Paach Futacha Bachchan हा चित्रपट एका तरुण कीर्तनकार मुलीची कथा सांगणारा... | Kaustubh Deshpande - video Dailymotion

Lokmat Filmy

Paach Futacha Bachchan हा चित्रपट एका तरुण कीर्तनकार मुलीची कथा सांगणारा... | Kaustubh Deshpande | Shruti Madhudeep | Lokmat Filmy | Marathi Movie | Entertainment News  "नशिबाच्या खेळात हरली तरी कष्टाच्या मैदानात पाय रोवून लढणारी... आमची 'पाच फुटाचा बच्चन'!"😍✨  #पाचफुटाचाबच्चन #PaachFutaachaBachchan #BookMyShow #TrailerOutNow #OfficialTrailer   पाच फुटाचा बच्चन 9.10.2026 पासून तुमच्या जवळच्या चित्रपटगृहात!  Written and Directed by :  Kaustubh Ramesh Deshpande  Produced by :  Rahul Karnik & Orpheus Studios   Production House: Orpheus Film Company  An AA FILMS Nationwide release   Starring:  | Shruti Madhudeep | Gauri Nalawade | | Shashank Shende | Chinmayee Sumeet | | Kishor Kadam | Kshitish Date | | Pushkaraj Chirputkar | Aashay Kulkarni | | Omprakash Shinde | Sameer Patil | | Vinod Vanve | Shyamraj Patil |  Director of Photography: Abhishek Shete Editor: Sourabh Prabhudesai Music and Background Score: Niranjan Pedgaonkar Lyrics: Pradip Awate Sound Design: Shantanu Akerkar, Dinesh Uchil Sound recordist: Umar Mulani Executive Producer: Anand Sahastrabudhe Production Designer : Mahesh Kore Casting Director: Vinod Vanve Makeup Designer: Mahesh Barate Costumes: Apeksha Gandhi Soni Colorist: Sanjay Gharat Visual Effect Supervisor: Gokul Mahajan, Kapil More Visual Promotions: Just Right Studioz nx Publicity Design: Rakesh Manjrekar Marketing Consultant: Amit Bhanushali (52 Friday Cinemas) Digital Marketing : Vaibhav Shetkar Publicity & PR: Darshan Media Planet Distribution- AA Films  आमचा video आवडल्यास धन्यवाद. Like, Share and Subscribe करायला विसरू नका! सबस्क्राईब करायला क्लिक करा -  https://www.youtube.com/channel/UCC_aEK1jUpUPaa_N1aamvlA?view_as=subscriber

Transcript

00:00Unfortunately, we didn't have to say anything in the cinema.

00:03You are the king of Raja Lakshmi Radha,

00:06or the king of Sarvatra Vairam.

00:12If you are the king of the world,

00:14you are the king of the world.

00:17You are the king of the world.

00:21Lakshan Madam,

00:23you have the responsibility.

00:24This is the king of the world.

00:24You have the responsibility ii.

00:31A man has become the king of the world.

00:33The king of the world is under thesmithing его

00:39is the king of shoulder no matter how to live.

00:41The second person of the world,

00:42the king of the world.

00:42I've just been in the first place,

00:43I've never been in the third place.

00:45So I've been in the first place.

00:46I've never been in the first place,

00:47but I believe my son is a cinema.

00:50I never know how to live in the future.

00:50The kids and children of the world

00:51Hello, my name is Pooja.

00:53Welcome to Lokmat Filmy.

00:54You are welcome to Patshputa Bachchan.

00:57When we are at CNA,

00:59everyone has a team.

01:00We are welcome to Lokmat's office.

01:05How are you Siddish?

01:07Excellent.

01:09What do you mean?

01:10But Patshputa Bachchan.

01:13Huh.

01:14Now I'll give you a name.

01:17Patshputa Bachchan.

01:24A Dalgin performance would be assumed.

01:26these theater songs did not come.

01:26But usually we can't see.

01:30Let's not say that this song is character.

01:32So many.

01:32I have created a de-gnered story.

01:35You have been so many.

01:38LEMAder and more distinct films would test in the film cause.

01:42Let's say that cinema.

01:43That was an a good idea.

01:44School will athlete and spiritual journey.

01:47The cinema is an everyday type of fascism.

01:48I don't know about the film, but the film is the most important part of the film.

01:55The film is the most important part of the film.

02:01The film is the pre-release film.

02:06This is the promotion of the film.

02:10The film is the most important part of the film.

02:22This film is the most important part of the film.

02:24It's a good film, but it's not the first film.

02:31The film is the most important part of the film.

02:34It's not the censor.

02:36I think the first question is happening in the resurrection of the city.

02:41What is this one?

02:43I don't know.

02:46Much bad.

02:47But I think that it's a very important issue to talk about everyone,

02:57which is fun to talk about the city of Kirtan.

03:02We thought about this issue and explore this issue and the issue is very important.

03:10It is a very important thing to know about it.

03:12We thought about it in the past and we thought about it in the past and we thought about it

03:19in the past.

03:24We have the same thing in the film and we have the same thing in the film.

03:32We have the same thing in cinema and we are here.

03:37But it's a good question.

03:38How many films do you film in Bicola?

03:47We have the same thing in Bicola.

03:48I don't know how many films do you film in Bicola.

03:50I don't think that's true.

03:53I mean, I think that's true.

03:55I mean, I think that's true.

03:56I mean, I think that's true.

03:58No, no, I don't think that's true.

04:02And, I mean, that's true.

04:04I mean, that's true.

04:06I mean, that's true.

04:08That's true.

04:08It's true that we don't have a guarantee in both years.

04:13Wow, wow.

04:14But, when I was given a lot of money,

04:16I was very small.

04:17I was very small,

04:18I mean, I think I didn't give a lot of money.

04:21We can give a lot of money from that.

04:25And I think that's true.

04:28That's true.

04:29Good.

04:30Also, I think that the money is going to be able to do it.

04:35When I'm doing it,

04:36I'm doing it,

04:37and I'm doing it,

04:39it's a great success.

04:40So, I'm doing it.

04:43And,

04:43I'm doing it.

04:45I'm going to be able to do it.

04:48I'm doing it.

04:50I'm doing it.

04:51And, I'm doing it.

04:54I'm doing it.

04:57I'm doing it.

04:59I'm doing it.

05:00I'm doing it.

05:02I'm doing it all.

05:02I'm doing it.

05:04I am doing it.

05:05and that's how it is.

05:08That's interesting.

05:10I've read it and I've read it.

05:13I've read it in my book.

05:15I've read it in my book.

05:16It's interesting.

05:21But, do you think,

05:22how many dates have been given to you?

05:26Yes, I've heard it.

05:29Because the dates have been given to you.

05:33And I was working more closely worried in Indianapolis.

05:37We learned about making more drama and women.

05:41We're going to learn Angulaphale and Și Association.

05:47And we've brought thousands of them everywhere.

05:52We've also took many stars like explorers in territory.

05:52There's værtana, scientific institutions, mothers Vietnam, and community groups.

05:54We've explored this space and we have to look at it.

05:57How much iPhones do you find a chapter here?

05:59They're very busy.

06:00And we just别inize them.

06:01Because we want to go on a date, go on a meal, but we want to get a date with

06:07us.

06:08And we want to get the opportunity to go on a date with us.

06:09We want to get that opportunity for the people.

06:12Because we want to get the opportunity for the date with us.

06:20We have to have to feel that there is a belief in the relationship with us.

06:25We have one thing to add to our dating

06:29And we have one thing to add to our dating

06:32We have one thing to add to our dating

06:33Or the bus station

06:35We have one thing to add to our dating

06:39And we have one thing to add to our aesthetics

06:43But we have to make it easier

06:45I don't think we're supposed to be the same

06:47I assume

06:50Gowri

06:51Thanks for your time

06:54What are you talking about in the background of the earth?

06:58I am talking about the earth.

07:01What are you talking about?

07:03I am talking about the earth.

07:06Yes, absolutely.

07:07And the cinema is very interesting.

07:10There is no connection between the heights and the cinema.

07:13There is a lot of their attention.

07:16There is a lot of children.

07:18And I think that the earth is very interesting.

07:22I think that the earth is very interesting.

07:24I think that the earth is very interesting.

07:27And I don't have to worry about it.

07:30But I think there is a dialogue in the teaser.

07:32I appreciate the fact that I should be able to do this.

07:36And I also think that I have a lot of thoughts on this.

07:41I have a lot of thoughts on this.

07:43But I am not sure about it.

07:44But it is not true.

07:45I am not sure about it.

07:46And that is why I am not sure.

07:48I am aware of this.

07:51I am aware of it.

07:53It is, there is a lot of thoughts on that.

07:53When we think there are scenes scenes of these two,

07:54we are talking about the world.

07:56And if we think that

07:57That is not a typical lady,

07:59We are talking about a lady,

08:00I am aware of this.

08:00This is a lot of thinking.

08:04And like a lot of thinking,

08:06I am aware of the stories...

08:07If you listen to the stories, you can hear the stories, and you can hear the stories.

08:11Then, the spirituality is very big.

08:15And today, we have a lot of mistakes.

08:19What is the spirituality? What is the divine?

08:23What is the spirituality? What is the divine?

08:25And I feel so happy that I am in the cinema.

08:29If you accept what is the spirituality?

08:34If it wasn't good for this, we'd like to get the first questions.

08:38But when we talk to the cinema, we're going to get the first questions.

08:42What do you think about this?

08:45When we talk about spirituality, there's only a single part of the cinema.

08:50The cinema is very hard, very hard.

08:53In the cinema, we're making a big deal.

08:57We're making different directions, then we're making a difference in the world.

09:28the

09:29The people are growing up in the world, and they are growing up.

09:32They are growing up in the world.

09:34And they are growing up in the world.

09:37I enjoy the cinema and the other people.

09:40This is one moment that we can build the cinema.

09:43We can build the cinema.

09:44This is the same.

09:45I don't think of the cinema as a place to be.

09:50What is the most important thing?

09:51And if you do this whole thing,

09:55I hope that we will be able to do this in the future.

09:59Where are the shootings of the cinema?

10:01The shooting of the cinema is in Sangula, Mangalvedha, Pandharpur, Pune, Kollhapur.

10:07That's fine.

10:09What about you?

10:13How are your daily routines?

10:14How are you doing?

10:16How are you doing?

10:19How are you doing?

10:20I don't know if you're doing a daily routine.

10:23I'm not sure how to do it.

10:24But what do you think?

10:26Some people and some people.

10:28You're doing a lot of work.

10:31I think you're doing something to adjust.

10:35But that's what I do.

10:37I think that the team is very important.

10:44I think I'm not sure how to do it.

10:46I'm not sure how to do it.

10:48I think I'm not sure how to do it.

10:51I'm not sure how to do it.

10:51But I think I'm doing a lot of work.

10:57I'm sure I'm not sure.

10:58I think I'm thinking that, since all the people of the year had these people, Shetish and Gauri came into

11:05Indian business,

11:06I was also thinking about Pramani.

11:07They had great Szruti having fun or fun.

11:10You're being used to be doing something outside.

11:12You're being used to be doing something outside.

11:15You're being used to be doing things.

11:16I thought if they work around here,

11:19and you're doing something new and building a new age,

11:22and you're doing something new with a new age.

11:23Then they're always doing something new.

11:26And what I do is I do and I do the same. I do the same thing. I do the

11:32same thing.

11:34I do the same thing. I do the same thing and I do the same thing.

11:43That is what I do, Om Prakash, Pushkarak Chirputkar, Chinmay Sumit, Shashang Shendi, Kishwara Kadam.

11:54I think Vinod, the casting director of the casting director, the most important role in the Kallagar

11:59Yes, in the Shammarash Party

12:01I think it's a great role in the Kallagar

12:04and we've got to get a lot of work here

12:07but we've got to get a lot of work here

12:11and I think it's a great pleasure that we share that space

12:17and

12:19But it's not real, Alice

12:21I think that we are really happy with our passport

12:28You know the teaser, Alice

12:32Alice

12:33Alice

12:34Alice

12:36Alice

12:37Alice

12:38Alice

12:39Alice

12:40Alice

12:41We don't have a passport.

12:42How many people have come from here?

12:47Ayushat?

12:48Yes, a place of Ayushat.

12:49You must have come from here.

12:51But personally, I would like to ask you.

12:52No, no, it's good.

12:55I don't have any questions.

12:58Unfortunately, in the cinema,

12:59I don't have to say anything.

13:00But the idea is that we don't have a lot of work in the cinema.

13:03We don't have a lot of work in the cinema,

13:05but we don't have a lot of work in the cinema.

13:06But if they don't have a lot of work,

13:09they don't have to do it for that matter.

13:11So, I thought it was amazing.

13:12Maybe, for sure,

13:13we should have done any of this.

13:15Having said that,

13:17we will have a great deal.

13:20We will have a good deal.

13:23I don't have a question.

13:25What do you think?

13:26What do you think of this cinema?

13:27What do you think of this cinema?

13:31I think that's true.

13:32Look,

13:34there's a lot of work in the cinema.

13:38There's a lot of people who have a great work in the cinema.

13:41There's a lot of work in the cinema.

13:43There are a lot of characters in the cinema.

13:44There are a lot of things that are in the cinema.

13:45there is a final decision that's yes or no.

13:49There is a lot of work.

13:51So,

13:52I would like to say,

13:55What do you think about this?

13:59This is the question.

14:02I think it's important to be able to diversify the language.

14:10I don't know about Kohlapur.

14:15I don't know about Kohlapur.

14:18But in that language, it defines Kohlapur.

14:22It's important to be able to explore the language.

14:27And I think it's very good to be able to speak the language in the country.

14:34If you speak the language in the country,

14:36it's important to be able to do the challenge.

14:42If you speak the language in the country,

14:45you can speak the voice notes,

14:45you can speak the language,

14:49you can speak the language,

14:52you can speak the language.

14:54You can speak the language.

14:56You can speak the language.

14:58And you can speak the language.

14:58But in general, you can speak the language.

15:02I think it's very interesting.

15:04But it's interesting.

15:04In this Kahlakar,

15:05we work on the dialogue.

15:08Because it is popular on the dialogue.

15:10It's popular on the dialogue.

15:13So, working on the dialogue on the dialogue,

15:15I think it's a good thing to do now.

15:17Because there is a lot of generation coming in.

15:19We want to make it real, we want to make it real, we want to make it real.

15:21And as I said, it's hard to make it a second.

15:24That's it. And it's hard to make it real.

15:26That's why I think it's a good thing, right?

15:28It's a good thing, but it's a good thing.

15:31But it's a good thing to make it real.

15:32And it's a good thing.

15:35We've talked about this earlier.

15:36It's hard to make it real.

15:46It's hard to make it real.

15:52Everything is a cliché until it works.

15:56But it's hard to make it real.

16:00It's hard to make it real.

16:01It's hard to make it real.

16:03It's hard to make it real.

16:05And it's hard to make it real.

16:07That's how it's hard to make it real.

16:10And then, we don't have a lot of talent.

16:12But it's hard to make it real.

16:15You can't have a job.

16:21I can't do that.

16:22But we can't compare it in the skillset.

16:23It's hard to make it real.

16:25But surely, we'll do a commitment for the film.

16:30I promise that if you don't give a final take, then edit, edit, dub, DI, and follow the commitment.

16:39So Gaurin, his script is also posted, and you choose yours.

16:44You don't want to play a game for the cinema.

16:48So Kasha knows what you are going to play, what you are going to play.

16:52We know one way, the credit goes to him.

16:55We used to play a game for a cinema and we opened the door and called a script.

17:04We knew how to play a game like that.

17:07And we opened the script for Shruti, our children.

17:10And it was so difficult in the script and it was so difficult.

17:14We watched the movie a game before we had to play a game.

17:21And I thought, you got a trailer, and I thought, you know, what's coming from this movie?

17:26And I thought, you know, I got to get a trailer.

17:29And I thought, wow, this is so good.

17:34And I thought, that this woman-centric cinema, that I thought, that this movie was a very low.

17:44I thought, that this movie was a very bad movie.

17:51It's beautiful and it's beautiful.

17:53There are crafts,

17:54there are beautiful things,

17:55so beautiful things are beautiful and very good.

18:01And you can see that the spirituality is a little bit of a problem,

18:05but in this film, you can't just imagine that the image is an image.

18:11It's not an image that you can picture the trailer,

18:13but it's beautiful.

18:15The music and music are famous for you.

18:18I'm very happy to have music.

18:21And I feel like I'm happy to have a heart.

18:26I feel like I'm not a teacher.

18:28I'm happy to have a date with my wife and I'm having a lot of fun here.

18:32I'm very happy to have this.

18:34What is social media?

18:37It's important to me.

18:38I think that I am a person who is a person who is a person who is a person who

18:43is a person who is a person who is a person who is a person who is a person.

18:46I don't like it.

18:48I don't like it.

18:49I don't like it.

18:51I don't like it because I don't like it.

18:52It's not like it's not like it's not like it.

18:54I don't like it.

18:56I'm doing it.

18:57And if I follow that,

19:00I get very close to social media.

19:01And I get crazy.

19:03And I don't like it.

19:08Why not?

19:08I don't like it.

19:10If I do not like it,

19:13I don't like it.

19:15And I don't like it.

19:17I don't like it.

19:18But I don't like it.

19:19Why don't you do it?

19:21And if we go to Instagram,

19:23we don't like it.

19:26What do you do?

19:28And stay true to yourself.

19:31It's a photo doctor.

19:34What?

19:36I have a photo of you.

19:39Who is following you?

19:42You are taking photos of your photos.

19:45You are taking photos of your photos.

19:46No, you are taking photos of your photos.

19:49We are having a voice.

19:50Oh my God.

19:53I am the only one who is going to read this book.

19:55You look at this book from the cinema.

19:58I started to sing a little girl in a young age.

20:01I know my wife's husband and husband.

20:03But we crossed for him and say,

20:04We are not going to be able to get this case.

20:07But maybe we are not.

20:09To say something...

20:10I need a question because of the salary.

20:12But I don't think of the salary of the salary.

20:14I don't mean salary by the salary.

20:15I have no salary by the salary.

20:17But nonetheless,

20:17I thought that your salary is getting out of charge.

20:23But if you've ever seen the salary of the salary,

20:27It's very important to us.

20:30It's very important to us.

20:32First of all, we had a photo shoot.

20:36Very nice.

20:38And we have all the vision of Kaustub.

20:40So, we have a lot of work.

20:44We have to add that.

20:48Thank God, I have a question.

20:50What do we need to do?

20:51So, we have to add that to the Kaustub process.

20:55We have to look test the studio.

20:58But he was really sure that we try and try.

21:05We try and try, and we do not.

21:09It's clear that we have to look like a little bit of a look.

21:14So, we have to say that we have to try and try.

21:18But he was so sure that he was able to get out of it.

21:22And I thought that many people are not able to get out of it.

21:29So I thought that there was a lot of trouble.

21:31I thought that I was not able to get out of it.

21:34I thought that I was a little bit more comfortable.

21:39I was not comfortable with that.

21:43But he was very sure that I was able to get out of it.

21:47I thought I would be convinced. But in the cinema, there was a completion of the character.

21:57Shithisla, I've never been able to get into it.

22:00I've never been able to get into it.

22:03I've never been able to get into it in the movie. But what is the difference between these two?

22:06I've never been able to get into it.

22:07The first person I've never been able to get into it.

22:12In the cinema, there's a part of the character.

22:15The character of the beginning is that he's very confident, extrovert,

22:22and the person who's been able to get into it and talk to him.

22:29Whereas the first person I've never been able to get into it.

22:32And the character of the character is a very good, good, and good.

22:39There's a very interesting story.

22:41There's a very strong force of the character.

22:45But there's a very strong and strong influence of the character in the cinema.

22:52And the character of the character is very confident.

22:58But they are very confident, they can articulate it very well.

23:02But in the cinema, they are not talking about their thoughts.

23:06And in that sense, they are very confident in their thoughts.

23:12When they say something like this, they say something.

23:17And they say something like that.

23:19And they say, how much they are.

23:22And in the beginning, they have to say something like that.

23:25I don't know how much I can say, but it's a great pleasure to be able to do this film.

23:30In this film, Chindmai Sumit, Kishore, and Shashang Shindhya,

23:37every time I've seen this film, I've seen a lot of attention,

23:43I've seen a lot of attention, and I've seen a lot of attention.

23:50But they're all brilliant and so I've seen a lot of attention and so I've seen a lot of attention.

23:57In this film, I've seen a lot of attention, and I've seen a lot of attention,

24:01but I've seen an interesting thing about it, and I've seen another video about it.

24:05So, let's start a question.

24:07When you see a new playlist, you write the script,

24:12then you're exactly sure that you're watching the playlist.

24:16and how do you do it?

24:20Because when you're in the first film, you have to do that,

24:25so you have to make the most positive cinema.

24:27So what do you think about it?

24:29I think that the first thing is that

24:32if you're in the first film,

24:35you're not sure about it.

24:38But I'm the same age group.

24:42I'm not sure how many people choose the best.

24:45And I think, as a cliche, we have to do our best practices.

24:55And I think that's a good thing.

24:58So, I think we try to do a statistical effort.

25:01We don't do that.

25:02But we try to do what we need to do in this effort.

25:07In the world, I think we should do a lot of things.

25:12Malika, Natag, Prayagik Natag, documentary, cinema, web series, magic show.

25:19So, we explore this and explore this.

25:23We are very close.

25:26And we have a lot of first time directors of films.

25:29And we have a lot of them.

25:31So, we don't know about this.

25:33We have a lot of them.

25:35We have an immersive process.

25:37If we do another film, we don't know how many people think about it.

25:41Of course, it is not a true film.

25:43And there is no one.

25:44But now there is no one who can contribute to the film.

25:49And we may think that we are able to do it.

25:50And we think that there is a lot of the process.

25:53We are able to get a few new films.

25:57And we have to look at those films.

25:57So, I think there is no one who can do it.

26:01And we think that's a good one.

26:03And that's a great film.

26:07So, we have to get a lot of the films.

26:22It is very true to his personality.

26:24So, it is very true to his personality.

26:28It's a big deal, it's a big deal.

26:31But in a set, we need to maintain energy in the set.

26:35Because we've got a lot of energy in the set.

26:38And we've got a lot of energy in the set.

26:41So, in this set, we've got a lot of energy in the set.

26:45Which set is a happy and lucky set?

26:49The shoot is taken a long time ago.

26:53And so we've done a lot of work here.

26:56We have to go catch the shoot with many.

26:59And cover the shoot is very flat.

27:02But there are many happiness here too.

27:05Because there is a lot of energy in this season.

27:09These live events in there.

27:13Maybe we're happy in this season.

27:19And maybe it's quite the Или.

27:22So all.

27:23I don't think it's much of a good feeling.

27:24It's a beautiful place to shoot in the living environment.

27:29And I think a little bit about this experience is like this.

27:34It's a beautiful place to go that way.

27:36The reality is to not to be a good person.

27:39In the real world, I like to be a bit of a limitation.

27:42You know, I don't have a landscape.

27:47In that point, there's a lot of landscape andascals.

27:49You can watch the same timelines in Vanity.

27:50There's a lot of landscape in Vanity, but there's a lot of landscape.

27:52I think I think we're going to do a lot with the cinema, but I think that all of my

27:59films are so good.

28:02I'm going to say something, so that's great.

28:12I'm going to say something very good.

28:48Thank you very much.

29:18Thank you very much.

30:07Thank you very much.

30:14Thank you so much.

30:17Thank you so much.

30:19Thank you so much.

Paach Futacha Bachchan हा चित्रपट एका तरुण कीर्तनकार मुलीची कथा सांगणारा... | Kaustubh Deshpande

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