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00:00:07He's dying, I love him. He's dying.
00:00:13What's going on?
00:00:15We're trapped.
00:00:16My father is going to ask my aunt to marry him.
00:00:18This is your father's last wish.
00:00:20My father had another son.
00:00:22Who will be the new Marquis of Santillana.
00:00:24You can't lose hope, do you hear me?
00:00:26There's no way out of here.
00:00:31The Marquis always had doubts about whether Nuño was really his son.
00:00:35Move heaven and earth if necessary, but find the Marchioness of Santillana.
00:00:38I want to dedicate myself to helping others.
00:00:39I want to go live with the lepers.
00:00:41The new heir and his mother will arrive any moment now.
00:00:44Welcome to your palace, Marquis.
00:00:47We will wait together until the end.
00:00:54This is our palace.
00:00:55We are the ones who let you live here.
00:00:58Where have you been hiding all this time?
00:01:00If I find the person who helped you, I'll kill him.
00:01:02You have to come with me to Jete this afternoon.
00:01:05We have to find my father.
00:01:08I'm going to send you to clean the stables for the rest of your life.
00:01:18We are free!
00:01:19We are free!
00:01:20I have a very special surprise prepared for you.
00:01:24What are you going to do to me?
00:01:26Me nothing.
00:01:27My men are going to satisfy their appetite with you.
00:01:34We can always start over.
00:01:36I lied to you.
00:01:38I was going to...
00:01:39I was going to forgive Juan.
00:01:46I was raised from a young age to inherit these lands.
00:01:49And now I have nothing.
00:01:51I have to go home, Alonso.
00:01:53I'm going to turn around.
00:01:54I'm relieved.
00:01:56Where is Richard Brake's treasure?
00:01:59I don't want to be responsible for you going to that hell.
00:02:02I don't intend to stay to soothe your guilty conscience.
00:02:05Now, listen to me, get me out of here.
00:02:10It must have been an animal.
00:02:13I've lost it.
00:02:15I should have taken this step much sooner.
00:02:17I would never bow my head again.
00:02:19If he provokes me again, I'll kill him.
00:02:32I have received a letter from Mr. Quantum Latraba.
00:02:35He forbids me from taking you with us.
00:02:38But that can't be.
00:02:39I want to go.
00:02:39They can't force me.
00:02:46I can be the best of allies.
00:02:48Or his worst enemy.
00:02:50It's up to you.
00:03:42Come on.
00:03:43Come on.
00:03:45Oh my God.
00:03:47I know you have a lot of pent-up anger.
00:03:51And it's great that she's bringing it up, but from there to...
00:03:53I'm sorry, Sato.
00:03:53Sorry.
00:03:57Okay, so how is it?
00:04:00I mean, about Margarita's thing?
00:04:01Good.
00:04:05Look.
00:04:06Tell me to leave you alone or that it's none of my business, but don't tell me it's okay.
00:04:10That sometimes seems Swedish.
00:04:12And so?
00:04:15Nothing, I was tidying the bedroom and I found it under her pillow.
00:04:20Gonzalo, I know you're going to marry Margarita.
00:04:24Nothing is holding me back here anymore.
00:04:26And that's why I'm leaving.
00:04:27What's happening?
00:04:29Forgive me if it bothered you that I kissed you.
00:04:32Be happy.
00:04:33You deserve it.
00:04:36It's a farewell letter from Mariana.
00:04:39He's gone.
00:04:41Are you telling me that the buccaneer was in love with you?
00:04:45Go on, get your things.
00:04:47Let's go find her.
00:04:49Forgive me, love, but I just can't get anything right.
00:04:51Why look for her?
00:04:53To have her down there, sighing for you?
00:04:57Outside the home, he is in danger.
00:04:58No, no, no.
00:05:01Not anymore, because nobody is looking for her.
00:05:03And if he asks her to come back, he'll be giving her false hope.
00:05:07I love you, you know that very well.
00:05:10She knows what it's like to see the person you love every day without your feelings being reciprocated.
00:05:15Perhaps he's right.
00:05:17It's already seven o'clock and the little boy hasn't returned.
00:05:21He must have been having fun at Gaby's house.
00:05:24No, well, we have to give it a touch.
00:05:27Lately, he's been keeping such a busy schedule...
00:05:33Have you found out anything?
00:05:35Nothing.
00:05:39Well, I say, now that we've given up on the treasure,
00:05:42We could use the gold coin to...
00:05:46to give us a nice dinner, right?
00:05:52Why is it made of gold?
00:05:57Come on.
00:06:00Look.
00:06:06And those letters?
00:06:08What do they mean?
00:06:16The devil's mouth.
00:06:20We need to find where this moon is.
00:06:22No, no, no, no, no.
00:07:01Know...
00:07:12Come on!
00:07:17Come on!
00:07:31It's best if you relax and enjoy yourself.
00:07:35Enough!
00:07:55Well? Has your memory been refreshed yet? Who hid you in the villa?
00:08:01Nobody.
00:08:02I'll ask you another question to see if you do better. Where is Richard Blake's treasure?
00:08:07I don't know. I already told you I don't know.
00:08:15Why is it that I still don't believe you?
00:08:18My husband never told me where he hid it, I swear.
00:08:25I'll leave you with my men for a few more days.
00:08:27No, please.
00:08:28I can see you haven't had enough.
00:08:33We'll be back for a few days.
00:08:37Believe me, you'll beg to share your secrets with me.
00:08:41Continue.
00:08:59Believe me, you'll beg to share your secrets with me.
00:09:24Did you find it?
00:09:26No, sir.
00:09:27I have searched in hospices, monasteries, convents.
00:09:30No trace of the Marchioness of Santiñana.
00:09:32So what are you doing here?
00:09:33I told you not to come back until you find her.
00:09:35I'm sorry, sir.
00:09:43Keep looking.
00:09:45It has to appear.
00:09:49Yes sir.
00:10:07Since these two arrived at the palace, I've been completely stunned.
00:10:10Can you believe that I walk into the lady's bedroom and find her lying down with her son?
00:10:14That?
00:10:15What you hear.
00:10:16Which mother and son are?
00:10:17But that's a mortal sin.
00:10:19Let's see, what's going on in your head?
00:10:20What filthy thoughts are you having, Marta, for God's sake?
00:10:22But you just said it.
00:10:24Let's see, lying down sleeping.
00:10:26Not lying down in the biblical sense of the word.
00:10:31But where has that ever been seen?
00:10:32A man of such size, taking a nap with his mother.
00:10:36Come on, it's not like Mr. Jacobo is three years old now.
00:10:39Well, he's very kind to me.
00:10:41Yesterday he gave me a little cake.
00:10:43Did he give you a little cake?
00:10:47Marta, I don't want you to be alone with the man again.
00:10:50Never.
00:10:51He has never heard me.
00:10:53Because?
00:10:55Do you know what the right of the first night is?
00:10:58No.
00:10:59No.
00:10:59Because you are very lucky.
00:11:01When Mr. Marquez lived here, you weren't even born yet.
00:11:03But throughout history, masters have used maids as they pleased.
00:11:07Do you understand what I'm trying to say?
00:11:12We've already prepared the bath for you, ma'am.
00:11:14The only thing we didn't know was whether she wanted to bathe in donkey milk, like Mrs. Lucrecia, or in water.
00:11:19Water for the frogs.
00:11:21We marchionesses bathe in milk.
00:11:26Perfect, ma'am.
00:11:28Lady.
00:11:34It's cold.
00:11:36What do you mean, cold, ma'am? Well, we've set it to the usual temperature.
00:11:39But you don't know how unwell she still feels in there.
00:11:42Well, of course.
00:11:43You don't look like you've been in many bathtubs.
00:12:03What are you doing?
00:12:04Madam, who is being pompous.
00:12:06Wouldn't it be more comfortable if she took off that nightgown so she could rinse herself thoroughly?
00:12:09No.
00:12:10I've always bathed like this, I'm nice and clean.
00:12:13What are you doing?
00:12:17Yes, the towel.
00:12:19Already, ma'am?
00:12:20Yeah.
00:12:22Help me.
00:12:24This afternoon I will invite several prominent figures from Spain to introduce my son.
00:12:28They will spend the night here.
00:12:29Prepare their rooms.
00:12:31Are you staying until he leaves?
00:12:33Yes, ma'am.
00:12:35You make a list of the guests.
00:12:37Take note.
00:12:40Me, aim?
00:12:41That's what I said.
00:12:42Grab a pen and paper.
00:12:44But, ma'am, it's going to be difficult because...
00:12:49I...
00:12:49I don't know how to write.
00:12:50And you're the one who bosses the servants around?
00:12:56You don't know either, do you?
00:12:58Yes, ma'am, yes, yes.
00:13:00Ah, very good.
00:13:01Well, take note.
00:13:02Come in, come in now.
00:13:03Come on, come on.
00:13:05Take note.
00:13:10Tell me.
00:13:10Tell me.
00:13:11Dukes of Gamboa.
00:13:13Marquesses of Obón.
00:13:15Counts of Albéniz.
00:13:18The duke...
00:13:20This...
00:13:21He...
00:13:22Oh, what's this one like?
00:13:23The king's cousin.
00:13:24What was it like?
00:13:27Hey...
00:13:27Are you referring to Juan, ma'am?
00:13:30He is the Duke of Velasco and Fonseca.
00:13:32And his wife, yes.
00:13:34Take care of sending them the invitations.
00:13:37Gentlemen of La Gasca.
00:13:40Marquis of Múgica.
00:13:59Gonzalo.
00:14:02Gonzalo, I...
00:14:03Well, I'm really sorry about...
00:14:06I already know.
00:14:08Already.
00:14:09I'm fine, Cipri.
00:14:12Is the food ready yet?
00:14:14I know what it's like to suffer for love.
00:14:16That fear that comes over you of not finding another person like you, of...
00:14:19I don't know.
00:14:19To be left alone.
00:14:21But someone always ends up showing up.
00:14:23When you least expect it, you will be very happy.
00:14:25Cipri.
00:14:26Thank you, but...
00:14:28I wish no one else knew this.
00:14:30Please.
00:14:31Clear.
00:14:33Sure, no, don't worry.
00:14:35Good.
00:14:39Gonzalo, I...
00:14:40I also wanted to tell you something else.
00:14:43What's happening?
00:14:47It's not that I want to cause trouble or speak ill of him, but...
00:14:50I think Satur is in some kind of trouble.
00:14:53What kind of mess?
00:14:55I've been watching him for a while and I know he leaves home every night.
00:14:59Sometimes dawn breaks, prepares the horses, and takes them both away.
00:15:04Didn't you know that he sometimes takes your horse?
00:15:06Well, yes, Cipri.
00:15:08If he takes it, it's because he needs it.
00:15:11You haven't understood me, Gonzalo.
00:15:12Sometimes it comes back...
00:15:14With torn clothes and even injured.
00:15:16Yes, I've even seen him cleaning up blood.
00:15:18Cipri, is there any explanation?
00:15:20Did he go out hunting?
00:15:21If you give me your permission, one of these nights I'm going to follow him to see where he goes.
00:15:24No, Cipri.
00:15:27I'll take care of it myself.
00:15:28Don't worry.
00:15:29Hello.
00:15:31I've come to the celebration.
00:15:32No, no, David, no.
00:15:34No what?
00:15:35No...
00:15:36Oh, I'm not.
00:15:38No, not today, not ever.
00:15:40There's not going to be a wedding, Gaby.
00:15:42Well, that's something.
00:15:48And Alonso?
00:15:50We thought I was with you.
00:15:52No, I left it in the woods hours ago.
00:15:54He went to look for you.
00:15:55Me?
00:15:57Yeah.
00:15:59Gaby, this is very important.
00:16:01Where did you last see him?
00:16:03In Talpinar.
00:16:04Near the road.
00:16:07No.
00:16:16No.
00:16:19No.
00:16:23No.
00:16:24No.
00:16:48Who did I scare?
00:16:49Don't be scared.
00:16:52My name is Laura
00:16:53and I live here.
00:16:54I brought you here myself.
00:16:58Take.
00:16:59But why did he bring me here?
00:17:02I found you in the forest
00:17:03with a gunshot wound in his side.
00:17:08So, where do you live?
00:17:10I need to find your parents.
00:17:18No, I don't know.
00:17:22But they shot you.
00:17:24Do you know why?
00:17:31No.
00:17:33I've already told him I don't know anything.
00:17:37I don't know my name.
00:17:40I don't even know where I live.
00:17:44Nor do I know who my parents are.
00:17:48What's wrong with me?
00:17:49Why can't I remember anything?
00:17:51You've lost a lot of blood.
00:17:54You'd better get some rest.
00:18:08The woman.
00:18:10Which woman?
00:18:13He was in danger.
00:18:15We have to go after her.
00:18:16We will help you,
00:18:17But I don't have to heal this wound for you.
00:18:25What's happening?
00:18:29You have the bullet inside you.
00:18:40Count of Albéniz and wife.
00:18:54Should I warn Mrs.
00:18:55to tell them they are waiting for him?
00:18:57No, they've been warned.
00:18:59The thing is, they're getting
00:19:00like two buds.
00:19:01The lady has not let herself be
00:19:02not a single ring inside the booklet.
00:19:11Juan and his wife have not arrived yet.
00:19:14Given the time of day,
00:19:15They might not even come anymore.
00:19:16Oh, I just can't see them.
00:19:27Marquis of Santillana
00:19:28and his most excellent mother.
00:19:32It is an honor to have you here,
00:19:34in our palace.
00:19:35I would like to introduce you to my son Jacobo,
00:19:38Marquis of Santillana.
00:19:39Sirs,
00:19:41Welcome to my house.
00:19:44Eat all you want, okay?
00:19:48God bless you.
00:19:52Juan de Calatrava,
00:19:54Duke of Velasco and Fonseca and wife.
00:20:07Dukes of Velasco and Fonseca.
00:20:09What a joy to have you here.
00:20:12I thought they weren't coming anymore.
00:20:14My husband,
00:20:15who is always so busy,
00:20:17You don't know what it cost me.
00:20:17convince him to come.
00:20:19Dear,
00:20:19I've already explained it to you
00:20:20I have many patients to attend to.
00:20:22They say that work
00:20:23It is the refuge
00:20:24of those who do not have
00:20:25nothing better to do.
00:20:28You come here.
00:20:32Will you personally take care of it?
00:20:33of the Dukes of Velasco?
00:20:35Yes, ma'am.
00:20:36And will you help the duchess?
00:20:38Will you have to undress when I'm done here?
00:20:41As you wish, ma'am.
00:20:42Maybe you could for one day
00:20:44try to undress yourself,
00:20:45Don't you think so?
00:20:47It's obvious you don't know anything.
00:20:48the difficult to remove
00:20:49What are these dresses, darling?
00:20:51Could you show me your hands?
00:20:53It's a very expensive dress.
00:20:54I wouldn't want it to get stained.
00:20:59You come here.
00:21:01Don't forget
00:21:02to keep the champagne cool.
00:21:03Yes, daughter.
00:21:04There's something else.
00:21:05I'll find out.
00:21:06where did you buy
00:21:07Those earrings.
00:21:09I want some just like them for myself.
00:21:10Go away, go away.
00:21:11Yes, ma'am.
00:21:22Hernán Mejías,
00:21:24village commissioner
00:21:25and wife.
00:21:29Good afternoon, ma'am.
00:21:31A lovely party.
00:21:32I'm glad that in the end
00:21:33have accepted
00:21:34join the feast.
00:21:36And Nuño hasn't come down yet?
00:21:38Nuño has not been invited.
00:21:41Can I know the reason?
00:21:42I don't see why
00:21:43It should be.
00:21:47Irene, if you'll excuse me,
00:21:48It will only be an instant.
00:21:51Come on, darling.
00:21:56Don't worry, love.
00:21:59The little boy
00:22:00He must have been distracted
00:22:01with anything.
00:22:02It's not normal
00:22:03that it is delayed so much.
00:22:05But he already knows
00:22:06what is Aloncillo like?
00:22:06out of curiosity.
00:22:07He's interested in everything.
00:22:09Have you seen her?
00:22:10a squirrel
00:22:11with one leg
00:22:12or a little bird
00:22:13has fallen from the nest?
00:22:14Who knows.
00:22:33Have you seen anything, love?
00:22:36Blood.
00:22:37Well, but that
00:22:38It must belong to some beast.
00:22:40here in the forest.
00:22:41From some animal.
00:22:43As you already know
00:22:43how cruel nature is.
00:22:45That the animals
00:22:46for lunch
00:22:47because they kill each other
00:22:48one another.
00:22:49Except for those who eat grass.
00:22:51clear.
00:22:53If I were an animal
00:22:54There would be remains.
00:22:56That's also true.
00:23:07It belongs to Alonso.
00:23:15What happened to my son?
00:23:25What happened to my son?
00:23:38What happened to my son?
00:23:43What happened to my son?
00:24:00Nuño!
00:24:01Let me!
00:24:01Can you tell me what you're doing?
00:24:03This sword is no longer mine, it belongs to the Marquis of Santillana!
00:24:05You are the Marquis of Santillana!
00:24:06Oh, really? Would the Marquis of Santillana live in a pigsty like this?
00:24:10All I have left is three twos to ones, commissioner.
00:24:26Put on that suit. You have to go to the reception.
00:24:29Why? I haven't been invited.
00:24:32And are you going to give them the satisfaction of staying locked up here?
00:24:35Whatever that will says.
00:24:36You have more right than anyone else to be in that room.
00:24:40But what's it to you what I do?
00:24:42Because I do.
00:24:45I'm the closest thing you have to a father.
00:24:50Mister.
00:24:55Put on that suit.
00:24:58And never forget who you are.
00:25:04That?
00:25:14What happened? Have you found her?
00:25:16No, sir. I'm not here for the marchioness.
00:25:18The pirate has escaped.
00:25:20As?
00:25:21The men had gone to get something to eat.
00:25:22Did you leave her there alone?
00:25:23No.
00:25:25No, sir.
00:25:27A guard stayed with her.
00:25:29And?
00:25:31The pirate took a knife and killed him.
00:25:34You suck.
00:25:36You are not capable of doing anything I ask you to do properly.
00:25:40Search every corner of that forest and when you find her, hang her.
00:25:44Yes sir.
00:25:51Maybe someone found him injured and took him to get him treated, right?
00:25:57We don't know that.
00:25:58It could also be from the person who attacked her.
00:26:01Love, don't always expect the worst.
00:26:04That sometimes there are good people too.
00:26:08I'm sure the stamps are fine.
00:26:11You'll see.
00:26:21And that cage?
00:26:28And the guard?
00:26:32What happened here?
00:26:35Don't know.
00:26:43Don't worry.
00:26:45You'll be fine soon.
00:26:52But...
00:26:58Are you going to take the bullet out of me?
00:27:00It would be best if he saw a doctor, but...
00:27:02I have no money.
00:27:05Don't worry.
00:27:07This isn't the first time I've dealt with a wound, is it?
00:27:10But...
00:27:10Shouldn't we look for my parents first?
00:27:14I'm sure they're worried.
00:27:16We'll find each other, but first we have to heal you.
00:27:21What if I die?
00:27:24You're not going to die.
00:27:27I pulled a bullet out of here myself many years ago.
00:27:31And I'm still alive.
00:27:33Come on, you have to be brave.
00:27:40ADMIN.
00:27:42They are your initials.
00:27:43Does ADM mean anything to you?
00:27:46No.
00:27:48Well.
00:27:50I don't know.
00:27:51Come on, it'll only be a moment.
00:27:55Take.
00:27:57Death.
00:28:00No, no, no.
00:28:27Have you spoken to the Dukes of Gamboa?
00:28:29No, mother, I haven't had the chance yet.
00:28:31The Marchioness of Sotomayor has been telling me in great detail about her trip to the Vatican.
00:28:34And not a single cardinal has been left.
00:28:36You need to talk to them.
00:28:38They have a single daughter.
00:28:39I know, Mother.
00:28:40His mustache puts mine to shame.
00:28:41Oh, but it's just a few hairs.
00:28:43He is going to inherit one of the largest fortunes in the kingdom.
00:28:46Come on, go and introduce yourself.
00:28:48And clean yourself up here.
00:28:49Is this whole place full of canapés?
00:28:51Are you going?
00:28:52Yeah.
00:28:54Yeah.
00:28:58Nuño!
00:28:59I'm so glad you were finally able to come!
00:29:02Even though you weren't invited.
00:29:03Nuño wanted to be here supporting his brother.
00:29:07Yeah.
00:29:12Can I go?
00:29:19Let me, can I do it by myself?
00:29:20Leave me alone, please.
00:29:21Are you OK?
00:29:22Yes, nothing has happened.
00:29:24You, go home.
00:29:24I've thrown away a couple of glasses.
00:29:26Perhaps we should go to our bedroom, my dear.
00:29:28It's late and you've worked a lot.
00:29:30I'm perfectly fine.
00:29:32Please, dear.
00:29:33I would like to retire.
00:29:35Leave me alone.
00:29:44Come on, what are you waiting for?
00:29:45Accompany him to his bedroom.
00:29:47Goes?
00:29:47And you, come on, to the kitchen.
00:29:49Pick that up.
00:29:50Come on, come on.
00:29:58Go on, give me another one.
00:29:59It was the last one.
00:30:03Or we're going to need more.
00:30:04We need to paper the whole village.
00:30:06Alonso, I have to show up.
00:30:13Great, I have one of these.
00:30:15Thank you very much, son.
00:30:16We had just run out.
00:30:18Come on, let's go.
00:30:22What's wrong, Gaby?
00:30:24What's the matter?
00:30:26It's my fault they disappeared.
00:30:29What are you saying?
00:30:31If I hadn't left him alone, he would be with us now.
00:30:33And that would be fine.
00:30:34It's not your fault that it disappeared.
00:30:36You understand me?
00:30:39Furthermore, if you had stayed with him, you would both be missing now.
00:30:44Take.
00:30:46I would recommend it and put this all over the main square.
00:30:49And don't worry, the cloth will appear very soon.
00:30:52Hey?
00:30:52Come on, let's go.
00:30:55Come on, you too.
00:31:02What a terrible deal you're having.
00:31:04Tell the little boy that now they would both be missing.
00:31:07But how could you even think of that?
00:31:09What, Cipriano, are you saying they shouldn't sleep all night?
00:31:11I just wanted to reassure him.
00:31:13Well, Lucio.
00:31:15Give me another one.
00:31:16Hey, if you feel guilty, don't take it out on me.
00:31:19Guilty of what?
00:31:20Well, if what's needed were as widespread as it should be, maybe Alonso wouldn't have disappeared.
00:31:23But since you spend all day away from home, doing God knows what...
00:31:25Gonzalo.
00:31:28Is there any news?
00:31:29No, I love you.
00:31:30I've found something out for you.
00:31:31Nothing.
00:31:32I've come back because my horse can't go on anymore.
00:31:34I'll take yours.
00:31:34Clear.
00:31:36Hello!
00:31:39What's happening?
00:31:41Some traders have found the body of a child the same age as your son in the forest.
00:31:48Thank you.
00:32:02What's happening?
00:32:05What's happening?
00:32:07Thank you.
00:32:25Love, leave me alone.
00:32:27There shouldn't be, love.
00:32:29If I were Alonso, it's best to remember him as he was.
00:32:32Listen to me.
00:32:33Sator is my son.
00:32:41He could be my son.
00:32:44We didn't want to leave him stranded there in the middle of the road.
00:32:47We were taking him to the cemetery.
00:33:01What was the child like?
00:33:04Brown hair with straight hair and fair skin.
00:33:19It's not Heron, yes, I love.
00:33:21I know it can't be him.
00:33:26If you existed, God up there, you wouldn't let this happen.
00:33:32Take it, love, take it.
00:33:56No, I don't know, thank God.
00:34:00Oh, you're hurting me.
00:34:11It's not that difficult to unbutton a dress either.
00:34:14I'm sorry, ma'am.
00:34:17When you're finished, tell my husband not to make any noise when he goes to bed.
00:34:20I wouldn't want him to keep me up late.
00:34:22Yes, ma'am.
00:34:37Suca on the table.
00:34:55But you're still drinking.
00:34:57Don't you think the show you've put on is enough?
00:35:02Ma'am, if you'll excuse me, I'll be leaving.
00:35:04No, no, no, wait.
00:35:05I want you to prepare tomorrow's clothes.
00:35:07It's right there, ma'am.
00:35:09Well, pick it up in the bin then.
00:35:12Do you want to quit now?
00:35:14Please.
00:35:15I'm not finished yet.
00:35:18Look, if you put half the effort into me that you put into drinking...
00:35:21I don't think this is the time to talk about these things.
00:35:24I've worked a lot and I'm very tired.
00:35:28Why did you marry me?
00:35:30I told you to leave it.
00:35:32Since we got married you haven't touched me even once.
00:35:37I'll give you that much Basque?
00:35:42I'm talking to you, Juan.
00:35:46Look at me.
00:35:47Look at me with sayings!
00:35:54Sorry.
00:36:00Do not touch me!
00:36:01Don't ever touch me again!
00:36:13That's it.
00:36:30No!
00:36:33No no!
00:36:35Oh God, no!
00:36:37No!
00:36:40No!
00:36:41No, please!
00:36:54Don't speak.
00:36:57Rest.
00:36:58What happened?
00:37:01Nothing, everything is fine.
00:37:02Alright.
00:37:03Don't worry.
00:37:04Now I have to stitch up your wound.
00:37:05so that you don't get infected.
00:37:18Let's see.
00:37:19Don't worry.
00:37:21It's just going to be a moment.
00:37:22Hold on a little longer.
00:37:24Let's see.
00:37:25We're finished.
00:37:27It hurts me.
00:37:29It is very important that you do not move.
00:37:31Come on.
00:37:35Come on, brave one.
00:37:38Come on.
00:37:40She's almost there.
00:37:43Already.
00:37:46That's it.
00:37:48That's it.
00:37:56That's it.
00:37:59That's it.
00:38:02That's it.
00:38:10That's it.
00:38:33No!
00:38:35Lucia.
00:38:38Lucia!
00:38:40No!
00:38:41No!
00:38:42No!
00:38:43No!
00:38:45No!
00:38:46Juan.
00:38:49What happened?
00:38:52What happened, Juan?
00:38:57What happened?
00:39:02I'll go to the market.
00:39:04Let's get some food and a little water.
00:39:11You take a break, okay?
00:39:13Don't move.
00:39:17You don't move.
00:39:28You don't move.
00:39:52She is my mother
00:39:54She is my mother
00:40:36She is my mother
00:40:39It's the scene we've been following all night, going door to door asking, and nobody has seen anything.
00:40:46Something bad must have happened to you, sir.
00:40:50I can't lose my son
00:40:52No, no, no, not even inventing that.
00:40:55Aloncillo is fine, maybe a little hurt, but he's fine
00:40:58So don't go there
00:41:03Too many hours have passed
00:41:05I know that when it comes to a child, one's understanding gets clouded.
00:41:11Try to think that it's not about Alonso
00:41:14Think coldly, for God's sake.
00:41:15What do you want me to think?
00:41:16For the fighter jets always
00:41:17The who, the how, the when
00:41:21Let's see, we have
00:41:23We have the shoe, the little boy
00:41:25The blood stains
00:41:27The footprints
00:41:28The cage
00:41:29The dead guard
00:41:31The dead guard
00:41:32All of that has to mean something
00:41:34What do you think?
00:41:36Think, love, think, think
00:41:37Think quickly
00:41:38For God's sake, we don't have time.
00:41:39Think
00:41:39Santos, if I think about all that with a certain firmness
00:41:41It only leads me to one conclusion.
00:41:45Very good
00:41:46Okay, so what do we do then?
00:41:47We'll just sit here with our arms crossed.
00:41:51You have always taught me that one should never give up
00:41:53So I can't come at you with this now
00:42:03Wait for me here
00:42:05I'm going to look for the horses that will have already eaten enough.
00:42:08I love
00:42:11I promise
00:42:14That today we found his son
00:42:17Let's see
00:42:33It's a little strange that someone would cut off your wife's luxury while she's sleeping next to you.
00:42:37And don't listen to anything
00:42:39I don't remember anything.
00:42:42I drank too much last night.
00:42:43Yes, we all saw that.
00:42:48It has a clean cut at the neck
00:42:51The person who did it made sure he wouldn't survive.
00:42:55Do you know who might have wanted to kill her?
00:43:00I barely knew her
00:43:01We haven't been married very long
00:43:06I suppose it's a bit late to congratulate you.
00:43:10Anyway, it's not a matter of time.
00:43:13I don't think there are many men who truly know their wives, no matter how many years they've been together.
00:43:31Is that your briefcase?
00:43:34Yes, I came here yesterday after seeing a patient
00:43:37Because?
00:43:38Can you open it?
00:43:40I don't understand, Cari
00:43:41Open it, please.
00:43:49Can you show me the instruments?
00:44:10Yeah
00:44:11Something's missing here, isn't it?
00:44:14Yes, I'm missing my scalpel.
00:44:17Is this it?
00:44:21I found it at the foot of your bed
00:44:24You were so drunk that you forgot to hide the gun you used to cut your wife's throat
00:44:30Take him to the dungeon
00:44:31It just can't be
00:44:32It just can't be
00:44:33It just can't be
00:44:35It just can't be
00:44:52It just can't be
00:45:07Please
00:45:09I have a sick child in my care and I need to give him something to eat.
00:45:15Three maravedis
00:45:17I have no money
00:45:20This is a business, isn't it? A charity house
00:45:22Please
00:45:22He's a child
00:45:24I swear I'll pay you back as soon as I get the money
00:45:27Cash only, ma'am
00:45:38Thief! Thief!
00:45:42How much does he owe her?
00:45:44I'll pay for it
00:45:46Three maravedis
00:45:50That's why
00:45:52Two
00:46:03Alright?
00:46:05Thank you
00:46:06I
00:46:07I am not a thief
00:46:09You don't have to give me any explanation.
00:46:11It's the child
00:46:19I recognize
00:46:20That?
00:46:21Yeah
00:46:23Yeah
00:46:23Yes, yes, yes, it's him
00:46:24It's him
00:46:24Is he alive?
00:46:25Yeah
00:46:26Do you know where it is?
00:46:28At my place
00:46:29I'm going to make a little water so the loose stuff passes through.
00:46:37It's been awful, Catalina
00:46:41Arrive
00:46:42I was going to stop him
00:46:42For sleeping
00:46:43And it was
00:46:45Everything was covered in blood
00:46:46And that's it.
00:46:47And his throat had already been cut.
00:46:50Come on, drink some water, darling.
00:46:52Drink water
00:46:55My God, who could have done such a thing?
00:46:57Juan must be devastated
00:47:00He is being taken into custody.
00:47:02Alright?
00:47:03To the doctor
00:47:04He says he killed his wife
00:47:05They took him away in handcuffs.
00:47:07But there has to be a mistake.
00:47:11Do you think it was Juan?
00:47:12Juan is incapable of such a thing
00:47:13I don't know, Catalina didn't stop drinking all night.
00:47:16Well, maybe he drank, but that doesn't mean anything.
00:47:19Sometimes people are not what they seem.
00:47:22I also didn't think he was capable of doing all that he did to me.
00:47:27Damn, Margarita
00:47:29I understand that you
00:47:31You might feel betrayed by Juan
00:47:32But that doesn't mean he's a murderer.
00:47:34You weren't in that room and saw how he treated that woman
00:47:39Margarita, I can't believe it.
00:47:41That you think Juan killed her
00:47:42I don't know why you're so insistent on defending it.
00:47:44I'm so determined because Juan, Margarita
00:47:46What? Just messing around here, huh?
00:47:49Come on, I'll take the breakfasts up to the guests.
00:47:51A tragedy has occurred, but that doesn't mean we're going to starve them to death.
00:47:54But you see, ma'am, they've left
00:47:57All
00:47:59All?
00:48:00Yes, ma'am
00:48:02Well, then...
00:48:03You, go up and clean the dead woman.
00:48:05Wash it well and then dress it
00:48:07No, please, ma'am, don't ask me that
00:48:09Are you going to reply to me?
00:48:13No, ma'am
00:48:14Okay, come on, get on
00:48:17When the relatives of the deceased arrive
00:48:19Let him see that in this house things are done the right way.
00:48:30He had told me that my son was here.
00:48:33I left him lying on the mattress
00:48:36He's not lying to me.
00:48:38Why would I want to lie to him?
00:48:41If you're looking for money, you've picked the wrong person.
00:48:43I don't want money
00:48:45I already told her that I picked her up badly injured and brought her to my house
00:48:48And where is it here?
00:48:48No, I don't know.
00:48:52I asked him not to move
00:48:55He had lost a lot of blood because of the gunshot wound.
00:48:58And she was very weak.
00:49:08Have you taken out the stick?
00:49:13Thank you
00:49:16I have to keep looking for him
00:49:17Wait, wait
00:49:21His son kept repeating that
00:49:24That they had to find a woman who was in danger
00:49:27Which woman?
00:49:27Don't know
00:49:29Did he tell her who he was?
00:49:31No, the child was very dazed
00:49:34He didn't even remember his own name.
00:49:37I didn't remember anything.
00:49:40He gave her some more details about the woman.
00:49:42He told her who he was, where he was, something
00:49:45I had a high fever.
00:49:46And maybe he was delirious
00:49:50Didn't I hear?
00:49:52He insisted that the woman was
00:49:53Locked in a cage
00:50:13Mother
00:50:14Mother
00:50:15Mother
00:50:23Mother
00:50:24Because?
00:50:30Because?
00:50:33Because?
00:51:00Because?
00:51:02Alantso!
00:51:07Alantso!
00:51:10I am you!
00:51:13Alantso!
00:51:14Cancho!
00:51:17Alantso!
00:51:19Alantso!
00:51:22Alantso!
00:51:33Nothing.
00:51:35Mom, this turkey is delicious. I've honestly never tasted anything like it in my life.
00:51:39Put the turkey down already, will you?
00:51:43The only thing being discussed is the murder of the Duchess of Velasco.
00:51:45Man, mother, it's a very serious matter.
00:51:47It's a very serious matter.
00:51:49If I didn't know it was impossible, I would doubt that you were my son.
00:51:53There is no mention whatsoever of your debut into society.
00:51:56Well, Mom, you'll get to know me soon enough. We'll have more receptions.
00:52:03And you want to stop eating?
00:52:04We just made you a custom-made wardrobe.
00:52:06If you keep going like this, you're going to ruin it.
00:52:09Mother, you're well-fed, it's elegant.
00:52:11And besides, a couple more pounds of meat aren't going to ruin my good looks.
00:52:16Madam, this messenger from the Royal Palace has arrived.
00:52:20Go away, go away, go away, go away.
00:52:23What does it say?
00:52:26What does it say?
00:52:28The king wants to receive you at his palace.
00:52:31Me.
00:52:38But, mother, this mess is for the Marchioness of Santillana.
00:52:42Well, but you are now the Marquis of Santillana.
00:52:45Yes, mother, but the king will be waiting for her.
00:52:47You will go to see the king.
00:52:48You can't let an opportunity pass you by, yes.
00:52:51I don't know, Mom, it's just that...
00:52:52But, but, but, but, but.
00:52:54His Majesty is informed of the change that you are now the Marquis.
00:52:58And that way he gets to know you.
00:53:00Yes, mother, but it's not just that.
00:53:06I don't know if I'm ready to meet with the king.
00:53:10Do you want me to go with you?
00:53:24As you can see, he has a very high fever.
00:53:28And he continues to rave.
00:53:31I don't want this.
00:53:35But in case the boy didn't recover his memory, he allowed me to compile a list of his
00:53:40best memories.
00:53:49Here you are.
00:53:53My son Gaby's friend.
00:53:55He met the king himself.
00:53:58He saved the eagle's life.
00:54:03He was a drummer in the third battle of the dunes.
00:54:06He first saw the sea with his father.
00:54:07His father, yes.
00:54:11There are things here that are not true.
00:54:14What do you mean, no?
00:54:16Alonso has never been at the third Battle of the Dunes.
00:54:19That's true.
00:54:20He has never even seen the sea.
00:54:22That's also true.
00:54:25Do you know what's happening?
00:54:26Since one has the opportunity to rewrite one's past, it's better to invent one, because it should be better, right?
00:54:33I appreciate it, but if Alonso can be proud of anything, it's of who he is.
00:54:37But why upset the little boy with sad memories?
00:54:40It's just asking to make him go through the same misfortunes twice, my love.
00:54:44That's not the law.
00:54:48Who is Swiss?
00:54:49Alonso, son.
00:54:50Alonso.
00:54:51Are you okay, home?
00:54:52You are not.
00:54:53Let me go.
00:54:55Son, I am your father.
00:54:57No no.
00:54:59You are not my father.
00:55:00Oh, God.
00:55:00You are not my father.
00:55:02Alonso.
00:55:03I have to save my mother.
00:55:05Let me go.
00:55:06Son, what do you mean, your mother?
00:55:09My mother was in danger.
00:55:12I have to save her.
00:55:14Alonso, Alonso.
00:55:18Son.
00:55:21Oh, master, what do you think, that his mother is alive?
00:55:26Hey?
00:55:30No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:55:31no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:55:32no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:55:34no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:55:42no, no, no, no, no, no, no, no, no, no
00:56:16Go on, leave it, I'll do it.
00:56:31And do you really think that Juan, the man I was going to marry you to, was capable of
00:56:35kill this woman?
00:56:37They found the scalpel used to kill her under the bed.
00:56:40So what? Could anyone have taken it? That's why you can't call him a murderer.
00:56:45I don't know, I don't want to think about it.
00:56:48Why don't you talk to him?
00:56:50Why talk to him, Catalina?
00:56:53Well, even if it's just so you don't spend your whole life thinking about the man you left with.
00:56:56To marry the day before yesterday is a murderer.
00:56:58Let him look you in the eyes and tell you.
00:57:02Juan is a very good liar.
00:57:04She'd been doing it for months, Catalina.
00:57:07I never want to see him again.
00:57:10I want to forget about him.
00:57:12You're not even going to give him the benefit of the doubt.
00:57:16Even if it's just for all the love he has shown you.
00:57:27I'm going to put a gag in it.
00:57:48Where is the door?
00:57:58Thank goodness Margarita isn't marrying Juan.
00:58:01Otherwise, we'd be cleaning her up.
00:58:03Oh, be quiet.
00:58:06Go check that window, let's see if we can air this out a bit.
00:58:15Hey.
00:58:16And how long has this window been broken?
00:58:19What do you mean it's broken?
00:58:20Yeah.
00:58:24Ale.
00:58:30Was.
00:58:55Thank you for being with me, mother.
00:58:57Thanks to the priests.
00:58:59Oh, and one more thing, the murder of the Duchess of Velasco, let's not even mention it, okay?
00:59:04But Mother, he has died in our palace.
00:59:06Okay, but if we discuss that matter, we won't be talking about you.
00:59:09And if I remember correctly, we are here to introduce you as the true Marquis of Santillano.
00:59:15Well, yes, but Juan is the king's cousin.
00:59:16I'll have to say something to him, give weight to my questioner, won't I?
00:59:20Well, thinking about it, it's a good opportunity to show ourselves as the ones most affected by the news, right?
00:59:43I was hoping to find the Marchioness of Santillana and her son.
00:59:46Who are you?
00:59:48You are correct, sir.
00:59:50This is my son, the Marquis of Santillana.
00:59:53And who are you?
00:59:54The royal secretary.
00:59:57I don't know what they hope to achieve, but the marchioness is an old friend of the king.
01:00:00And very well known to everyone in this palace.
01:00:02I can assure you that my son is the true Marquis of Santillana.
01:00:08If you want, you can check it.
01:00:20Please wait here.
01:00:29Now, because it's not the right time.
01:00:30But when there's more trust, I'll tell the king that we haven't been treated like marquesses deserve, you know?
01:00:35No, no, no, no, no, no.
01:01:05Don't even think about it.
01:01:11His Majesty the King.
01:01:15Excellence.
01:01:18My secretary informed me that they wanted to see me.
01:01:21Uh, Your Majesty, my eldest son, the Marquis of Santillana, and I have come to introduce ourselves, as you may have noticed, because in the...
01:01:32And, Lucrecia, are you alright?
01:01:35Uh, I don't know, Your Majesty.
01:01:40I understand he's traveling in Europe.
01:01:45I have a meeting now and I barely have any time.
01:01:48When I deem it necessary, I will summon them.
01:01:52As you wish, Your Majesty.
01:01:54We would be happy to meet with you here whenever you request it.
01:01:59For whatever you need.
01:02:02And we also wanted to take this opportunity to offer our deepest, most sincere condolences.
01:02:11I don't know what you're talking about.
01:02:14Your cousin, Your Majesty, Juan de Calatrava y Fonseca, has been arrested for the murder of his wife.
01:02:35Have you seen Nuño?
01:02:36No, he'll be in his bedroom.
01:02:38Does there have to be a solution?
01:02:40You're the village commissioner, could you do something?
01:02:43Do you think I could have done something?
01:02:45I wouldn't have done it now.
01:02:48Could you consult another lawyer?
01:02:51I told you no, there's nothing to be done.
01:02:53That will is absolutely legal.
01:02:57And you're leaving?
01:02:59Yeah.
01:03:00In one hour we transferred Juan to the military prison.
01:03:03He will be there until he is executed.
01:03:05But is it final?
01:03:07As for the king, sign the death sentence.
01:03:10Is it hard to believe that Juan is a murderer?
01:03:12That's enough, Irene.
01:03:14I didn't marry you to argue about work.
01:03:19Why did you get married?
01:03:45There has been a murder in the next bedroom.
01:03:47Don't you think it's unseemly of you?
01:03:51And do you think the deceased would care at all about what happens between us?
01:04:22Mister.
01:04:26Sir, I'm sorry to bother you, but...
01:04:31Should you look into this, Commissioner? When you have a chance.
01:04:34I'm busy.
01:04:35It was in the bedroom where the murder was committed, sir.
01:04:39The window won't close.
01:04:42Do you think you can come and bother me because a window won't close?
01:04:45What do you think carpenters are for?
01:04:46You see, sir, there's something more.
01:04:49There are mud stains right next to the window.
01:04:53I thought it would be important for their research.
01:04:56It's clear that nobody pays you to think.
01:04:59Just do your job.
01:05:01That window closed perfectly.
01:05:04This palace is over two centuries old.
01:05:06Do you know how many windows have rotted and had to be replaced during that time?
01:05:09Come on, get out of here!
01:05:10Mister.
01:05:25What are we going to do, master?
01:05:30When he's calmer, we'll tell him the truth.
01:05:33And make him go through the same mistake twice?
01:05:35No no.
01:05:45He needs to know that Cristina murdered him.
01:05:47But why?
01:05:50What does the boy gain by knowing the truth?
01:05:52Let's see.
01:05:54Tell him anything, damn it.
01:05:56That he abandoned them, that he died in bed from some illness, I don't know.
01:06:02That would only confuse him.
01:06:03Confuse him for the better!
01:06:06Let me tell you something.
01:06:09I wish someone had invented a better childhood for me and someone else.
01:06:12I would have been much happier today.
01:06:18I will not allow my son to live a lie.
01:06:20And so on.
01:06:22You are the father.
01:06:24You have the final say.
01:06:25Or let me tell you something.
01:06:27Let it be known that I do not agree with this relapse and the suffering of the child.
01:06:31I won't say any more.
01:06:33No.
01:06:33No.
01:06:41Let me go.
01:06:44Alonso.
01:06:46I have to help my mother.
01:06:49Alonso, that woman is not your mother.
01:06:52What do you know?
01:06:56Your mother is dead.
01:06:59I'm sorry, son.
01:07:02No.
01:07:04No.
01:07:06No.
01:07:16The brave man is afraid.
01:07:21Take care here.
01:07:22No, I don't want to be alone.
01:07:30No, I don't want to be alone.
01:07:33Are you scared?
01:07:34The brave man is afraid.
01:07:42Are you ready?
01:07:43It's a...
01:07:44Okay, fine.
01:07:54Adonso.
01:07:55Adonso.
01:07:56Catalina.
01:07:56Take it away!
01:07:57Dad, Father!
01:08:02Don't leave it with me, Dad.
01:08:04Father.
01:08:04Dad!
01:08:04Dad!
01:08:06Father.
01:08:09Son.
01:08:10Thank you very much, Fabio.
01:08:13Thank you so much.
01:08:18And one thing, excuse me.
01:08:21Excuse me for interrupting this tender scene, but...
01:08:25The small loincloth.
01:08:27So who is the woman of the forest?
01:08:33Claudia.
01:08:42Do you want water?
01:08:43Why are we going down this path?
01:08:44Why isn't he going home?
01:08:47We're not going home.
01:08:50What do you mean we're not going home?
01:08:53Juan is being transferred to a military prison and they're going to pass through here.
01:08:58Catalina, no...
01:08:59You need to talk to him.
01:09:03I'm going home.
01:09:05Margarita, this may be the last time you see him.
01:09:08Daisy!
01:09:23Juan, Juan, Juan, tell me you haven't done it.
01:09:26Tell me you haven't done it.
01:09:28Don't know.
01:09:29Don't know.
01:09:39Don't know.
01:09:40Don't know.
01:09:45Nuño!
01:09:48Nuño, open the door for me, please!
01:09:54Nuño, please open the door for me!
01:10:00Can you tell me what you're doing?
01:10:03Leave me alone, please.
01:10:07You haven't eaten anything.
01:10:10I'm not hungry.
01:10:12Come on, come with me.
01:10:14I'll tell you about some occasions when I prepared something for you.
01:10:15You can't go without eating.
01:10:18I'm not going out.
01:10:20What do you mean you're not going out?
01:10:22There's nothing outside that interests me.
01:10:31I know you're going through a very difficult time.
01:10:34But you can't stay here all the time.
01:10:36You have no idea what I'm going through, Irere.
01:10:41But it's very bad that you're feeling well.
01:10:42Everything is going to change.
01:10:43It's only a matter of time.
01:10:44You'll see.
01:10:48When your mother comes back, everything will be different.
01:10:50It doesn't matter if my mother comes back.
01:10:51Nothing will change.
01:10:52Go away!
01:10:54I plan to leave you buried here.
01:10:56I said go away!
01:11:03I'm not going to let you get away with it, Nuño.
01:11:06Since I'm not sitting down to dinner tonight,
01:11:08I'll come looking for someone who understands.
01:11:30I'm not going to live suffering this humiliation any longer, commissioner.
01:11:33You didn't raise me to be like this.
01:11:36You've always said that every man has to find his own destiny.
01:11:39And that's why I'm going to look for mine.
01:11:42Whatever it is, I know this is no longer my place.
01:11:45I'm not afraid of what I might find.
01:11:47If life has denied me this,
01:11:49Maybe it's because he has something better planned for me.
01:11:52I may never see you again.
01:11:54Neither you nor my mother.
01:11:56Explain it to him, please.
01:11:58Make him see that he would have done the same thing.
01:12:16Where is?
01:12:18There it is! Grab it!
01:12:34Where is?
01:12:37Look over there.
01:12:41Here it is.
01:12:42Grab it!
01:12:43There!
01:13:03Bye bye!
01:13:22Bye bye!
01:13:52Bye bye!
01:14:13Bye bye!
01:14:14Bye bye!
01:14:16Bye bye!
01:14:17Bye bye!
01:14:17Bye bye!
01:14:18Bye bye!
01:14:19Bye bye!
01:14:20The Spanish crown ratifies the ruling on the trick
01:14:23and for which he is condemned
01:14:25by decapitation
01:14:27Duke of Velasco and Fonseca
01:14:29giving his soul to the most holy God
01:14:31accused of the crime of murder
01:14:32against Don Juan de Calatrao
01:14:34Duke of Velasco and Fonseca
01:14:35by decapitation
01:14:38I, King Philip IV
01:14:49I'm sorry to bother you, Your Majesty
01:14:52They are waiting for his signature for the sentence.
01:14:54of the Duke of Velasco and Fonseca
01:15:00I need a moment
01:15:01Of course, Your Majesty
01:15:09He's guilty, isn't he?
01:15:14that's how it is
01:15:19then sign
01:15:23It's not that simple.
01:15:25because?
01:15:27Why is he your cousin?
01:15:28Have you already forgotten that you almost ruined your campaign in Portugal?
01:15:31for saving his life
01:15:33How many times are you willing to tarnish your name for him?
01:15:42I arranged that marriage against her will
01:15:45I am partly to blame
01:15:47of that murder
01:15:49That's foolish.
01:15:58I know my cousin
01:16:00And he's a good man
01:16:01Yeah
01:16:03a good man who has killed his wife
01:16:06He deserves to die.
01:16:09I hope I'm not wrong.
01:16:15A king never makes mistakes
01:16:22He will be beheaded in two days
01:16:41come on
01:16:41Come on, we've already put Mariana to bed.
01:16:43Cipriano has stayed on standby in case he wakes up
01:16:48poor woman
01:16:48what she must have gone through
01:16:50I should have gone to look for her much sooner
01:16:54No, well, I convinced him that he wasn't in danger.
01:16:56Why wouldn't I have stuck my tongue in...?
01:16:58It's not your fault, Satur
01:17:00God
01:17:03The important thing is that we found her in time and she will recover
01:17:06No, that's true.
01:17:08Anyway, what a day we've had!
01:17:13How is Alonso?
01:17:15good
01:17:17Good, very well recovered now.
01:17:20It has a better color than a Toledo peach.
01:17:27I just love
01:17:31what's happening?
01:17:32Why can't she stop thinking about the wedding?
01:17:35specifically in his, with his wedge
01:17:37after everything bad that has happened to him
01:17:38I didn't dare contradict the little boy
01:17:40I'll talk to him, don't worry.
01:17:41Please speak as soon as possible, for God's sake.
01:17:42before the lady arrives
01:17:46The boy is so excited
01:17:47who is capable of asking her to carry the wedding rings
01:17:54with your permission
01:17:56No, don't take it.
01:17:58What do you mean I shouldn't take it?
01:18:00Isn't he thinking of leaving?
01:18:02Yeah
01:18:02I love God, one of these days I'll be seen at the bottom.
01:18:05We have to go to the devil's mouth
01:18:10sorry
01:18:13to the mouth of the devil he said
01:18:15but as its own name indicates
01:18:18You can't get out of there even feet first.
01:18:20if it even gets out
01:18:26And those drums?
01:18:30It is hereby announced that His Majesty Philip IV
01:18:33condemns the Duke of Velasco and Fonseca to death by beheading
01:18:36for the murder of his wife
01:18:38The execution will take place in two days.
01:18:41the Duke of Velasco and Fonseca
01:18:45It sounds like Velasco and Fonseca to me, for God's sake!
01:18:48Why is it Juan?
01:18:54the doctor
01:18:58It was my discovery that Juan killed his wife
01:19:16Once upon a time, there was a kingdom full of splendor and joy
01:19:20Their king, kind and strong, loved his people as if they were his own children.
01:19:25Until one day darkness descended upon the sky
01:19:29England will declare war on Spain
01:19:33The hearts of the noblest people turned ruthless
01:19:38Hatred and revenge took hold of the man
01:19:43Now you're going to pay for everything you've done to us.
01:19:51Nothing and no one was safe
01:19:53And even the most tender and innocent soul died
01:20:05I'm going to organize something big
01:20:07A show like the ones from back in the day
01:20:10Well, for me it would be an honor to participate and teach the English a lesson.
01:20:14The little boy is right.
01:20:16Those guys deserve to have a couple of things clarified for them.
01:20:19Aid!
01:20:26I am Captain Patrick Walcott
01:20:28What do you think?
01:20:29You are made with gifts
01:20:30It's not very common for a father to send his daughter on those kinds of trips.
01:20:33It's also not very common for a school teacher to have been to India.
01:20:37Nuño?
01:20:41If the rescue doesn't arrive, the child will be dead within a day.
01:20:45I love you, for God's sake, I beg you, go out there and restore Spanish pride.
01:20:48I'm just a teacher
01:20:49Do you remember?
01:20:51And what concerns does a school teacher have?
01:20:54Runs!
01:20:56I love you
01:20:59I know of its abolition
01:21:00She will never refuse a valuable gift.
01:21:05Oh God, he's seen her face!
01:21:08Father, I am not alone
01:21:09Stay away from my son
01:21:10We are much more alike than you think
01:21:19Are
01:21:21Lovely
01:21:22Prepare your weapons
01:21:28Let's go, let's get him out of there!
01:21:31Precido, let's get him out of here!
01:21:35Can't you make me go after these people?
01:21:37Nuño!
01:21:38No!
01:21:45That's enough.
01:21:48She was the joy of this house
01:22:17Nuño!
01:22:19Nuño!
01:22:20Nuño!
01:22:22Nuño!
01:22:23Nuño!
01:22:24Nuño!
01:22:25Nuño!
01:22:26Nuño!
01:22:27Nuño!
01:22:27Nuño!
01:22:28Nuño!
01:22:29Nuño!
01:22:30Nuño!
01:22:33Nuño!
01:22:33Nuño!
01:22:34Nuño!
01:22:34Nuño!
01:22:35Nuño!
01:22:36Nuño!
01:22:37Nuño!
01:22:37Nuño!
01:22:39Nuño!
01:22:42Nuño!
01:22:43Nuño!
01:22:47Thanks for watching the video.
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