
00:57:42How many guards?
00:57:43Four or five.
00:57:44Four or five?
00:57:44That's too many for us.
00:57:46Wait a minute.
00:57:46I've got an idea.
00:57:47I've got an idea.
00:57:48Roll your eyes.
00:57:51Come on, baby.
00:57:51You're going to work.
00:58:03You got the idea now?
00:58:04Yes.
00:58:05Okay, stay here.
00:58:06We'll give you the signal.
00:58:07Come on, Omi.
00:58:15Oh, I beg your pardon, gentlemen.
00:58:18I came in the wrong room.
00:58:42I came in the wrong room.
00:58:50You got it.
00:59:06Come on, Omi.
00:59:07Oh, my God.
00:59:07Oh, my God.
00:59:48Maybe it's a cinch.
00:59:50We're wasting our time.
00:59:52Hey, what's the score?
00:59:54Two dollars here and a gold.
01:00:22Two dollars here and a gold.
01:00:36Two dollars here and a gold.
01:00:51It's important, Your Highness, to consider the means of conveying the princess to your brother's villa in secret.
01:00:55It won't do to incur the anger of the local police.
01:00:58Will I leave that to you, Hugo?
01:00:58The Montenegrin general has an excellent seaplane, if Your Highness would care to purchase it.
01:01:03Whatever is necessary.
01:01:05Naturally, I don't know yet whether it's for sale.
01:01:07If he's a Montenegrin general, everything he has is for sale.
01:01:10I'll go at once and see if it can be...
01:01:13No.
01:01:14On second thoughts, perhaps it would be better if Your Highness negotiated with the general in person.
01:01:25You've got them, Charlie.
01:01:27Don't you worry about them.
01:01:28You don't think we should have been...
01:01:35Boys!
01:01:36They've kidnapped my sweetheart.
01:01:38They've got them in the princess room.
01:01:39Come on!
01:01:40Come on!
01:01:41Hey, wait a minute.
01:01:42Wait a minute.
01:01:43Now, where is the princess room?
01:01:45Shh.
01:01:45Don't get excited.
01:01:46I know.
01:01:47Come on with me.
01:01:52Ah!
01:01:53Ah!
01:01:53Ah!
01:01:53Ah!
01:01:56Ah!
01:01:59Ah!
01:02:00Ah!
01:02:00Ah!
01:02:03Ah!
01:02:04Ah!
01:02:04Ah!
01:02:05Ah!
01:02:05Ah!
01:02:07Ah!
01:02:07Ah!
01:02:09Ah!
01:02:09Ah!
01:02:10Ah!
01:02:10Ah!
01:02:15Ah!
01:02:22Ah!
01:02:29Ah!
01:02:39The End
01:03:01Come on, Charlie, old boy, old boy, you'll be all right. Don't worry about that. Come on.
01:03:05Charlie, Charlie, speak to me, dear. Are you all right? Don't stop me.
01:03:09Oh, Nan. Come on, let's go. Come on.
01:03:11I told you, we stick to the end. Come on.
01:03:13Now you're all right.
01:03:14Thanks ever so much, fellas, but I'm all right now. Say, how do you feel?
01:03:17I feel great. Let's find a bowling alley.
01:03:31Oh, my God.
01:03:33Oh, my God.
01:03:38The door shut. Here. Take these.
01:03:45General, I am Prince Ivan Ivanovich Kozak.
01:03:49Prince.
01:03:50I understand that you have a seaplane in the harbor. I would like to engage you for a private journey.
01:03:55But I'm going away in my seaplane.
01:03:57But you wouldn't refuse a Moscow-Kozak anything, would you?
01:04:01Oh, one of the Moscow-Kozaks, are you?
01:04:04Oh, my dear Prince, I shall be pleased to let you have my seaplane.
01:04:07Thank you, General.
01:04:08And I shall return it immediately.
01:04:09Just a moment.
01:04:10Come to think of it, I left strict instructions from my pilot to give it to no one unless he
01:04:15wore my uniform.
01:04:17Hmm.
01:04:18But I have an idea.
01:04:19You shall have my uniform.
01:04:21Thank you, General.
01:04:24Well, this is very nice.
01:04:28And, General, as long as I live, I shall never forget this.
01:04:36Present trip to you, my dear Prince.
01:04:48It is he, the General.
01:04:49Now is the time.
01:04:50Montenegro Patriots shall free their country.
01:05:03They cut the wrong man.
01:05:05They cut the prince.
01:05:07Prince.
01:05:08Oh, Charlie.
01:05:21Young man, I want you to know that you're dying for a very worthy cause.
01:05:29If it's all the same to you, I would rather have died for Russia.
01:05:36Ah, it's snowy.
01:05:42Congratulations. Who shot him?
01:05:43The Smith brothers.
01:05:45Dead.
01:05:46Nucci Nanachi. He never did that before.
01:05:48It might sound silly, but I feel rather sorry for him.
01:05:52So do I after a fashion.
01:05:54But I guess he's the kind of a lad you feel sorry for after he's gone.
01:05:58Well, I guess it was his destiny.
01:06:07I'm going your way. You're going my way. We're on the highway to heaven.
01:06:15We're on the blue road. We're on the blue road. We're on the highway to heaven.
01:06:22We can't go wrong.
01:06:24But now we sing a song.
01:06:26Well, make me sing a song.
01:06:28We're going to sing a song.
01:06:30That bright sunny skyway.
01:06:32Your way is my way.
01:06:34We're on the highway to heaven.
01:06:54And if you had brains and had forgot those, James, we wouldn't be here scrubbing these decks.
01:07:03No. No. We'd be over in Naples having a great time.
01:07:06Yeah. Yeah. Yeah. Yeah. Yeah.
01:07:11Whistle, I said. Whistle.
01:07:16Whistle, I said.
01:07:20Whistle, I said.
01:07:27Well, how do you like that?
01:07:33Hmm.
01:07:34Whistle, I said.
01:07:44¶¶