00:00There are so many artists who just copy them.
00:07So they don't copy them.
00:10There are hidden treasures and beauty.
00:13They don't reconstruct them.
00:16They don't want to beautify the artist's work.
00:19They don't want to have an artistic view.
00:22This is 3D.
00:26In this art, in 2000,
00:29the artist's work is how they become highly skilled.
00:35The artist's work is a big thing.
00:40You can visit them.
00:43You can visit them.
00:44You can visit them.
00:45You can visit them.
00:45There are paintings.
00:51There are paintings.
00:59The paintings are very rich.
01:02However, in this art,
01:03there are paintings that are very rich.
01:13But in this art,
01:14there are paintings that are very rich.
01:17There are paintings that are poor.
01:23foreign
01:48This is the right thing that I need to do with the painting.
01:51There are some things that I can do with the painting,
01:56and that the painting is not the right thing.
02:01I have to do with the painting,
02:05but I can't do it with the painting.
02:07But I can't do it with the painting.
02:13I have to do it with the painting.
02:18I had to say that a lot of people today were always getting the details of the picture.
02:24And in this my first time, the people in Mumbai were the first time of the day,
02:30they were thinking about what all the story is,
02:36and how they work for them.
02:39What did they make their stories?
02:42What is the story?
02:43It's interesting to me.
02:45I can tell you, how many years did you get started?
02:51How many years did you get started?
02:52How many years did you get started?
02:53I was born in 1965.
02:58Basically, I got inspiration from my school trip.
03:03I was born in the Ajaanthala.
03:05I was born in the first place.
03:12I kept my friends.
03:13There is a very beautiful drawing.
03:16I hopped like this,
03:18it feels wonderful because it's a beautiful shape and bad.
03:22Many of these artists copied it.
03:25They do not copy.
03:27There are hidden treasures.
03:30There are beauty and they are lost.
03:32They didn't reconstruct.
03:34How are the artists doing something?
03:35should be beautiful, they have the original artistic view, so I have a lot of people who
03:43feel that I can do it. Unfortunately, I have a lot of people who need to do it.
03:47Unfortunately, we need to invest in their own agent.
03:51No one has no idea.
03:55I have a lot of people who really have got a lot of help.
03:57I don't know what that means.
03:59Do you know that you have inspired it?
04:00that you have a career in your career?
04:03Yes, you have a lot of work.
04:05In their college, they have a course of painting course.
04:10They have a lot of work and they have a lot of work and they have a lot of work.
04:16They have a course of GDR diploma in Mumbai.
04:22They have a course of painting course and they have a painting.
04:28that painting agent is doing.
04:30That's why I didn't do it.
04:33I started painting,
04:35the process process.
04:37All of that is prepared.
04:40I don't want to talk about painting.
04:41I've got to understand that painting is interesting.
04:44They'll decode that.
04:46This is how you put the paintbrush.
04:49But the paintbrush has been making it.
04:52The paintbrush is all like the paintbrush.
04:54I think that you should be able to get all of these things.
05:02This painting will be a little bit different.
05:06This is what you need to do.
05:07This painting will be bad.
05:11This painting will be completely renewed.
05:16Padmapani is a face for the agent.
05:24It is unique, it is actually a Bodhi Sattva, when Gautam Buddha is in young age,
05:33they are always waiting for their hands, they refer to Padma, so Padma Pani is here.
05:43And this is a significant thing, you can't get the direction of your turn, this is 3D,
05:51I mean, this is the art that has been done, how many artists have been skilled, how many artists have
05:59been made.
05:59And when you have done the work of Agenta, you have done the flash, you have done the original,
06:06This is the same technique that I have done with my dad and my dad, you can use the proper
06:11light so that you can use the original beauty of this painting.
06:15In this painting, I have to tell you that the fashion industry is how fast and how fast it is.
06:22I have a skirt on the bottom of the skirt.
06:28The same type of blouse is the same type of blouse.
06:31Blouse is the design and the same structure.
06:39The pattern is like a dhoti type, the draps.
06:45The same is the same type of blouse.
06:54properly shaped, properly maintained.
06:58The same thing is that we have to wear socks.
07:02So, today, when we are doing fashion,
07:06when we are doing 2,000 years old,
07:09we are doing the same thing.
07:10So, we are not doing anything,
07:12but we are doing the same thing.
07:16There is a great story.
07:17It is a great story as the ,
07:19where the Bardia was speaking,
07:21the use of the Lord,
07:23and that is, and he gives the Lady.
07:24He used to give the Lord,
07:26but he doesn't have any idea.
07:31Daryl of the Lord,
07:33who is angry,
07:35he is the nourishment of the Lord and his wife.
07:38So, he gave the transparency of clothes.
07:40Because, the face of the transparent clothes.
07:43And this needs to be taken off.
07:45Did you see the Perth as well?
07:48I didn't think that I was a little surprised.
07:52If you don't have to worry about the situation,
07:54you can't get it.
07:57You can't get it.
07:59I know that's the way I see.
08:02I'm not going to read the story.
08:09I was just thinking about it.
08:12I'm just going to read the story.
08:14I've read it in some of my book.
08:14There is also a Limka book of record.
08:17There is a painting from 60 plus feet.
08:19How about that?
08:21Actually...
08:24So, when I was in Limka book of record,
08:27the painting was completed in 65 feet.
08:30Now, it was completed in 80 feet.
08:33Basically, it was not in Guinness book.
08:36So, we tried to get to the next Guinness book.
08:39So, when I was in the village,
08:44I had a big heritage preservation.
08:48So, the artist, Padma Shree,
08:51has an honor to offer.
08:52It has been in 55 years for the National Heritage Preserve.
08:59So, when I was in the next book,
09:03there is no one in the caves.
09:04There is a shavar.
09:05such dressings and robes in the branch.
09:17When I was born, I was born in the country.
09:19It was a Persian king.
09:20It was a particular features,
09:23it was a very special style of his arms,
09:25it was a very special style of his cap.
09:27In fact, he was born with the weapons,
09:31and he was born with a proper shape,
09:35and he was born with his face.
09:36In fact, I thought,
09:37there was a great detail about Asana, Gautam Buddha.
09:41He was born with the proper decoration.
09:43And in the past,
09:45There are angels, celestial figures.
09:48There are angels and they are full of artists.
09:53And these paintings are actually in caves.
09:56There are no chamber and anti-chamber.
09:59There is no normal public.
10:02And that's why there are so many things.
10:05The paintings are working for all of them.
10:09There are all of them.
10:13There are all of them.
10:19What is the story of these paintings?
10:25These paintings are actually 80 feet long.
10:29They are open.
10:31And they are famous.
10:36And today, cave number 10.
10:37And they are preserved in caves.
10:43And they are preserved in caves.
10:44But unfortunately, they are not aware of what is.
10:47So, these stories are explained.
10:49By protocol, it is only a time for past minutes.
10:52But they are so interested.
10:54And they will understand the story and the details.
10:56And at that time, it is almost one of those people who are living in caves.
11:02So, they are all of those people who are living in caves.
11:06But, these people are also aware that the people who are living in caves.
11:20As the Honourable Cultural Minister Shailar Sahib
11:53As the Honourable Cultural Minister Shailar Sahib
11:54Alch Бхар
11:55As the Honourable Cultural Minister Shailar Sahib
11:55Religion Shailar Sahib
12:02As the Honourable Municipality Shailar Sahib
12:07As the Honourable Cultural Minister Shailar Sahib
12:11So, there are many people who have given me a video and documentary.
12:14So, there is a lot of people who have been a real agent.
12:20I mean, the agent has been a real person.
12:24It's a very good person.
12:25It's a very good person.
12:27It's a very good person.
12:28Because of this person's work,
12:31it's not possible to renew these paintings.
12:36They can do that work.
12:38They can do research,
13:06Thank you very much.
13:08Cameraman Mangesh Sahar, Sudhir Kakde, Lokmat, Mumbai.
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