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00:00:09Clear!
00:00:30I'm not going to let you take it to Vienna.
00:00:32I don't have any brothers.
00:00:33That's what our vixen of a mother made you believe.
00:00:37Why did we stop?
00:00:39We don't have time to waste with a beggar.
00:00:47Ma'am, I just wanted to tell you that I've decided to go with you to Vienna tomorrow.
00:00:51Someone has to pay for the shitty life I've led.
00:00:54We must hand over our daughter's dowry before the Earl of Olsen leaves the villa tomorrow.
00:00:58You're going to live my life and I'm going to live yours.
00:01:04What's up, crazy kid?
00:01:06How did you come here to the Marchioness's bedroom?
00:01:08Catalina, I'm going to Vienna with you.
00:01:10I was looking at you like this and it reminded me of when we were kids and you worked in my dad's barn.
00:01:15I don't know how he didn't throw me out the first time.
00:01:17Yes, he wanted to fire you, but I convinced him not to.
00:01:23I beg you to cancel my wedding to the Earl of Olsen.
00:01:26You will marry the count and take care of my daughter Margarita's well-being.
00:01:32Have I been clear enough?
00:01:35Of course, Magistan.
00:01:38The Red Eagle.
00:01:40He's going to find out, my God.
00:01:44Take.
00:01:48Take.
00:01:53Your Majesty, the commissioner is responsible for the theft of the gold.
00:01:56I have the proof.
00:02:00We'll take whatever money you have.
00:02:01I don't have anything.
00:02:02Come on, innkeeper, what we know is that the innkeeper has sold it.
00:02:03Damn, bitch, I'm going to break your soul.
00:02:06I have discovered your master's little secret, the Red Eagle.
00:02:10You had it well hidden.
00:02:12Have you seen wounds on the back?
00:02:13They looked like old wounds, scars.
00:02:15And Saturn had them before.
00:02:20What am I going to do here now?
00:02:22I don't have anything.
00:02:22It's a shame I have to kill you.
00:02:26Can you imagine what would have happened if he hadn't been with Her Majesty when he received this letter?
00:02:36Margarita, don't go.
00:02:45Kill him!
00:02:46Shoot me, master, shoot me!
00:02:47Come on!
00:03:20What's happening?
00:03:27What's happening?
00:03:28We've lost a horseshoe, ma'am.
00:03:31Good heavens, sir.
00:03:33We haven't even been here half a day and we're already having setbacks.
00:03:37Madam, a horse, what, has it lost its horseshoe?
00:03:39That it be replaced immediately.
00:03:42Nuño is waiting at the monastery.
00:03:43What's happening?
00:03:44But, ma'am, it's not that simple.
00:03:46It would take a blacksmith to put it on.
00:03:57Oh, Nepts.
00:04:03Madam, the journey to Vienna is long and tiring.
00:04:05If you wish, you can rest in an abandoned shepherd's hut nearby.
00:04:09A shepherd's hut?
00:04:10Do I look like a sheep, Catalina?
00:04:13My coat isn't unbearably cold.
00:04:15Yes, ma'am.
00:04:16Move the carriage off the road.
00:04:18Margarita, the lady's cape.
00:04:27Lady?
00:04:30Catalina, have one of the guards take the horse to the blacksmith.
00:04:32Yes, ma'am.
00:04:33And another one is in a note to the commissioner.
00:04:56Margarita, have one of the guards take the horse to the blacksmith.
00:05:20Please don't leave.
00:05:24I'm leaving, Gonzalo.
00:05:29Yes, we, the guards, take the horse to the blacksmith.
00:05:39Don't go.
00:05:39Don't go.
00:05:40Don't go.
00:05:42Don't go.
00:05:44Don't go.
00:05:46Don't go.
00:05:48Don't go.
00:05:52Don't go.
00:06:04Subscribe to the channel!
00:06:32Subscribe to the channel!
00:07:21Subscribe to the channel!
00:07:24In them. Ezekiel 25:17.
00:07:34You're getting better at reading all the time.
00:07:38However, you do not progress in the same way in the other subjects.
00:07:47Should you apply more?
00:07:50I will do that.
00:07:59Are you the best teacher I could have?
00:08:09Who dares to enter my rooms like that?
00:08:12His Majesty, King Philip IV, your king and the king of all Spain.
00:08:17It is an honor to receive you in my palace, Your Majesty.
00:08:24My daughter, perhaps it would be more appropriate to continue the lesson at another time.
00:08:41What's wrong, sir?
00:08:43A monk has made a discovery that could bring down the Christian religion as we know it.
00:08:50That is a serious incident.
00:08:53What is it about?
00:08:54From the fifth gospel.
00:08:56The one who wrote Jude, what the heretics call the true Bible.
00:09:00Majesty, those texts and their search are totally forbidden by the church.
00:09:07I would have been informed.
00:09:08It seems you don't control the members of your clergy as well as you think.
00:09:14Those writings should not reach the ears of the people.
00:09:17Do we know who it is?
00:09:19From a Franciscan, Father Alejandro.
00:09:23He has already ordered his arrest.
00:09:26Do whatever is necessary to get me to deliver the gospel to you.
00:09:37Come on, he could have killed himself.
00:09:40No, and to kill me too.
00:09:43It almost stopped my heart from the fright.
00:09:46I was just practicing.
00:09:47No, no, when you want to practice you don't just rush off to land.
00:09:52That's not practice, that's recklessness.
00:09:57I'm sure he's like this because he knows he's lost Margarita forever.
00:10:02Come on.
00:10:05Yes, take the hearing as an answer, but don't deny it to me.
00:10:09It hurts me too, but that's how it is.
00:10:12Are you sure you've told Margarita everything you could to convince her to stay?
00:10:16I don't know if you understand me.
00:10:17Look, just be yourself.
00:10:19Careful.
00:10:29We're in a hurry now, aren't we?
00:10:33Come on.
00:10:34The marquess has left some things at the palace for the school.
00:10:37Have you noticed, love?
00:10:40Does a book fall on a spinning top?
00:10:42Leave it.
00:10:44What do you mean, quit?
00:10:48The masked figures, laden to the brim with books, ride as if the devil were chasing them, and you don't see them.
00:10:52It piques curiosity.
00:10:53You said it yourself.
00:10:54They're just books.
00:10:56Come on.
00:10:57I just don't understand him, come on.
00:11:00Come on.
00:11:01I don't know what scale you use to measure what is suspicious and what is not.
00:11:05For less than that you've had me riding until my hemorrhoids were practically melting.
00:11:17You're already addicted.
00:11:27Have you noticed?
00:11:29There are several books of chivalry and adventure.
00:11:32You'll see how much fun you have with them.
00:11:34Are you sure you told Margarita everything you could to stop her from leaving?
00:11:38I should have gone too.
00:11:41You were leaving these two behind.
00:11:44Ah, thank you.
00:11:48If you have any help, the doctor hasn't forbidden me from lifting weights yet.
00:11:55Are you pregnant?
00:11:56Yeah.
00:11:58Hernán and I are expecting a child.
00:12:01Well, congratulations.
00:12:05Thank you.
00:12:08Well.
00:12:09Alonso, let's go.
00:12:14If you don't need anything else, they are waiting for me urgently.
00:12:16Don't worry, we know the way out.
00:12:19Alonso, let's go.
00:12:26See you later.
00:12:27See you later.
00:12:40See you later.
00:12:42Mister.
00:12:45A dangerous killer escaped from the San Carlos asylum when he was about to be transferred.
00:12:49We'll be with him, sir.
00:12:59A note has arrived from the Marchioness, Commissioner.
00:13:01I'm going to retire you.
00:13:05I'm going to retire you.
00:13:11That?
00:13:11That?
00:13:13That?
00:13:23That?
00:13:24The Earl of Olsen will come by for them, please hand them over to him.
00:13:28Finally, he will remain on the track for a few more days and has kindly lent me his carriage to make my stay more comfortable.
00:13:33trip to Vienna.
00:13:54I didn't want to say anything to you in front of the Marchioness, but why don't you turn around?
00:13:59Why not, Catarina?
00:14:01Because I've already decided to leave.
00:14:05I prefer to think about the future rather than what I'm leaving behind.
00:14:08But if your head is more on the road than here.
00:14:11Now I understand, because poor Gonzalo hasn't even been allowed to say a word.
00:14:16And now doubt has crept in, that's normal.
00:14:18But what doubt, Catalina.
00:14:21What doubt could it be?
00:14:22If you have brought the right clothes for the alpine climate.
00:14:26Well, what would Gonzalo have told you?
00:14:29Maybe he wanted to tell you that he loves you.
00:14:35Lady.
00:14:54Lady.
00:14:57This isn't like the French chelon in your palace, but for a short while I'll do as you please there.
00:15:08This is disgusting, Catalina.
00:15:12I prefer to wait in the carriage and not have to put up with this stench.
00:15:21Guard!
00:15:22Guard!
00:15:26Guard!
00:15:38Guard!
00:15:44Guard!
00:15:47Guard!
00:15:50At the same time! At the same time! At the same time!
00:15:52At the same time! At the same time! No! No! No! No!
00:15:56No! No! No! No!
00:16:01Ma'am, what's out there?
00:16:12Well, it certainly took a while, master.
00:16:14How was it at the palace?
00:16:16The marchioness wanted me to take some books.
00:16:20And the commissioner is going to be a father.
00:16:25I did it like this, between the cabbages.
00:16:29Well, I'll have to go and find some old Aloncillo booties or something to give him.
00:16:32Satur, Satur.
00:16:33Only I know that we are family.
00:16:35That's true. And so am I.
00:16:38The commissioner was taking his sweet time, wasn't he?
00:16:40Miss Irene is so hot she could be taken to the stable and...
00:16:45Do you want us to put the nephew in the cockpit?
00:16:47No, leave it.
00:16:49Sure?
00:16:50Look, there's a gap here in your sister's question mark.
00:16:54Which, by the way, we haven't heard from in a long time.
00:16:56Among the secrets, those who leave, those who stay...
00:16:59We're going to be left alone.
00:17:00Satur.
00:17:01I have a lot of work now.
00:17:03OK?
00:17:05Come on, before he gets too focused on reading...
00:17:08I want to show you something.
00:17:10What happens now?
00:17:13For the first time, I've taken the initiative and...
00:17:15And I went to look for the book that the rider dropped on the bridge.
00:17:20What does the rest of Sátur have?
00:17:21Well, Satur.
00:17:22Someone must have cut themselves while turning the pages.
00:17:24That's it. It doesn't matter.
00:17:28Come on.
00:17:29Look, I understand that right now you're more of a lover than a hero, but there are...
00:17:33Satur, yes! Margarita is leaving.
00:17:35And I may never see her again.
00:17:36But I would appreciate it if you didn't repeat it to me every minute.
00:17:41Okay, excuse me. I'm sorry if...
00:17:44I offended him, but come on...
00:17:47I don't think anyone did this by turning pages.
00:17:50No?
00:18:00It belongs to the Franciscan monastery.
00:18:03From the Franciscans?
00:18:06You tell me.
00:18:09Or have the friars become butchers and are slaughtering pigs?
00:18:15Or have they been beheaded?
00:18:44I always thought that in time you would end up giving up on those revolutionary ideas you had in the seminary.
00:18:55But look at that.
00:18:57You continue to angrily bite the hand that feeds you.
00:19:01Perhaps you have forgotten, old friend, that the only cure for a rabid dog is its sacrifice.
00:19:24The years have treated you well, Cardinal.
00:19:28You know that gluttony is a deadly sin, right?
00:19:31Of course. I can't forget the deadly sins.
00:19:36I enjoy them every day.
00:19:39I am happy about this reunion, Francisco de Mendoza.
00:19:44But I will never give you the real Bible.
00:19:47If you do not do so, that book will cause irreparable harm to our parishioners.
00:19:53It will deprive them of faith, of that which they need to believe in.
00:19:58The people need to know the truth.
00:20:01Knowing that Jesus was not a deity, but an ordinary man.
00:20:06Ah!
00:20:11An interesting point of view, no doubt.
00:20:15Although not very original.
00:20:18Just last week, the Holy Inquisition burned at the stake a man with similar ideas.
00:20:30When the true Bible is made public, no one will fear being punished by God's wrath.
00:20:37They will lose their fear.
00:20:39And you will lose your riches.
00:20:43If you do not hand over that Bible to me before tonight, you will die.
00:20:51Guards!
00:20:53Your disciple will testify that I am serious.
00:20:56Let's see if the people and the truth matter more to you than your own life.
00:21:06Let her say goodbye to him.
00:21:09And then take it out.
00:21:11I don't want the palace to smell like death.
00:21:19Gar failure!
00:21:34Garanie!
00:21:59Thank you!
00:22:05How is my son?
00:22:07Irene is spotting a lot and has started having contractions.
00:22:11If not, cease my duties.
00:22:11Is my son going to die?
00:22:13Is it too soon to say that?
00:22:15Do whatever it takes, but save my son.
00:22:19Excuse me, I came to put some flowers here. I didn't know you were here.
00:22:23Better, I'll come back later.
00:22:25Wait, I need to talk to you.
00:22:28The doctor was already leaving; he has a lot of work.
00:22:34More often than not.
00:22:37How can I help you, sir?
00:22:43Which maid is responsible for mopping the palace floor?
00:22:46Sir, we take turns.
00:22:49And who had their shift today?
00:22:52I'm sorry, they were busy with other things.
00:22:56Then gather all the staff in the kitchen.
00:23:07Because?
00:23:37There's no Nidia here.
00:23:41It's a figure of speech
00:23:43Excuse me
00:23:45Don't pay any attention to yourself
00:23:54Sato!
00:23:56Be careful
00:23:57Mother who gave birth to me, I love
00:23:59These books are many centuries old.
00:24:02They are of incalculable value.
00:24:05This is where the monks translate and copy them.
00:24:11Forgive my ignorance, but this copying thing
00:24:14More than a Christian act, it is not a crime
00:24:17I don't think the author
00:24:21To the author
00:24:26Aristotle
00:24:28Aristotle
00:24:29He finds it very funny that they copy him
00:24:32They don't do it to give themselves credit.
00:24:34They do it so that all their knowledge reaches us all.
00:24:38Marito Telés
00:24:40That wasn't from the trembling side.
00:24:53I love
00:25:14Your holy master
00:25:16What massacre?
00:25:20What massacre?
00:25:22They don't do it so that not everyone is accompanied.
00:25:37What massacre?
00:25:39What massacre?
00:25:45What massacre?
00:25:47They don't do it so that there is
00:25:48A moment where there is
00:25:48They don't do it so that there is
00:25:48They don't do it so that there is
00:25:51They don't do it so that there is
00:25:52They've taken it away!
00:25:54Why? What did they want from him?
00:25:56He's found it!
00:25:59Father, what have you found?
00:26:03To the fifth!
00:26:07To the fifth!
00:26:10Father! Father!
00:26:12What did he say about a fifth?
00:26:14The fifth what?
00:26:25Father!
00:26:40Has it stopped?
00:26:51He's gone.
00:26:53Don't be an idiot, Catalina
00:26:55He's coming back
00:26:58He's thinking of a way to get in.
00:27:01If he comes back and enters, we will defend ourselves as best we can.
00:27:03There are three of us, four of us
00:27:04And with what weapons?
00:27:08The guard's skull was split in two by a single blow from an axe.
00:27:10That out there didn't help.
00:27:12Man
00:27:13It's an animal
00:27:15We're not going to defend ourselves with punches.
00:27:20Well then, we'll ask for help.
00:27:25Aid!
00:27:26Relief!
00:27:27Aid!
00:27:28Margarita, Margarita
00:27:30They won't hear us
00:27:31We are very far from the carriage and the road
00:27:34What do we do, ma'am?
00:27:42What Margarita said
00:27:46We're going to ask for help.
00:27:50Catalina
00:27:52You go out
00:27:58But ma'am
00:27:58What is this?
00:28:00But ma'am, if it comes out in the bush
00:28:03Please
00:28:05You've forgotten who I am
00:28:15I am your owner
00:28:17And you, my maid
00:28:22If you don't come out, I'll kill you.
00:28:51I'm going with you.
00:28:53You stay here
00:28:55You stay here
00:28:59Margarita, please
00:29:01Wait
00:29:03I'm just going to watch
00:29:04I'm just going to watch
00:29:07Aid
00:29:08Aid
00:29:34Aid
00:29:53There is nobody here
00:29:54Salt, salt
00:29:58Relief!
00:29:59Relief!
00:30:00Relief!
00:30:01Relief!
00:30:01Relief!
00:30:02Aid!
00:30:04Aid!
00:30:22Aid!
00:30:25The fifth
00:30:26Many things with five
00:30:30Many
00:30:31Five
00:30:41He definitely said fifth and not red wine.
00:30:44It's well known that the clergy are big drinkers, master.
00:30:50Now I know why they took Father Alejandro away.
00:30:52That she solved it with that book.
00:30:55And here I was, getting all excited about the discovery of the blood in the book.
00:30:57Father Alejandro has spent his entire life studying what some have called the true Bible.
00:31:02And he maintains that there were five gospels.
00:31:04The fifth. That's what the monk meant.
00:31:06Wait, wait, wait. What do you mean, five? What do you mean, five gospels?
00:31:10Yes, there have always been four evangelists.
00:31:12Saint Matthew, Saint Mark, Saint Luke, and Saint John. Where does the fifth one come from?
00:31:15It was always there. They just hid it from us.
00:31:19Judas.
00:31:22Judas? The one who kissed him? The traitor?
00:31:25What Father Alejandro argues is that there were originally five gospels.
00:31:28But the church published all of them except that one.
00:31:30It doesn't surprise me.
00:31:32Coming from the hands of whom they came from, it was impossible to hide it.
00:31:35No, that wasn't it.
00:31:36They rejected him because he implied that Jesus was the son of man.
00:31:39And not from God.
00:31:41Stop, stop, stop, stop.
00:31:44Jesus what?
00:31:46That writing says that Jesus was a parishioner like Cyprian and like me.
00:31:51Yeah.
00:31:51And what about the miracles he performed?
00:31:53Satur, the Bible must be interpreted.
00:31:55Not everything he says has to be true.
00:31:57I love that Jesus walked on water.
00:32:00He resurrected Lazarus.
00:32:01He multiplied the loaves and the fishes.
00:32:03And that's as true as the fact that there's sun.
00:32:06Miracles as such do not exist.
00:32:09Yes, they do exist.
00:32:10God exists.
00:32:11Jesus also as his son.
00:32:13And they exist because we need to have hope.
00:32:16Life is already messed up enough and full of calamities.
00:32:21We need to know that something better is coming soon.
00:32:26And also to know the truth.
00:32:29Don't tell me that with all he's suffered, he's never thought about reuniting up there with his wife.
00:32:40We have to go back to the monastery.
00:32:41Well, perhaps there is something there that will lead us to Father Alejandro.
00:32:45Already.
00:32:46You rescue Father Alejandro.
00:32:48Let that gospel be known to couples.
00:32:50And if he wants, he can destroy the lives of all humanity.
00:32:52But with me.
00:32:54Count me out.
00:33:03Have you seen Maria?
00:33:04No.
00:33:05Have you seen Maria?
00:33:10Maria.
00:33:11Maria.
00:33:12You have to leave.
00:33:12The commissioner is going down.
00:33:14She wants to find out who spilled the water that made Mrs. Irene slip.
00:33:16But I didn't throw it away.
00:33:18I was just scrubbing in the sun in the hallway.
00:33:19That doesn't matter.
00:33:20He won't even want to hear you.
00:33:21You have to go as far away as you can.
00:33:23If you reveal yourself, you're dead, Maria.
00:33:24Where am I going to go?
00:33:26Wanna...
00:33:26It's here.
00:33:27Run away, you cow.
00:33:38Stop doing what you're doing.
00:33:42You all know about the unfortunate accident my wife has suffered.
00:33:47I want to know who the useless person was who was mopping the floor.
00:33:55Lord, there are so many of us that it's very difficult to know what each one is doing.
00:34:07Isn't it a matter of order?
00:34:11Alright.
00:34:13That's easily fixed.
00:34:35You are number one.
00:34:38You will be number two.
00:34:39No, please.
00:34:40No, sir.
00:34:42No.
00:34:43It was Maria.
00:34:44She was the one who did it.
00:34:50Nothing can be seen.
00:34:53But I know he's out there somewhere.
00:34:55It stalks like wolves stalk their prey.
00:34:58He will return soon.
00:35:03Lady.
00:35:03Are you OK?
00:35:05Are you OK?
00:35:08A gun?
00:35:16It's loaded.
00:35:18We now have a way to defend ourselves.
00:35:22Thank God.
00:35:24Stop praying.
00:35:25God won't like to see this, will he?
00:35:27How much is the damn thing?
00:35:28Come in through the door and I'll blow your head off.
00:35:34Stupid!
00:35:36I won't let him.
00:35:38Who do you think you are to treat us like this?
00:35:40Hey?
00:35:42We are not in your palace.
00:35:44We are in a shelter about to die.
00:35:46And being the Marchioness of Santillana won't do you any good here.
00:35:51Margarita, death will treat us all the same.
00:35:55Who do you think you are?
00:35:57Daisy.
00:35:59Daisy.
00:36:04Daisy.
00:36:07Daisy.
00:36:08Daisy.
00:36:11Daisy.
00:36:14Daisy.
00:36:16Daisy.
00:36:17Daisy.
00:36:21Daisy.
00:36:23Daisy.
00:36:25Daisy.
00:36:26Daisy.
00:36:27Daisy.
00:36:28Daisy.
00:36:32Safari!
00:37:04Safari!
00:37:09Lord, help me!
00:37:12Lord, help me!
00:37:13Low!
00:37:15Low!
00:37:26There we go, grab it.
00:37:55Low!
00:37:56Already!
00:37:59No, no, no!
00:38:02Perd MATTEBA
00:38:04Runs!
00:38:05Runs!
00:38:07Please!
00:38:09Please!
00:38:12Please!
00:38:15Please!
00:38:17Please!
00:38:19Just let go!
00:38:22No!
00:38:23Mother!
00:38:25Satis, lucky daughter!
00:38:27Satis, lucky daughter!
00:38:36No, no, no, no, no!
00:38:43No, no, no, no!
00:39:12Can you walk?
00:39:14What are you doing here?
00:39:16Well...
00:39:18...and with you to Vienna.
00:39:21Underneath the carriage.
00:39:23That?
00:39:24So, I'm going to the underside of the carriage.
00:39:31Peaceful.
00:39:32Don't worry.
00:39:36I took advantage of the fact that the coachmen were taking a siesta to go out.
00:39:41And you, ma'am?
00:39:42And Margarita?
00:39:42She has been hit.
00:39:44They are in the shelter.
00:39:47Good.
00:39:47Okay, look.
00:39:49I can't let myself be seen.
00:39:50I have to go back under the carriage.
00:39:51Yeah.
00:39:52You come a little later.
00:39:53Okay?
00:39:54Yeah.
00:39:54You start talking to the coachmen and ask for help.
00:39:57Yeah.
00:39:57I'm not asking for anything.
00:40:03I'm not asking for anything.
00:40:12I'm not asking for anything.
00:40:23Alfonso!
00:40:25Happy!
00:40:31Sorry, I hadn't seen it.
00:40:34Are you okay? Is something wrong?
00:40:41Do you remind me of anyone?
00:40:44Please let me go
00:40:47Let me go, I didn't do it
00:40:50Mister
00:40:53Lord, it wasn't me.
00:41:12Prepare everything for the hunt, the night will die doing
00:41:14Sir, please, I didn't do it
00:41:17I am a man of the land of peace
00:41:19Please, Lord, help me
00:41:21Help me, it wasn't me, please help me
00:41:26It's not enough for what you deserve.
00:41:29If my son dies, your whole family will die.
00:41:32You wear it
00:41:38Help me
00:41:43Loves, go
00:41:56Loves, go
00:42:37Loves, go
00:43:05Purest Germany
00:43:08Stop with the formalities, Cardinal
00:43:10How could Father Alejandro have escaped you?
00:43:15There's no reason to worry, Your Majesty
00:43:18It is true that he has escaped, but he will return to deliver the fifth gospel into our own hands.
00:43:26Explain
00:43:29As you well know, family is the Achilles' heel of every self-respecting man.
00:43:36It was a pleasant surprise to discover that Father Alejandro's elderly mother lives in a small mountain village.
00:43:45She's thinking of exchanging it for the Bible.
00:43:46That's how it is
00:43:47And by now my men will have already invited her to leave her house
00:43:54I hope so.
00:43:56If that Bible falls into the hands of the people, they will begin to doubt the existence of God.
00:44:01And then, he will also doubt the monarchy.
00:44:06Leave it in my hands, Your Majesty
00:44:09The monarchy and the church are united in the common purpose of preventing the people from thinking for themselves.
00:44:16Good
00:44:17So do whatever is necessary
00:44:42What are you doing?
00:44:45Nothing, the same old thing
00:44:53No, damn it, no
00:44:55I can't just sit here chopping turnips like nothing's wrong, wondering if you're going to...
00:44:59To bear the Father, the Son, and the Holy Spirit
00:45:02Satur, I can go to Mariana
00:45:04And don't worry, I haven't found the fifth gospel.
00:45:07Don't finish the sentence
00:45:08Finish the sentence
00:45:10That?
00:45:10He hasn't found it yet.
00:45:13Still
00:45:14Because that's stubborn for a while
00:45:15And it's not going to stop, that's for sure.
00:45:18I'm going to keep looking for it
00:45:19And I want you to help me
00:45:22Satur, you have the opportunity to know the truth
00:45:24Don't you want to know?
00:45:26But the truth is what most people believe.
00:45:28If you don't see why they would believe it
00:45:31Listen, you always say you'd like Gaby to have a better world than yours
00:45:34And wouldn't it be the same if it were a more realistic world?
00:45:36Less ignorant?
00:45:37We're here, we're here
00:45:38When he runs out of arguments, he resorts to blackmail.
00:45:41Exact
00:45:41The truth matters to you much more than you let on.
00:45:44Were you the one who went to pick up the book this morning?
00:45:46You're the one who discovered the thread we're pulling on now.
00:45:49Great, that's it then.
00:45:50I've figured it out, I'll settle it.
00:45:51It's over
00:45:52Am I now going to be the one to blame for killing our lord?
00:45:56I'm not talking to you about God.
00:45:57And I'm certainly not telling you whether you have to believe or not.
00:46:00I just want you to have as much information as possible.
00:46:02And that you consider things for yourself
00:46:04But I don't want to consider anything.
00:46:06I'm happy with my little thing just the way it is.
00:46:09I have enough with a little sausage for the broth
00:46:11Or going out into the sunny street, like everyone else
00:46:13Satur, but you're not like everyone else.
00:46:16Most people don't care about not knowing how to read
00:46:18But you make an effort every day
00:46:20Every night you take a book from me so I can learn something new.
00:46:22Satur, and that's only done by someone who wants to be a little better every day.
00:46:28You have a peak here
00:46:31Okay, I'll help you find that Bible.
00:46:34But be careful
00:46:35Let's see what we do with her later.
00:46:38Careful
00:46:41It's wrong.
00:46:42It was under your pillow
00:46:43Thank you
00:46:49They are going to kill an innocent father
00:46:51But it was I who spilled the water in the Marchioness's palace.
00:46:55And the commissioner's baby is going to die
00:46:57That's why I'm going back there to surrender myself
00:47:00I love you
00:47:05God the Father, Son, and Most Holy
00:47:18The commissioner is not with his wife
00:47:19But wait here, I'm going to check the stables.
00:47:22Okay, try it on quickly, it's important
00:47:51Okay, try it on quickly, it's important
00:48:02What are you doing here?
00:48:03You see, when the floor was uncovered it was wet.
00:48:06How do you know?
00:48:08Alonso!
00:48:09If you can figure out what you're doing here.
00:48:11The commissioner's wife is with Valencia.
00:48:13It takes you back home.
00:48:14Wait!
00:48:15He was about to tell me something.
00:48:21My son, like me, does not believe in physical punishment.
00:48:30Get out of here!
00:48:31Come on!
00:48:34Look at me.
00:48:36Pirenme, are you okay?
00:48:37And the doctor! Bring in the doctor!
00:48:52That's it. That's it. It's over.
00:48:54Has it happened?
00:48:55Hey?
00:48:56Thank goodness that farmer saved your life.
00:48:58You don't know where he is. I'd like to thank him.
00:49:01He's gone.
00:49:03True heroes don't expect a reward.
00:49:06Come on!
00:49:10Incompetent.
00:49:13Keep this one inside.
00:49:30Wake up!
00:49:31You should have checked the locks before leaving.
00:49:34When you reach the goods, you will receive your punishment.
00:49:36I don't intend to overlook this.
00:49:38Madam Marchioness,
00:49:40I'm sure he arranged everything in the best way possible.
00:49:42These things happen.
00:49:43Because of them, they almost killed us.
00:49:45Perhaps your death is insignificant, Margarita.
00:49:48Things happen, like you say.
00:49:50But not mine.
00:49:53Guards!
00:49:54Kill him!
00:49:56The lady...
00:49:57Are you happy now, Margarita, or do you want more?
00:50:01No, please, no!
00:50:02Piety!
00:50:03No, no, have mercy!
00:50:04Subject.
00:50:05Hold it, little face.
00:50:06Nuño is waiting for me.
00:50:23I don't understand why we come to school.
00:50:25If everything you teach is a lie.
00:50:27I need you to understand.
00:50:28Can't!
00:50:29I am guilty and I am not going to pay for it.
00:50:31Look, Irene's fall was an accident.
00:50:34Accidents happen.
00:50:35I know, but an innocent woman is going to die.
00:50:38And I feel like I killed her.
00:50:41And I have to do something.
00:50:43Father, let me go!
00:50:44Listen to me, listen to me!
00:50:46You're right, it's not fair.
00:50:50But please,
00:50:52I can't lose you now too.
00:50:57Your mother also died, just like that.
00:50:59And now you're saved, look at it this way...
00:51:02Like something that life gives back to us.
00:51:05Even if you don't understand it.
00:51:07But...
00:51:07Father...
00:51:08Please.
00:51:10Please.
00:51:17Come on.
00:51:31That he's a child knows what I've done
00:51:33It is completely contrary to what I have taught him.
00:51:36Come on, it's a pain in the ass.
00:51:37But that's what comes with growing up.
00:51:39The little boy has to learn
00:51:40that sometimes you have to be selfish.
00:51:42That goes against his principles.
00:51:44I don't know, Sato.
00:51:45I do.
00:51:46That's why I don't have as many principles as you do.
00:51:49To avoid having so many problems later.
00:51:51Although you have an advantage.
00:51:53The red eagle that is going to save the maid.
00:51:57Yeah.
00:51:58Even if I do, I'll have to leave the villa.
00:52:01Leave everything you have here
00:52:02and never return.
00:52:03Like you, like a hero
00:52:04He is already quite generous with the people.
00:52:06That's one thing.
00:52:07And something else entirely.
00:52:08It is to be a martyr.
00:52:09He did the right thing.
00:52:11I hope so.
00:52:15What is this?
00:52:17I found it on Father Alejandro's desk.
00:52:22Is it really that white?
00:52:23No.
00:52:24It has some perforations.
00:52:31Oh, well, yes, of course.
00:52:33There must be termites in the monastery, right?
00:52:38Sato.
00:52:39Wait.
00:52:40Don't move.
00:52:43What's happening?
00:52:50It's a constellation.
00:52:54Can I move?
00:52:55Yeah.
00:52:57A what?
00:52:58A constellation.
00:53:01That means
00:53:02We're going back to the monastery, aren't we?
00:53:04No, not you.
00:53:06I'd rather you stay and keep watch, Alonso.
00:53:08Yeah.
00:53:10A constellation.
00:53:20Father Alejandro,
00:53:21Enjoy your freedom.
00:53:23My men will be waiting for you here.
00:53:25before sunset.
00:53:27Give them the Gospel
00:53:29or your mother will die.
00:53:57Give them the Gospel
00:54:20Good afternoon, commissioner.
00:54:22What are you still doing here?
00:54:23Some matters I will be dealing with in court have delayed my departure.
00:54:27So he's not leaving for Vienna today?
00:54:29I will probably do it tomorrow, when I have repaired the Marchioness's carriage.
00:54:34I suppose the marchioness has delayed her trip.
00:54:37She has continued with the utmost comfort.
00:54:40I lent him my carriage.
00:54:43His carriage?
00:54:44That's right. If you'll excuse me, I need to pick up some earrings you left behind.
00:54:53Help, please! Help!
00:54:58Please, give me that knife. You're not going to accomplish anything that way.
00:55:01My wife doesn't deserve to die.
00:55:03She didn't spill the water.
00:55:05I ordered her to be released and left his wife.
00:55:07Don't you dare touch her.
00:55:10Stop, I'll kill her!
00:55:15Listen to me, you're not a murderer.
00:55:17Please.
00:55:18You are a good man.
00:55:19Please leave her alone.
00:55:21She didn't go.
00:55:22She didn't spill the water.
00:55:24He's going to kill an innocent person, do you know that?
00:55:26If you touch her, you will see your wife die, and then you will die.
00:55:31No, no, no, no, no.
00:56:14Where is this creature?
00:56:27What's wrong, son?
00:56:30Peaceful.
00:56:35Peaceful.
00:56:38Peaceful.
00:57:12No, no, no.
00:57:30This is what you're looking for.
00:57:46The Gospel According to Judas.
00:58:37The Gospel According to Judas.
00:59:01The Gospel According to Judas.
00:59:07What came this morning for some books?
00:59:10Yes, yes, the teacher's son.
00:59:12I haven't seen him since he left with his father.
00:59:14Are you sure?
00:59:15Yeah.
00:59:16Where could that kid have gone?
00:59:20The commissioner?
00:59:21Is the commissioner in the cells?
00:59:24No.
00:59:25He's in that alcove.
00:59:27I've been.
00:59:30Have I gone?
00:59:32Yeah?
00:59:33What happened to him?
00:59:35A knife wound.
00:59:37A horrible thing.
00:59:39They killed my mother because of me.
00:59:42Too high a price.
00:59:46Sometimes, the best way to hide something is precisely not to hide it.
00:59:57I changed the cover.
01:00:00I changed the cover.
01:00:05Save it.
01:00:07You, who risk so much to protect the people, will know when to make it known.
01:00:14You're sure?
01:00:18Whoever seeks him will pursue me.
01:00:27Mister.
01:00:30Sir, how are you?
01:00:34Wait, wait, wait.
01:00:36Do not move.
01:00:37I'm going to have some water.
01:00:39Sir, I came to tell you and I want to give you...
01:00:40What is the purpose of being?
01:00:42The killer from the asylum appears to be dead, sir.
01:00:46The Marchioness's carriage.
01:00:48The Marchioness?
01:00:51Sir, I'm sorry, but I don't understand what you mean.
01:00:53Go to the stalking crossroads.
01:00:55The marchioness is in danger.
01:00:59His carriage is going to explode.
01:01:03The reaction.
01:01:04Quick, we need to call a doctor.
01:01:28The book.
01:01:31But we have not managed to capture Father Alejandro.
01:01:34No, Father Alejandro, no.
01:01:36Simply to Alejandro Ventaño.
01:01:39He has just been excommunicated.
01:01:40We continue the search.
01:01:42Of course.
01:01:43You may leave.
01:01:50A lifetime of living like a religious person
01:01:53to now die like an ordinary man.
01:01:57Too bad.
01:02:06She's beautiful.
01:02:08Is this really for me, Your Eminence?
01:02:10Every job well done has its reward.
01:02:15You have worked hard to learn to read
01:02:17And that's your prize.
01:02:22I had never had new clothes before.
01:02:24You know how grateful I am to you.
01:02:26Don't thank me.
01:02:28Quid pro quo.
01:02:30Do you know what you mean?
01:02:33It's a Latin phrase
01:02:35which means something
01:02:36in exchange for something.
01:02:39No.
01:02:40Don't continue.
01:02:42Come.
01:02:45I want to read for you.
01:03:00What does the Gospel according to Judas mean?
01:03:15Damn areje.
01:03:21No.
01:03:33Son.
01:03:34No.
01:03:36Son.
01:03:37Son.
01:03:37No.
01:03:38No.
01:03:42No.
01:03:43No.
01:03:44No.
01:03:44No.
01:03:47No.
01:06:08If God catches us, go to confession.
01:06:11Cipriano has tied it under the carriage.
01:06:14That fool Lava should have killed himself.
01:06:17But what was he doing down there?
01:06:18I wanted to start a new life in Vienna.
01:06:21Another one with Vienna.
01:06:22But what is everyone doing in that place?
01:06:26Have you seen Alonso?
01:06:28Yes, let's go, yes.
01:06:30I thought I had returned to the Palace, but no, I was at the river.
01:06:32Now he's in his room, quieter than a shoe.
01:06:36Praying.
01:06:38So that later He can take away your God.
01:06:41To judge, one must know.
01:06:46No.
01:06:47Don't come at me with phrases that make me think, because they don't.
01:06:51Absolutely not.
01:06:53So what?
01:06:56What? Where is it?
01:07:00Where is what?
01:07:01No, what, who?
01:07:02Where is who?
01:07:06What has he done again?
01:07:08What has he done again?
01:07:09Mother of God, what has he done again?
01:07:12If you're referring to Margarita, she's at the Palace.
01:07:16He will soon depart again for Vienna.
01:07:18What becomes?
01:07:20But it is God's will that you and I have recently crossed paths.
01:07:23If he doesn't do anything on his part.
01:07:25What's happened now? Let's see.
01:07:27Why hasn't he brought her back?
01:07:29Margarita is very clear that she wants to leave.
01:07:32Let's see, master.
01:07:33Opportunities are like sunrises.
01:07:36If one arrives late, they miss them, and that makes two already.
01:07:38Do you want to live a twilight life?
01:07:40I don't intend to dwell on something that is already the answer.
01:07:42And give the wind a mill.
01:07:44That you are unwell without Margarita.
01:07:46It's wrong, very wrong.
01:07:48Or is it that you can't see it?
01:07:50Even his face covering looks withered.
01:07:53Do me a favor.
01:07:54Go and find her.
01:07:55Talk to her.
01:07:55But do it right and bring her back.
01:07:59I can't, Sato.
01:08:01I have to go and save the maid and her husband from the gallows.
01:08:04Oh no, no, no, no.
01:08:04Don't use work as an excuse.
01:08:06That those poor people will not receive justice until nightfall.
01:08:09So he has plenty of time.
01:08:11I beg you, for God's sake.
01:08:12Go for the lady.
01:08:16I have to go.
01:08:20Whatever.
01:08:23You're always going off on a tangent.
01:08:27And living in solitude.
01:08:30I can be your companion, but no...
01:08:34The turgid body with which he will go to bed every night.
01:08:37Absolutely not.
01:08:39Or of course.
01:08:52Lucrecia.
01:08:53Oh.
01:08:54It seems you were very surprised to see me.
01:08:56You didn't expect her to be alive.
01:08:58I don't know what you're talking about.
01:09:00You almost killed your son, Hernán.
01:09:03I couldn't lose Nuño.
01:09:05If you hadn't changed carriages, nothing would have happened.
01:09:07Damn you.
01:09:13Which?
01:09:15Is everything alright, dear?
01:09:16Yeah.
01:09:17We're leaving in half an hour.
01:09:18Everything is ready.
01:09:19You should prepare yourself.
01:09:21OK.
01:09:23It took me a while to cool down.
01:09:27I've come to say goodbye, commissioner.
01:09:29I want to leave as soon as possible.
01:09:31Spain is not a safe place for me.
01:09:34I cannot allow him to get that impression.
01:09:36My best men will accompany her to the border.
01:09:40I would be very grateful.
01:09:41After a robbery and an attempted murder,
01:09:44Every precaution is necessary.
01:09:48Even more so with the marchioness involved.
01:09:52All of this must have affected his already delicate situation.
01:09:55Delicate situation.
01:09:57What does he mean by that?
01:09:59Well, the situation of the marchioness, that of...
01:10:04Sorry.
01:10:06I thought you knew.
01:10:07Tell me what's happening.
01:10:12I suppose you have now noticed the marchioness's sudden mood swings.
01:10:15They are due to his illness.
01:10:17He suffers from the Portuguese disease.
01:10:23Syphilis.
01:10:24Commissar.
01:10:27Commissar.
01:10:49What's happening?
01:10:56Master, she saved the maid and her husband, didn't she?
01:11:02Yes, I'm taking it out. One day they're going to hear you out.
01:11:06It's finally over. What are you doing?
01:11:08I can't get through to you because every time I bring this up, you disappear. Sit down.
01:11:12Please, have a seat.
01:11:15Okay, what topic?
01:11:20Daisy.
01:11:20Margarita. She has to go see her, there's still time.
01:11:24Saturn, don't insist. Not again.
01:11:26Sit down, for God's sake, sit down.
01:11:28I'm going to help him.
01:11:33If you'd like, we can write down what we have to tell you.
01:11:35What you have to tell her.
01:11:37Let's see, for example, don't leave.
01:11:41No, no, he's already told you that. Stay.
01:11:45No, because it's the same as the other one, you know?
01:11:50Without you I am nothing.
01:11:53The best part is no, it's from an old-fashioned troubadour.
01:12:03Daisy.
01:12:03Daisy.
01:12:07You weren't on your way to Vienna.
01:12:09In the end, we're not leaving.
01:12:11Do you mean you're postponing the trip until tomorrow or until a few days from now?
01:12:16No, I mean...
01:12:17I mean, he's staying.
01:12:19The lady is staying.
01:12:21I mean, he's staying.
01:12:23The Earl of Olsen has called off his marriage to the Marchioness.
01:12:27She has decided to marry someone from her homeland.
01:12:40Margarita, Hernando.
01:12:42Yes, it's me.
01:12:45Thank you.
01:13:02Is something wrong?
01:13:07No, nothing.
01:13:08I have to go.
01:13:15But come on, he's gone again.
01:13:17Let's see if the Earl of Olsen has changed his mind.
01:13:42It's not worth it.
01:13:49I know.
01:13:52What do you want from me?
01:13:56I'm going to live in Italy, Margarita.
01:14:03But first I wanted to give you this.
01:14:17Why are you giving it to me?
01:14:20It was my engagement ring.
01:14:24He belongs to Juan's family.
01:14:27Will you need it more than I do?
01:14:29Here!
01:15:27To judge, you need to know, right?
01:15:31Let's see what nonsense you wrote, Judas.
01:15:39You can't see a damn thing here.
01:15:49Ah!
01:15:54No no!
01:15:56Oh my God, no! What have I done?
01:15:58Mother, what a load of rubbish!
01:16:09My God.
01:16:29What the hell are these sticks?
01:16:39Hey!
01:16:40Let him go!
01:16:41Sir, I believe this is important. It concerns the Holy Brial.
01:16:44Speaks.
01:16:45I saw a woman under the bridge that leads to the village.
01:16:52A Chinese person?
01:16:54No, if what we don't find...
01:16:56Can you believe nobody has come to see him?
01:16:58Neither her husband nor the marchioness.
01:17:00A Chinese person!
01:17:01Is the Chinese man awake?
01:17:03Pie, chin-chang.
01:17:04Do you need someone to carry the fruit?
01:17:06I am capable of working from sunrise to sunset, whatever it takes.
01:17:08I need to work.
01:17:09Give me a task, any task.
01:17:11She is looking for her daughter.
01:17:12If it was with a Spanish merchant, while she was betrothed to the emperor.
01:17:16He really doesn't care at all about what happens to his wife.
01:17:19All I asked of you was to save my son.
01:17:21Is that Hernán's legacy?
01:17:23If Irene were to die, the commissioner would become the most interesting widower in the Spanish court.
01:17:28I have no money.
01:17:29I don't have anything.
01:17:30We have to find that girl.
01:17:31But what need do we have to open up the market?
01:17:34What have we lost by now dedicating ourselves to oriental offenses?
01:17:38Let's see.
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