00:00And Jill, Jill, your shoulders, your shoulders.
00:02I've got it.
00:03No, you don't have it.
00:04No, I do.
00:04No, you don't.
00:05I'm telling you you have it now because I'm doing it for you.
00:07Okay, I've been doing this for 10 years.
00:09Oh, really?
00:09Well, the last 10 years have taught you nothing
00:10because you're not standing where I want to stand.
00:12Give me the script.
00:13We're doing another one.
00:14Places, everybody.
00:15Let's go.
00:20Places, camera, sound, and action.
00:26You said you'd be here an hour ago.
00:28I said I would try.
00:30Cut!
00:30No, no, no, no, no, no, no, no, no.
00:32That is not the scene.
00:34We barely said two lines.
00:36That's how I can tell.
00:37It's not the scene.
00:39What specifically is not working?
00:41Oh, all of it.
00:42The posture, the pacing, the air between you.
00:46It's stale.
00:47Give us a note we can do something with.
00:50The note is all of it, Dana.
00:52That's not a note.
00:53It's my note.
00:55Look, Dana.
00:55Come here, come here.
00:56Right here.
00:57You're doing it again.
00:58No, I'm just telling you where to stand.
01:00Stand here.
01:01I was standing where you told me to stand 20 seconds ago.
01:03Okay, well, now I'm telling you to stand here.
01:05Jill, sweetie, softer in the face.
01:07Whoa, please do not talk about my face.
01:09I'm directing.
01:11You are insulting my face.
01:12Okay, okay, okay, whatever.
01:13Back to one.
01:14Reset and...
01:19Places, camera, sound, and action.
01:22You said you would be here an hour ago.
01:27I said I would try.
01:30It's not the same thing.
01:32Try is what you'd say when you're already with...
01:36Cut!
01:37Cut!
01:37No.
01:38No, no, no.
01:39Do you hear yourself?
01:40Are you hearing yourself?
01:41Yes.
01:42Then you know how flat that was.
01:45That was not flat.
01:46Okay, Jill, it was flat.
01:48We ran it cleanly.
01:50Cleanly is not the goal.
01:52Cleanly is the first step.
01:54This is what I'm talking about.
01:56Oh, women always do this.
01:59Excuse me?
02:00No, I give notes, and I get a performance about the note.
02:04Did you just say?
02:05I said women always do this.
02:09Say the rest of it.
02:11You want me to?
02:11Say it.
02:13I have worked with men who can take direction without turning it personal.
02:18This is the second time you've gone there in 15 minutes.
02:21Because I'm watching it happen.
02:23I've got two eyes, Jill.
02:26No, you are watching two actors do their job.
02:30While you make it into something it's not.
02:32I'm making it about the work.
02:35That you physically moved me twice.
02:36That is not the work.
02:38I physically placed you.
02:40That is blocking.
02:41Look it up.
02:42Blocking is marks on the floor.
02:45Blocking is stand here, stand there.
02:48Blocking is not your hand on my arm.
02:51Then do not need to be moved.
02:54I did not need to be moved.
02:56Dana, you were in the wrong spot.
02:57You told her the spot.
02:59She was in it.
03:00Okay, well, I changed my mind.
03:02Then say so.
03:03Use words.
03:04Words were slower.
03:07Words were slower than grabbing her.
03:09Okay, yeah, fine.
03:10About a second.
03:11Yes.
03:12Then spend the second.
03:13Oh my god, I don't have time for this.
03:15Then stop creating it.
03:16Okay, great.
03:16Back to one.
03:17No.
03:19Excuse me?
03:20Not yet.
03:24Say one useful thing about the performance.
03:30Softer.
03:31Softer what?
03:32Softer everything.
03:33That is not a note.
03:35It is from where I'm standing, Dana.
03:37Then move.
03:38We are burning the schedule.
03:41We're burning daylight.
03:42You are burning the schedule.
03:44We are standing here waiting.
03:47Waiting for what?
03:48For a direction we can actually use.
03:50The direction is the one I already gave you.
03:53Which was what exactly?
03:55Less.
03:56Less than what?
03:57Less than whatever you're doing.
03:59That is the same non-answer.
04:00Oh my, I have a schedule to keep.
04:03Then stop walking over here and restart the take.
04:05Don't tell me how to run my set, sweetie.
04:08Then give us something we can work with.
04:13John.
04:15What?
04:16Dial it back.
04:17I'm sorry.
04:18Who are you?
04:20The way you're speaking to them is not acceptable on any set.
04:23On any set?
04:24Any set.
04:26Let me tell you something.
04:28Please don't.
04:29You are a background actor.
04:32I know what I am today.
04:33Okay, good.
04:34Then you know that you're furniture.
04:37Sure.
04:38You are a chair with a face.
04:41I've been called worse.
04:43Okay, go back to your mark.
04:45Alright.
04:46Back to one.
04:48Both of you.
04:48And please, try to remember what this job is.
04:53Marks.
04:54Now!
04:58Places, camera, sound, and action.
05:03You said we would be here an hour ago.
05:07Cut!
05:08Cut!
05:10Stop!
05:12Excuse me?
05:13Stop walking toward me.
05:15This is my set.
05:17Stop walking toward me.
05:19Stop touching us.
05:20Stop making gendered comments about whether we can do our jobs.
05:24You do not tell me how to direct.
05:27I'm telling you how to speak to me.
05:30And how to stand near us.
05:31Listen, girls, I've been making films for 12 years.
05:35Then do it better.
05:36Excuse me?
05:37Do better.
05:39You do not get to talk to me like that.
05:41We just did.
05:42Listen, on my set, I give directions.
05:45You follow them.
05:45If that's a problem, you are welcome to leave.
05:50Take your hand off me.
05:51Or what?
05:52Take your hand off of her.
05:54God, I told you already.
05:56Off.
05:57Go back to your mark before I have you removed from this set.
06:01Your hand now.
06:03You are one word away from a lawsuit, Buster.
06:06So are you.
06:07I will have you blacklisted in this town.
06:10That's a lot of talk for someone who's still holding her arm.
06:13Who do you think you are?
06:15Let her go, and I'll tell you.
06:18Last chance.
06:19For what?
06:21Detective, working background on my day off.
06:24What I just watched is physical harassment.
06:27You're going to come with me to the station and answer for it.
06:32Listen, this is a misunderstanding.
06:35Step away from them.
06:36I did not.
06:37Step away.
06:39Further.
06:43You're going to hear from my lawyer.
06:44I'm calling them right now.
06:46Are you both all right?
06:48Yeah.
06:49What happened today was not acceptable, nor was it your fault.
06:55Here.
06:56I contact.
06:58I sometimes help connect working actors with real productions.
07:02People I've met on sets.
07:03Real productions?
07:05Directors who behave like adults.
07:07Those exist.
07:08A few.
07:15Detective, working background on my day off.
07:18What I just watched is physical harassment.
07:22You're going to come with me to the...
07:24Bleh.
07:25What the fuck?
07:26Take it from Detective, working background on my day off.
07:28Okay.
07:29For what?
07:32Detective, working background on my day off.
07:35What I just watched is physical harassment.
07:38You're going to come with me to the station and answer for it.
07:43This is a...
07:44This is a misunderstanding.
07:46Step away from them then.
07:47I did not.
07:48Step away.
07:50Further.
07:55Let's do that one more time.
07:56I think stay back.
07:57No, I don't.
07:58And so I'll just...
07:59I don't know.
08:02I don't know.
08:02I don't know.
08:04And so when he does, just be like, he's going that way or he's going this way.
08:09You know what I'm saying?
08:09He's not actually going to cross.
08:10We just...
08:11We just...
08:12We just...
08:12We just...
08:13You
