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00:00:15When the clouds hide the sun
00:00:20And the road defeats your feet.
00:00:31If the wind in your face burns your skin
00:00:39Always remember that I will be waiting for you.
00:00:44She sings just like her mother.
00:00:46His Eminence Cardinal Mendoza
00:00:53Agustín, tell me who I am
00:00:56Who am I?
00:01:03Juan has asked me to be his wife.
00:01:04Why don't you kill him yourself?
00:01:06Because he's my brother
00:01:12It is Cardinal Mendoza
00:01:14A beautiful person
00:01:15I absolve you of your sins, daughter
00:01:19I'm going to turn your lives into a living hell.
00:01:21Until they catch the one who did it.
00:01:23My niece Irene
00:01:24I want her to live here with you.
00:01:27Who is my real family?
00:01:29I want answers.
00:01:30Your mother's name was Laura
00:01:32My name is Juan de Calatrava
00:01:33Duke of Velasco and Fonseca
00:01:34Grandee of Spain
00:01:35Owner and lord of all this land
00:01:37The boy who tried to kill me must have a burn here
00:01:40This is very important
00:01:41Did I see you shoot someone?
00:01:43I can't believe that being at your inn you didn't see anything
00:01:45Arrest me
00:01:46I do not intend to go against the Vatican.
00:01:49It would be convenient for you to be on my side.
00:01:51No, please
00:01:55I still don't understand why I killed him.
00:01:59A child was a child
00:02:01A child?
00:02:02What did I say?
00:02:03I have the brand
00:02:04If he finds me, he'll kill me.
00:02:06Runs!
00:02:11No!
00:02:17Kneel down
00:02:21If you continue like this
00:02:24As soon as nephews, granddaughters, brothers-in-law start to appear
00:02:27With brothers-in-law
00:02:28He's going to need the cathedral wall
00:02:29To make the map
00:02:41Now that he has saved Alonso and me
00:02:43I'd say you guys are tied.
00:02:45I mean, what is our mission?
00:02:47If we have a mission
00:02:49Yeah
00:02:50Finding this baby
00:03:19We stamped
00:03:25I shit on everything that can be shitted
00:03:32Love
00:03:35Poor things
00:03:35And they even have them tied up
00:03:42They tie them up
00:03:43And they let them die.
00:03:44So that they leave eggs for the next ones
00:03:48I've seen many orphanages
00:03:50He'll have seen a lot
00:03:51But he hasn't been in any of them.
00:03:53They only gave us one ladle of water a day
00:03:56You don't know what it's like to be thirsty
00:03:58But a thirst that hurts
00:04:01She had minor bowel movements
00:04:02What could be done
00:04:13I remember we used to spit
00:04:15Fill a bowl until full
00:04:18At least that's how it is
00:04:19The S was happening to one of us
00:04:26They need a child
00:04:28No, kid, no
00:04:31We cannot
00:04:32It's not that we're clergymen
00:04:35I don't know how to clean or cook.
00:04:37I also know how to sew.
00:04:38I'm sorry
00:05:00Love
00:05:01Hide
00:05:08What are you doing, Dad?
00:05:09You can't be here
00:05:12I'm looking for a child
00:05:13Who was in this orphanage
00:05:14Years ago
00:05:16Look
00:05:16They pass through here every year
00:05:18More than one hundred of these
00:05:19It would be impossible.
00:05:21Remember each and every one of them
00:05:23Perhaps if you would let me see the record
00:05:25No one can see the record
00:05:28You won't remember
00:05:29From some child
00:05:29That she had been born in a convent
00:05:32In the Carmelites
00:05:35You know what I'm talking about, right?
00:05:37No, I don't know
00:05:38And go today and shoot the guards
00:06:13Hey, that house is really beautiful.
00:06:14There are four of you
00:06:16You have plenty
00:06:16And you don't get cold.
00:06:17Well
00:06:19My God
00:06:20How handsome the little boy has become
00:06:22I'm sure I'm going to brag.
00:06:23Nephew in the village
00:06:24Not like you
00:06:26I don't know if it will be
00:06:27Because you live in the village
00:06:28But every day you are
00:06:29Paler and more scrawny
00:06:31Go on
00:06:31Don Manuel
00:06:33Give my sister some potatoes
00:06:35Let's see if he gains weight
00:06:36Leave it
00:06:37I'm coming.
00:06:38I'm very happy
00:06:40That you have come
00:06:41So close to living
00:06:42Hey, me too
00:06:43I've brought you things from the villa
00:06:44Don't believe it
00:06:45This is for you
00:06:48It is thick damask silk in gold thread
00:06:50What does the marchioness say?
00:06:51That this year it's not in style
00:06:52Look at you
00:06:52As if gold were going out of style
00:06:55It's beautiful.
00:06:57But you see?
00:06:58What good is it to me?
00:06:59I spend my life
00:07:00Plowing and working in the kitchen
00:07:02You put this on yourself
00:07:03For midnight mass
00:07:04And the prettiest girl in the whole church
00:07:05Mother
00:07:06Of course
00:07:07Well
00:07:08Family
00:07:09I have to go now
00:07:11I'm very happy
00:07:13Very happy
00:07:19Have a good trip
00:07:20Never again, Don Manuel
00:07:29My sister looks so beautiful there
00:07:31It runs in the family
00:07:54Take out everything you have
00:07:55Or you'll end up like
00:08:00But we have paid
00:08:01The Church tithe
00:08:02And the tax that we owe
00:08:04It's not a question.
00:08:05It's an order.
00:08:06And I don't have all day
00:08:12There's nothing left here.
00:08:16But
00:08:19We can collect it in kind
00:08:21Don't you dare touch my sister
00:08:25Bring everything you have
00:08:27But if that's all we have
00:08:38You see how when you want
00:08:40Did you understand it all the first time?
00:08:45Come on, let's go
00:08:45Hop
00:08:47Come on
00:08:48Let's go there
00:08:49Hop
00:08:53There's no way.
00:08:54She's like she's dead
00:08:56Dead?
00:08:58Dead to what?
00:08:59That?
00:08:59Hey?
00:09:01I don't know
00:09:02That?
00:09:02Yes, yes
00:09:03You were looking down
00:09:04Saying there was a dead thing
00:09:05Dead?
00:09:06I?
00:09:08No, I was...
00:09:09Hey!
00:09:10There, there, there
00:09:11Let's go there
00:09:14I was there with...
00:09:16It's a story about men.
00:09:18That I don't plan to tell you
00:09:20That measures no more than three spans
00:09:21And he wants to know everything
00:09:23Come on
00:09:24Come on, give me a hand
00:09:29Come on
00:09:32But I don't understand, I mean, you
00:09:33Why don't you tell me?
00:09:34What was dead?
00:09:35But he's not dead.
00:09:38That is...
00:09:40Convalescent
00:09:40Juan, Juan
00:09:41Let me, you're going to wake the child up
00:09:44Juan, no
00:09:49Good morning
00:09:50Good morning
00:09:55Did you spend the night?
00:09:56No, no, no
00:09:57I have come to...
00:09:58He's come to say hello
00:09:59And off he went to work
00:10:00See you later
00:10:01See you later
00:10:07Is the wedding still on?
00:10:09Yes of course
00:10:12Well then
00:10:13We should tell Alonso.
00:10:15Tell me what?
00:10:17Well, no
00:10:18That kid is so inquisitive
00:10:23You'll see, Alonso
00:10:26I have to tell you something
00:10:28Is that a bad thing?
00:10:30No no
00:10:31It's not...
00:10:32It's not a bad thing at all, Alonso.
00:10:33Is...
00:10:35That's good news
00:10:38It's just that...
00:10:39Sometimes
00:10:40We adults discovered
00:10:43We know that we have feelings.
00:10:44Towards a person
00:10:44And not...
00:10:46And we realize
00:10:47About what...
00:10:49What do we want to move on from?
00:10:50The rest of my life with her
00:10:54Street, street, street, street
00:10:55Calle, say no more.
00:10:59I already knew it
00:11:00I already knew it
00:11:01I was the first to see it
00:11:02This, this
00:11:03This is the milk
00:11:05Tears will well up in your eyes.
00:11:06From the emotion of a hug
00:11:07I love, for God's sake.
00:11:08I love, Satur, no
00:11:10What's happening?
00:11:10Your father and your aunt
00:11:11They're going to get married
00:11:12You'll see
00:11:13The one about handsome brothers
00:11:14They're going to marry you off
00:11:15Marry?
00:11:16Yeah
00:11:16No, one moment
00:11:17One moment
00:11:17Neither the moment nor anything else
00:11:18This calls for a celebration!
00:11:19Satur, which is not that
00:11:19The wedding is with Juan.
00:11:21That?
00:11:26She marries Juan
00:11:29What, Juan?
00:11:31That you're going to marry Juan
00:11:36But...
00:11:37But why?
00:11:40My love
00:11:42Nothing will change
00:11:43Among us
00:11:45If you are my first priority
00:11:47Lie!
00:11:48Otherwise, you wouldn't marry him
00:11:50If you were going to leave me
00:11:51I just don't know why you came.
00:11:53Alonso
00:11:59Alonso
00:11:59Alonso
00:12:28Alonso
00:12:32Hail Mary Most Pure
00:12:33Conceived without sin
00:12:35Someone has been
00:12:36Asking questions
00:12:37In the orphanage
00:12:38I'm afraid their secret
00:12:40He is in danger
00:12:40Did you see who it was?
00:12:44Don't know
00:12:46He was a friar
00:12:47But I couldn't see his face
00:12:55I suppose you'll want to
00:12:57May he continue to trust.
00:12:58In you, my daughter
00:13:00Yeah
00:13:02Your Excellency
00:13:03Very good
00:13:04Good
00:13:18Are you OK?
00:13:27Irene
00:13:29You're not 12 years old
00:13:30Get up
00:13:31And you, silly boy
00:13:32Look at the state you've gotten!
00:13:34Go get yourself cleaned up
00:13:35Come on
00:13:41We'll talk later, you and I.
00:13:42From this incident
00:13:44Leave
00:13:46Marquise?
00:13:46Yeah
00:13:47The Dukes of Velasco
00:13:48And Fonseca
00:13:48They have just arrived
00:13:58Dear
00:13:58What an honor
00:14:00Lucrecia
00:14:01You're always so elegant.
00:14:02And so beautiful
00:14:03Marquise?
00:14:04Tell me
00:14:05What is the reason for this surprise?
00:14:07Well, you see
00:14:07We have received a letter
00:14:09From our son Juan
00:14:11Communicating
00:14:11She's getting married
00:14:12But he hasn't told us
00:14:13Nor when
00:14:14Nor where
00:14:14Nor with whom
00:14:15We have come to meet
00:14:17To our future daughter-in-law
00:14:18So many years ago
00:14:19We've been waiting for this moment
00:14:20So tell us
00:14:21I'm sure you know her.
00:14:22Could it be the daughter?
00:14:24From the condos of Salvatierra?
00:14:26No no
00:14:27No way, no way
00:14:35Mr. Nuño
00:14:35Then he doesn't eat
00:14:48Clean it
00:14:51Go with the Little Marquis
00:14:52The Little Marquis
00:14:54I handled it well
00:14:55The House of Alba
00:14:58It's so elegant
00:14:59And so educated
00:14:59You will not see
00:15:01I don't think you know
00:15:02To the family
00:15:03How do I see you?
00:15:04So eager
00:15:05To know her
00:15:06What better occasion?
00:15:07Duchess
00:15:08Duke
00:15:09I present to you
00:15:10To your future daughter-in-law
00:15:11Daisy
00:15:13Forgive me, Lucrecia
00:15:14I don't see anyone
00:15:16Duke is here
00:15:17On the ground
00:15:17Rubbing
00:15:21Daisy
00:15:22The fiancée
00:15:23From your son
00:15:23A lovely girl
00:15:53Daisy
00:15:58Money is needed to buy the support that will guarantee my rise to the papacy.
00:16:04I've thought about creating a new tax
00:16:07Impossible
00:16:11The people don't have that money.
00:16:14You have in me a good and faithful servant
00:16:17Always willing to forget a certain past
00:16:20If it were to come to light, it would have disastrous consequences for your reign.
00:16:26Enough is enough
00:16:28You and I both know that you have no proof.
00:16:32The guards found the friar cruelly murdered in the forest
00:16:37A great loss
00:16:39Incidentally, he wasn't carrying the medallion with him.
00:16:45You have killed Augustine
00:16:49How far do you plan to go?
00:16:53All the way to the Vatican, Your Majesty
00:16:59Always at your service
00:17:25We are moving forward with the plan
00:17:27The king fully agrees
00:17:31We will create a new tax to raise three million educated people
00:17:37If you succeed, I'll be generous with you.
00:17:41Perhaps a position on the Council of Castile
00:17:44I thought that to be part of the Council one had to be noble.
00:17:47That's how it is
00:17:52Set a deadline and you'll have your millions.
00:17:54A deadline?
00:17:59Psalm
00:18:02I came to ask for forgiveness because
00:18:07That I loved him wasn't right
00:18:09He can't stand it and your son is beating
00:18:14It's okay, Cipri
00:18:18I probably would have done the same.
00:18:19I don't think so.
00:18:20Yes, the same.
00:18:25How are your hands?
00:18:27Well, it's the least I deserve for being a coward.
00:18:30What's wrong with you today?
00:18:33My aunt who is getting married
00:18:34With your father
00:18:38Do you think she would have this face if she married my father?
00:18:44That's nothing
00:18:45Come on, man, cheer up
00:18:48Come on, sit down
00:18:49Cipri
00:18:50Silve?
00:18:53Well
00:18:53He won't be able to come today
00:18:56But something's wrong.
00:18:58She is sick
00:18:58She is not sick
00:19:00Alright
00:19:01Except that
00:19:04Nueño
00:19:06Nueño
00:19:07Sit down
00:19:08Cipri
00:19:09Something's wrong
00:19:15Inés, what?
00:19:20That he has abandoned me
00:19:38Okay, okay, okay, okay, okay, okay, okay
00:19:40That?
00:19:42He said he abandoned it
00:19:43Abandonment
00:19:46It is irreversible
00:19:48That is not death
00:19:49Colonel of the King
00:19:51A new extraordinary tax is decreed
00:19:543 million will be educated
00:19:57The tax sold God today
00:20:00And the penalty for non-payment will be
00:20:02The death penalty
00:20:09Pitres train?
00:20:11Did he say 3 million?
00:20:13Well, it means the brunette
00:20:16But they've already taken our entire harvest.
00:20:18That's all we have left to eat.
00:20:24I hope you're telling the truth
00:20:25There's nothing left but what's in there.
00:20:32Mister
00:20:32There's nothing left in here.
00:20:35Move aside!
00:20:37They are telling the truth
00:20:39They have nothing to fear
00:20:44We're wasting our time
00:20:45Let's go
00:20:46Commissar
00:21:10So this is where you store the food
00:21:17I hope you know the price
00:21:18Deceiving the authority
00:21:20Decide your punishment!
00:21:36Don't touch them
00:21:38Let me go
00:21:39Let me go
00:21:41Let me go
00:21:42No
00:21:42Don't touch it
00:21:43No
00:21:44No
00:21:45Don't touch it
00:21:46Don't touch it
00:21:47No
00:21:49No
00:21:50No
00:21:50Let me go
00:21:51Don't touch
00:21:51Please
00:21:52Please
00:21:53No
00:21:53Don't let go
00:21:54No
00:21:55No
00:21:56No
00:21:56No
00:21:56No
00:21:57No
00:22:00No
00:22:01No
00:22:02No
00:22:02No
00:22:02No
00:22:04No
00:22:04No
00:22:16No
00:22:17No
00:23:19Come on!
00:23:20The next village over is doing the same thing!
00:23:23Let's go from that dam that won't give you any more!
00:23:25Come on!
00:23:25Come on!
00:23:42Come on!
00:23:44Come on!
00:23:44Come on!
00:23:46Come on!
00:23:46Come on!
00:23:50Come on!
00:23:58Come on!
00:24:11Come on!
00:24:27Come on!
00:24:36Come on!
00:24:37Come on!
00:24:38Come on!
00:24:39Come on!
00:24:42Come on!
00:24:52Come on!
00:25:02Come on!
00:25:11Come on!
00:25:12Come on!
00:25:30Come on!
00:25:37Come on!
00:25:44Come on!
00:25:46Come on!
00:25:47Come on!
00:26:21Come on!
00:26:23Come on!
00:26:24Come on!
00:26:39Come on!
00:26:45Come on!
00:26:47Come on!
00:26:50Come on!
00:26:52You're not going to be alone, never, right?
00:26:55Never.
00:26:59Polosso!
00:27:00I'm going to look for my aunt.
00:27:02Come on, we're going to have dinner!
00:27:11Satur?
00:27:14thank you so much
00:27:18just one thing
00:27:19The one with the elephants was Alexander the Great, not Julius Caesar.
00:27:25Alejandro what?
00:27:27I'm not entirely sure, I'll check.
00:27:59I am... I am not the boatwoman.
00:28:19Are you now trying to flatter my female guests, commissioner?
00:28:29Marquise.
00:28:35Come see the boy. It's been a long time since I've seen him.
00:28:39Are you interested in the girl?
00:28:41For God's sake, Lucrecia, don't talk nonsense.
00:28:43I don't talk nonsense.
00:28:45She's just a child.
00:28:47Oh, Hernán, don't be short-sighted.
00:28:50Irene is Cardinal Mendoza's niece.
00:28:54You know the power that the man who ended up by her side would have.
00:29:01That's an impossible task.
00:29:04That girl is unapproachable.
00:29:07Leave it in my hands, Hernán.
00:29:43What a joy they'll feel when they see it.
00:29:45What a joy they'll feel when they see it.
00:29:47This poor guy...
00:29:49to make a shaved ice.
00:30:03Sato!
00:30:06Let's go.
00:30:07Two more and I'm done.
00:30:08We don't have time.
00:30:10I know, I know.
00:30:14That's it.
00:30:15I don't have any more left.
00:30:20Eagle.
00:30:21This man turns around and starts smoking.
00:30:24Eagle.
00:30:40Good night.
00:30:43How much do you want?
00:30:46I don't understand you, ma'am.
00:30:48Come on.
00:30:50Don't play dumb with me.
00:30:52Perhaps you were able to deceive my son,
00:30:54But I know perfectly well what you're looking for.
00:31:00Is that enough?
00:31:04You are offending me.
00:31:08I'm not after Juan's money.
00:31:09You have nothing to be ashamed of.
00:31:14I understand that you've had to make a living however you could.
00:31:18God has given you certain attributes
00:31:21and you've known how to use them.
00:31:24Ma'am, I don't have to put up with all this.
00:31:27And I don't care who you are.
00:31:30How impertinent you are, you of your race.
00:31:33I thought you had all been expelled.
00:31:35As?
00:31:37You're Moorish, aren't you?
00:31:39Or are you going to make me believe you're of Christian blood?
00:31:43Madam, with all due respect,
00:31:46Neither you nor anyone else cares about the purity or lack thereof of my blood.
00:31:55Daisy.
00:31:56Leave me alone, Juan.
00:32:00What's happening?
00:32:04I'm not going to marry you, Juan.
00:32:22Come on!
00:32:24Satur!
00:32:25Here they are.
00:32:26All records of entries and exits from the orphanage.
00:32:31We're going to leave it here all night
00:32:32to find some information
00:32:33of that brother of yours.
00:32:36Jesus.
00:33:09Satu!
00:33:12Here it is.
00:33:15The Carmelites.
00:33:17I love.
00:33:20Master, doesn't it smell like...
00:33:21Like singeing it?
00:33:29Satu!
00:33:29Fire!
00:33:30Children!
00:33:32I love children!
00:33:33The children!
00:33:41Love, what do we do?
00:33:43Retrace your steps, retrace your steps!
00:33:46The others!
00:33:50Come on!
00:33:51Come on!
00:33:52Come on!
00:33:53Come on!
00:33:57Come on!
00:34:00I love it!
00:34:03Come on!
00:34:04Come on!
00:34:05Come on!
00:34:06Standards, undo them!
00:34:10Come on!
00:34:11Amen!
00:34:25Amen!
00:35:13Inés. Inés, you're back. Thank goodness. Inés.
00:35:18Inés. I don't know how you like your eggs. I was making you an omelet.
00:35:32Thank you, Catalina. You didn't have to be seen in the state.
00:36:20Oh, my God!
00:36:23Relief!
00:36:29Oh God, this is one for...
00:36:43Don't worry, little one, I'll find you comfortable.
00:36:59No, no, no. Please! Don't take it! No!
00:37:07Please! What am I going to eat?
00:37:09No!
00:37:19Are you OK?
00:37:21Are you OK?
00:37:25Sato, bring water!
00:37:29If the Red Eagle were here, this wouldn't happen.
00:37:33But of course, with all the injustices there are, you can be everywhere, right?
00:37:39It would take a lot of Red Eagles.
00:37:41Ah, yes, from them.
00:37:43How are you, Hortensio?
00:37:49Go on, leave.
00:37:55Your son is absolutely right.
00:37:57There are many injustices and you can't keep up.
00:38:01But you tell me what solution we can find, because this doesn't look like it's going to end anytime soon, come on.
00:38:07The only way would be to get the people to unite and stand up to them.
00:38:12Someone from the people must lead the people.
00:38:25Someone from the people must lead the people.
00:38:30You are the only one who's right, and how nice it is to be a prisoner.
00:38:40I cannot allow, Lucrecia, that my son, a great man of Spain, should marry a policewoman.
00:38:46I could send a letter, but you know how long these things take.
00:38:52Margarita, come with me. Here.
00:38:54What are you doing?
00:38:55Come with me.
00:38:55Where to? What are you doing?
00:38:56Come with me, I trust you.
00:39:02Mother, mother, I present to you my future wife, Margarita.
00:39:07We already know who he is, but you're not getting married.
00:39:10Mother, yes, I am getting married.
00:39:11Furthermore, tomorrow I will gather all the nobles of the village to make it official.
00:39:21Juan.
00:39:24Do you know what you're doing, son?
00:39:27Of course, Father.
00:39:30Are you going to make us look ridiculous?
00:39:32I'm afraid you're perfectly capable of that on your own.
00:39:56What are you doing?
00:39:56No.
00:39:58No, no, no, no.
00:40:30What is this?
00:40:33What does it say?
00:40:38No to the extraordinary tax.
00:40:41Rebellion.
00:40:42Give it to me.
00:40:45That all needs to be burned.
00:40:47If they find him, we're dead.
00:41:17A precious piece, Your Eminence.
00:41:24I know. That's why I wouldn't want to part with it.
00:41:32There are very few like this one.
00:41:35The king himself has one just like it.
00:41:40I've always thought you're a very observant woman.
00:41:45Yeah.
00:41:50I like to observe.
00:41:54Especially so we can compare.
00:41:58I know these medallions.
00:42:03I know they are used to store things inside.
00:42:13What's their secret?
00:42:15Eminence?
00:42:25Marchioness, you who love secrets so much,
00:42:29I'm sure you know who that red eagle is.
00:42:32about whom I've heard a lot.
00:42:35Nobody has ever seen his face.
00:42:39It's strange that the commissioner hasn't caught him yet, isn't it?
00:42:42You know, Your Eminence.
00:42:47Good secrets are best kept from oneself.
00:42:58Yeah.
00:43:00Yeah.
00:43:00Yeah.
00:43:20Commissar.
00:43:37I hope you interrupted me for something important.
00:43:39Yes sir.
00:43:40We found this.
00:43:42They are all over the field.
00:43:43That red eagle clown again.
00:43:47If the farmers unite,
00:43:48We could have problems.
00:43:55That's very easy to fix.
00:43:59Kill one of them.
00:44:16What do you say?
00:44:18Hey?
00:44:19A clear message.
00:44:20With his pen and his everything,
00:44:23so that it looks authentic.
00:44:27She was stunned.
00:44:29Hey?
00:44:30Well, like this one, I've made two hundred.
00:44:32You wouldn't believe how my hand looks now.
00:44:36I don't know, Sato.
00:44:37I think it's too rushed.
00:44:39It could be dangerous.
00:44:42How rushed?
00:44:44But you always say that things need to change.
00:44:46But I also say that you have to know how to choose the right moment.
00:44:49You've never heard an Arabic proverb that says...
00:44:51When you want to see the corpse of your enemy pass by,
00:44:54Sit by the door and wait.
00:44:56With all due respect,
00:44:57That proverb seems like utter nonsense to me.
00:45:00Because I think it would be better to go and do something.
00:45:02that you don't sit there waiting.
00:45:05Sato.
00:45:06If they find those leaflets in the hands of the peasants,
00:45:10They are dead.
00:45:11Forget it.
00:45:16Sixteen.
00:45:18Eighteen.
00:45:23Thirty-one.
00:45:28God, who would have sent me
00:45:30Why make so many papers?
00:45:36If the dukes don't like turkey, take it away.
00:45:38We will serve you lamb.
00:45:40Turn on the oven.
00:45:47Juan has decided to introduce me to society
00:45:49in front of all the nobles of the region.
00:45:53Oh, how romantic!
00:45:55No, it's not romantic at all.
00:45:57It's crazy.
00:45:58That Juan is a great man of Spain
00:45:59and his parents are the Dukes of Velasco,
00:46:01I don't know what.
00:46:02Do you know what that means?
00:46:05Well, me neither.
00:46:11Come on?
00:46:21But what it does mean
00:46:23It's because they're on a different level, Catalina.
00:46:25They don't marry poor girls like us.
00:46:29that they're going to laugh at me.
00:46:33Their parents are right.
00:46:34Because I'm nobody.
00:46:37Have you finished yet?
00:46:42Then don't get married.
00:46:45Don't get married and confirm to them that we're trash.
00:46:48Now, let's not complain later.
00:46:49about how the nobles treat us.
00:46:50It's not that easy.
00:46:51I know it's not easy.
00:46:53But you have the possibility
00:46:54to prove our worth.
00:46:55Do you know how few have that opportunity?
00:46:57Hey?
00:46:58Do you know?
00:47:05You don't realize it, do you?
00:47:10Don't you realize?
00:47:12that if you arrive
00:47:13Is it as if we've all arrived?
00:47:18That next time
00:47:19that I get up at four in the morning
00:47:21to bursting
00:47:21I'll know it's worth it
00:47:23because one of us
00:47:24He has done it.
00:47:27But if not even
00:47:28Cutlery is used.
00:47:32Okay, well, I'll teach you.
00:47:34Come on, I don't know about that.
00:47:35All my life with the marchioness.
00:47:39Behind me, a set of cutlery
00:47:40and some plates.
00:47:41Runs.
00:47:54Maybe you and I don't see it.
00:47:57But I assure you
00:48:00that one day
00:48:01There will be a king
00:48:02that he marries a prevella.
00:48:19Let's go, master.
00:48:21We're not going to find anything here.
00:48:22I have to find
00:48:23information about my brother.
00:48:25I need to know
00:48:25Why would someone insist?
00:48:26where I don't find
00:48:27no clue about him.
00:48:28If not, I'll tell him no.
00:48:30But let's see if looking for his brother
00:48:33You're going to be left without...
00:48:43Love, what have I been thinking?
00:48:46Has it ever happened to you?
00:48:47through imagination
00:48:48Give Aloncillo a brother?
00:49:05I just lost
00:49:06the only clue I had
00:49:07to find my brother.
00:49:10Come on!
00:49:12Look, love, at this box.
00:49:14I had one just like it.
00:49:24Carmelites.
00:49:26Carmelites.
00:49:43A doll.
00:49:46There is only one doll.
00:49:48There's nothing, Sato.
00:50:02You are right.
00:50:06There is nothing.
00:50:13It will look good on you.
00:50:14You won't even look like what you are.
00:50:18Thank you so much, Lucrecia.
00:50:21But I cannot accept it.
00:50:22Against the grain, their parents were against it.
00:50:23You'd better do your best, my dear.
00:50:25The entire court will be assembled
00:50:26Looking forward to meeting you.
00:50:28Keep it to yourself.
00:50:30There is nothing.
00:50:30There is nothing.
00:50:37Well, I don't like it.
00:50:39You look prettier with yours.
00:50:43Alonso,
00:50:44I'll send a car
00:50:45so that he comes to get you.
00:50:47Be ready at...
00:50:49five.
00:50:54Teacher.
00:50:56Lucrecia.
00:50:59I was just leaving.
00:51:01I've only come to bring you
00:51:02a dress for your sister-in-law
00:51:03for its presentation.
00:51:06Thank you very much, but...
00:51:08You didn't have to.
00:51:11I am the first one interested
00:51:13so that this wedding turns out perfectly.
00:51:16And I will do everything in my power.
00:51:18so that it may be so.
00:51:21A pleasure,
00:51:23as usual.
00:51:25Lucrecia.
00:51:29Gonzalo.
00:51:44A cat.
00:51:46No?
00:51:47I'll take a look.
00:51:48just in case...
00:51:59that detail the marchioness.
00:52:00No?
00:52:02Yeah.
00:52:04I don't know why
00:52:05so much interest is taken.
00:52:06The truth.
00:52:08Well, if you don't know.
00:52:18Gonzalo.
00:52:20Lucrecia is crazy about you.
00:52:22You always have been.
00:52:24Sometimes I don't know if it's that
00:52:26You don't understand anything
00:52:27Or you'd rather not find out.
00:52:32already.
00:52:34I don't know if I'm just not understanding anything.
00:52:35Daisy.
00:52:37But,
00:52:38at least,
00:52:38I don't dress up
00:52:39of what I am not
00:52:41to please
00:52:41to those who despise me.
00:52:59Do not anxis me
00:53:04that you dare me now,
00:53:41No, no, no, no.
00:53:52No, no, no, no.
00:54:13No, no, no.
00:54:17No, no, no.
00:54:24No, no, no, no.
00:54:54No, no, no, no.
00:55:32No, no, no, no.
00:55:37Is my child without dinner?
00:55:40My son hasn't had dinner.
00:55:41Am I having my son without dinner with me, miss?
00:56:01Am I having my son without dinner with me?
00:56:05Am I having my son without dinner with me?
00:56:30And let yourself go.
00:56:45May I have this dance, miss?
00:57:07You are so beautiful.
00:57:18To me, you are so beautiful.
00:57:34To me, you are so beautiful.
00:57:43You are so beautiful.
00:57:53You are so beautiful.
00:58:04To me, you are so beautiful.
00:58:25You are so beautiful.
00:58:30To me, you are so beautiful.
00:58:36To me, can you see?
00:59:02You are so beautiful.
00:59:07You are so beautiful.
00:59:07To me, you are so beautiful.
00:59:28You are so beautiful.
00:59:36To me, you are so beautiful.
00:59:51You are so beautiful.
00:59:52I am so beautiful.
00:59:54I am so beautiful.
00:59:57I am so beautiful.
00:59:57No
00:59:58No
01:00:06already
01:00:07Both goats have arrived. Okay?
01:00:13Doctor.
01:00:14Man, it's you.
01:00:17Look, I wanted to tell you something. I have a problem with disobedience.
01:00:27Of lethargy.
01:00:35Good morning.
01:00:39This little table, you know what I mean?
01:00:41No way, okay?
01:00:46Ah, okay, yes, yes.
01:00:48Tino is beyond help, doctor.
01:00:51Well, he has to see it.
01:00:53Is it you?
01:00:55Yes, man, yes.
01:00:58Why does he have to see it?
01:01:00What are you... what are you implying, doctor?
01:01:02Well, absolutely nothing.
01:01:05But I'll have to look at it to see if you have...
01:01:08To find out if you have an infection, if it's inflamed.
01:01:11What do you mean, no?
01:01:12No.
01:01:13Come on, come on.
01:01:14Come on, come on.
01:01:14Come to the office and I'll take a look at you.
01:01:15Come on.
01:01:16An eye.
01:01:17They have killed a farmer.
01:01:19They say they are going to stand up to authority.
01:01:21They are now heading to the village.
01:01:22God, they're going to wipe them out.
01:01:27Okay, so what?
01:01:28Satur.
01:01:29What have you done, doctor?
01:01:32What have you done, doctor?
01:01:35What has he done?
01:01:37What has he done?
01:01:54Oh!
01:01:55Thank you so much for everything, Catalina.
01:01:58You deserve this and more.
01:02:00I've taken some of the marchioness's perfume.
01:02:06Perfect.
01:02:07Come on.
01:02:08Go on.
01:02:09Pour it all over your body.
01:02:12But, Catalina...
01:02:13This woman must look stunning today.
01:02:16Just wait until the nobles see you.
01:02:18They're falling on their butts!
01:02:20It'll be better than that.
01:02:44What are you doing?
01:02:50Let us in if you don't want us to hurt you.
01:02:52You can't go on like this, boys!
01:02:53They're going to eat you alive!
01:02:54Better to die fighting than of hunger.
01:02:57Move aside.
01:02:57But what are you going to fight with, lads?
01:03:00With...
01:03:00With a sad sickle and a couple of rakes.
01:03:04But, for God's sake, look at that man.
01:03:06He can't even manage his own tights.
01:03:08Come on.
01:03:09Come on, go back to your...
01:03:11Tell your people that this is going to be a bloodbath.
01:03:13Don't listen to it.
01:03:15Friends, where are you going?
01:03:18Friends.
01:03:19What, what, what?
01:03:20Oh my God, this is going to be a massacre.
01:03:24It's your fault!
01:03:30Gonzalo.
01:03:31My dress has disappeared.
01:03:35What do you mean it's disappeared?
01:03:37Well, I left it in the chest and it's not there anymore.
01:03:40Father.
01:03:41We have to go, we're going to be late for school.
01:03:48Alonso.
01:03:50That?
01:03:51Do you know anything about Auntie's dress?
01:03:54I?
01:03:55No, I don't know anything.
01:03:58Already.
01:04:02Go on.
01:04:04Tell me the truth.
01:04:09Alonso.
01:04:11Where is that dress?
01:04:14I...
01:04:15I...
01:04:19It...
01:04:20I burned it.
01:04:22That?
01:04:26I'm sorry, aunt.
01:04:29I just don't want you to leave.
01:04:35Why don't you marry your father?
01:04:40Always.
01:04:43Your father will always remain your mother.
01:04:47But my mother is no longer here.
01:04:49And you...
01:04:55Your mother will always be there.
01:04:57Always.
01:05:00You love my father.
01:05:06Sorry.
01:05:09I love.
01:05:12I'm sorry, aunt.
01:05:18What's happening?
01:05:20What's happening?
01:05:21What's happening?
01:05:22I've messed up.
01:05:24I've really messed things up, I mean, seriously.
01:05:28There's going to be a hemorrhage.
01:05:34Come on.
01:05:35He just had breakfast.
01:05:59Don't waste any more of my time.
01:06:02If you withdraw now, no one will suffer.
01:06:05Neither your mothers, nor your wives, nor your daughters.
01:06:08Don't leave!
01:06:09We have to fight for our rights.
01:06:12What are you waiting for?
01:06:14Do you have no regard for your wives?
01:06:17Leave now. My patience has its limits.
01:06:19Don't listen to him!
01:06:26In the end...
01:06:27They can't say we didn't give him a chance.
01:06:32Finish them off.
01:06:48We cannot let them get away with it.
01:06:51We cannot let them get away with it.
01:06:54We cannot let them get away with it.
01:06:57Justice for the people!
01:06:58No!
01:06:59No!
01:07:27Thank you!
01:07:35Thank you!
01:08:05Thank you!
01:08:06Of course, as timely as ever.
01:08:45Thank you!
01:09:01Thank you!
01:09:35Thank you!
01:09:36When is it coming? I can't wait to see it!
01:09:39More beautiful than you, you agree, together!
01:09:41I assure you!
01:10:03Thank you!
01:10:05And what family is your fiancée from?
01:10:13The best.
01:10:34Thank you!
01:10:36But what happened?
01:10:38Pride of race.
01:10:50It's all about the money.
01:10:54But have you seen that you've left me?
01:11:04Thank you!
01:11:17I'd like to introduce you to my future wife...
01:11:20...Daisy.
01:11:39I knew I wasn't wrong about you.
01:11:42I knew I wasn't wrong about you.
01:11:43Thank you!
01:11:44Thank you!
01:11:56Thank you!
01:12:01Don't move from here.
01:12:03I need to discuss certain matters with the commissioner.
01:12:06I won't be long.
01:12:26I need to discuss certain matters with the commissioner.
01:12:38Thank you!
01:12:40Thank you!
01:12:44Thank you!
01:12:46Don't move from where you are.
01:12:47Thank you!
01:13:03Why are you here?
01:13:07They're going to kill me.
01:13:09Why? What have you done?
01:13:13That doesn't matter anymore.
01:13:16Why do you say that?
01:13:24Irene, didn't I tell you not to move?
01:13:29Let's go.
01:13:48Margarita looked beautiful.
01:13:50Well, that's what we pretty girls have, we can wear anything we want...
01:13:56And these people? What's all this commotion about?
01:14:06Cipri? What's up?
01:14:09Mara of the peasant membrane.
01:14:11God save me, Lord.
01:14:22My nephew?
01:14:26What is my nephew?
01:14:27Margarita, no.
01:14:28More of me!
01:14:30More of me!
01:14:54More of me!
01:15:26Subscribe to the channel!
01:16:00Where has this man gone?
01:17:38Thank goodness it was a masked man who saved that boy.
01:17:41Go ahead, the commissioner will kill that peasant as soon as he finds him.
01:17:45Already.
01:17:50The red eagle won't always be there to save him.
01:17:54Rest.
01:18:05Father.
01:18:10That?
01:18:12Who do you think the red eagle is?
01:18:19A good man?
01:18:21No, father.
01:18:23You are a good man.
01:18:27The red eagle is brave.
01:18:31Already.
01:18:34And you?
01:18:37Are you brave?
01:18:40Are you brave?
01:18:41Yes, yes, yes.
01:18:42Yes, yes.
01:18:43Yes, yes.
01:18:45Come on, red eagle.
01:18:47Sleep.
01:18:53Red Eagle.
01:19:08Red Eagle.
01:19:10Go, red eagle.
01:19:12Yes, yes, yes.
01:19:16Go...ajil.
01:19:17Thank you. Without your support I wouldn't have been able to stand before those nobles.
01:19:35I need to talk to Saturn.
01:20:11I need to talk to Saturn.
01:20:33I need to talk.
01:20:48Did you say a favor?
01:20:53A man's forgiveness.
01:20:56That farmer who was almost executed this afternoon.
01:21:00It's that important to you.
01:21:03Enough to have escaped from the Marchioness's palace and reached my bedroom.
01:21:12Alright.
01:21:16Thank you very much, Commissioner. I knew you were a good man.
01:21:35Okay. Let's go back to the Marchioness. She'll be waiting for you.
01:21:39Come on.
01:22:02Come on.
01:22:02Choncillo.
01:22:06Choncillo, my little monkey is playing.
01:22:08Come here.
01:22:10Who is the cutest baby in the village?
01:22:13But Ro, no.
01:22:16No no.
01:22:17What is a baby?
01:22:21That's it, that's it.
01:22:24That's it, that's it.
01:22:26Why are you having a baby?
01:22:28What? What baby?
01:22:30Huh? That baby you're trying to hide, Satur.
01:22:34No, it's done, it's done.
01:22:35It didn't frighten you, master.
01:22:37Well, that's it, when I took him out of the orphanage
01:22:39He remained gripped like a perceptor
01:22:41that no one could let him go.
01:22:43Well, man.
01:22:45That's it, that's it.
01:22:47I felt sorry for her and...
01:22:50We'll meet with him later, love.
01:22:53They don't want to see the little boy.
01:22:54The same thing happens to me as happened to me.
01:23:03That's it, that's it.
01:23:09My children,
01:23:11if you are ever in danger
01:23:13Look for the medallion under the finger of God.
01:23:15Laura.
01:23:20It's my...
01:23:21She is my mother.
01:23:23Satur.
01:23:26This message was written by my mother.
01:23:30Find the medallion.
01:23:36Medallion.
01:23:39I don't love you, nobody gets bored.
01:23:43Nothing.
01:23:44To look for a medallion.
01:23:48Under the finger of God.
01:23:52What the hell is that?
01:23:58This is the engagement child
01:23:59that my father gave to my mother.
01:24:01Now it's yours.
01:24:03Now I just want you to put your
01:24:04Mom's date.
01:24:08Satur!
01:24:11What did my mother mean by that letter?
01:24:13We're here.
01:24:14Whenever you have to look for something
01:24:15Another one arises that needs to be looked for
01:24:16first than the previous one.
01:24:17What my mother will be like, the red one.
01:24:19Mine may be his squire.
01:24:23No, I don't think so.
01:24:24No, me neither.
01:24:27How old are you?
01:24:2818.
01:24:29Not perfect for taking care of my gardens.
01:24:31You'll start tomorrow.
01:24:32There goes that rock.
01:24:34Juan gave it to me as a gift because of our engagement.
01:24:38I know who you are.
01:24:40Eagle.
01:24:47The 10-year-old boys
01:24:48They don't know how to keep secrets.
01:24:50Sooner or later he'll tell someone.
01:24:51And that could cost him his life.
01:24:53Margarita has been kidnapped.
01:24:54This is all your fault.
01:24:55I don't plan to stop until I find her.
01:24:57No!
01:24:58No!
01:24:58At last.
01:24:59No!
01:25:00No!
01:25:11Thanks for watching the video.
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