Milind Pathak Interview | ग्लॅमरच्या पलीकडे कलाकार, दिग्दर्शक आणि लेखकाचं दुःख! | Lokmat Filmy
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00:00The second show is how to show our show and how to show our show.
00:04I think that's why I don't want to talk about it.
00:06I don't want to talk about Bajora Masthari, but I don't want to talk about Bajora Masthari.
00:11But I don't want to talk about Bajora Masthari.
00:13So, there's a lot of pressure on the channel.
00:16There's a lot of pressure on the channel.
00:19So, one thing, you have to be a character.
00:22You don't have to be a million pounds.
00:24I don't know.
00:26I can't do it as a character.
00:27Can you more strategically cast?
00:29You have to quite strengthen your character.
00:31What does it mean that you have to say?
00:32There's a lot of it.
00:34Just because after الفetting at the same time.
00:40Some of the things are awesome.
00:42Some of the things can be received in these Numbers.
00:43I'll be Con timely at my shooting tracks.
00:47And we get friends to make their shooting pair of screens.
00:51Isn't that them?
00:55Viewers are partNow.
00:56You started doing it in the music, but didn´t start thinking that you were looking at it.
01:00The first person I would wonder,
01:01you might get the pink shirt in a swipe look,
01:03but I can see that it will look like it as we got the pink shirt.
01:06Go!
01:07The first person I picked up, I picked up the zoom button.
01:10So it is made of my glamour,
01:13I think the other show is how we would enjoy the show.
01:19And when I'm a girl,
01:21there's a bed in Nagpur.
01:23Why do we have a family here?
01:25In today's culture, they're going to be a big wedding, so that's why I am going to be a big
01:39wedding.
01:40But, I wonder if we have a Marathi, a Marathi man?
01:43Maybe I don't know anything about it.
01:44I wonder if we have a dream in Marathi.
01:46I wonder if we have a wedding where we have a wedding.
01:48By the way, we have a wedding in Bajorawamaasthari.
01:50If we have a wedding in Bajorawamaasthari, we have a good wedding.
01:54But I think that's a lot of money.
01:56We have a lot of money.
01:58We have a lot of money.
02:00What a matter of it.
02:02So, Saran, how much pressure is coming?
02:04I mean, a man of a man.
02:08A man of a man?
02:11I think that's a lot of money.
02:14You should have to say that you should have to do something.
02:18I think that's a lot of money.
02:20I don't think that's a lot of money.
02:23The camera is a lot of money.
02:25The stage is a lot of money.
02:29It's a lot of money.
02:30Definitely.
02:32But if you want to come into the industry,
02:37you should have to say that you should be saying glamour.
02:41That's it.
02:43That's it.
02:45You might get up in the business of a guy like four people.
02:47Then we're at a store there who depends on what's going on here.
02:53The賛 called for that.
02:55Then you should have to say that.
02:56Then you should have to say that you don't have to say,
02:56But we're not doing that.
02:58I mean, that's where it is.
03:01The only thing is, that you do a lot of money.
03:03You do a lot of money.
03:04You do a lot of money.
03:06It depends on it.
03:07It depends on your commanding and interesting.
03:09We've got a lot of focus.
03:10But I don't know how to do that.
03:13But as a writer, we have a lot of time to do that.
03:18We have to do that.
03:19We have to do that.
03:20We have to do that.
03:22We have to do that.
03:22Yes.
03:24But when you think about your glamour,
03:28what do you think?
03:31What do you think?
03:31What do you think?
03:33You have to do that.
03:36Shri Devi.
03:37You have to do that.
03:39You have to do that.
03:40Frankly.
03:41We have to do that.
03:43We have to do that.
03:44We have to do that.
03:46But this is a good point.
03:48We have to say that Nasriddin Shah is popular.
03:54We have a class of acting.
03:55And in commercial success, we have to do that.
04:00And we have to do that.
04:03What a joke.
04:05Because do you think we have to do that?
04:22Because Aisha has been a great place in the world.
04:25Aisha has been a great place to meet you.
04:29Aisha has been a great place in the world.
04:31Aisha has been a great place to meet you.
04:33And I know how to do the work.
04:36But you know, Aisha has been a great place.
04:39I think we have a little bit of a question.
04:42That we have to take a lot of questions.
04:47So, we can definitely have a big deal of work. But, if you have to do it, it will be
04:53so much more than 8 years.
04:55If you have to do it, you will be famous for the first time.
04:59Correct.
05:00After 4-5 years, it will be a big deal.
05:04If you have to do it, you will have to do it.
05:08If you have to do it, you will have to do it.
05:11What happened to you?
05:12I was very proud of you.
05:15I was very proud of you.
05:15I was very proud of you.
05:17There were 500 channels.
05:20There were also Hindi channels.
05:22We also used Hindi, Marathi,
05:25Aajun Kaya,
05:26and we also used YouTube.
05:30So there were a lot of people.
05:32There were a lot of people on Instagram.
05:33We started that.
05:35So I had a web series.
05:37I thought,
05:39I thought,
05:41what happened to you?
05:42I thought,
05:43we didn't have a web series.
05:46There were 5 channels.
05:50There were 4 shows every day.
05:56How do you feel?
05:58It's Monday to Friday.
05:59It's Saturday and Sunday.
06:01I was very proud of you.
06:03I was very proud of you.
06:03I was very proud of you.
06:04I was very proud of you.
06:05I was very proud of you.
06:07I felt that there was limited visibility.
06:10People had a great hope of me.
06:12I felt something that I was afraid of.
06:13They would say okay.
06:14They would argue that that this is OK.
06:15But it's not working for 15 years
06:16It's a theory in the film.
06:19So this was made a movie.
06:20I've said to you.
06:20And I've done it.
06:21It's a lot of in the past,
06:22I've done it.
06:24I've done it.
06:26I've done it.
06:27I've done it.
06:27Sorry, I am doing this, but I don't know what to say.
06:30All of the heroines are such a nice young people.
06:34All of them were straight.
06:37And they were like, what?
06:38And the villain guy is like, what do they do?
06:41Who is it?
06:43What do they do?
06:44The main heroines are not straight,
06:48they don't want to do that.
06:50They don't want to do that in their own thoughts.
06:52But they don't want to do that in a straight case.
06:54That is a typical cut.
06:55But you can't get a hit.
06:57And you can't get one of those people.
07:00There's no difference.
07:01I mean, I don't think you can change the look.
07:05Absolutely.
07:06I don't think there's a variety of audiences.
07:09I mean, Suda Chandra and Komalika,
07:11it's just one person.
07:12There's no iconic characters.
07:14There's no iconic characters.
07:16But it's not like that.
07:18It's not like that.
07:18It's not like that.
07:19It's not like that.
07:20But I actually ruined it for a year,
07:23five years.
07:24I don't think anything.
07:26I think I would ask what you've done.
07:29What happened to me?
07:30I asked if you can't see what you've been a hero?
07:31Well, that's true.
07:33Sorry, sorry.
07:33I'm thinking, you've been 30 years old.
07:34I wouldn't do this.
07:36If you have a huge issue,
07:38what would be a huge issue?
07:41Why would I must havepu ask you?
07:45You can't really see you too.
07:46You could not expect that to be as a YouTube channel.
07:49It's not a show.
07:49But there are many shows that have been happening in the past.
07:53How did you say that?
07:54Like Ramabhin.
07:57That's what happened.
07:58That's what happened.
08:00There are stories and periods.
08:04That's what happened.
08:05And they all started talking.
08:08I thought, what happened?
08:09I thought, I was like, this is how I was going to be a show.
08:12I was like, I don't want to go there.
08:13I was like, I don't want to go there.
08:15I was like, I don't want to go there.
08:19I was like, what is happening?
08:22You're like, I'm going to go there.
08:23I wasn't going to go there.
08:26I don't want to go there.
08:27I was like, this is so funny.
08:28I'm a Hindi film.
08:29I'm not a Hindi film.
08:30I'm a film.
08:32I'm a Hindi film.
08:33I was going to show you a Hindi film.
08:35We also have questions.
08:37What are you talking about?
08:39What are you talking about?
08:40I said, sir,
08:43we are a part of our set.
08:45We have made a place on the door.
08:47I think that's what you did, and then put the kueya in the kueya, when you put the kueya in
08:53the kueya,
08:58you can't ask questions, don't think about your work.
09:04You can't think about the marketing people, the channel people, the director,
09:09all of our people have decided, don't think about it, just tell the line or the line,
09:16If you have given it, you can do acting on what you have to do.
09:19You don't have to think about it.
09:21That's why I took this television.
09:23Oh my god.
09:25But when you started, why did you take this film?
09:28How did you do that?
09:29No, I didn't.
09:31I didn't work.
09:34Discussion-wise scenes were.
09:35Yes, right.
09:36Where did we shoot?
09:37Because we don't have a deadline.
09:40Where did we shoot the scene?
09:41You know, I didn't shoot some episodes.
09:43Please take the episode to the day.
09:44It really did not hear me, not my productions.
09:49Take a minute shoot as day.
09:51No, no, ok fine.
09:52All night four scenes have just been done.
09:52But it won't be done.
09:54When we write the scene in the first film,
09:56maybe we won't do it again.
09:58But the other film becomes famous.
10:01The film becomes famous.
10:02We are trying to change the words and
10:02how we do it.
10:04So, we were trying to talk properly about what we did.
10:06This discussion is talking about what we did.
10:09We were trying to ask the director.
10:09It was a director, obviously, until Mandar Devas, frankly speaking.
10:14He was a director, so he would interact with Kalakar.
10:16He would like to hear and give us our thoughts.
10:19Kalakar would be proud of them.
10:22He would have to say that we are proud of Kalakar,
10:25but he would not be proud of them.
10:27Yes, actually.
10:29So, we did a great job.
10:31I mean, I thought,
10:32I thought, if I was a project for Kalakar,
10:33I thought,
10:34I thought,
10:37I thought,
10:38I thought,
10:41I thought,
10:43I was a good person.
10:44But in Malay,
10:45I thought,
10:46I was a good person.
10:47I thought,
10:47I was a good person.
10:48I thought,
10:49who is a good person to see?
10:52That's true.
10:54The first thing,
10:57the second thing,
10:58the second thing,
10:58the other thing,
11:00the most fun.
11:01It's true.
11:04It's true.
11:05It's true.
11:05Because of the mobile mobile.
11:12No doubt.
11:13There are very advantages, but there are disadvantages that people are short of memory.
11:18People have no time span.
11:21I'm done with a real entertainment.
11:26That's why we don't have time to run longitude.
11:28That's why I can't hold the bar of the bar.
11:30And I can hold the bar of the bar.
11:34I'm going to be making a bar of the bar.
11:38That's why I hold it.
11:40Otherwise, I can hold the bar of the bar.
11:45But, let's not understand the bar of the bar.
11:48I can't understand the bar of the bar.
11:49I can't say, oh.
11:53I'm coming.
11:54This is all going on.
11:55You can see that there will be not a good audience. Seriously?
12:00Ok.
12:01A good audience is like mobile.
12:04Oh, wait, wait, wait, wait, wait, wait, wait?
12:08No.
12:14Sorry, but I'm also a good audience.
12:17You didn't have a lot of concentration.
12:20The audience is ready.
12:22then you will know.
12:24But how many problems are you doing?
12:26You will be able to get a job.
12:27You will have to get to work with a gun.
12:28You will have to get to work with a job.
12:31What are you having to do?
12:34But no.
12:36I don't know.
12:38When you say it's a real star and you say it's a real star,
12:42you will have to have this dialogue.
12:45But there is a dialogue delivery that's a good word.
12:48Exactly. I can't make that dialogue.
12:51That's what I am thinking.
12:52That is, no.
12:53I could not even know that I would like to play.
12:57That's what the name of the A.T.C. videos are the 80s.
13:00I never thought that there would be 30 songs for a young generation.
13:05You wouldn't be thinking that this is the age of popular songs.
13:08Not the same.
13:09No one said that.
13:12Once you get your qualities, you know that the people will be there.
13:16But you don't have to take all the time.
13:18But in the generation of quality,
13:21it's not worth it.
13:22It's not worth it.
13:22So why not?
13:25No, it's not worth it.
13:26But it's a lot worth it.
13:28Shouti, why do you think that you think that you think that you think that it's good?
13:34What do you think?
13:35That's not the problem.
13:36But,
13:37I'm telling the industry to get the stamp,
13:40I just don't like a big person.
13:42It's not industry and it's creative.
13:44I will not know that in terms of the industry, so it is a poor thing.
13:51That's why it's a big issue.
13:54We heard this last night and we were just watching the video.
14:01So, we were just a little bit of a distribution.
14:03We had a lot of money.
14:06It's like that.
14:07No, we had to pay for that money.
14:09We had to do it.
14:10We were just going to do it.
14:11camera, set-up, etc.
14:13You can do everything.
14:14But you say,
14:15I don't have to say anything.
14:18There is a lot of COVID-19,
14:20people who have come to the stand,
14:21they have to give content,
14:24they have to do everything.
14:26But the rest of them,
14:27we have to do it.
14:30And everyone does it.
14:31And you do it.
14:34The side effects,
14:36the bad effects,
14:37you can do it every day.
14:40It's not just the all people,
14:41you can do it every day.
14:43And the person who gets lost
14:44and will do it every day.
14:47Why do you give value?
14:50You can get to the value.
14:51You have to figure out either.
14:53But you don't have to give your YouTube amount of money.
14:56Exactly.
14:57You don't have to give your Instagram your money.
14:59I do not?
15:01Correct.
15:02It's not 100%.
15:05But it's so poor, but it's so beautiful.
15:10And I think that people are popular.
15:14And I think that people are very popular.
15:17So, what do you think?
15:19There are some shows that there are many people who say something,
15:25and blame them, and I think that yes,
15:29I am a viral fan, and I am a brand,
15:32and I am a brand.
15:35But the fact that people are saying what are people listening to?
15:37Exactly.
15:38If people say a certain way, they're popular.
15:41They're popular with people.
15:44They're popular with people.
15:45I think they're going to get into 200 years.
15:50Okay.
15:50Anyway, the world is changing.
15:52It's all for me.
15:53You have to be more qualified.
15:57Well, you have to be more qualified.
15:57Hopefully, you've got to be more qualified.
16:01Yes, I think the government is going to be more qualified.
16:05What pressure is your daily?
16:07How much pressure is your channel?
16:08It's a challenge.
16:09It's a challenge.
16:14I came to try more costume trials.
16:16I used to try more costume trials.
16:18I was doing one of my favorite things.
16:21I was doing one of my favorite things.
16:22You were wearing some lads.
16:23My character was using my character.
16:25I thought I was going to try 3 or 3.
16:27I thought I would match the color palette.
16:29as you match the same picture, you will have a photo.
16:32And you will see the pictures.
16:34I will show you and the photos,
16:36and you will have one picture.
16:39You will have to see the image.
16:41You will have to look at the picture.
16:42And then, I thought,
16:42no, sir, I will have to see you,
16:42but I will have shots.
16:44No, sir, no.
16:44I will have to make the post.
16:46Take a photo of me,
16:46and I will have to give a shot.
16:48It's the truth.
16:51So, how do you do that?
16:52You have to concentrate on the matter.
16:55But you have to concentrate on the matter,
16:58I think the first person is acting in the camera.
17:02I think it's easier to perform.
17:04There is a stereotypical expression that you have to do.
17:09Oh, it's very simple.
17:13Because you can't do that.
17:13That's why you can't do that.
17:15You can't do that.
17:18They think, oh, you have to do that.
17:21You don't hate glycerin, or you can't do that.
17:28I don't feel like a girl.
17:31Who is a redneck?
17:33You don't have any feelings.
17:35And the feeling of a girl is parallel.
17:39I have seen the same way,
17:41I don't have to think that.
17:45She doesn't feel like a girl.
17:47She doesn't feel like a girl.
17:48She doesn't feel like a girl.
17:48She doesn't feel like a girl.
17:49But the same way, she doesn't feel like a girl.
17:55Exactly,
17:56No, no, no.
17:58You have a lot of time.
18:00You don't have to take glycerin.
18:03She doesn't feel like a girl.
18:04She doesn't feel like a girl.
18:06But I love glycerin.
18:09But in a short time,
18:12I'm going to suggest that
18:14in a short time,
18:15we're going to get angry.
18:18Location-wise,
18:20dialogues-wise,
18:21we're going to have a big team.
18:23She doesn't feel like a girl.
18:25Every single person feels like a girl.
18:27Who does giant jump?
18:30Had a human power!
18:35What happened to a goal?
18:44Yeah, exactly.
18:49I am trained, what is the problem?
18:51We do not have a popular talent.
18:53We do not have a trained talent.
18:55Now, how do we train you?
18:57I will do it qualitatively.
18:59I am trained.
19:00You are on the channel.
19:02What do you do with your channel?
19:04I am not saying that.
19:06I am not saying that.
19:08I am not saying that.
19:12I am not saying that.
19:14But I am not saying that.
19:15I am saying that.
19:17But you are still my great possibilities.
19:20You have to get advice,
19:21I am not so proud.
19:23But do you know,
19:24you go idea.
19:26Me go idea.
19:27Me go idea.
19:29I am not saying that.
19:31I am not saying that.
19:33I am not going to be dealing with this channel.
19:36I am not saying that.
19:37Even more people.
19:39But I am not saying that.
19:43I am not blaming that.
19:45It's not a good thing.
19:47But in social media, the competition will come quite well.
19:52Absolutely right.
19:53I'm doing a competition, but I'm doing a lot of things.
19:57If you have a young generation, you can do a competition.
20:04Exactly.
20:04That's a good question.
20:07And if you don't understand the truth, I don't understand.
20:11It's not a good question.
20:11It's not a good question.
20:12You have a standard form.
20:18It doesn't match.
20:20You're patient.
20:22But it's well.
20:23It's not a good question.
20:23You don't have a knowing or the truth
20:31It's something design.
20:32You must be prepared.
20:34Now, I'm trying to learn something like it for you.
20:38You should have to do the same thing.
20:40That's why we have to do the same thing.
20:42We have to do the same thing as we have to do it.
20:45That's the same thing.
20:48So, you're going to say,
20:50that if you don't have to do it,
20:52and you don't have to do it,
20:53you're going to say that,
20:55you're going to say that.
20:57Some people have to focus on it.
21:00It's okay.
21:01Do you think that you have a great class of 9 generations?
21:04Don't talk about it,
21:05you should do it.
21:10But you don't have to worry,
21:11that it's a great thing,
21:14you don't have to do it,
21:15it's more than you have to worry about.
21:20Don't do anything about it.
21:21Don't do anything about it.
21:21You have to do it.
21:23You have to do it honestly.
21:24if you have to deal with it,
21:26you don't have to worry,
21:28and you don't have to worry about it,
21:32you're having to do it.
21:34What do you think? What do you think about Mahit and what will happen to you?
21:38But that's the question.
21:40Today is today.
21:42That's what happened to you.
21:44That's what happened to you.
21:47Well, I've been thinking very recently, Kaitri.
21:51We're doing this as well.
21:53We're doing this as well.
21:53And we're going to do some presentations.
21:57How do you think about that?
22:01I don't know.
22:03We're going to do some things like that.
22:05It's true.
22:07You're going to talk a lot about it.
22:12It's not about it.
22:16It's about it.
22:19It's about it.
22:20We're going to talk a lot about it.
22:21It's about it.
22:23It's about it.
22:24Why do we think about it?
22:25Because
22:25But the previous company, it was the same picture,
22:28and got the clothes to break the night in the interview.
22:31I thought, please, why should I start?
22:33I thought, you can come here.
22:36That's exactly right, right?
22:37You can tell them,
22:38but the number is I started��aging the day of our channel.
22:40And you say, I am the only one person who can't do this.
22:45so you don't have to do it.
22:46You don't have to do it!
22:47I was going to start the collabs and all those things.
22:53I was a designer and a veteran, so I was like, don't worry, I'll give it to you.
22:57But you'll have to pay for money, and I'll give you the effort.
23:00Obviously, I don't have to do that.
23:02Exactly.
23:03I was like, if I wanted to do that, I would have to do that.
23:06I would have to do that, because I was like, when I was in Ashish Amwa's premiere,
23:12I would have to do that, so I would have to do that.
23:15How do we do this?
23:19That's not what we can do.
23:21How do we do this?
23:23We're not doing this.
23:24We have to do this.
23:28How do we do this?
23:30We don't have to do it.
23:34You have to do it.
23:35We don't have to do it.
23:35We can do it.
23:36We can do it.
23:37We can do it.
23:37If you're not doing it...
23:45and if you look viral, you have to do any collaboration with them.
23:49The viral media has become more medium.
23:52It's not a newspaper.
23:54You see him even on our face.
23:56He doesn't make a match.
23:57He doesn't have the same manner.
23:59He doesn't do the same manner.
24:00He doesn't do the same manner.
24:01He always told me that we do work with the cinema,
24:05we always learn the movies.
24:07He told me that I have a child.
24:13No, no?
24:14Who had to say in the cinema to my house?
24:16I said to my dialogue, I said to my dialogue.
24:20What a good thing.
24:21If you were acting, I would like to look at your look.
24:24I could not look at anything.
24:27We could not look at anything.
24:28But I would like to look at that.
24:30I would like to go on the way.
24:32I would like to look at that.
24:34I would like to look at your dialogue, acting.
24:36I don't do anything.
24:38I don't look at the look.
24:39Because you look is a good thing.
24:40correct best first impression is the last impression thank you so much