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'এক রাধা' শীর্ষক নাটকে অভিনয় করতে কলকাতায় উপস্থিত ছিলেন জয়া ভট্টাচার্য ৷ টেলিভিশন-সিনেমা-থিয়েটার নিয়ে ইটিভি ভারতের প্রতিনিধি নবনীতা দত্তগুপ্তের সঙ্গে অকপট অভিনেত্রী।

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00:00લો લોબાં રલોમાં લોઈઆ હૂજે લોમ લ થેકવા આકતા કરએ સ્ટએકાપ કરે ઓકરેકા છે છીકે
00:28He was born, he was born, and he was born, and he was born.
00:33So that was the same step on it.
00:37When I was in a while, I heard the computer.
00:42But it was very beautiful.
00:43It was great for me.
00:45That was a very episodic episode.
00:48Maybe in the year 1996.
00:51I was reading English,
00:56and I was reading English.
00:58And again, Anurag Basu had directed that episode.
01:01And there was a blind woman whose husband was killed,
01:05and the murderers were after the family.
01:09So Anurag said,
01:13you have to play the blind girl.
01:16How will I do it?
01:17He said,
01:18I have to play the blind girl.
01:20So I have to play the blind girl.
01:24People till today remember that,
01:26and ask me for the episode,
01:28which I have not seen also.
01:30But I would love to have another go at this particular guy too.
01:40that way.
01:45When we see Kita Leandian people.
01:46In that three times,
01:47it's a minute difference.
01:51You must be unable to see this
01:51But you argue this on the other hand,
01:55the hearts and blessings go.
02:00so it's beautiful to do all the various mediums you get to explore yourself you
02:11get to see your limits you get to learn and relearn remove what you have
02:19learnt and write anew the feeling of satisfaction that comes at least for me
02:38what is the same thing about television?
02:45television is the same, nothing has changed same old stories, same old characters, same old incidents
02:56problem is
02:59what is the same thing about those that have given the show that 65% of the viewers have given
03:05the show that the show is gonna be accepted
03:07the only thing about the show that their show doesn't mean of any subjects
03:16and turn it into kitchen politics that is what happens to every story
03:28Shekhanes has kept up with a lot of money.
03:31Shekhanes has kept up with a lot of money.
03:35Shekhanes has kept up with a lot of money.
03:37And...
03:37People say, we were very angry.
03:40So that is my achievement, right?
03:42As the actor.
03:50When I was doing it,
03:52there will be instant reactions.
03:56Shekhanes.
03:58In those terms,
03:59we have takes and retakes and re-retakes.
04:03I don't have to do anything.
04:04So you are...
04:06You have to be absolutely prepared to do your best.
04:16Of course.
04:19When Smriti was pregnant,
04:21we were at 7am shift.
04:23So we were hungry.
04:24So Smriti and Rami came to the bank.
04:26The actor was pasty.
04:27The pasty came.
04:29So we had a little bit of it.
04:31It that, it that.
04:33You know?
04:34A lady came.
04:36Smriti said,
04:37there is a barcode in my hand.
04:39Leave it!
04:40Leave it!
04:40This is disgusting!
04:42And we were like...
04:43I was smelling...
04:44What the hell is this?
04:46And Smriti was like...
04:47No, no!
04:48There is no such thing!
04:57There is no such thing!
05:00ению.
05:02As I said
05:03earlier, Aki Rokhomer Golku, Aki Rokhomer Choritro, Aki Rokhomer Kijin Politics,
05:09aite hi work korche, television aite, since the year 2000 and we are in 2026.
05:23OTT Aashar Kore, actors of various ages, actors who are not considered
05:32beautiful because so-called beauty is very important in television and also in
05:46films also till and when the characters are not specifically have a
05:51requirement of a certain kind of face but OTT has given all of us that fresh
05:59breath. Imagine, Aami OTT te, beina make-up pe kaj kote parla, beina jewelry pe kaj kote parla, ar Aami
06:11shudhu,
06:14Aami acting, Aami kya acting konaar dorkar holo na, director Aami kya chere di lo, Aami kya, Aami shungi, Aarun
06:25Aami shudhu, Aami shudhu, Aami shudhu, Aami shudhu. We were allowed to think and just emote. We didn't have to
06:39do that. We just had to emote through the eyes and the body without our lives also.
06:52So what happened was it?
06:54Are you sure you did it?
06:58In Vishon and Vichitra
06:58They've been able to come for a moment when the film is done.
07:08is that the time frame for any story to catch on to the audience
07:16when there are so many channels and so many varieties of shows being offered to you
07:26how can you know in one month two month or three months that the signal is not working
07:33any story any performance needs styling this game of TRP kills everything
07:50how much is it necessary to get to the audience
07:54how much is it necessary to get to the audience
07:56let us see our followers and what we have done today
08:03If you follow followers, that's why we are the performers.
08:12What do you think?
08:15What do you think?
08:18Followers are negative publicity.
08:21What do you think?
08:24What do you think?
08:25When we are in psychology, we are in the 12th class.
08:27Negative psychology works faster than positive psychology.
08:31And that is the truth.
08:34So, no one of the performers can see these followers.
08:39And it's a total misnomer.
08:46And it is affecting work very much.
08:48I can't actually believe me.
08:50Because, what the best performance is,
08:54those followers do not show you.

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