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आमिर खान, 'हम साथ साथ हैं' ते बालपणीचा मार! | Sonali Bendre Candid Chat | Filmy Panchayat

बॉलिवूडची एव्हरग्रीन अभिनेत्री सोनाली बेंद्रे हिने Lokmat Filmy च्या खास सेगमेंट 'Filmy Panchayat' मध्ये मनमोकळ्या गप्पा मारल्या!

९० च्या दशकातील आठवणी, 'टक्कर' सिनेमातील तिची मोहिनी ही भूमिका, सुनील शेट्टी व आमिर खान यांच्यासोबत काम करण्याचा अनुभव, बालपणी खाल्लेला आईचा ओरडा आणि वैयक्तिक आयुष्याबद्दल सोनालीने केलेले अनेक रंजक खुलासे जाणून घेण्यासाठी हा संपूर्ण व्हिडिओ नक्की पहा.

Bollywood actress Sonali Bendre gets candid in this exclusive interview on Lokmat Filmy's 'Filmy Panchayat'. Watch her share nostalgic memories from the 90s, fun childhood stories, and her journey in Indian cinema.

In this video:

00:00 - Introduction & Highlights
00:25 - 'टक्कर' सिनेमा आणि मोहिनीची भूमिका
02:00 - 'सरफरोश' चित्रपट व आठवणी
03:20 - सौंदर्याची व्याख्या व ९० चे दशक
04:30 - आवडती गाणी आणि संगीताचा प्रवास

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Category

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Fun
Transcript
00:01Oh my god, I don't want to say that.
00:03I just want to say that.
00:06I agree with you.
00:07I don't want to say that.
00:08I don't want to say that.
00:09I don't want to say that.
00:10I don't want to say that.
00:50Thank you so much for having me.
00:52Please love and love to see my feelings if I am so well.
00:59Love and love?
01:02You don't like to be the love.
01:04Do you do anything like that?
01:08No.
01:09You will be the person who comes to the Sonali.
01:11I will be the man to hear you.
01:12Do you have any words?
01:16I don't know why it's like that.
01:17I thought you were going to go to Mohinila.
01:19But it's not a Preekshak Mohinila.
01:21Who is Mohini?
01:23Who is Mohini?
01:26Obviously, I do think that
01:28it's not your character.
01:30But it's not a character.
01:31I'm sorry, but I don't have to do it today.
01:34The Preekshakans said that
01:35Mohini is a good one.
01:37I don't remember.
01:40I didn't remember.
01:42Frankly, Sangu said
01:43I don't have to do anything.
01:46So, yes.
01:48I don't think I can do it today.
01:51If we are dubbing,
01:53we can do it.
01:54We can do it.
01:57In fact, to be really honest,
02:01one of the last few years,
02:03it was 25 years ago.
02:05And John,
02:07our director,
02:08he told me
02:09he told me
02:12that he had to do it.
02:13But in that celebration,
02:16I realized that
02:17I didn't have to do that film.
02:19I didn't have to do that film.
02:22I didn't have to do that film.
02:26So,
02:26sorry,
02:27but that's me.
02:29I don't see my own films most of the time.
02:37I don't know.
02:39I don't know.
02:40I don't know.
02:40Because I can see the difference.
02:42There's a 100% difference.
02:45Obviously,
02:47I don't know.
02:48And the other thing,
02:49I really think,
02:50that Sangu said,
02:53thank you for that.
02:55I don't know.
02:55I don't know.
02:57But the other thing,
02:59I mean,
03:00it's subjective.
03:01I mean,
03:03I don't know.
03:06So,
03:07thank you for that.
03:09And the other thing,
03:10it's a very transient thing.
03:12I mean,
03:13I don't know.
03:14I mean,
03:15I think,
03:15I think,
03:15there's a genius.
03:19I mean,
03:20you know what I mean.
03:23But,
03:24there's a lot of work in the film.
03:26In 1995,
03:28there's a lot of work.
03:33We all have fun.
03:36And today,
03:37I'm just going to listen to
03:38Ravi Manutra,
03:39I'm just going to come together.
03:41Of course,
03:41Of course, we are friends.
03:42We are friends and friends.
03:44But the sequel is a lot of us.
03:46My sister is not the only thing.
03:51I think that I've been able to do the work and I've been very lucky because I've got a lot
03:57of songs.
03:59And I'm always the same for the songs.
04:03I'm always the same for the songs and the songs.
04:05I've been wearing a dress, I've been wearing a dress.
04:07Yes, that's what it is.
04:09He or she is hardcore dancing.
04:12But you know, the songs are so good.
04:14The songs are like a story.
04:18So, I was lucky to get that kind of music.
04:21Do you remember the songs recently?
04:23Your favorite?
04:25My favorite?
04:29All of them are independent artists.
04:32So, I need to give you a song right now.
04:39Actually, when I was told,
04:41there was a new trailer.
04:44And there was a new song in there.
04:47And it was a good song.
04:49It was like a Surajjian film.
04:52It was like,
04:53I love it.
04:55It was a good song.
04:57What about that?
04:58Yes.
04:58But I was like,
04:59Soda.
05:00How did you give it to the cinema?
05:02Soda or the cinema
05:03is a good song.
05:05Actually,
05:07I'm a company.
05:08I'm a company.
05:09Rose Audio Visuals.
05:11I'm a creative director.
05:15I'm a creative director.
05:15I'm working with the film.
05:17In the office,
05:18you didn't mention that
05:19it was a Marathi film.
05:20It was a Maharashtra.
05:21You said,
05:22well,
05:22you are good.
05:23You are good.
05:24You are good.
05:25You are good.
05:25And in the movie,
05:29you have a very good story.
05:32But very good.
05:35You are good.
05:36I don't have any response.
05:38You are good.
05:39I can't get to it.
05:40So,
05:40you're good.
05:40You are good.
05:41So we were able to get this film, so it was such a great film.
05:47And literally, I don't want to laugh at all,
05:51but there is a lot of work in my life.
05:55If you have a feeling of innocence,
05:59you have an emotional depth,
06:02you have a joy.
06:04You have to laugh and laugh,
06:05you have to be a life.
06:06You have to laugh at all.
06:07And I thought,
06:09I don't want to laugh at all.
06:12First of all, I had a great avid film.
06:15And I said,
06:17Goldie told me,
06:20do you want to present it?
06:22I said,
06:31do you want to present it?
06:34I said,
06:35do you want to present it?
06:35do you want to present it?
06:36Do you want to present it?
06:37Do you want to present it?
06:38I thought,
06:40I don't want to present it.
06:43I didn't want to present it.
06:43I don't want to present it in cinema.
06:46I thought,
06:46at least you know the business of it.
06:49Of cinema.
06:50But,
06:50I think it's the only thing that you have to present.
06:53First,
06:55I thought,
06:56I thought,
06:56okay.
06:57I thought,
06:58I should make a picture.
07:00I should make a picture.
07:03We don't want to put your money where your mouth is.
07:06If I have a house,
07:07I think,
07:08what's on my side of it?
07:10I thought,
07:11okay.
07:11I think,
07:12this is the cinema I would like to see.
07:15These are the stories I want to hear.
07:17Then, I should push it.
07:18Thank you so much, Karanki.
07:20In Marathi,
07:21I thought,
07:22I had to get your attention.
07:23I thought,
07:25who is a millionaire?
07:25I thought,
07:26I should get your money.
07:27You have to have the money.
07:30You have to have the money.
07:32You have to have the money and the money.
07:34I think,
07:35I think,
07:36I'm a big fan.
07:38Seriously?
07:39Yes, seriously.
07:41So,
07:41doing the money and your hands are still in the place.
07:43Yes,
07:44absolutely.
07:44and I'm looking forward to it.
07:46Yes, but Madhuri Dixit and you.
07:49It's like a bond that doesn't have a bond.
07:51So, how do you get a connection?
07:53No, I mean, she's my senior and I'm a huge fan of hers.
07:56And I have looked at her like that.
07:59But in the case, she's a senior artist.
08:05Madhuri is a very warm person.
08:07She doesn't have to say anything like that.
08:10She doesn't have to say anything like that.
08:11And she doesn't have to say anything like that.
08:15But eventually, I must say, it's not out of disrespect
08:18but she's a big fan of her and she's a big fan of her.
08:21So, she doesn't have to say anything like that.
08:24So, it did become that.
08:25But she's so warm and she's so normal.
08:29And you can connect with her.
08:32And it's not that she doesn't have to say anything like that.
08:37So, it's always fun to meet her.
08:40What do you mean?
08:41How are you talking about it?
08:43Fun.
08:45How are you talking about it?
08:47I mean, I mean...
08:52I think that everyone has to say,
08:55I mean, there's a lot of trauma.
08:57There's a lot of trauma.
08:58There's a lot of trauma.
08:59There's a lot of trauma.
09:00There's a lot of trauma.
09:02There's a lot of trauma.
09:03So, when we're young and we're young,
09:05we're doing it sometimes.
09:10We're doing it sometimes.
09:13We're doing it sometimes.
09:16We have a lot of friends.
09:18I'm a small family.
09:19We have 30% love.
09:20But we do it.
09:22We're not having to say anything like that.
09:24I'll get better than that, and I'll get better than I should.
09:28I'll just make up that's all so nice,
09:34I can't say maybe anything.
09:36There's tension trying to find you.
09:37There's other tension, but there's a celebration,
09:40you know, we are going to be humorous.
09:43Actually, I have to say, I'm being humorous,
09:46and I'll just believe in my pictures.
09:49But what do you think about the humorous words?
09:51So, what is the picture that I've seen in this picture?
09:57It's such a beautiful picture.
09:59I thought that Sohla is a festival.
10:03But it's not a song. Sohla is a celebration.
10:07It's not a song.
10:08I thought that Sohla is a personal guest.
10:15I thought that you can have Sohla.
10:18You can have Sohla.
10:20But I actually understand what depth is in the words.
10:25Sohla is a depth.
10:27Sohla is a depth.
10:27I thought that's a lot of words.
10:30And I thought that's a lot of words.
10:33And I thought that's a lot of words.
10:34Sohla is a lot of words.
10:37It's a lot of words.
10:39It's a lot of words.
10:42But on the whole, the fact that
10:47that I've heard of my words.
10:49I've heard of my friends.
10:50And today, I've heard of my friends.
10:57And I've heard of my friends.
11:00And they've heard of me.
11:01I don't think that's a marketing spirit.
11:03But it's like a place here.
11:05It's so beautiful.
11:07And if people have heard of my friends..
11:09I think that I have a lot of words.
11:11How old are you?
11:15Oh my god, I don't know.
11:16I was just old.
11:18I agree that I was just old.
11:21I was just old.
11:21Why?
11:22I don't know what to say.
11:25Do you want me to go to Taiwan?
11:26Do you want me to go to Taiwan?
11:28I don't want to go to Taiwan.
11:31I would like to say,
11:32I would like to say,
11:33I would like to say,
11:39you would call me child abuse!
11:43If I am,
11:44only one day I have to say to you,
11:47I don't know how many of you are here.
11:48I get mad at that time.
11:50A typical Maharashtian woman,
11:53you might be thinking about how it is,
11:55but you would not say this,
11:56but you might say this.
11:57I don't know much that.
11:59You might even say this,
12:01but it's funny.
12:04But it's funny?
12:05That's the whole thing.
12:06But it's like Ored?
12:08Of course.
12:09So, Ored is...
12:11I mean, I don't know if I'm Ored.
12:14I don't know if I'm Ored.
12:15But I don't know if I'm Ored.
12:18I'm 100% saying that Goldie and Ranveer
12:20I don't know if I'm Ored,
12:23I don't know if I'm Ored.
12:25But I'm just saying.
12:28But Shewat,
12:29I don't know how many years ago.
12:31I don't know if I'm Ored.
12:35I don't know if I'm Ored.
12:38But you know,
12:39Goldie has a problem.
12:41It's very difficult to fight with.
12:43It's because it's a good thing.
12:44It's a good thing.
12:48It's a good thing.
12:49It's a good thing.
12:50It's a good thing.
12:53Just sleep over it and you will be fine.
12:55He gives a practical solution.
12:58It's a good thing.
13:00He handles it.
13:01It's a good thing.
13:03You don't fight so much.
13:05But you're a good thing.
13:06Of course.
13:09Of course.
13:10You're a good thing.
13:10How many years ago?
13:13How many years ago?
13:13He's a good thing.
13:15He's too late to go.
13:16I'm sure he had to go.
13:18I'm sorry.
13:19He's a good thing.
13:21He's a good thing.
13:22I don't know.
13:22But how can I say it?
13:29I don't know.
13:40And I think that there is a problem.
13:43I think that there is a problem saying that you get a big girl and I will bully you.
13:48And I think that there is a problem saying that there is a problem.
13:52It is not bullying.
13:53I am a Kalji.
13:54So that's why I think that's why.
13:56But you have a WhatsApp group?
13:58Of course.
13:59So what's your name of the group especially?
14:02It's not great.
14:05Sisters.
14:06Laini.
14:07Is there any messages that are forwarded?
14:12Forwarded messages are allowed.
14:14I don't know.
14:15And if anyone who is forwarded messages, we can delete it.
14:20Because I don't know.
14:22If you have a message personally, I don't have a message.
14:26What's the matter?
14:27So we don't have a message.
14:29That's amazing.
14:30Sir, you have any questions?
14:32Sure.
14:33Sir, you have a presenter in Marathi in Marathi.
14:39I think that's why I'm doing something like this.
14:45And that's why I don't like it.
14:46I don't like it.
14:47I don't like it.
14:48So how do you feel about it?
14:49How do you feel about it?
14:51You know, actually, when we talk about it, literally, I had a phone called Naveen Director, Naveen Manzad, who was
15:00very talented and made a very good picture.
15:04And if you have a song, you can get a very good picture.
15:09You can get a push.
15:11And I said, Mala and Farah had a phone call that you have to do it.
15:16Obviously, I was doing a lot of work with Farah.
15:20So, Farah said, Sunali, are you ready?
15:23I said, Farah, we have to finish it.
15:25I said, Farah, we have to finish it.
15:26I said, Farah, we have to finish it.
15:29I said, Farah, we have to finish it.
15:37Because I was literally, you know, I had my child.
15:41And I was literally, you know, in that life, I was so busy.
15:46So, I thought, what do you think that these songs are popular?
15:50And I didn't understand why these songs are popular.
15:53You know, Ayusha, I don't like the cinema.
15:56In this film, I feel like I'm a fan of my film.
15:59So, I'm a fan of my fans.
16:00I'm a fan of my fans.
16:01So, I'm a fan of my fans.
16:03I'm a fan of my fans.
16:03I'm a fan of my fans.
16:04I'm a fan of my fans.
16:06I'm a fan of my fans.
16:07So, I'm a fan of my fans.
16:08So, Farah, this film, I'm a director, Ed John.
16:11He was a fan of his films.
16:14And he had no start of his career.
16:18He was literally, I was a little bit,
16:20he was a little bit, he was a little bit.
16:23He was a little bit, he was a little bit,
16:24he was a big fan of his work.
16:27And I thought, he was a big fan of his work.
16:31He was a little bit, he must have come to me with Farah.
16:34But the film was the theme he was at,
16:35I was in films and I put all these things together.
16:41I have a little bit of walls, and I'm a little bit serious.
16:47But I had to say that I've had a few moments before.
16:51I thought that the story is about how I was going to film in these films.
17:04John is the sweetest person I have, one of the sweetest people I have ever met.
17:11He's like a good man, loving, soft-spoken.
17:20But I don't think John is anyway.
17:23And I'm going to roll it because he's given all the duplicate roles.
17:29I think it was only about the glamour.
17:33And it was about the innocence and people were not looking at me like that.
17:41So I would have anyway done that role.
17:44But I think I'm going to tell you that I'm a hero of Aamir.
17:47I think I'm going to tell you who is, but I'm not going to tell you.
17:50But I think I'm going to tell you that it was Aamir.
17:52And I think I'm going to tell you that it was Aamir.
17:55Because I think it's a perfectionist, it's definitely coming.
18:00But I don't think it's a bad thing.
18:03Because if you look at it every time, how do you think about it?
18:08Because I'm not a trained actor.
18:10And I'm going to tell you that it's a different actor.
18:14So every time you meet a different actor,
18:16I'm going to tell you that it's going to sponge, soak, and shake.
18:20So that was the thing.
18:22So it was a great experience for me.
18:24Do you think I'm going to give a special award to Michael Jackson's Bharta?
18:28Oh, actually, I don't have special award to Michael Jackson's Bharta.
18:31Again, like I said, I enjoyed getting dressed up.
18:39He's an amazing artist.
18:41But I'm not a fan of Michael Jackson.
18:45It was fun that I went there.
18:48Then I got all the friends and got tickets to the concert.
18:54And it was fun that everyone was excited.
18:59And I thought, my God, you need tickets, great position.
19:03And I thought, OK, OK, we're going to go to the concert.
19:05And I thought, I don't have any friends, I don't have any friends.
19:11And I thought, OK, maybe this is an amazing thing.
19:15But I have to say, when you see the concert,
19:18I thought, what an artist is.
19:21You're doing it.
19:23So, I was wondering,
19:25if you've seen a lot of cinema in Marath,
19:28but you've seen a lot of cinema.
19:30So, I think it's a lot of cinema.
19:33I think it's a lot of cinema.
19:35But otherwise, I think it's a lot of cinema.
19:38And what's the name of the film?
19:43It's a Kota film.
19:45Kota.
19:45Kota.
19:46So, I think it's a lot of cinema.
19:49So, yeah, there are many films that I have really liked.
19:53So, do you know that?
19:53Hmm?
19:54Do you know that?
19:55I don't know.
19:56I normally don't know,
19:58but Nina Jin's a little bit.
20:00So, I promised that
20:03because actually, when Nina Ji was sitting there,
20:07it's not so much stress.
20:09And it's not so much stress.
20:11I said, Nina Ji, OK, are you OK?
20:15I would stress that.
20:19I think that I'm going to do it.
20:21But I'm going to do it.
20:23When I was talking about this, I thought that I'm going to do it.
20:28I'm going to be back out.
20:30I'm going to do it.
20:31But I thought, you're going to be angry.
20:35But the music is so important.
20:38I thought, what music is going to be brought to you?
20:42So, she said, you don't want to go to the hospital?
20:45I said, it's not.
20:47But, you know, literally, you don't want to call me.
20:51Literally, we need to get a job of doing this.
20:53So, I quickly went and saw it.
20:55It was fantastic.
20:57And the other thing, I was just amazing.
21:01And how many people have worked in this world?
21:04You have a little bit of an ad in Nirma.
21:06And the sound of Nirma means that we are going to hear from you.
21:14I must say that I must charge the brand today also, not that way, but frankly, my associations
21:24with brands are very long, long, long, long, many years I have always been associated with
21:31the brand. But, I mean, what I'm saying is Nirmala is that there was a time when there's a place
21:52that I support Tata Hospital, there was a place that I support Tata Hospital, there was a place
21:59that I support Tata Hospital, there was a place where there was a place where there was a place
22:05So, I support Tata Hospital and I don't have any cleaning products, there was an arcoaster
22:15But, I have to phone with Nirmala and tell me that the virus has come and the virus has
22:22immunity is very low, the virus is very clean, it's all because life and death is a matter
22:28Literally, because if there is infection, I don't need chemotherapy.
22:33I don't need chemotherapy, I don't need to give them chances.
22:36I don't need to give them a chance for 1000 hours.
22:39And I had one phone.
22:41Literally, I had to get the ambulance,
22:43I had to get the police permission to get the truckload.
22:48So, you know, it's amazing, this.
22:51So, I don't know how much we can do this.
22:54But, actually, there is a depth in this film.
22:59In the film, I played the trailer.
23:01I don't know how many memories come from Lahanpani.
23:04So, Ashit, what memory do you have to share with Lahanpani?
23:12Well, I don't know how many memories come from Lahanpani.
23:23But, if you don't know how many memories come from Lahanpani,
23:26and I think for some reasons,
23:27I'm not allowed to get to it.
23:28When I was a child,
23:31I was just like,
23:32I don't know how many memories come from Lahanpani.
23:34I don't know how many memories come from Lahanpani.
23:37I don't know how many memories come from Lahanpani.
23:40But, when I was a child,
23:43I couldn't make it anymore.
23:45Memory recall?
23:47Absolutely.
23:50Marathi cinema, you don't want to play Marathi cinema, but you don't want to play Marathi cinema?
24:02Well, actually, it's not like that. I mean, it's a script.
24:07I mean, I don't want to play a role, I don't want to play a role, I don't want to
24:12play it.
24:12I don't want to play a role, I think, at the peak of my book.
24:20I think we're playing that role in Marathi cinema.
24:25But you can play a role, but I think you can play some writers or directors.
24:34I'm open to it.
24:36I think it's a role in Marathi cinema, but I think it's a role in Marathi cinema.
24:42My God, you're a good actor.
24:46I mean, you're a good actor, but I'm a good actor.
24:49I mean, you're a good actor.
24:52I'm a good actor.
24:52And Sahid is such a good actor.
24:55She's a good actor.
24:57I'm very, very fond of her.
24:59I mean, I used to play a new song in the set of the movie.
25:05And I used to say that Juzbi.
25:10I said, yes, what is the word?
25:13And I'm in love with the word.
25:15It's such a cute word.
25:16And when I was talking to you, I used to say, you know,
25:20I used to sing songs.
25:22So I used to say that.
25:27Just, just real as she shoots.
25:28And I thought it was cute and fun.
25:31But it's such a good actor.
25:34Juzbi.
25:35But how did you get to the movie in Marathi?
25:37I think it's a great actor.
25:38I mean, I know that it's a good actor.
25:42And I know that it goes on.
25:46And actually, I mean,
25:48I think it's fantastic.
25:53I think so.
25:54And I think this is why
25:57I'd call her the best friends of course.
25:59If she is playing,
26:01she's trying to play her.
26:02She's trying to play her.
26:03And she's trying to play her in the play.
26:06That's what haste Jatra gives you.
26:08And laughter is the best medicine.
26:11Suhdha, this movie, is a good actor-spot town.
26:14This is a great actor.
26:14She's a big actor.
26:16So today,
26:17we have to know the original character
26:19that is a much bigger actor.
26:19How much do you think about these things and how much of that can happen to you?
26:25Actually, you said that
26:27I don't know if she's a kid who's a kid, because you aren't aware of it.
26:32But I thought that
26:36I'll let her know about it.
26:38But she doesn't want her to come.
26:41Because you don't know her parents are so good.
26:45So, I'm going to try this.
26:46And for example, what are the characters from Praveenji.
26:49So, the character has the tendency to go.
26:54If there's a big one and everyone else is a big one,
26:57you've got your responsibility.
27:00But, because there's a tendency to go,
27:01that's our future.
27:04That's the one side.
27:05There's a name that goes around,
27:07but there is some toughness apart.
27:11There's no kind ofqt.
27:12Although, there don't need to go.
27:13It's a beautiful story.
27:14And there are circumstances.
27:17There are two parenting styles.
27:20And me as a parent,
27:21I would say that
27:23I would say that I would say that
27:23I would say that
27:24I would say that
27:24I would say that
27:25I would say that
27:25I would say that
27:35that's life, you know.
27:37And I would say that
27:40it's beautiful, the story.
27:41Sohola, you have to say
27:43a little bit about it.
27:45You have to say that
27:47you have to say that
27:48you have to say that
27:49you have to say that
27:49you have to say that
27:51you have to say that
27:54that is the biggest thing at this point of time.
28:00I would say.
28:01I would say that
28:03you can help with cancer
28:06but
28:07you have to take a journey.
28:08you have to say that
28:12But cancer is a great deal.
28:15What advice would you give
28:17you to your host?
28:19First, you have to say that
28:21one is not sorted.
28:24You have to have many things that happen.
28:26You have to say that
28:27you have to say that
28:28you have to change the whole conversation,
28:30but you have to say that
28:32And for me, it changed in the book.
28:35In my箱 we ask.
28:36Instead because you teach a good question...
28:37we cannot ask you what to do,
28:38but all of this is easier to say.
28:38It has made me say it,
28:45I cannot say it,
28:49I cannot tell doctor but why have you time for testing.
29:00What do you think? You have to know something to understand it.
29:07And in order to understand medically, if you test it, you don't have to know if it comes to the
29:13test.
29:14Suddenly, if it comes to the test, it means that it is one thing.
29:18If you think that one thing is one thing, you have to understand it.
29:22Because the cancer is different and different types.
29:25If you have a cardiologist or a gastroenterologist,
29:29If you have a cardiologist, you can send your doctor to a doctor and you will not have the same.
29:40So you have to understand the situation and then go for it.
29:45And if you are ready to test it, if you have the same doctor, you have to get the same
29:53chances.
29:55So the point is that early detection saves lives.
29:58So, that is the only thing I can say about it.
30:01I think that we change the wayward.
30:05We change the wayward.
30:07And we don't have a role in our industry.
30:09We don't have a role in our industry.
30:14So, what do you think?
30:15We don't have a role in our industry.
30:18So, why?
30:19The question is, we don't have a role in our industry.
30:22First, we don't have a role in our industry.
30:26That is a very important question.
30:27We don't have a badge of honor.
30:37We don't have a role in our industry.
30:41That's not a compliment.
30:43Because we have a lot of curiosity.
30:50And we don't have growth.
30:52We don't have growth.
30:54We don't have growth.
30:57We don't have growth.
30:59And that is my main thing about change.
31:02That, you know, you must change.
31:03You must adapt.
31:04And you must grow.
31:06It's the same thing.
31:07We don't have a role in our industry.
31:09We don't have a role in our industry.
31:11We don't have a role in our industry.
31:12You outgrow some people.
31:14It is fine.
31:15It's not that you are not going to be there.
31:17But it's a natural process of growing up.
31:20So, I think it's a good thing to grow up.
31:24And as an artist, definitely, there are a few things.
31:29If we have gender, we can't live.
31:31We can't live.
31:34We can't live.
31:47That's a different debate altogether.
31:49We can't live.
31:52We can't live.
31:55We can't live.
31:57We can't live.
31:57So, am I happy about that?
31:59Very happy about that.
32:00But can this be better?
32:02Definitely, it can be better.
32:04So, that's where I would leave it.
32:05Now, we did not live.
32:07What was the most wonderful cinema?
32:08What was the most wonderful cinema?
32:09It was all that different.
32:11It's all that great.
32:11It's all that multi-steral cast.
32:12How did you do that?
32:14How did you do that?
32:15How did you do that?
32:16I don't know.
32:17I don't know.
32:20Well, we talked about it.
32:21I would like to say that Surajjeean is a different school altogether.
32:26I mean, the way, I mean, I mean, first of all, the narration with dialogue, with music.
32:33I mean, I mean, the scene with dialogue, Suraj Ji has all the characters enacting,
32:38plus the dialogue, music, play, and I think it's like,
32:43I mean, literally, all the films are like.
32:47I mean, I mean, I mean, there's a lot of effort,
32:50but I think Suraj Ji is doing this,
32:53but I mean, I mean, I mean, I mean, I mean, I mean, I think there's a lot of characters,
32:57but I mean, I mean, it's a lot of the characters.
33:00I mean, I mean, every character, I mean, I mean, there's a lot of them.
33:07I mean, I think that you narrate it.
33:10I mean, that is his beauty.
33:11And Suraj Ji, as a person,
33:16I think that when you get to the cinema,
33:18I had a good feeling of goodness
33:21because I had a good feeling
33:23and I had a good feeling like that.
33:26And that experience, I think, for me was the best experience.
33:30Secondly, I remember one thing.
33:33If you don't want to do it, you can do it.
33:36I used to read really dark stories.
33:42You know, I used to read really dark stories.
33:43You know, I used to read really dark stories.
33:48You read very dark stuff.
33:50Happy Ghoshti can be able to read.
33:52I don't want to learn dark stories.
33:55I didn't know that.
33:56I didn't know that.
33:57I didn't know that.
33:57I didn't know that.
34:03And when I looked back at it,
34:08he was right.
34:10But why did you read books?
34:13Sonali's Book Club.
34:15I didn't know that.
34:16I didn't know that.
34:18I didn't know that.
34:20I didn't know that.
34:21Please, go.
34:23Sonali's Book Club.
34:24Join too.
34:25That's it.
34:25But how do you change the lifestyle?
34:32I don't know.
34:35It's a minimal thing.
34:38I just...
34:39You should live your life like that.
34:43I've just gone back to doing that.
34:44I think the full cinema's coming of age.
34:52It's a coming of age story.
34:54No, it's not a success.
34:55I don't know that.
34:56It's a coming of age story.
34:57No, it doesn't matter.
34:57It's a joy.
34:57And in coming of age,
34:58there's a innocence.
35:03And there's no doubt about it.
35:05And there's no doubt about it.
35:05But no one wants.
35:06And that is one part of it. But I think it's a story of growing up.
35:11But I think it's a story of growing up.
35:15I think it's about 15 or 16 years.
35:25We have had a lot more people.
35:28I think that you have to ask for this question and you have to ask for this question.
35:33In your mind, you can ask for that question and ask for the question.
35:38I think that the question and answer is now the question and I look at the question now
35:44at this stage as a blessing.
35:45I would say to you, you have to know the way you've made the film and you've never been
35:48able to listen to the cinema.
35:50Thank you so much Sonali.
35:52Thank you so much.
35:54Thank you everybody.

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