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00:00:15Tum-ba, G-G, Tum-ba, Ninja!
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00:04:23Hey, Ollie, get a move on.
00:04:25Will you try pumping a little faster?
00:04:27I'm already doing it.
00:04:34All right, you can stop now.
00:04:37Hey, Jacqueline!
00:04:38What do you want with Dr. Goddard?
00:04:40Do you have a message for her?
00:04:41Telegram from Hamburg.
00:04:42Nairobi sent it through.
00:04:43Oh, good, let's see it.
00:04:44What do you want to do, tamper with the mail, huh?
00:04:46Oh, don't talk foolish.
00:04:48Is it yes or is it no?
00:04:50Jacqueline!
00:04:51Yes?
00:04:51Here.
00:04:52For me?
00:04:54Congratulations.
00:04:57At last.
00:04:57Are you accepted?
00:04:59Yes, Professor.
00:05:01I'm afraid this means I'll be leaving here in a couple of days.
00:05:05We'll be sorry.
00:05:06See you go.
00:05:07We'll miss you.
00:05:08But anyway, congratulations.
00:05:11Thank you, sir.
00:05:12When is the next mail boat?
00:05:14In three days.
00:05:14What's going on?
00:05:17Jacqueline has been accepted by the Tropical Institute.
00:05:19She must return to Hamburg.
00:05:21Oh, that's quite a coincidence.
00:05:23I'll go with her.
00:05:24Oh, here we go again.
00:05:25Someone has to bring my monkeys up to Hagenbeck.
00:05:28Well, what's the rush?
00:05:29They'll ride if I keep them caged up.
00:05:31I wonder if he really thinks he's fooling us.
00:05:33Now, come on now, Quinta.
00:05:35They're teasing you.
00:05:36It'll be very nice to have him for a shipment.
00:05:39Oh, say, where's Torrey?
00:05:40Don't worry, he'll be back in time to kiss you goodbye.
00:05:43Please keep your fresh remarks to yourself, Mr. Keller.
00:05:58Take him. Get on ya.
00:06:11Why you'd not shoot?
00:06:13Kill everything right away and get going.
00:06:25It's late.
00:06:25Come here, Quinta.
00:06:26Come here, Quinta.
00:06:27Come quick. Come quick.
00:06:28Come here, Quinta.
00:06:32It was the only thing to do.
00:06:41Hey, Sigo, what's over here?
00:06:46Hey, little fellow. How did you get in the jungle all by yourself, eh?
00:06:50What are you doing up here?
00:06:52You're good and lost, eh?
00:06:54I take him.
00:06:55Yes.
00:06:56Open box.
00:07:10Wait! My gun!
00:07:13Come back!
00:07:18Give me my gun!
00:07:26Come back!
00:07:27Come back!
00:07:31Come back!
00:07:55Hey, Jacqueline.
00:07:57Yes?
00:07:58I've hurt myself.
00:08:00It's nothing very serious. I'll bandage it for you.
00:08:07Sit down, will you please? You're too tall for me.
00:08:13My little Jacqueline.
00:08:17Look, Keller, I wish you'd try to behave as the others do.
00:08:21I am the doctor of this expedition, and all the gentlemen of this expedition have given their word to forget
00:08:25that I am a woman.
00:08:27Oh, yeah. First you drive us crazy, then you...
00:08:32I will try to forget that. As for your arm, you can bandage it yourself.
00:08:45Hey, you big ape. If you ever again make a pass at our poor little doctor, I'll make goulash out
00:08:50of you.
00:08:51Oh, yeah, yeah.
00:08:55Here's a walk.
00:09:00In the back...
00:09:13Let's go.
00:09:42Let's go.
00:10:18Let's go.
00:10:43Let's go.
00:11:14Let's go.
00:11:40Let's go.
00:11:44Would you come with me tomorrow early and show me where you saw this creature?
00:11:48Yeah, I'd be glad to.
00:11:49What are you doing tomorrow?
00:11:51I'll be with Kirsten.
00:11:52We're going after deer.
00:12:16I'll be with you.
00:12:23I'll be with you.
00:12:24I'll be with you.
00:12:53I'll be with you.
00:13:04There she is.
00:13:25She's just a bit too far away.
00:13:55I'll be with you.
00:13:57I'll be with you.
00:14:10I'll be with you.
00:14:31I'll be with you.
00:14:43I'll be with you.
00:14:48I'll be with you.
00:15:02I'll be with you.
00:15:07I'll be with you.
00:15:15I'll be with you.
00:15:32I'll be with you.
00:15:59I'll be with you.
00:16:30I'll be with you.
00:16:32I'll be with you.
00:16:33I'll be with you.
00:16:37I'll be with you.
00:16:49I'll be with you.
00:17:12I'll be with you.
00:17:12I'll be with you.
00:17:13He's in love.
00:17:21You're right, Tibor.
00:17:23Everyone but him.
00:17:26Torrin's coming.
00:17:28Have the others returned yet?
00:17:29No.
00:17:30We heard shots and right after the drums began to speak.
00:17:33The whole jungle's been growling for two hours.
00:17:35Hey, Savo.
00:17:36Hello, Torrin.
00:17:37Good evening.
00:17:37Would you like a little tea?
00:17:38Thanks.
00:17:40It's pretty hot.
00:17:41Dinner will be ready right away.
00:17:43Later.
00:17:44I've got to develop this film.
00:17:47No tea for me?
00:17:48Oh, I'm sorry, Professor.
00:17:55Hello!
00:17:57Hurry!
00:17:57They've followed us all the way!
00:18:02Let's go.
00:18:03Bring them into the tent.
00:18:04This looks bad.
00:18:05Hurry!
00:18:06Careful.
00:18:07Torrin!
00:18:07Come here, quick!
00:18:08Wait.
00:18:09Don't open the flap.
00:18:10They've got her.
00:18:11Blue.
00:18:12You're white girl.
00:18:13She's over with Jacqueline now.
00:18:26He's unconscious.
00:18:27So much the better.
00:18:28Why so?
00:18:29I'll have to make a couple of incisions, and we're all out of anesthetic.
00:18:34Why don't you at least take that cruel net off?
00:18:36It's torture to keep her like that.
00:18:38If I do, there'll be the devil to pay.
00:18:40The beast scratches and bites.
00:18:42She's a human being, not an animal.
00:18:46Tellyke, can you assist me?
00:18:47Yes, gladly.
00:18:54This doesn't look good at all.
00:18:56These drums are going to drive me off my nut.
00:19:00You've got us into a fine mess.
00:19:03Because of this cat here?
00:19:04Yes.
00:19:05Did you think the Bodos would tolerate something like this?
00:19:07Well, what are we going to do about it?
00:19:09Just for a start, we can get her out of that net.
00:19:11She's not a wild animal.
00:19:12She's not much else, I tell you.
00:19:15He'll hurt himself.
00:19:16I'm getting down.
00:19:17Uh-oh.
00:19:19Why don't you bite me?
00:19:21I told you she's a wild animal.
00:19:24Keep away from her.
00:19:27Now then, little one, what's the matter?
00:19:30I'm not going to hurt you, you know that.
00:19:35Maybe you're hungry, eh?
00:19:38Here.
00:19:41It's good, come on.
00:19:50That's all we can do for him now.
00:19:52We'd better let him sleep for a few hours.
00:19:53He'd be able to.
00:19:54The drums are quiet now.
00:19:55Hey, look up.
00:19:57One of them.
00:19:58Pilabadir.
00:19:58Voto Pilabadir.
00:19:59Call the men out.
00:20:00The Bodos are attacking.
00:20:06Alan!
00:20:07Bring them on.
00:20:08I'm ready.
00:20:18Actually, the Voto's are in the right.
00:20:20After all, we stole the girl from them.
00:20:23Nonsense.
00:20:23Who shoots first is right.
00:20:25No, he's in the wrong.
00:20:27What'd you say?
00:20:37There's too many of them.
00:20:38We can't hold them off much longer.
00:20:40I'm going to hook up the recorder.
00:20:41What are you doing?
00:20:42And you break up the loudspeaker.
00:20:44All right.
00:20:45Kiai!
00:20:48Kiai!
00:20:49Kiai!
00:20:50Oh, you are Kiai.
00:20:51Kiai!
00:20:52Kiai!
00:20:53Your friends are calling you.
00:20:55Kiai!
00:20:56Kiai!
00:20:58Kiai!
00:20:59Kiai!
00:20:59Kiai!
00:21:00Kiai!
00:21:00Kiai!
00:21:01Kiai!
00:21:02Kiai!
00:21:09Kiai!
00:21:11Kiai!
00:21:13Kiai!
00:21:14Kiai!
00:21:17Kiai!
00:21:18That was too much for our friends.
00:21:24Great work, Torrin.
00:21:26I think it's more.
00:21:27Everyone can see Jacqueline's in love.
00:21:30You're right, Tibor.
00:21:32Everyone but him.
00:21:35Torrin's coming.
00:21:37Huh? Even you know it now, huh?
00:21:42Yeah.
00:22:04Rahul!
00:22:19Where do you think you're going, you wildcat?
00:22:21Let her alone!
00:22:30Let's get it straight. You keep away from her, I'll kick your teeth in.
00:22:33Don't worry. That wildcat can take a lot of punishment.
00:22:38At least she's quiet now.
00:22:45Look, the safest thing to do is lock her up overnight in one of the cages.
00:22:48I don't think she'll run away now.
00:22:50And what if she wakes up?
00:22:51So one of us has to stay here and watch.
00:22:53Good. Who'll be first?
00:22:54I will. You can relieve me.
00:22:56All right then. Good night, Jacqueline.
00:22:58Good night.
00:22:59Good night.
00:23:01I must go see how Kirsten is.
00:23:02I'll go with you.
00:23:18Kirsten is sleeping quietly.
00:23:19Hmm?
00:23:20Oh, that's good.
00:23:22She is too.
00:23:27Jacqueline.
00:23:28Hmm?
00:23:29It was a silly accident.
00:23:33I happened to go over here what you said to Tibor on the tape recorder.
00:23:36Oh, that was silly.
00:23:39You mustn't get any wrong ideas now.
00:23:41Oh, don't worry. I won't.
00:23:42Thanks.
00:23:44I've...
00:23:45Been wanting to tell you something for a long time.
00:23:48But I just couldn't get up the courage.
00:23:51You're not usually as shy as that.
00:23:53You seem to think that I'm pretty sure of myself, huh?
00:23:56Of course you do.
00:23:58It's all a deception.
00:23:59Mimicry, that's what it's called in the jungle.
00:24:02Isn't that how the little animals try to frighten the big ones away?
00:24:05That's about right.
00:24:06I'm afraid you haven't done a very good job of frightening me away, have you?
00:24:10Hmm.
00:24:11I guess not.
00:24:13I wasn't really trying.
00:24:16You know, Jacqueline, I've known other girls.
00:24:19They weren't like you.
00:24:21You know lots of things.
00:24:23You've studied.
00:24:24For instance, I know where my heart is because I can feel it beating.
00:24:27It's right here.
00:24:28But my stomach, I'm not sure except when I've eaten some bad food and it hurts.
00:24:32Here.
00:24:32Wrong.
00:24:33There, you see.
00:24:35But after all, I'm a doctor.
00:24:37I'm sure you've learned many other things.
00:24:39Yeah, not much.
00:24:40I've learned how to keep myself alive.
00:24:43I've managed to do whatever kind of job turned up.
00:24:46Safari leader, hunter.
00:24:49Got a job with a motion picture expedition a few years ago, in Kenya.
00:24:54I was cameraman's assistant.
00:24:55But, that's all.
00:24:57Don't make yourself smaller than you are, Torrin.
00:25:00But I am pretty small.
00:25:03Next to you.
00:25:04Mm-mm.
00:25:06I won't accept that.
00:25:09Ah, it's true.
00:25:11And the pledge we made when we started, to respect you as a woman.
00:25:16Well, you haven't broken your word.
00:25:19Have the others?
00:25:20No.
00:25:21If anyone tried, I'd bash his teeth in.
00:25:24I can protect myself, all right.
00:25:29If I want to.
00:25:31If you...
00:25:34Jacqueline.
00:25:35We must be reasonable now, Torrin.
00:25:37I'm going to Hamburg on Friday morning.
00:25:40I don't think it'd be fair to get involved now.
00:25:42If I'd only known.
00:25:44Yes.
00:25:45But how could you have known?
00:25:48You might have felt something here, perhaps?
00:25:50I felt it, Jacqueline.
00:25:51Wait.
00:25:52The little one might wake up.
00:25:55She's sleeping.
00:25:56Don't worry.
00:25:58And I guess I ought to be, too.
00:26:01Good night.
00:26:04Good night, Jacqueline.
00:26:09What does she have around her neck?
00:26:11Why, it's a good luck charm.
00:26:13It's a medal with an angel on it.
00:26:15I wonder if this could tell us something about her home.
00:26:18But this one's engraved.
00:26:20An L.
00:26:22Louisa.
00:26:24Lillian.
00:26:25I'll bring it to Professor Danner.
00:26:26He can call Nairobi by radio.
00:26:28Good night.
00:26:29Of course, sleep well.
00:26:31I'll keep watch out here.
00:26:53Good night.
00:26:53Ready now.
00:26:54Here comes the shower.
00:26:59Do you like it?
00:27:00Come, now we use the soap.
00:27:03There.
00:27:05Feel good?
00:27:07You're already learning to speak, huh?
00:27:23You'll be ready right away.
00:27:26Well, how do you like yourself?
00:27:34I'm afraid I've got to cut your hair.
00:27:35Your hair?
00:27:36Not mine.
00:27:37Yours.
00:27:38Yours.
00:27:42Not much else we can do with it.
00:27:45That mane is horrid.
00:27:49Might as well get to it.
00:27:52Don't move around so much.
00:28:00Don't you like your funny little face?
00:28:03Now, do you want to let me see what you look like?
00:28:06Ah, that looks so much better now.
00:28:08Morning.
00:28:09Ah, Torrin. Good morning.
00:28:11Good morning, Jacqueline.
00:28:12Well, what do you think of this, eh?
00:28:14We've stirred up something.
00:28:15The whole world is asking for information about the little white girl we found living with...
00:28:20...Wodos.
00:28:23She's almost pretty.
00:28:24Uh-huh.
00:28:26Ki-ah-hee. That's her name.
00:28:28Did she tell you anything besides that?
00:28:30Oh, yes. A great deal.
00:28:32But I couldn't understand it.
00:28:34Ki-ah-hee. That must be a native word.
00:28:37How about your drum talk, Torrin?
00:28:39Do you suppose she might understand us with that?
00:28:41Hmm.
00:28:44Hunger.
00:28:46There. She answers.
00:28:48She must have understood.
00:28:50Fine. Now, suppose you ask her what happened to her birth certificate.
00:28:53I wonder if she'd still recognize whatever language her parents spoke.
00:28:56Oh, when she was a child.
00:28:58She ought to remember something. A couple of words.
00:29:01Ship. Huh?
00:29:04Ship.
00:29:06Batou.
00:29:07There's not much there.
00:29:09Water.
00:29:11Vasa.
00:29:13Aqua.
00:29:16It's nothing.
00:29:22Try with me.
00:29:25Mare.
00:29:26Mother.
00:29:29Muta.
00:29:32Muta?
00:29:33She understands. Stunned.
00:29:36Oh.
00:29:37She babbles just like a pretty parrot.
00:29:40No, no.
00:29:42She knows that word.
00:29:46Look out. She bites. Be careful, Torrin.
00:29:50Torrin?
00:29:51Ho, ho, ho, ho.
00:29:52I believe you've made quite a nice impression on our little friend.
00:29:57No, she's just trying to express herself.
00:30:00You can see she's intelligent.
00:30:02Just look at the shape of her face and her eyes.
00:30:06She must come from a pretty good family, I'm sure of that.
00:30:23Executive office.
00:30:24Who shall I say is calling?
00:30:26Just a moment, please.
00:30:28The commissioner is on the line.
00:30:31Yes, I did.
00:30:32All right, I'll put you through.
00:30:34Whom do you wish to see, please?
00:30:35Mr. Goering.
00:30:36Oh, I'll have to announce you.
00:30:38Would you give me your name, please?
00:30:39How long have you been working here?
00:30:41I've been here over a year and a half.
00:30:43Oh, so that's it.
00:30:45Excuse me, sir, but you can't walk in that way.
00:30:47No? What?
00:30:48Please, sir, you mustn't.
00:30:50Good morning, Uncle Theo.
00:30:52Mr. Amalong?
00:30:53Employees won't even let me in the plant anymore.
00:30:55Oh.
00:30:56She might have recognized you if you hadn't been away so long.
00:31:00Oh, I'm so sorry, but I really couldn't.
00:31:02I didn't know your face was...
00:31:03Very well, Miss Hunnaman.
00:31:04Excuse me.
00:31:09Well, you have a fine set up here now.
00:31:13I remember how it looked when we first started.
00:31:16Three high desks and three pimple-faced youngsters
00:31:18who kept working till their fingers were numb.
00:31:20Sure, and they were more efficient than the 25 young ladies
00:31:23you have out there now who sit in front of their typewriters
00:31:26and polish their nails.
00:31:28Are you displeased with my work?
00:31:29No.
00:31:30You're doing a very good job, Victor.
00:31:34As long as I can stay out in Mountain View cultivating my tulips,
00:31:38I am fully, completely content.
00:31:40Oh, by the way, what have you done with Peterson?
00:31:44I was by his desk and I find someone else there.
00:31:47Your accountant?
00:31:48We dismissed him last year. He was too old.
00:31:50What? You fired him?
00:31:52You couldn't mean that, Victor.
00:31:54Peterson was with us for 25 years.
00:31:57We can't afford to be sentimental, can we?
00:31:59Of course, but in this case, we can make an exception.
00:32:02Uncle Theo, I work hard to manage your business.
00:32:06It's not always easy.
00:32:08If the way I work is not agreeable to you,
00:32:11it's still the only way I know how to work.
00:32:13No, no, Victor. I just feel sorry for the old man.
00:32:17It will be hard for him.
00:32:18I regretted having to do it.
00:32:22But have you come all the way here merely to talk of him?
00:32:26No, no, I really wanted to...
00:32:30What have I done with...
00:32:33Oh, there it is.
00:32:36Have you read this?
00:32:38What? What is it?
00:32:40Murder in Elmbrook?
00:32:42No, no, this over here.
00:32:44A girl found in the jungle.
00:32:46What's that to us?
00:32:47But don't you see, Victor?
00:32:49Couldn't this be Leanne?
00:32:51Who's Leanne?
00:32:53Oh, but Victor! She's my granddaughter.
00:32:56Look, Uncle Theo.
00:32:58But why couldn't it be she?
00:33:00The age is right.
00:33:02It was 18 years ago the ship went down.
00:33:04With all the passengers.
00:33:05But suppose they got to shore someplace.
00:33:07A two-year-old child?
00:33:09But her Negro armor was there with them.
00:33:11And she took the child to live among her own people?
00:33:14Maybe she did!
00:33:15It's pure imagination, Uncle Theo.
00:33:18Even so, Victor, I want them to investigate.
00:33:21If you call the police, maybe they can find something that they could help.
00:33:26If it'll calm you, I'll put through a call.
00:33:28To whom?
00:33:29One of our agents.
00:33:31Miss Hanneman, get me Baker and Port Said.
00:33:35Easy there, watch out.
00:33:36I'd like to get them to Hamburg in one piece.
00:33:39Well, goodbye, Jacqueline.
00:33:41Goodbye, and thanks, Professor.
00:33:44Jacqueline, we'll all miss you. Best of luck.
00:33:47I'll miss all of you, too. Very much.
00:33:50Be sure to wash it every day with peroxide.
00:33:53Let's go, Torrin. Is she ready?
00:33:55Yeah. Now watch yourself in the big city, do you hear?
00:33:58Jacqueline, take good care of her.
00:34:00She'll be the apple of my eye.
00:34:03Good luck, Jacqueline. And think about me sometime, eh?
00:34:06Mm-mm. You think about me.
00:34:09All set here? We go.
00:34:12Beep, beep.
00:34:18Torrin! Hey!
00:34:20Hey, come back here!
00:34:26Torrin!
00:34:26Hey, Torrin, what have you done to the little girl?
00:34:29It's easy to see who she wants.
00:34:31Come on. You'll be all right in the car.
00:34:34Bye, Torrin!
00:34:36Gotta have it your way.
00:34:39He'll have to go along with her.
00:34:41Yes, what are we gonna do now?
00:34:43Maybe she wants some anesthetic.
00:34:45Hey, stop that nonsense now.
00:34:46Torrin, can you go with them?
00:34:49Me?
00:34:51Well, hardly.
00:34:52Well, you can see she won't go without you.
00:34:56Yeah.
00:34:57You're right, I guess. It's the only way.
00:34:59Well, good then. Go get your bags, quick.
00:35:01Ricky, that means you stay.
00:35:02Yeah.
00:35:03But who look after my apes?
00:35:05Torrin will take care of them.
00:35:07Oh, come on.
00:35:08Look, I can't get along without both of you.
00:35:12I was really looking forward to it.
00:35:22Hello, I'm along on Port Said.
00:35:26Oh, Mr. Goering.
00:35:28Oh, yes, everything's in order.
00:35:31Ah, you've heard that story too, huh?
00:35:33My uncle thinks it might be his granddaughter.
00:35:35The one who died some 18 years ago.
00:35:38She was lost with both her parents from the shipwreck of Kenya.
00:35:41She was missing.
00:35:42They never recovered her body.
00:35:44Wait.
00:35:45Her name was Leonie, wasn't it?
00:35:46He may be right.
00:35:46This girl is wearing a medal engraved with an L.
00:35:49He agrees that the whole thing is absurd.
00:35:52He says he's sure it must be some newspaper writer's fantasy.
00:35:56What a shame.
00:35:57Do you want me to check it for you?
00:35:59You know, it'd be a real sensation if she was really Amalongan's...
00:36:03Hello? Hello? Are you still there?
00:36:05Well, Uncle, I believe you can see for yourself.
00:36:08Yes.
00:36:10But the paper said she had a medal with an L on it.
00:36:14That's why I thought it might be Leonie.
00:36:17And the gentleman from the newspaper thought so too.
00:36:19Who?
00:36:20What paper?
00:36:21I don't know. Some paper.
00:36:22I spoke with him this morning.
00:36:25And they already know that you think that she's your granddaughter.
00:36:28Certainly.
00:36:29Good Lord, that's all we'd want. Headlines in the papers.
00:36:51I think she's disappeared again. You haven't been watching.
00:36:54It's all right. She's up there.
00:36:58Hey, you little devil. Come on down here.
00:37:25Come on, boy. Let's go. Shake it up. Get moving.
00:37:29Make it snappy.
00:37:30Come on, boy. Let's go. Shake it up. Get moving.
00:37:32Hey, Siegel. Come on.
00:37:35Hey, Torrin. I'm coming too.
00:37:38Well, well. You must have had a fight with Danner, eh?
00:37:41Of course not. But you mustn't feel angry because I can manage monkeys and women better than you.
00:37:46Well, it just means I've got three idiots to take care of now.
00:37:49I promise I'll keep out of your way. Word of honor.
00:37:52Come on. Enough's enough. Let's go.
00:37:55Jacqueline.
00:37:56Yes?
00:37:59Teleki's coming with us. He asked you on account of the monkeys.
00:38:02Oh, is that so?
00:38:03Not so.
00:38:04Laugh if you want, but it's true.
00:38:06On account of the monkeys.
00:38:09Well, also on account of the monkeys. All right?
00:38:11All right. Come on.
00:38:18Hey, listen. You know what Kiai's name really is?
00:38:22Liana.
00:38:22Where did you find that out?
00:38:23I just heard a news report.
00:38:25Young girl found in the jungle may be long-lost granddaughter of shipbuilder in Hamburg.
00:38:30Then she's from Hamburg.
00:38:31That's where we're going.
00:38:32Hey, Liana.
00:38:34Himmel, Himmel.
00:38:35Himmel, Himmel.
00:38:36Hey, you'd better improve your accent.
00:38:53Well, what do you bid, Torrin?
00:38:55I don't know. I'm not sure.
00:38:57If I had the Joker I could open.
00:39:00But I don't have the Joker.
00:39:07I don't know.
00:39:08Oh, you're cheating. I won't play with you.
00:39:09No.
00:39:12She just gave me the card I really wanted.
00:39:14Very good, Liana.
00:39:16Now, what's that?
00:39:19Come on.
00:39:22Fly?
00:39:23Not fly.
00:39:25Five.
00:39:26A fly is something that...
00:39:28It goes...
00:39:32I wonder if I'll ever teach you how to speak at this rate.
00:39:37How's the report coming along?
00:39:39Awful.
00:39:40I'll never get it finished in time.
00:39:41Can I help you?
00:39:44Well...
00:39:45All right.
00:39:46Tell me how to explain
00:39:47that when a girl from the African bush
00:39:49wants to tell her man that she loves him,
00:39:52she...
00:39:53Just a minute, let me take your hand.
00:39:55I won't bite.
00:39:56She holds his hand like this,
00:39:57over the top of her heart.
00:40:00It's the truth, though, believe me.
00:40:01It's a funny way to do things.
00:40:03Of course, but it's much more hygienic.
00:40:06Who's this man?
00:40:06What the devil's going on here?
00:40:08How did you get up with the side?
00:40:10Tanga!
00:40:12Tanga!
00:40:13I'll show you.
00:40:14Tanga!
00:40:15You won't get away with this.
00:40:17Who is he?
00:40:18Is this man one of yours?
00:40:20What is all this?
00:40:21What's he yelling about?
00:40:22What am I yelling about?
00:40:23This man has to be one of yours.
00:40:24He can't come on board here without a ticket.
00:40:26I'll try and go back.
00:40:27I'll try and go back.
00:40:28I'll read it through the races.
00:40:28I'll read it through the races.
00:40:29I'll read it through the races.
00:40:30I'll read it through the races.
00:40:32Well, you just can't throw a man into the water.
00:40:34Why not?
00:40:35I'm captain here.
00:40:36What I do here is the law.
00:40:38All right, so we'll pay for his passage if it makes it feel any better.
00:40:41How much will it cost us?
00:40:42And what about the lion?
00:40:43But the lion's only a baby.
00:40:45Huh?
00:40:45That's right.
00:40:46We'll have to find something good for him to eat.
00:41:01All right, all right.
00:41:02You'll give him a bellyache.
00:41:07Oh, he doesn't want any.
00:41:09Come on now.
00:41:09I told you, that's enough.
00:41:10Hey, Liane, come here.
00:41:13Let her alone.
00:41:14She must do her homework.
00:41:16And you're her schoolmaster, huh?
00:41:19Well, somebody has to teach the girl to read and write, after all.
00:41:21Well, she'll have plenty of chance to learn in Hamburg.
00:41:24If she's really the granddaughter of that rich shipbuilder.
00:41:28Hope she isn't.
00:41:36For me?
00:41:38Thanks.
00:41:44You...
00:41:45You must always bring tea to the lady first.
00:41:53Tea bring.
00:42:05Liane's in love with you.
00:42:07With me?
00:42:08Nonsense.
00:42:09I'd have noticed it by now.
00:42:11Would you?
00:42:13Oh, you mean because I...
00:42:15Well, maybe I am slow.
00:42:18But with her, it's just silly.
00:42:20It wouldn't be the first time that you were wrong.
00:42:23Jacqueline, why do you go out of your way to...
00:42:26to make me feel foolish?
00:42:27No, no.
00:42:29I believe I understand you now, Tori.
00:42:32You want a woman to admire you because you're big and strong.
00:42:35Her protector.
00:42:38And I'm afraid I'm not your kind of a girl.
00:42:41You seem pretty sure about it.
00:42:43I am.
00:42:44Quite sure.
00:42:45But our little Liane is just...
00:42:48Now where's she running off to?
00:42:50You can't let her out of your sight for a minute.
00:42:52Hey, Liane!
00:42:53Where are you going?
00:42:56Oh, no, you don't come here.
00:42:57You've got to do your lessons.
00:43:04I've been holding this for you.
00:43:06I hope I'm not getting in the way.
00:43:08Why, there's nothing to get in the way of.
00:43:11I wonder how a man could be so dumb.
00:43:14I tell you, if I were Torin...
00:43:15It's all right.
00:43:17Thanks.
00:43:19What do you think of our little Liane?
00:43:22What is she next to a woman like you?
00:43:25A pretty little bobblehead.
00:43:27Some men prefer pretty little bobbleheads all the same.
00:43:33All right.
00:43:35Now make three rows of A's.
00:43:37And make them neat, understand?
00:43:40Ains?
00:44:31That's what we put together..
00:44:34You might have gotten me really embarrassed, if any.
00:44:39Well, let's see what you've done. Have you finished your work?
00:44:45And I thought I'd be able to teach you the alphabet before we even got to Port Said.
00:45:07Wait a minute, ladies and gentlemen, please wait.
00:45:10Is it true she's from Hamburg?
00:45:12Tell us what kind of food she ate in the jungle.
00:45:25Just a moment, please, will you be quiet?
00:45:28Liana's worn out and must have some rest.
00:45:30Can't you let her speak a few words?
00:45:33Please, ask her if she would not mind.
00:45:35All right, show them what you've learned.
00:45:40Please, do it for me.
00:45:45You, my friends of Homer?
00:45:51Lovely, lovely.
00:45:52All right, you've had your wish, ladies and gentlemen.
00:45:54Now, please, please let her rest.
00:46:02I'm sorry sir, it's all over. We can't make any exceptions for anything.
00:46:05I'm here for Mr. Amalong and my name is Gerring.
00:46:07Ah.
00:46:09It was a little bit too much for her.
00:46:11Does she have any fever?
00:46:12No, I wouldn't be surprised.
00:46:14Those reporters acted like they were crazy.
00:46:17Liana, what's the matter with you?
00:46:18I believe she's jealous.
00:46:20I believe she's jealous.
00:46:21Mr. Gerring, from Hamburg.
00:46:24Her grandfather sent him after her.
00:46:26Thank heaven we won't be responsible for her much longer.
00:46:30Well, I suppose we can find out what he wants.
00:46:43Hello, good day.
00:46:45My name is Torrin, Dr. Goddard and Mr. Telekin.
00:46:48I'm Gerring and I'm here on behalf of Mr. Amalongan.
00:46:51Then she really is his granddaughter?
00:46:53Well, that remains to be proven, of course.
00:46:55Here, she was very independent when we found her.
00:47:00Interesting.
00:47:01Is this all the proof we have?
00:47:03Yes, but her parents would recognize it.
00:47:05They must know who gave it to her.
00:47:07Her parents are dead.
00:47:09I wonder if I might see her.
00:47:10Certainly. Please, Jacqueline.
00:47:13You think it will be easy to prove who she really is?
00:47:15I wonder.
00:47:16Well, after all, that thing should be proof enough.
00:47:18Why should it?
00:47:20She's really the granddaughter of Mr. Amalongan.
00:47:22She'd be in line to inherit a fortune.
00:47:26You can buy one of these things anywhere.
00:47:28Yeah.
00:47:28And it really wouldn't be much trouble to have it engraved.
00:47:31But everybody knows we found her living in the jungle among the savages.
00:47:34Oh?
00:47:35In simple words, you mean we're a bunch of swindlers, do you?
00:47:38Come, Liani.
00:47:41Here she is.
00:47:42Good day. My name is Goering.
00:47:45She doesn't speak, eh?
00:47:47She doesn't know the language yet.
00:47:49You can say good day.
00:47:52Good day?
00:47:53Well, I will take her back with me.
00:47:56My plane leaves in half an hour.
00:47:58You want to take her now?
00:47:59Yes.
00:48:00I will have a thorough investigation made to prove she's entitled to anything.
00:48:03Will you pack her bags, please?
00:48:04Just a minute.
00:48:07Suppose you tell me what happens if your investigation turns out negative.
00:48:12Well?
00:48:13Yeah.
00:48:14I think she'd better stay here.
00:48:16I'm sure that Mr. Goering will see what she's taken care of.
00:48:18We found Liani, and she's our responsibility.
00:48:21Well, at least until her grandfather is willing to recognize her in public...
00:48:24Oh, but my dear Mr. Torren.
00:48:26Because if he does not recognize her, then she would be alone and friendless.
00:48:30A homeless orphan.
00:48:31Oh, but what could happen to her if Mr. Goering goes with her?
00:48:34You see?
00:48:36Come along, my dear.
00:48:37Wait.
00:48:38Keep away from her.
00:48:39Now, Torren.
00:48:41Do you mistrust me?
00:48:43If you want to know the truth.
00:48:46Yep.
00:48:48Look, my friend.
00:48:50Do you imagine that without my help you could obtain what's best for her?
00:48:54Do you?
00:48:55Well, you seem to forget that practically every newspaper in the entire world knows about her.
00:49:00And they'll make sure that she gets whatever she has coming.
00:49:07All right.
00:49:09Then here's my proposition.
00:49:12I'm willing to ensure Liana's protection by taking one of you back with us.
00:49:17Great.
00:49:17Well, get ready.
00:49:18No, he means Torren.
00:49:20Do you agree?
00:49:21Do you agree?
00:49:23Yeah.
00:50:03Don't you want a change, Senator?
00:50:05They'll be here soon.
00:50:06You can't receive them in your house robe, you know.
00:50:09Oh, don't make such a fuss, Alma.
00:50:11I can't see why I must disturb myself just because I'm about to receive a visitor.
00:50:15A young girl.
00:50:16A young girl.
00:50:17Your new granddaughter.
00:50:19That's merely conjecture as yet, my dear Alma.
00:50:21Please, Your Honor, don't bother quoting me those legal phrases.
00:50:24We should be happy that someone young is coming to visit this old house.
00:50:28You almost said old codgers, huh?
00:50:30I'm afraid I can't disagree with her.
00:50:32What?
00:50:33Treason?
00:50:34In my own house?
00:50:35Stay away.
00:50:36Aye, sir.
00:50:42She's taking the best room in the house for a little savage and bullied me to let her fix it
00:50:46up.
00:50:48White curtains and a rose-colored bedspread.
00:50:53Ah!
00:50:54These females.
00:50:58Little savage.
00:50:59Shame on him.
00:51:01He was just joking.
00:51:02He picked it up from Mr. Goering.
00:51:04You don't mean it.
00:51:06I sure do.
00:51:07Mr. Goering was fit to be tied when he first heard the news, let me tell you.
00:51:11And if it were up to him,
00:51:13he'd send the poor little thing right back into the jungle.
00:51:16Well, after all, man in his position.
00:51:19Oh, you mean because he's the sole heir of the old gentleman?
00:51:21Where did you learn that?
00:51:23After all, I've been in the house quite a few years.
00:51:26Well, he really is, isn't he?
00:51:28I believe you've been talking, Alma.
00:51:30No, I'm just putting two and two together.
00:51:33It's no more than right.
00:51:35Now, when the poor child finally has found a home...
00:51:38Oh, good heavens.
00:51:38Here they are now.
00:51:40Senator, Mr. Amalongan.
00:51:45Good day, sir.
00:51:47Here she is.
00:51:47Hello, Victor.
00:51:48Hello.
00:51:49Hello.
00:51:50So, this is the little one.
00:51:51Welcome, welcome.
00:51:53The senator will be down right away.
00:51:55Oh, there he is.
00:52:00Liane.
00:52:01It's your grandfather.
00:52:03The father of your mother.
00:52:06Mother?
00:52:06Mm-hmm.
00:52:13Don't you want to come over to me, Liane?
00:52:17Go on, Liane.
00:52:36Come, my child.
00:52:41Do you know who that is?
00:52:52Mother?
00:52:55Well, he surely doesn't think that proves her identity.
00:53:01Honored, sir.
00:53:03And who is that?
00:53:05That is Tonga.
00:53:13Tonga.
00:53:16Tonga, good man.
00:53:17Certainly.
00:53:18Certainly.
00:53:19Alma.
00:53:20See that he is taken care of.
00:53:22Come.
00:53:23You must be hungry.
00:53:23Come.
00:53:30A classic illustration of an old heart growing younger.
00:53:34It's to be expected.
00:53:37After all, I'm sure he's been very lonesome ever since his wife passed away.
00:53:40And now a pair of pretty blue eyes has conquered him.
00:53:44Oh, it's more than that, really.
00:53:47I would have expected a more realistic approach.
00:53:50Not to mention a greater sense of justice from the old gentleman.
00:53:54My dear Gary.
00:53:56Your legal situation is quite clear.
00:53:58Mr. Amalongan, after his daughter was shipwrecked, acted on a presumption when he made up his will.
00:54:03And you, his nephew, was named as his sole surviving heir.
00:54:07However, your rights now yield preference to whatever rights the granddaughter may wish to exercise.
00:54:12But I don't believe anyone has yet proven that she's really his granddaughter.
00:54:15Of course you're right, my boy.
00:54:17But let's suppose she really is.
00:54:18Then she is the sole heiress by law and custom.
00:54:21Of my company?
00:54:23Of Amalongan's entire estate?
00:54:24Who made Amalongan's estate what it is?
00:54:27I.
00:54:27Am I entitled to nothing?
00:54:29I'm sure my old friend won't forget what you've done.
00:54:32Oh, nice of him.
00:54:33The company I built.
00:54:35I poured my whole heart into it, and now he's trying to rob me.
00:54:39Because of that miserable girl.
00:54:41That company is my life's work.
00:54:44Amalongan put me in charge of it.
00:54:45Oh, he has confidence in you, all right.
00:54:47He has very great confidence.
00:54:49And you must never betray his faith in you in any way at all.
00:54:52Of course.
00:54:53I thought I'd find you here.
00:54:54Why can't you forget about business for a while?
00:54:56Come on, watch the child.
00:54:57How marvelous she is.
00:54:59She can already eat with a knife and fork.
00:55:01Come along.
00:55:02Come on.
00:55:04After you, sir.
00:55:05Please.
00:55:07Unfortunately, I did not keep all the letters.
00:55:10But here are some snapshots my daughter sent me.
00:55:14This was the house in Karachi.
00:55:16They moved there when Leanna was, let me see, one year old.
00:55:21Do you still remember it?
00:55:25That was your mother's house.
00:55:27You don't remember it, do you?
00:55:30I'm sure it'll go much better when she learns the language,
00:55:33when she can understand what we expect of her.
00:55:38Is that a secret language?
00:55:39Ah, you see, it's drum talk or the votos.
00:55:41I can make myself understood simply.
00:55:43And you can also make certain you obtain the right answer, correct?
00:55:46If I'm being suspected here, it doesn't make much sense for me to try to clear up this matter, does
00:55:51it?
00:55:51No one suspects you, my dear Torrin, but you must admit your methods are strange, to say the least.
00:55:56Is that so?
00:55:57Hold on now, Victor.
00:55:57I also wish to clear up this matter.
00:56:00And if any help Torrin can give me, I am grateful.
00:56:04Let's see, you mentioned a briefcase of your daughter's, perhaps a letter that could connect Leanna with your granddaughter might
00:56:12be in it.
00:56:13I'll go through it first thing tomorrow morning.
00:56:16I want you to sleep here tonight.
00:56:18Thanks, and what about Tonga?
00:56:20Oh, we find a place for him.
00:56:22Alma, take Leanne.
00:56:24Show her the room.
00:56:26We fixed up.
00:56:32There, now sleep well. Pleasant dreams.
00:56:36Good night.
00:56:37Night.
00:56:38And now I'm going to turn out the light.
00:56:45Good night.
00:56:54Good night.
00:56:56Good night.
00:57:14Good night.
00:57:52Good night.
00:57:53Good night.
00:57:55Good night.
00:57:58Good night.
00:58:03Good night.
00:58:06Good night.
00:58:07Good night.
00:58:08Good night.
00:58:11Good night.
00:58:12Good night.
00:58:17Good morning, Frida.
00:58:19Good morning, Hanson.
00:58:20Why, Emma, what's wrong?
00:58:23I was just going through the hallway upstairs.
00:58:25I was just bringing Miss Alma her breakfast.
00:58:27And sitting right near the door of Miss Lianni's room is this big savage glaring at me.
00:58:31Oh, my goodness.
00:58:32Are you sure he's not in the little house out in the garden?
00:58:34But I've just told you that.
00:58:36And Miss Lianni was not in her room.
00:58:38You better run up fast and tell Miss Alma about it.
00:58:41Oh, don't worry. She already knows.
00:58:44Mr. Goering.
00:58:47The girl has disappeared.
00:58:49Lianni?
00:58:50Have you looked for her?
00:58:51Of course. I don't know where she could have gone.
00:58:53Where's Taren?
00:58:54In the first room.
00:58:57Get out of the way.
00:58:58Yeah.
00:59:01Yeah.
00:59:05Good morning.
00:59:07Morning.
00:59:08Lianni's disappeared.
00:59:09What?
00:59:11Lianni?
00:59:11Do you have any idea where she is?
00:59:14I?
00:59:15No.
00:59:21Ah.
00:59:23There she is.
00:59:24Lianni.
00:59:29Morning.
00:59:30How did you get in here?
00:59:32Perhaps we'll have to clarify this.
00:59:34Oh, I'm sure it's quite harmless.
00:59:36I wonder if Mr. Romalongan would agree.
00:59:38Come along, Miss Alma.
00:59:39Now, hold on a minute.
00:59:40Wait.
00:59:41I'll find a robe for her.
00:59:42Oh, give her mine.
00:59:47Why Taren angry?
00:59:49Why?
00:59:51Because...
00:59:53Oh, Lianni, don't you see?
00:59:54Now you've got us into a nice kettle of fish.
00:59:56Oh, it's not as bad as all that.
00:59:58Come, Lianni.
01:00:03Today, good day.
01:00:06What?
01:00:09Oh, yeah.
01:00:16I believe you.
01:00:17But, Uncle, the situation couldn't be much clearer.
01:00:19I believe, Mr. Torn.
01:00:21No guest would abuse my hospitality in that manner.
01:00:24I will leave your house at once, sir.
01:00:26Oh, there is no hurry.
01:00:28However, I do think it would be better for Lianni
01:00:30to break her links with the past without delay.
01:00:34Very well, sir.
01:00:38There's just one thing more.
01:00:39Huh?
01:00:40What's that?
01:00:41As Lianni grew up in comparative freedom,
01:00:44she bitterly resents any kind of force or restraint.
01:00:47She feels it as a physical threat.
01:00:52Where is she now, Victor?
01:00:53Locked up in her room to keep her out of mischief.
01:00:55What?
01:00:56You locked her up?
01:00:58Tando!
01:01:00Tando!
01:01:02Tando!
01:01:03You did it!
01:01:05Tando!
01:01:06Tando!
01:01:07What, have you gone crazy?
01:01:09I'll face it.
01:01:10Tando!
01:01:11Tando!
01:01:12Tando!
01:01:13Tando!
01:01:14Tando!
01:01:18Tando!
01:01:19Get out of there.
01:01:22Tola!
01:01:23Meteor!
01:01:24Tola!
01:01:24Tola!
01:01:25That beast!
01:01:27Get the police!
01:01:29The police have no business in my house.
01:01:32You want to leave him around so he can murder someone?
01:01:33He won't harm anyone except to protect himself or Lianni.
01:01:37Tala!
01:01:37Buena mitei hara!
01:01:39Tala!
01:01:51Amataki!
01:01:52Amataki!
01:01:53Don't worry.
01:01:55They'll take good care of you.
01:01:58You'll see.
01:02:00One day he'll cut your throat to express his thanks to you.
01:02:03Don, please, sir, would you mind if I waded around a bit?
01:02:08I'd like to make sure that she gets over the shock.
01:02:10Why, I was just about to ask that of you.
01:02:13Thanks.
01:02:14You see, Lianni?
01:02:15Bye-bye not yet.
01:02:17La tu me buada.
01:02:18Oonga?
01:02:18And would you also help me to accustom her to the horrors of our modern-day civilization, huh?
01:02:45Come, dear, come.
01:02:47Don't be afraid.
01:02:54Wait, Tonga!
01:02:55Come back, come back here.
01:03:00Oh, Tonga, stay. Stay where you are.
01:03:09You must cross the street when the light up there is red.
01:03:12Only when it's green.
01:03:13You shouldn't do that.
01:03:13Watch it and be careful.
01:03:15All right, now.
01:03:16Here we go.
01:03:17Careful, careful now.
01:03:39Come now, come.
01:03:49What happened to your shoes?
01:03:51There.
01:04:28Let's go.
01:04:29Any mail for me there?
01:04:33Si, senor.
01:04:33And do you have anything for the lady?
01:04:35For Dr. Gada?
01:04:37No, no.
01:04:38Ah.
01:04:52Do you have any letters for me?
01:04:54No, senorina. I'm very sorry.
01:04:57No, senorina. I'm very sorry.
01:05:18Hey, Jacqueline.
01:05:19Look, I got a card from Torrin and he writes
01:05:21love and kisses to Jacqueline.
01:05:23Now, what do you say to that?
01:05:25Really? Let's see it.
01:05:26Don't you believe me?
01:05:27Go on, read it.
01:05:28You see, he only thinks about you.
01:05:35Looks like you both make mistakes in spelling.
01:05:38Oh, they're the same as everybody makes.
01:05:42It's all right, Tiber. I know you meant well.
01:05:45It's been finished for quite some time.
01:05:49Come with me.
01:05:50Where?
01:05:51On land.
01:05:52They tell me the wine here is just marvelous.
01:05:55Come on, I feel like dancing again.
01:05:56What?
01:05:57You mean with me?
01:06:00Oh, Jacqueline.
01:06:02I'm putting on my best suit and I'll be right back.
01:06:04Promise you'll wait.
01:06:05All right.
01:06:07And those will go out tonight, Miss Honnaman?
01:06:09Yes.
01:06:10What time, senorina?
01:06:117.12.
01:06:12You may go home then.
01:06:13Oh, but there are two men waiting to see you.
01:06:15They said you would know the name of Niedrig.
01:06:20Oh, yes, certainly.
01:06:22I'll see them.
01:06:23Yes, sir. Shall I wait?
01:06:24I won't need you anymore.
01:06:26Thank you, sir.
01:06:28Now, hold on.
01:06:29I think I would rather see Niedrig alone first.
01:06:32All right, sir.
01:06:38Good evening, Mr. Carring.
01:06:40Well, as it's said, will he do it?
01:06:41Of course.
01:06:43Of course.
01:06:43I told you you could rely on the Niedrig Detective Agency completely.
01:06:47And the price?
01:06:48A little high.
01:06:50Four bills.
01:06:52Scoundrel.
01:06:53All right.
01:06:55Have you explained to him that I must not be drawn into it in any way whatsoever?
01:06:58Certainly.
01:06:59Your name won't be mentioned, Mr. Carring.
01:07:01I'll see him now.
01:07:06Jensen?
01:07:07Here you go.
01:07:12Hello, Mr. Gert.
01:07:13Your name is Jensen, eh?
01:07:16That's right, sir.
01:07:17Jens Jensen.
01:07:18That's my real name.
01:07:23Is it true, as Mr. Niedrig tells me, that you're one of the few survivors of the Imperium?
01:07:28That's right.
01:07:28I was hired out of Cairo.
01:07:30And could you testify that no passengers were among the survivors?
01:07:35Uh...
01:07:36I guess so.
01:07:37Now, what do you mean?
01:07:38Could you or couldn't you?
01:07:39Sure, sure, I could say so.
01:07:40Of course I could.
01:07:42Now, you'd better be sure.
01:07:43You might have to swear to it.
01:07:44Yeah.
01:07:47Remember the last time we spoke?
01:07:49What you said?
01:07:50How you saw her drowned?
01:07:51How you saw her corpse and all that?
01:07:52That's right.
01:07:53That's what I saw.
01:07:54All right, then.
01:07:54You can say it under oath.
01:07:55Sure, under oath.
01:07:57All right, I'll swear to it.
01:07:58I see.
01:07:59It's all in order, then.
01:08:00He's all right with me, Niedrig.
01:08:02Good night.
01:08:04No, come on.
01:08:05Never mind.
01:08:06Good night, sir.
01:08:07Come on.
01:08:12Just one more thing, sir.
01:08:13What is it?
01:08:14I just wanted to say, how about some money?
01:08:17Can't you wait for it?
01:08:20All right.
01:08:24Shall I give you a receipt?
01:08:29You're sure that your daughter never described in any of her letters the amulet that she gave to Liane?
01:08:33But that's just it.
01:08:35I can't remember it if she did.
01:08:38There were more letters than these, too, but I've lost a few.
01:08:41Hey!
01:08:41Moala Simba!
01:08:42Chala!
01:08:43Look, he's just like a cat.
01:08:45Go and after him!
01:08:46Run!
01:08:47Hey!
01:08:48Hey, hey!
01:08:52Moala Simba!
01:08:53Moala!
01:08:54Oh, I don't know.
01:08:55Looks like it's hopeless.
01:08:59Thorne, when must you go back?
01:09:01I'm taking the boat on the 4th.
01:09:03If I were you, I wouldn't worry so much about Liane.
01:09:08Oh?
01:09:08I will take good care of her until you come back.
01:09:12I'm sure you will.
01:09:13Hey!
01:09:14Hey!
01:09:16Just look how that little devil is climbing up.
01:09:18Watch out!
01:09:19Don't lose your balance!
01:09:20Oh!
01:09:21Oh, my heavens.
01:09:22Don't worry.
01:09:23She swims like a fish.
01:09:31Her mother swam like that.
01:09:33Come here!
01:09:34Come here, you little brat!
01:09:36Up!
01:09:41Here.
01:09:41Take it.
01:09:42Go on.
01:09:43It's for you.
01:09:46Oh, Genji!
01:09:47Yeah.
01:09:48Hey, wait.
01:09:49That's good money.
01:09:56Hey, she threw it away.
01:09:57She's not after me just for my gold.
01:10:02Hey!
01:10:03Hey, Long Long!
01:10:04Did you hear that?
01:10:05Long Long.
01:10:06That's me.
01:10:08I'm a long as too much for her to say.
01:10:10Isn't she a wonderful creature?
01:10:13I think so, too.
01:10:18Come, Liane.
01:10:19Breakfast.
01:10:26Yes, yes, yes.
01:10:28Here it is.
01:10:28This must be the last she wrote.
01:10:30Here.
01:10:31Now, let's see what happens.
01:10:33She writes,
01:10:34Liane is rather hard to manage.
01:10:36She prefers to play with Terry, her fox terrier,
01:10:40or she climbs on chairs or benches.
01:10:42She won't drink milk,
01:10:44but insists on giving it to her pets.
01:10:47She hasn't changed much.
01:10:49Now, you see?
01:10:50Isn't that a proof?
01:10:51Don't worry.
01:10:52You don't need any proof for us.
01:10:54Ah, you smear jam on the letter.
01:10:55That is Liane's work of art, Alma.
01:10:57Ah, yes, yes.
01:10:58See here what my daughter says.
01:11:01Liane just put her hand into the jam pot.
01:11:04As she cannot write, this will be her greeting to you.
01:11:10Liane, oh, those dirty hands.
01:11:13She's marvelous.
01:11:14Oh, let me see your fingers.
01:11:16Aren't you ashamed?
01:11:17I'll go in and get her a clean glass.
01:11:21Excuse me, Alma.
01:11:22I wonder if I could have that glass.
01:11:24This one?
01:11:28Good morning.
01:11:29Good morning.
01:11:30Good morning, Victor.
01:11:31Any news?
01:11:32Yes.
01:11:33Last night I had a call from an investigator.
01:11:36He says he's located a witness to the shipwreck who says that...
01:11:39The proof is here.
01:11:40What?
01:11:40Yes.
01:11:40Best proof in the world.
01:11:41What do you mean?
01:11:42Compare the fingerprints on this glass with the fingerprints on this letter.
01:11:48Indeed, you're right.
01:11:49They look perfectly alike.
01:11:51Look here.
01:11:52Look for yourself, Alma.
01:11:53You don't expect to prove it as easy as that.
01:11:56Liane was merely a child when that was written.
01:11:58A person's fingerprints remain the same throughout his whole life.
01:12:00Really?
01:12:01Yes, she's right.
01:12:01I'm sure everyone knows that.
01:12:03Alma, tell lawyer Vermut I want to see him right away.
01:12:05Oh, better yet, I'll get him myself.
01:12:06Come along.
01:12:07Now, wait a minute.
01:12:22Tell him, please, because I know that he will.
01:12:27Vermut is out of town.
01:12:28Be back tomorrow.
01:12:29He'll be here by noon.
01:12:33Thorin, I'm afraid I really don't know how to thank you.
01:12:36Oh, that's all right.
01:12:38Besides, nothing's really proven yet.
01:12:40Of course.
01:12:41Of course it is.
01:12:42I never doubted for an instant that Liane was really my granddaughter.
01:12:50Well, I'll be sorry to go.
01:12:51I'm getting to like it here.
01:12:53Well, if you like it, why leave?
01:12:55Well, Liane's going to be taken care of all right,
01:12:57and the professor's waiting for me back there.
01:13:01Besides, what's there to do here now?
01:13:04Oh, you could find something to do, I'm sure.
01:13:07Like what?
01:13:08Oh, I may be wrong, but Liane seems to like a certain young man.
01:13:13I guess you're right.
01:13:16I guess you're right, but who am I to try it?
01:13:19What does that dog got?
01:13:21Hey, Blackie, what have you got there?
01:13:22Oh, he just likes to play with paper.
01:13:24Give it here.
01:13:27What's this?
01:13:29There's something strange here, Mr. Amalongan.
01:13:32It's your daughter's letter.
01:13:33How could he have gotten it?
01:13:33Well, good heavens.
01:13:35He must have taken it from the table.
01:13:37But the dog certainly couldn't have crumpled it.
01:13:38But who would want to do a thing like that?
01:13:40Who would want to make this letter disappear?
01:13:42You mean you really don't know?
01:13:46Alma!
01:13:48Hey, Alma!
01:13:49Yes, Senator?
01:13:49Where's my nephew?
01:13:51He said he was going to town.
01:13:52There he goes now.
01:13:54It's about time I straightened him out on a few points.
01:13:56I'll see you later.
01:13:57Oh, don't worry.
01:13:58Leave him to me.
01:13:58It's better.
01:13:59I'll take care of him tomorrow morning.
01:14:01Will you have dinner with us?
01:14:03I'd like to, but I'm afraid I'd better do some work.
01:14:05Tomorrow at 12, then.
01:14:07When vomit comes.
01:14:08All right.
01:14:09I certainly don't want to miss that.
01:14:11Until tomorrow.
01:14:13All right.
01:14:14I want to say goodbye to Liane.
01:14:16Of course.
01:14:17And remember my boy.
01:14:18I just wish I knew how to thank you.
01:14:29I'm going away now, Liane.
01:14:30You go?
01:14:31Yes, I must go now.
01:14:33But tomorrow I'll come back and then I'll...
01:14:36I'll tell you about it tomorrow.
01:14:38Goodbye.
01:14:39It's all right.
01:14:40Goodbye, Simba.
01:14:52So long.
01:14:55That's right.
01:14:56And whatever you do, make sure that my nephew knows that I'll be expecting to see him tonight.
01:15:01To hold the time free.
01:15:02Yes.
01:15:25Good morning.
01:15:26Mr. Goering is waiting for you.
01:15:36Good morning.
01:15:37Good morning.
01:15:37Good morning.
01:15:38Sorry we're late, but one never knows what to expect from the traffic.
01:15:41Where's the senator?
01:15:43Up in his room, I believe.
01:15:44Oh, my.
01:15:45I hope he's feeling all right.
01:15:47Good morning, Alma.
01:15:47Good morning, Counselor.
01:15:49Mr. Thorin.
01:15:49How is the old gentleman?
01:15:51Well, he was up a bit later than usual last night.
01:15:53He's making up for it this morning.
01:15:55Sure, sure.
01:15:56But does the doctor know about it?
01:15:57Oh, yeah.
01:16:10Good morning.
01:16:11Good morning, Senator.
01:16:13Good morning, Mr. Ramalongan.
01:16:18I'm afraid he might have had an attack.
01:16:20Mr. Ramalongan.
01:16:22Send for locksmith Alma. You might be dying in there. We'll break the door down. Look out
01:16:25We'll have none of that every second college go ahead if you can try it
01:16:44What is that Victor I just a pencil where was it lying beside the door hadn't you better put it
01:16:49back if you wish
01:16:50I must ask everyone not to touch anything until the police get here. I'll call them
01:16:56And when was the last time that you saw mr. Emmer Longin last night about
01:17:02Half past 12 and was there anything strange or unusual about him? Just the usual four stiff grogs and a
01:17:08smidgen of cure
01:17:09Never mind. We don't want so many details. Thank you. You can go
01:17:19I
01:17:19Look the key is still in the door
01:17:21So the one who did it couldn't have opened it
01:17:23Did he come in through the window climbing a 30-foot wall? Tonga
01:17:28Tonga who is that?
01:17:30That's how he came up the last time and what reason would Tonga have to murder old mr.
01:17:34Ammer Longin anyone tell me who this knife belongs to yes, it's his it's the one. He tried to use
01:17:39them before. Oh
01:17:41Tonga
01:17:43Inspector can I send liana to get him he might be afraid
01:17:50Who can the Tonga yeah
01:17:54By the way inspector do you still have the pencil that was found near the door yes here it is
01:18:00on if I see no
01:18:02He's not going to try to make us believe that this pencil is the murder weapon. I trust
01:18:11Tonga let's go
01:18:12No, no hurt
01:18:13No, no hurt
01:18:17Inspector is that so?
01:18:19Who else could have climbed the wall?
01:18:22By the way inspector that letter mr. Ammer Longin wanted to see me about your positive it wasn't found
01:18:27I should think he'd have put it away someplace
01:18:31I'm sure it's around here not in this room. It isn't what difference does it make suppose we never find
01:18:36the letter
01:18:36Well
01:18:38Let me have that please
01:18:44Who served mr. Ammer Longin his breakfast I did oh, no, that's right. I didn't
01:18:50Mr. Goering took it away from me on the stairs
01:18:53Would you let me borrow your piece of string mr. Goering?
01:18:57What piece of string
01:19:00Why this one what are you going to do with it? Oh, I want to test my theory
01:19:06But this pencil plays an important part in it
01:19:09You see this pencil has two slight indentations one on each side
01:19:15There you see they fit the ring of the key exactly
01:19:18Now it would have been possible for someone to
01:19:22Pass the string around the pencil like this then he could bring the string down below
01:19:28There it is
01:19:29Now if someone pulls the string from the outside officer would you be so kind
01:19:48Well
01:19:51Interesting, isn't it does it prove we've murdered mr. Ammer Longin?
01:19:55Well, it might wouldn't you say it opens up the possibilities that someone
01:19:59Might have murdered mr. Ammer Longin and tried to divert mission against someone else who was releasing
01:20:06I just don't know what to say
01:20:10But don't you believe there's one thing you may have forgotten that may I of course
01:20:25Well, I'll be
01:20:29Stop him
01:20:30Get away from the door
01:20:33Get to the window
01:20:35Break it down
01:20:46Go
01:20:48Oh
01:20:48Yeah
01:20:54Let's go.
01:21:19Let's go.
01:21:49I can't hear what they're saying, idiot.
01:21:53Professor, here. Here it is in black and white.
01:21:57So it is. Girl found in jungle inherits Amalong and fortune.
01:22:00Keller, did you hear that?
01:22:01Ah, that's old news already.
01:22:03Here. This just came in from Nairobi.
01:22:06Liana leaving tomorrow for a trip through Africa,
01:22:08where she will visit the Donner expedition.
01:22:10She's coming. That's wonderful.
01:22:12Torren's with her in Tonga, too. What a homecoming.
01:22:14He's doing all right for a local boy.
01:22:16Come on, come on, come on.
01:22:46Oh, my God.
01:23:29You must drink or you'll offend them.
01:23:31All right.
01:23:53All right.
01:24:41All right.
01:25:10All right.
01:25:12Hey!
01:25:13Hello!
01:25:13Hello!
01:25:15Hello!
01:25:15Hello!
01:25:15Hello!
01:25:15Hello!
01:25:15Hello!
01:25:15Hello!
01:25:18Hello!
01:25:18Hello!
01:25:29Hello!
01:25:34Hello!
01:25:36Hello!
01:25:36Hello!
01:25:45Hello!
01:25:46Hello!
01:25:47Hello!
01:25:49Hello!
01:25:49Hello!
01:25:49Hello!
01:25:50Hello!
01:25:50Hello!