Oynatıcıya atlaAna içeriğe atla
  • 5 dakika önce
Ertan, tutuksuz yargılanmak üzere tahliye edildikten hemen sonra eşi Nihal ile birlikte Ayvalık'ın Cunda Adası'na gider. Kaldıkları pansiyonun sahibi Sıdıka Hanım ise 1924 yılında Girit’ten göç etmiş bir mübadildir. Bu üç ana karakterin ve çevresindekilerin geçmişle, hafızayla ve ada hayatıyla kurdukları diyalog, zamanla derinleşen bir anı yolculuğuna dönüşür.
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00:07:52Five days, maybe a week
00:07:56Only the small room downstairs is empty.
00:07:59But the room upstairs will be empty in three days.
00:08:04You'll go there
00:08:05Alright
00:08:06Please come in.
00:08:12One of you
00:08:23Please come in.
00:08:25Thank you
00:08:26The cupboard is here.
00:08:28Ok
00:08:29I can open the window if you'd like.
00:08:31I'll open it.
00:08:33Yes
00:14:28Isn't that right?
00:14:29Yes
00:14:30Hurry up, they're waiting!
00:14:32Please hurry
00:14:33Hello
00:14:52Can you tell me how you found me?
00:14:55The children were sick.
00:14:57Is this true?
00:15:23What kind of person was he/she?
00:15:25I don't know.
00:15:26a woman
00:15:27He said the children were sick.
00:15:30I don't know if he made a mistake.
00:15:33I don't know.
00:15:34No, I'm not asking about that.
00:15:37The owner of the book that came from Attila
00:15:39Oh, Greek!
00:15:43The lawyer says
00:15:44Every accent
00:15:47Every accent worked.
00:15:48Towards the back of the island
00:15:52I would ask where
00:15:54I'll check to see if that's his problem.
00:15:56Can I see the lights from here?
00:16:00It seems
00:16:02Without you
00:16:05I don't know.
00:16:06I don't know.
00:16:08I don't know.
00:16:08I rarely leave the house.
00:16:22Children
00:16:23Children
00:16:25They were probably sick.
00:16:30I can't understand how he found this place.
00:17:10It looks like a part of a musical instrument.
00:17:13There are places where the wires sit.
00:17:14Yes, it's possible.
00:17:16Won't you come in?
00:17:18I ate it.
00:17:19Thank you
00:17:20If you'd like to have a cup of tea
00:17:21We also wanted to ask you a couple of things.
00:17:23Let it be clear then.
00:17:26Ok
00:17:29Please come this way.
00:17:31Thank you
00:17:33Please don't worry.
00:17:35While flipping through the book
00:17:36We found some notes.
00:17:38It caught our attention.
00:17:39We were going to ask them.
00:17:41Please come in.
00:17:42Let me put on my glasses then.
00:17:48Sugar?
00:17:50None
00:17:50Thank you
00:17:53I understood this
00:17:55Krasi
00:17:57Wine
00:17:58Yes
00:17:59I also realized this:
00:18:02Pralassa
00:18:03Sea
00:18:04Salassa
00:18:05Sea
00:18:07Salassa?
00:18:08This series probably
00:18:09The sea should be wine-colored.
00:18:11Aegean
00:18:14I couldn't figure this out.
00:18:16Velato
00:18:17Velato
00:18:19They mixed it up.
00:18:21They added it, that means
00:18:22They added
00:18:24Yes
00:18:25Like that
00:18:26I understand
00:18:27Modern
00:18:28Odyssians
00:18:29Who they are
00:18:31wine-colored sea
00:18:33To tears
00:18:35To tears
00:18:36They added tears to it.
00:19:04Who is it?
00:19:05Who is this man?
00:19:05I don't know
00:19:06He stayed here ten years ago.
00:19:08He came from Athens.
00:19:10He would walk to the back of the island every evening.
00:19:12To look at the lights of Mytilene
00:19:13Excuse me, could you look at this?
00:19:16Yes
00:19:18I have one more thing to say.
00:19:20Which one should I see?
00:19:22This
00:19:25Here
00:19:26Fera
00:19:27Plus, opposite means
00:19:29He is one side
00:19:30The other side of the water
00:19:32Yes
00:19:32Like that
00:19:33How about this?
00:19:34Eylasi ya
00:19:36It means theft.
00:19:37Ok
00:19:43Spoil
00:19:44If you translate it all
00:19:50Modern
00:19:50The Odyssians, who
00:19:52wine-colored sea
00:19:54They shed tears
00:19:55To the other side of the water
00:19:58They didn't go to loot.
00:19:59Freedom
00:20:00Peace
00:20:01And friendship
00:20:01They wanted it
00:20:03From my lover
00:20:04They drifted apart.
00:20:15The room with the balcony is now vacant.
00:20:17You are portable.
00:20:19Thank you
00:20:21Enjoy your meal
00:20:22Please come in.
00:20:24The owner of this book
00:20:25Was she on holiday in Greece?
00:20:31I don't understand
00:20:34I don't understand
00:20:35The author of that book is from Greece.
00:20:37Was she on vacation?
00:20:37No, no
00:20:40It was autumn
00:20:41He came
00:20:41He/She had no choice.
00:20:44That's what he used to say.
00:20:45You said that ten years ago.
00:20:49Had he arrived in his seventies?
00:20:51His first arrival was earlier
00:20:52Sixty-eight
00:20:54Perhaps sixty-nine
00:20:56Of course, of course.
00:20:58My little boy hadn't returned yet.
00:21:01From the army
00:21:02He missed Greece very much.
00:21:07We would talk
00:21:08Sometimes like you
00:21:12There was a lot of cruelty involved.
00:21:14They did that to us many times too.
00:21:18Crete
00:21:19Very very
00:21:21You wouldn't believe it if I told you.
00:21:24There had been many brides.
00:21:26Month
00:21:27Month
00:21:28Month
00:21:28Did they stop their march?
00:21:31The ends
00:21:32We used to ramble on about with every accent.
00:21:35We killed Kemal.
00:21:37We would hide behind the door and wait.
00:21:40Will our father turn to the right?
00:21:42What about here?
00:21:44Here?
00:21:46No, no
00:21:46We did not experience oppression here.
00:21:48So before you arrive
00:21:50What happened here?
00:21:51Oh my oh my oh my
00:21:54Oh my God
00:21:55There were bloodstains everywhere in the houses.
00:21:58If Mustafa Kemal were not there
00:22:01They would have killed us all.
00:22:05I get my bust repainted every year.
00:22:08Thank God
00:22:10Now
00:22:11There is no left here.
00:22:13Look, coming from there to here, it's driving me crazy.
00:22:17Would he explain why he sought refuge with us?
00:22:20I'm asking who the author of this book is.
00:22:22Greek lawyer
00:22:23He was a good person.
00:22:27It was a thorny bush.
00:22:28He was quite the joker, too.
00:22:33We are friends, he said
00:22:35We are similar to each other.
00:22:38Our songs, our folk songs, our food
00:22:42Even our destinies
00:22:45I don't know...
00:22:47We have similar problems in everything.
00:22:49Chaciki
00:22:51Moussaka
00:22:53Imitation stuffed peppers
00:22:58All
00:23:01Radikya
00:23:02Is that why he ran away?
00:23:05I would ask why I ran away.
00:23:07His problem
00:23:08Because of the name of your island
00:23:10Cunda
00:23:17This room is very nice.
00:23:20That's right.
00:23:21We stay here alone during the winter.
00:23:24He also left the games in this room.
00:23:27Aa
00:23:28That lady forgot her basil.
00:23:31What a pity
00:23:32She loved him very much.
00:23:34He got it from here.
00:23:36Dry spools
00:23:38I really love the smell of basil.
00:23:41Myself
00:23:43HE
00:23:43Uy instrument
00:23:46Pek내
00:23:48Much
00:23:50Much
00:23:50Much
00:23:51Much
00:23:52Much
00:23:53Much
00:24:53Please do not disturb the guests.
00:24:55We received a report, ma'am. We are doing our job.
00:24:59Okay then. Alright.
00:25:01Look for cocoon silk.
00:25:19There's a report that the woman's husband committed adultery. We have to investigate.
00:25:26Oh, the police.
00:25:35Police.
00:25:38The police?
00:25:39Yes.
00:25:41How many people?
00:25:42Two. There are other footsteps too.
00:25:47We have to stay with him a little longer.
00:25:50How many rooms are there upstairs?
00:25:52Four rooms.
00:25:52Are they all full?
00:25:54No. Exchange both of them.
00:25:59Have they issued another arrest warrant?
00:26:04Life.
00:26:09The area in front of the door is empty.
00:26:11Can you jump off the balcony?
00:26:22Here you go.
00:26:32There seems to be a tip-off.
00:26:34They're looking at us.
00:26:36Why are you making fun of me?
00:26:38You panicked too.
00:26:40The balconies aren't exactly dangerous enough to suggest jumping off, though.
00:26:43Where would I escape to if I jumped?
00:26:46But it was still a brilliant suggestion.
00:26:53For aught I know.
00:26:55Sometimes people talk nonsense.
00:26:57This is turning into a crime-filled holiday.
00:27:00It turns out there were all sorts of smuggled goods.
00:27:02I forgot.
00:27:06You're not a fugitive.
00:27:27Excuse me.
00:27:30Isn't it beautiful?
00:27:31Yes. Impressive.
00:27:40I wish I had dispersed my wide-angle lens.
00:27:42Don't be sad.
00:27:43He'll come and go again tomorrow.
00:27:50Look at this.
00:27:54I won't let anyone touch it.
00:27:56Don't take a picture of it.
00:27:59He's the one who's sick, anyway.
00:28:01Leave them alone.
00:28:02Pardon.
00:28:04Is the church open?
00:28:06Of course it's obvious.
00:28:08It's really dirty.
00:28:09Go in if you can tolerate the smell.
00:28:12Thank.
00:28:29Thank you for watching.
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00:58:29I haven't spoken on the phone for hours because I can't get through to the number.
00:58:34I have to talk
00:58:38You will have to wait a little while.
00:58:59Hello darling, I'm fine. You've aged a bit, haven't you? She didn't recognize me, but I remembered her when I saw her picture.
00:59:18"The beard suits you," he said.
00:59:29How is the boy? Can you bring him tomorrow so I can hear his voice?
00:59:36I'll call again tomorrow, in an hour. Okay, if you want, I can give you the phone number here.
00:59:45I wrote one hundred seventy-four one hundred seventy-four thirty-three completely.
00:59:56Hello, listen, what I'm going to say... hello, hello, hello, hello, hello, oh, it's me, how are you?
01:00:11What can I do? No, no, I waited here, I waited in the war, I'm at the post office.
01:00:44song
01:00:45song
01:01:14Thank you for watching.
01:01:28Thank you for watching.
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01:02:37Thank you for watching.
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01:03:16Thank you for watching.
01:03:22Thank you for watching.
01:03:30Two biscuits, please.
01:03:45Here you go.
01:03:50Muhittin, Muhittin!
01:03:54Thank you for watching.
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01:05:20Thank you for watching.
01:05:21Have a nice day.
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