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00:00:02It is a pleasure that you have summoned me back to your chambers, Your Majesty.
00:00:06My pleasure is all mine, Marchioness.
00:00:08A group of conspirators intends to assassinate my only son.
00:00:13Philip the Prosperous.
00:00:14I found a live Montiñac, my mother's brother.
00:00:17My uncle, I have to see him.
00:00:19You will take care of the child until the conspirators are captured.
00:00:22The future of the Habsburgs is now in your hands, Marchioness.
00:00:26Always face the coast.
00:00:28Screw the coast of the year.
00:00:35Damn, with his uncle.
00:00:37And all this is for him alone.
00:00:38Come on.
00:00:41Sir, the peasants are leaving the countryside and entering the town.
00:00:44But what kind of men do I have that they can't stop four peasants?
00:00:51What it wants is to cross my frame.
00:00:54Mr. Montiñac.
00:00:57Every time I cross paths with you, I go crazy.
00:01:05And his family, what a pair of nerves.
00:01:07He's going to head off to France and leave that poor man all alone.
00:01:11Felipe?
00:01:17We have to do something.
00:01:18Did you already give me what?
00:01:20Thieves!
00:01:20I've been robbed!
00:01:21They've taken everything from me!
00:01:23Catch the whole kit inside.
00:01:24Out!
00:01:25Out!
00:01:30Out!
00:01:31Oh!
00:01:32I've stolen!
00:01:32Nobody's going to laugh at me!
00:01:34Can you hear it?
00:01:43Catalina.
00:01:45Did you already give me that little creature, where did you come from?
00:01:47Let me go!
00:01:57It has to be someone in your department.
00:02:01And this child?
00:02:02They've abandoned him, my poor little thing.
00:02:04It is clear that the conspirators took the prince from us.
00:02:07Yes, that's clear.
00:02:08And where is it?
00:02:09Of course it will be fine.
00:02:10Yeah.
00:02:10It's going to be fantastic.
00:02:11I will go down in history as the woman who ended the Habsburg dynasty.
00:02:15Catalina!
00:02:17This village is full of miserable people.
00:02:19Clean it.
00:02:20We didn't take the son of some farmers.
00:02:24The king's son?
00:02:25They are the peasants.
00:02:27They have been taken to the cliff of Rivas.
00:02:39Felipe.
00:02:41No, no, no!
00:02:42No, no, no!
00:02:43I present to you my son, Felipe.
00:02:46The child who died was the son of one of my maids.
00:02:50I also knew Laura de Montiñac.
00:02:52She was my mother.
00:03:05Excuse me, master.
00:03:08Look at the nonsense that was against Faena's hood.
00:03:11So, what's the point?
00:03:13Because this, apart from covering my ears from the cold, camouflaging me from the camouflage, really?
00:03:22Oh God, it's almost full.
00:03:24Do you believe that the darkening will bring catastrophes?
00:03:27There are only two days left.
00:03:29Eclipses are natural phenomena, Satur.
00:03:32There is nothing to fear.
00:03:33Have you heard any?
00:03:35No.
00:03:36Not so sure?
00:03:38The moon will move in front of the sun and dim the light for a few minutes, and that's it.
00:03:42And then everything will go on as if nothing happened.
00:03:44Already.
00:03:44And what about the locust plague?
00:03:46That's not related either.
00:03:48Because if we put the locusts together with the eclipse, people say they are signs from God, I love.
00:03:53Already.
00:03:54But you trust me, don't you?
00:03:56I.
00:03:58I suppose so, but...
00:04:00Well, trust me, Satur.
00:04:01And now let's focus.
00:04:02We have to go to the hermitage of the Virgin of Truth.
00:04:04I want to know why my uncle gave me this holy card.
00:04:07If you already know, my love, that I will follow you to the end of the world if necessary.
00:04:10He lost, scared, but I'm still following him.
00:04:12Look.
00:04:16I have the crossbow just in case.
00:04:18You know the saying.
00:04:19Full moon night, full night of wolves.
00:04:22Take it yourself.
00:04:24I?
00:04:28Thank you, love.
00:04:29For me...
00:04:29It would be an honor for me.
00:04:33You're sure?
00:04:37We're here.
00:04:40Eagle.
00:04:42Eagle.
00:04:43Eagle.
00:04:45Eagle.
00:05:01Eagle.
00:05:20Ma'am, I've scrubbed them with a bristle brush and linseed oil, like every day.
00:05:33Disgusting.
00:05:34Ma'am, I'm a gardener. It's soil.
00:05:45I want you all to give it your all, the entire department. It's not every day that the King of France visits us.
00:05:51Of course, madam. Don't worry. We are very well prepared to receive His Majesty, King Louis XIV, with all due pomp.
00:05:58and pomp.
00:05:59Let's go! Come on!
00:06:00Catherine, be discreet. Her Majesty is not on an official trip. This is a personal and private visit.
00:06:08Yes, ma'am.
00:06:12Are you taking stock, Lucrecia? Any special events?
00:06:15I am waiting for the King of France.
00:06:24Louis XIV is coming here.
00:06:26It's here.
00:06:28He is in the villa, visiting his father-in-law, King Philip.
00:06:31And he has been kind enough to announce that he is coming to see me.
00:06:34I think I should go change my dress.
00:06:37The French value good taste and the joy of living.
00:06:40I don't think you'll find anything in your wardrobe for the occasion, but go and see.
00:06:43No, no, no, no, no.
00:07:17That virgin can lead me to my mother.
00:07:19Perhaps he's hiding something.
00:07:21Maybe not.
00:07:22Perhaps all he wanted to tell his uncle was that this Virgin was the saint of his devotion.
00:07:28mother.
00:07:29In case you wanted to follow in his footsteps.
00:07:32It's so obvious his uncle doesn't know him.
00:07:35Could be.
00:07:38Could be.
00:07:40But for now you're going to cause trouble, aren't you?
00:07:42I love God.
00:07:43Not everything always leads to something else.
00:07:46But there are also dead ends, like the one you could find yourself in if you profane.
00:07:50And with the Eclipse upon us at this time of year, what do you expect?
00:07:54May the Most High and his saint turn against us.
00:07:57Sato, if that god exists and has a mother, he will understand that I am looking for mine.
00:08:01Love, for God's sake, do it for me.
00:08:03Sato.
00:08:04Do it for me.
00:08:05That we must fear God.
00:08:06Sato, let go.
00:08:07I love.
00:08:08Sato, sato, sato.
00:08:15Are you OK?
00:08:16Yeah.
00:08:18I'm sorry, Master, please forgive me.
00:08:20Oh no.
00:08:31Master, do not make me see this sacrilege.
00:08:34The virgin is a virgin because she is a virgin.
00:08:37I don't know if I'm making myself clear.
00:08:38Oh my God.
00:08:42It looks like this might be an opening.
00:08:44No, no, no.
00:08:52Resin.
00:08:53It seems to be getting closer, Angel.
00:09:20The Virgin Mary is crying blood.
00:09:23The Virgin Mary is crying blood.
00:09:27The Virgin Mary is crying blood.
00:09:31Oh my God.
00:09:46Everyone knew that Louis Fourteen was coming except me.
00:09:49I am forced to share my house with you, but that doesn't mean I have to share my guests.
00:09:54And what is your relationship with him?
00:09:56I have to tell you that too, because you live in my house.
00:09:59No, of course not.
00:10:02But I'd bet that relationship isn't just a courtesy.
00:10:04Hernán, you'll never know that.
00:10:07You can't be in church and ringing the bells at the same time.
00:10:09And you already chose what you preferred to do when you got married.
00:10:12Ma'am, he's here.
00:10:17His Majesty, King Louis Fourteen.
00:10:22Welcome, Your Majesty.
00:10:23It's a great honor.
00:10:24My brother, the Duke d'Orjón, has told me a lot about you.
00:10:27Oh, really?
00:10:28And how is the duke?
00:10:30Telling you to go back to Versailles.
00:10:34Your Majesty, I present to you the commissioner of the town.
00:10:36Majesty.
00:10:37Don't worry, Hernán, and leave.
00:10:39His Majesty will surely excuse your absence.
00:10:43I hope you like Spanish wines.
00:10:52Love, which I have seen with my own eyes.
00:10:56I swear on my son's health that that virgin was crying blood.
00:10:59Satur, the wood does not cry.
00:11:01No blood, nothing.
00:11:03There has to be some explanation, surely.
00:11:05As if we hadn't been there,
00:11:08We might think that someone had shed that tear.
00:11:10But we were there.
00:11:11The commotion that has arisen in the market with the virgin who has cried blood.
00:11:14People are going crazy.
00:11:16I pushed myself so hard I lost my sandal.
00:11:18It's best not to walk around much these days.
00:11:20At least until the eclipse is over.
00:11:23Superstition always leads to panic.
00:11:24Time for breakfast.
00:11:26Well, excuse my boldness, but I don't think that's the case.
00:11:28But rather a warning from heaven.
00:11:30What does Satur want to tell us?
00:11:32Well, we'll just put it in.
00:11:33Well, it's not me.
00:11:34Because when a mother cries tears of blood, it means...
00:11:37It's because the Almighty is not pleased with us.
00:11:39Don't go that way, Satur.
00:11:40Well, maybe Satur is right.
00:11:42There are many stories like that in the Bible.
00:11:45This has always been the case.
00:11:46When God is happy, He performs miracles.
00:11:49Like the one about the loaves and fishes.
00:11:50And when he is offended, he sends signs and punishments.
00:11:53So, is God going to punish us?
00:11:54No, he's not going to punish us, Alonso.
00:11:56Well, I think so.
00:11:58Last week was about the narrow ones.
00:12:00Yesterday, the Virgin Mary thing.
00:12:01Tomorrow, the Eclipse event.
00:12:03And I don't think all these things happen at the same time by chance.
00:12:05That's true, Father.
00:12:07There are too many coincidences.
00:12:09Okay, that's enough.
00:12:10I don't want you to instill these beliefs in him.
00:12:13Alonso, you always trust your intelligence and your senses.
00:12:16And not in superstitions.
00:12:18Only ignorant people do that.
00:12:23Let's see.
00:12:25Nothing bad is going to happen to you.
00:12:27Trust me.
00:12:35The Virgin has wept blood.
00:12:40The world is ending.
00:12:44Tomorrow, when day turns to night, we will all die.
00:12:50The powerful have become corrupt.
00:12:56They are the cause of the punishment.
00:13:01My God, are you listening to what he's saying?
00:13:03Look, just ignore him.
00:13:04What he's saying makes no sense.
00:13:06So why does he say that?
00:13:08Gonzalo, what's wrong?
00:13:09Nothing.
00:13:10Nothing.
00:13:10People are going crazy over this story about people from around the world.
00:13:13We will all die.
00:13:16The powerful have become corrupt.
00:13:21They are the cause of the punishment.
00:13:44The Virgin has wept blood.
00:13:49We will all die.
00:13:51Tomorrow, when day turns to night.
00:13:55Come on, don't be afraid.
00:13:56Nothing is going to happen.
00:13:57Come on, let's have breakfast.
00:13:59Come on, shall we go?
00:14:00Let's go home, son.
00:14:12That parish priest is a vile manipulator.
00:14:15If people believe they are going to die, there will be no way to control them.
00:14:19And a town rife with disturbances during the visit of the King of France
00:14:24It could hinder the destiny that God has assigned me in the Vatican.
00:14:27He has already given the order to arrest that parish priest.
00:14:29And make that man confess that he has lied.
00:14:31The commissioner.
00:14:33Commissar!
00:14:36There it is.
00:14:45Locked up until we said when his time came.
00:14:47That has already been ordained by the Most High.
00:14:49We will all die tomorrow.
00:14:53The church has not yet spoken, my son.
00:14:57The Holy Tribunal of the Vatican has not given credence to those tears.
00:15:02And you shouldn't disobey your superiors.
00:15:05I have no superior but God, Cardinal.
00:15:08And you are just one more of those powerful people who have brought about this punishment.
00:15:12And now we all pay for it.
00:15:14Fabro!
00:15:15Fabro!
00:15:19Be moderate with the punishment, commissioner.
00:15:21The last thing we need is to offer a martyr to the people.
00:15:26Don't worry, Cardinal.
00:15:27It works perfectly.
00:15:39Come on!
00:16:06Leave, commissioner.
00:16:07Well, we have nothing to lose.
00:16:32Come on!
00:16:34Come on!
00:16:44French fashion is always so daring.
00:16:48What a great nation France is!
00:16:50Thank your brother for the gifts.
00:16:54If you like France, you are a refined woman.
00:16:58I can't say the same about my wife, Mara Teresa.
00:17:02How is your wife?
00:17:04Now that she is pregnant, she feels very homesick for Spain and her family.
00:17:09Especially from her father, Arja and Felipe.
00:17:12Am I going to shit myself?
00:17:23Delicious.
00:17:24Not like those horrible marzipan bones they make around here.
00:17:28I admit it, I'm a lifelong French woman.
00:17:31That is why I am so happy to be able to strengthen ties with your nation.
00:17:36Me too, Lucrecia.
00:17:38Don't think I do this every day.
00:17:41I am sure, Your Majesty, and that honors me.
00:17:44That's why I would like to thank you for this favor you have done for me by choosing me.
00:17:48Correct me if I'm wrong, but...
00:17:51France and Spain are allies against the enemy, just like England, aren't they?
00:17:57That's how it is.
00:17:58What would you say, Your Majesty, if I told you that the English Prime Minister, Lord Clarington, and the Marquis of
00:18:05Carpio, our king's favorite, are they discussing certain matters behind your backs?
00:18:17Where did you get that letter?
00:18:19I have good friends in court.
00:18:22Why are you doing this?
00:18:24What do you expect in return?
00:18:26This monarchy is finished.
00:18:29I hope and wish that the Bourbons will reign in Spain.
00:18:33And I will do everything in my power to make that happen.
00:18:49Are you charming?
00:18:53In French?
00:18:55Is yours charming?
00:18:58Is yours charming?
00:19:07No child has come, father.
00:19:12That.
00:19:13That thing that everyone believes is going to happen.
00:19:17Well, then...
00:19:18When they see that the world isn't going to end tomorrow during the eclipse, they'll come.
00:19:22Come on in.
00:19:24Come on.
00:19:25And don't worry.
00:19:30I...
00:19:31I am afraid, Father.
00:19:33Me too.
00:19:35Okay, let's see.
00:19:39Every time there is an eclipse or some special event, misfortunes are predicted.
00:19:43Always.
00:19:43For example, a while ago people went crazy because they thought the world was going to end when
00:19:47to reach the year 1000.
00:19:49And what year is it?
00:19:51Is it over?
00:19:55Come on.
00:20:00What are you doing here?
00:20:01Today is not the day to give lessons.
00:20:03Today is a normal day.
00:20:04One more day.
00:20:05Right?
00:20:06One more day.
00:20:07In other words, the second-to-last day of his life, and for you, just another day.
00:20:10But you've seen how people are, master.
00:20:12Father, are you sure the world isn't going to end tomorrow?
00:20:15Alonso, I'm completely sure.
00:20:19And what do you think, Saturn?
00:20:49What am I supposed to think, Alonso?
00:20:51People believe that God knows everything, but he doesn't.
00:20:53If I knew, I wouldn't be searching for my origins like a miserable wretch.
00:20:56Nor would they have killed his wife two meters from his house.
00:21:05Are you finished?
00:21:06Yes, I'm finishing, yes.
00:21:08It was, if you'll allow me, with your permission.
00:21:10I'm going to try to make the most of the hours I have left.
00:21:15And I advise you to do the same.
00:21:28Lucrecia, open up.
00:21:29It's me.
00:21:52What is so urgent that you should disturb me in my chambers, Hernán?
00:21:56The absurd rumor has spread that the world is ending.
00:21:59Panic has spread through the village.
00:22:00There is looting and vandalism everywhere.
00:22:03The King of France must not risk going out to the Royal Palace
00:22:05until the situation is under control.
00:22:07Good.
00:22:09I'll let him know.
00:22:11Don't worry.
00:22:15Anything else?
00:22:17You shouldn't go out either, Lucrecia.
00:22:19Not even the service. It's too dangerous.
00:22:21You have nothing to worry about, Hernán.
00:22:22We have no intention of leaving.
00:22:35How dare you snoop into my affairs?
00:22:38I have the same bad habit as you.
00:22:41Or do you now sign as Lord Clarendon?
00:22:43Forget this letter.
00:22:45Don't worry.
00:22:47I would never go against you.
00:22:49You'd better, Hernán.
00:22:52For you, life is all about business, isn't it?
00:22:55There is no room for pleasure or love.
00:22:59Yeah.
00:23:00I guess I'm a really boring woman.
00:23:04And now, if you don't mind, I was busy when you interrupted me.
00:23:10Lucrecia.
00:23:10Hernán.
00:23:21If you like, I can speak to the marchioness.
00:23:23A day like this is not a day to go to work.
00:23:25Maybe we never have to go to work.
00:23:28A woman, don't say that.
00:23:30Gonzalo says that nothing is going to happen.
00:23:32Of course nothing is going to happen.
00:23:36Yes, Juan, but what if it happened?
00:23:38What if this really is the end of it all?
00:23:41If it were our last day together,
00:23:44then I would never see my husband again.
00:23:47Although maybe the world won't end in the Americas, as it's new.
00:23:51Don't say those things, woman.
00:23:54Well, just in case, I'd like you to know that...
00:23:58You are the kindest man I have ever known, Juan.
00:24:01And that I would have liked to spend the rest of my life with you.
00:24:05Me too.
00:24:08Come on, leave it alone.
00:24:09I can't even see through all the tears.
00:24:14The pity is that you'll be going to heaven separately.
00:24:16With all the people there must be there,
00:24:17that you won't find, because of how difficult it will be.
00:24:20Hey, dude!
00:24:23Marry me.
00:24:25Tomorrow.
00:24:27Tomorrow?
00:24:28Get married tomorrow.
00:24:30But...
00:24:30But Juan didn't say that nothing was going to happen.
00:24:32No matter what happens, I want to marry you.
00:24:34Tomorrow.
00:24:37Woman, tell him that you too.
00:24:40Yes, me too.
00:24:46Okay, well, let me get off here.
00:24:49A wedding isn't something you plan overnight.
00:24:51You go and find a priest and get everything ready.
00:24:53I'll tell the marchioness that she went to buy you some thread.
00:24:55But, Catalina, what...
00:24:56Don't worry about me, I have the palace right here.
00:24:59Come on, turn around.
00:25:00Let's see.
00:25:01Goodbye, couple.
00:25:08Bye bye.
00:25:18No, no, no, no, no.
00:25:40Come on, no, no, no!
00:25:50Come on, no, no, no!
00:25:54Lico.
00:25:57No, no, no, no, no.
00:26:00I just don't have time to do anything anymore.
00:26:02Do you want to stop it now?
00:26:04The world is going to end tomorrow.
00:26:05That all of this is going to turn to ashes.
00:26:08I don't like suicide.
00:26:14You know what I would have given to be able to go to Egypt
00:26:17and see the pyramids.
00:26:20Well, not even that anymore.
00:26:22I don't even go to the Alhambra anymore.
00:26:26Who would have expected things to end up like this?
00:26:29So suddenly.
00:26:31Well, nobody, Cipri, nobody.
00:26:33And the worst part is that I feel like I've wasted my life.
00:26:37Don't say that, man.
00:26:38Yes, I have had wives and children.
00:26:40And I haven't known how to take care of them.
00:26:42I've been doing things I didn't want to do.
00:26:44And the ones I wanted I've left for later.
00:26:48And what about you?
00:26:50Because you have been an innkeeper.
00:26:51You've already been with Inés.
00:26:52And nothing else?
00:26:56How few horizons.
00:26:59What a sad existence, Cipri.
00:27:05Hey, Satur.
00:27:07I would like to ask you something.
00:27:10Is it in my hands?
00:27:18Tomorrow, when the end comes,
00:27:22You could be with me.
00:27:24As?
00:27:26It's just that I have no one.
00:27:29I wouldn't want to spend a moment like that in company.
00:27:34Christmas is already sad.
00:27:37Imagine dying alone.
00:27:50Sure, it's expensive.
00:27:58You know how happy I am.
00:28:00I will no longer be indebted to anyone.
00:28:03Well, I do.
00:28:05I owe my life to my master.
00:28:08And what worries me is...
00:28:13Look, Cipri.
00:28:16If I am happy with something I have done in my life,
00:28:18It's with this...
00:28:19I have always been honest about my feelings.
00:28:22When I've loved someone, I've told them.
00:28:24And when I've hated him, I've told him so.
00:28:26That's important.
00:28:28Otherwise, you'll carry less weight.
00:28:29What's happening to him.
00:28:31He can't handle the weight he's carrying.
00:28:34We're talking about the same thing, right?
00:28:35Yeah.
00:28:37Of...
00:28:38Her sister-in-law.
00:28:38From his sister-in-law.
00:28:42Let me tell you something.
00:28:44My master will not leave this world without confessing what he has to confess.
00:28:48I swear to my holy mother, this story has a happy ending.
00:28:59Admit that you lied.
00:29:01Say that you were the one who placed those tears on the Virgin.
00:29:05Your Eminence, you have not yet spoken.
00:29:10My son, do you have a vocation to be a saint?
00:29:17He who allows the suffering of his faithful,
00:29:20He is not worthy of being raised to the altars.
00:29:23Come closer, boy.
00:29:26Just a child.
00:29:29Don't worry.
00:29:31I will treat it with special care.
00:29:35Do you know what we use this for?
00:29:37No, don't hurt me.
00:29:41Tell him whatever you want.
00:29:44I'll admit that it's all a lie.
00:29:46Get out of here, boy.
00:29:50Take him out to the plaza, commissioner.
00:29:53There he will make a public confession.
00:30:03Once again, locusts came out upon the land.
00:30:10The sun went dark.
00:30:13And the air...
00:30:21That's true, Father.
00:30:23The Bible tells you.
00:30:25That the world is going to end.
00:30:29Let's see, son.
00:30:33The Bible should not be taken literally.
00:30:36Oh, no?
00:30:38So how should I take it?
00:30:40So, what is it?
00:30:41A story.
00:30:42One story, the Bible.
00:30:44Yeah.
00:30:45Alonso, the Bible teaches us many things.
00:30:48But it was written by other men.
00:30:50By men who lived and saw the world differently.
00:30:56No, father.
00:30:57The Bible is not from another time.
00:30:59The Bible is the word of God.
00:31:02Or don't you believe in God?
00:31:06Don't you think so?
00:31:07No, I didn't say that.
00:31:10Father, if God did not exist, everything would be a mess.
00:31:14It would be the same whether you were good or bad.
00:31:16And there would be no sky either, nor...
00:31:18nor would we ever see our mother again.
00:31:24The parish priest!
00:31:25Alonso!
00:31:26They've got the parish priest!
00:31:28They've got the parish priest!
00:31:29Don't worry.
00:31:30What happened?
00:31:31They take him to the square.
00:31:33They say he lied.
00:31:41You're late.
00:31:43Sculpt the delay, ma'am.
00:31:45You know I won't allow it.
00:31:46Any good reason?
00:31:49No, ma'am.
00:31:51Do you have it here, Catalina?
00:31:54You're dirty.
00:31:57How dare you come to my palace like this?
00:31:59You look like a goddess.
00:32:00I'm sorry, ma'am.
00:32:01I'm sorry, ma'am.
00:32:03Let it not happen again.
00:32:04I don't want my son to get sick
00:32:06because of the dirt that palace brings.
00:32:09Excuse me, ma'am.
00:32:10I'm going to wash up right now.
00:32:13Please smile.
00:32:14He is visiting the King of France.
00:32:17Oh, Catalina, what a face you have today.
00:32:20Come on, smile.
00:32:24Come with me.
00:32:24There is a lot to do.
00:32:50End this as soon as possible.
00:33:01The church does not recognize the tears of the Virgin.
00:33:05Nor does he support the idea of the apocalypse.
00:33:08The parish priest of the Arbita of the Virgin of Truth
00:33:10He is the one who faked the Virgin's tears.
00:33:14And he's here to acknowledge it.
00:33:16Bring him here!
00:33:18But then, if the parish priest has lied,
00:33:20The world isn't going to end.
00:33:22Listen to me.
00:33:22People are very nervous.
00:33:24Do not separate yourselves from me.
00:33:35It's true.
00:33:38I lied to you.
00:33:40Higher.
00:33:44I lied to you.
00:33:50You've already heard it.
00:33:52He was the one who deceived you.
00:33:54But you have nothing to fear.
00:33:56So go back to your homes
00:33:58and get on with your lives.
00:34:01Already.
00:34:02Father, I'm sorry for not loving you.
00:34:04It's true.
00:34:06Come on.
00:34:08She cried blood.
00:34:09Yes, she cried blood.
00:34:11I didn't do anything.
00:34:12The Virgin Mary wept blood.
00:34:14They can do whatever they want to me.
00:34:16I only remember before God.
00:34:18The world is ending!
00:34:27No, no, no!
00:34:34No, no, no!
00:34:47Come on!
00:34:51Wow!
00:34:52Wow!
00:34:53Mother!
00:34:54Wow!
00:34:55Let's go!
00:34:55Let's go!
00:35:03God!
00:35:03The street is becoming impossible.
00:35:05Stay here.
00:35:06I'm going to look for a priest.
00:35:07I don't know if with this mess
00:35:08I'm going to find one
00:35:09that we get married tomorrow.
00:35:09No, no, no, Juan.
00:35:10Don't go, don't go.
00:35:13How dangerous.
00:35:14Stay here with me.
00:35:15We're getting married tomorrow, aren't we?
00:35:17Of course.
00:35:21I wouldn't mind
00:35:22that the world would end.
00:35:26I wouldn't mind if the world ended.
00:35:56I love you.
00:36:06Go after the priest.
00:36:10Don't move from here, please, okay?
00:36:12As soon as you get back,
00:36:13I'll accompany you to the palace.
00:36:15That's yours.
00:36:16Not here!
00:36:17Runs!
00:36:18Not here!
00:36:18Not here!
00:36:26Not here!
00:36:29Daisy.
00:36:40Like comparing apples and oranges
00:36:44And behind it looks like the master's
00:36:45Like comparing apples and oranges
00:36:50What would the master say to the lady?
00:36:52If only I had what it takes
00:36:55Because he loves her with all his heart
00:36:58That's what happens
00:37:03Oh my God, what a mess I've made!
00:37:09Where can I find the other paper?
00:37:18This has already been written.
00:37:20What are you wearing here?
00:37:24I am writing you this letter
00:37:26Because I barely dare
00:37:31To look at you
00:37:35Not even to get near you
00:37:39How am I going to spend the rest of my life?
00:37:46If you
00:37:48What are you?
00:37:50I love you
00:37:52Cristina
00:37:54And Gonzalo
00:38:11Can't
00:38:13Can't I do it?
00:38:18Can't
00:38:20But what if it's not now?
00:38:21When?
00:38:33You are here
00:38:35The parish priest of the hermitage
00:38:38In the end, he committed suicide.
00:38:39And in front of everyone
00:38:42Heaven help me
00:38:45I love
00:38:48Forgive me for what I said before
00:38:49It's way over my head
00:38:51But it's the whole end of the world
00:38:53It has me distraught, lost
00:38:56Don't worry
00:38:57Yes, yes, yes
00:38:58I'm worried
00:39:00Because the last thing I would want
00:39:01It's that we should leave this world
00:39:02At the worst possible time
00:39:03You and I
00:39:06Tell me you forgive me
00:39:08And that he understands that everything I do
00:39:10It's for their own good.
00:39:11Now and whenever
00:39:13Whether the world ends or not
00:39:14Tell me
00:39:16Satur
00:39:18You're right about one thing.
00:39:20I don't know everything
00:39:22I'm just like everyone else
00:39:24But there is one thing I do know.
00:39:26And that's because you appreciate me.
00:39:48Forgive me for my sins
00:39:51Forgive me for our sins
00:39:51Forgive me for my sins
00:39:53Forgive me for my sins
00:40:03Why did you do that, Satur?
00:40:07The fear that does not drive the oncilla crazy.
00:40:15That breaks down our bodies.
00:40:30Son.
00:40:36I don't want to die, father.
00:40:46Calm down, son.
00:40:48I'm only 10 years old.
00:40:51And there are many things I haven't done and won't be able to do.
00:40:55I won't be able to get married, I won't have children, and I won't work.
00:41:01And the thing is, I feel bad.
00:41:04Because I know that mother is there waiting for us, but I just don't want to die.
00:41:07No, Alonso.
00:41:09Your mother doesn't want you to die.
00:41:11He wants you to live and be very happy.
00:41:13Trust me.
00:41:15Everything is fine, we are safe.
00:41:17What if you're wrong?
00:41:20If the world burned down, nothing would be left.
00:41:24I don't know, son.
00:41:27Only the seas would remain.
00:41:30And also everything that was underground, I suppose.
00:41:33But that's not going to happen.
00:41:37No.
00:41:39You don't know what they've decided to do.
00:41:43Come here.
00:41:50Excuse the delay, Madam Marchioness.
00:41:53It was my fault, Lucrecia.
00:41:55You don't have to give me any explanations.
00:41:57You can take the day off, Margarita.
00:41:59But are you sure you don't need my help?
00:42:01No, leave.
00:42:03Thank you so much.
00:42:06Are you cooking?
00:42:08The cook.
00:42:09I'll leave it on.
00:42:10I just have to turn it off.
00:42:12I suppose I'll know how to do it.
00:42:15God be with you.
00:42:18Daisy.
00:42:34I did what he asked me to do.
00:42:36Let go of my son.
00:42:38I don't dream.
00:42:48He was hiding in the attic.
00:42:50What I do?
00:42:50It's useless to us.
00:42:51Kill him like the others.
00:43:00No!
00:43:01No!
00:43:02Leave it, leave it, little brand.
00:43:04This is going to ruin everything.
00:43:07Come on, take it.
00:43:08Let's go.
00:43:09Daisy.
00:43:09Leave it up.
00:43:20Daisy.
00:43:20It has to be really deep.
00:43:22So that it doesn't get burned when everything else burns.
00:43:24Come on.
00:43:25Let's see if there's enough room.
00:43:30Who is going to read this letter?
00:43:31If we're all going to die hugging each other.
00:43:34Maybe someone will survive.
00:43:36A man and a woman.
00:43:39AND...
00:43:40And they have children like Dan and Eva.
00:43:43And in a long time, well...
00:43:45There are a lot of people on Earth again.
00:43:50And why would they drop your father's election book?
00:43:53Well, because maybe they'll become wild and forget how to read and write.
00:44:02This way they can learn again.
00:44:07And the watch?
00:44:09So they know it's already been invented and don't waste their time.
00:44:14Well, but...
00:44:15I tell you all this in the letter to the men of the future.
00:44:19I'd like to contribute something too.
00:44:21My father's barber's razor.
00:44:25Come on, I'll go get her.
00:44:38What are you doing with that box in one place?
00:44:42I want to stop and talk to the people of the future.
00:44:44So that it doesn't get burned when everything else burns.
00:44:49If there are people from the future.
00:44:53Hey, Aloncillo, I didn't used to...
00:44:55No.
00:44:56I didn't mean to scare you.
00:44:57No problem.
00:44:58If it's not your fault.
00:45:00No.
00:45:02It still remains like this.
00:45:03Do you want to take something?
00:45:08I wanted to get involved, Aloncillo.
00:45:11And you.
00:45:12And to the people I love, but...
00:45:24I'm thinking...
00:45:27That?
00:45:30Aloncillo, I'm thinking that maybe...
00:45:34We can still save ourselves.
00:45:45Kill these people.
00:45:48Lucrecia.
00:45:53What do they want?
00:45:54If they release me, I will give them whatever they ask for.
00:45:57Jewelry.
00:45:58Money.
00:45:58What if we don't let you go?
00:46:01The town commissioner lives in this house.
00:46:04It will be arriving soon.
00:46:05So you'd better take what you want and leave.
00:46:08If you don't want to end up dead.
00:46:09We are all dead, the world is ending, Marquise.
00:46:12We don't have to put up with your threats anymore, you bitch.
00:46:20So...
00:46:22Let's have some fun.
00:46:29You.
00:46:32Then I'd have something for you.
00:46:38But now, what do we have here?
00:46:41Viva!
00:46:44Do you know that I've always had a weakness for young noblewomen?
00:46:48Where are the others?
00:46:49Dead.
00:46:50All.
00:46:51They are all dead.
00:46:53Yeah.
00:46:54How will you be tomorrow?
00:47:05The King of France.
00:47:08My God, they must have killed him.
00:47:10The commissioner has arrived on time, mother.
00:47:13It can't be long now.
00:47:14Come, son.
00:47:15Come on, go.
00:47:16You.
00:47:17Come on, let's go that way.
00:47:40Who is it?
00:47:41The Duke of Abadiglesa, sir.
00:47:43Those crazy people.
00:47:44They believe the world is ending because of the powerful.
00:47:47There will be more attacks like this.
00:47:48We need to be prepared.
00:47:49Very good.
00:47:50Tobla de la Guardia.
00:47:51On the roads and in the streets.
00:47:52I'm going to ask for the help of the Guard.
00:47:54Yes sir.
00:48:05Come on!
00:48:22Eight, nine, ten, eleven, twelve, thirteen.
00:48:27This is where it should be.
00:48:29Thirteen steps from the Rock of Hope towards the scoral.
00:48:34That's a lie, Satur.
00:48:36We've done it many times already, and that shelter doesn't exist.
00:48:40Yes, it does exist.
00:48:41I've already told you.
00:48:43My good friend Jacinto, whom he met one stormy night in Cabo de Palos, never stopped
00:48:48to tell the legend of Philip II's secret refuge.
00:48:51He said that he built it here, less than a league from the Juan de Herrera Escorial.
00:48:55His most famous architect for...
00:48:56to protect it from possible enemy attacks.
00:48:59That's it.
00:49:00If you've told me like twenty times, there's no need to repeat it.
00:49:04Alonso, we're going to find him.
00:49:07Even if I have to spend all night counting thirteen steps to the right and left.
00:49:11I could get blisters the size of Teruel on my feet and we'd still find him.
00:49:14No, we won't find it.
00:49:17And even if we did, how would we convince the father to come?
00:49:20He doesn't believe in anything.
00:49:22I'll take care of bringing him to the little table, even if I have to drag him by the hair.
00:49:27Nine, ten, eleven, twelve, thirteen.
00:49:32No more luck.
00:49:40No more luck.
00:50:29What are you doing here at this hour?
00:50:30The marchioness has given me the day off.
00:50:33Did Lucrecia give you the day off?
00:50:35Yeah.
00:50:37He is not well.
00:50:42Have...
00:50:42That?
00:50:44Full of soap.
00:50:49Thank you.
00:50:53Gonzalo.
00:50:56Tomorrow...
00:50:56No, Margarita, don't tell me too that the world is going to end tomorrow.
00:51:00No.
00:51:03Tomorrow I'm marrying Juan.
00:51:08Margarita, what's wrong?
00:51:09We're all going crazy.
00:51:11No, Margarita, the world isn't going to end.
00:51:13You don't have to change your plans.
00:51:15You don't have to get married tomorrow.
00:51:17Why does it bother you, Gonzalo?
00:51:21It doesn't bother me.
00:51:23Why should I be bothered?
00:51:25That's what I say.
00:51:26Because this has to do with her and me.
00:51:28But not with you.
00:51:30Juan, please.
00:51:33Margarita, you can get married whenever you want, as far as I'm concerned.
00:51:36I'm just saying, keep Alonso in mind.
00:51:38He's already scared enough about the end of the world without him thinking you're getting married because of it.
00:51:43Don't worry, Gonzalo.
00:51:44I'll explain it to you tomorrow.
00:52:03This is perfect, Sato.
00:52:05How's it going getting in, Vivi?
00:52:08Well no.
00:52:10But bringing blankets, food, and water won't help.
00:52:15What's happening?
00:52:17Because I don't know if it's very safe.
00:52:20But how could it not be safe?
00:52:22It was built by the architect of Philip II.
00:52:24He may have made a mistake in his calculations.
00:52:26It doesn't look much like air yet.
00:52:28Let's see if by trying to escape the fire we're going to die of asphyxiation.
00:52:30Okay, but how long are we going to be stuck inside?
00:52:33I don't know.
00:52:34I have never experienced an end of the world.
00:52:37I don't know how long it takes for the earth to cool down.
00:52:40Already.
00:52:41But it's our only chance, Sato.
00:52:44Look, besides, there's room here for Aunt Margarita, Father, you, me, Murillo, Cipri, Catalina...
00:52:51Stop, stop, stop, stop, stop, stop, stop.
00:52:55Alonso, the more people there are here.
00:52:57More food and more vibes will have to be brought.
00:52:59Already?
00:53:00We withdraw.
00:53:02And where do we get it?
00:53:04In the village, you shouldn't put anything in your mouth.
00:53:06But what do you mean then?
00:53:09This isn't a place for everyone.
00:53:14But I can't decide who lives and who dies, you know?
00:53:18Neither do I, Aloncillo.
00:53:21I can't either.
00:53:25This is so difficult, damn it.
00:53:33You, your father, and Margarita, there are three of you.
00:53:36Let Murillo, who is a child, come in; I'll stay out.
00:53:37No, no, no, no, Sato, you're family, okay?
00:53:41And Murillo and I don't count as two, but as one.
00:53:44And we'll eat very little, really.
00:53:56We'll see.
00:54:14Your position.
00:54:18It's about time women cheered us up a little.
00:54:22No, no, no.
00:54:28What do you want?
00:54:31Dance for us.
00:54:36And the kid too.
00:54:38I will entertain you.
00:54:39Leave my son alone, a child.
00:54:43My son wasn't even a year old when he died of hunger.
00:54:46And you couldn't have prevented it.
00:54:49But life is better.
00:54:50Exploiting the poor, right?
00:54:52Son of a bitch.
00:54:55Who are you?
00:54:57Don't you know?
00:54:59No no.
00:55:00We are your scum.
00:55:03Your peasants.
00:55:07And I swear on my son that you won't pay for them all at once.
00:55:13Touch.
00:55:15And you, you shitty nobles,
00:55:19dance for us.
00:55:25I said dance!
00:55:28No!
00:55:32I don't plan to move.
00:55:36Oh my God!
00:56:03No, my God.
00:56:55No, my God.
00:57:14No, my God.
00:57:25No, my God.
00:57:32Did you hear me say this is important?
00:57:35Yes, yes, Satur, I heard you. We'll go, we'll go.
00:57:39And that face?
00:57:41What face?
00:57:42Come on, don't go off on a tangent, I know you like the back of my hand.
00:57:48Let's see what's wrong with him.
00:57:51Nothing, I just had a little disagreement with Juan, please.
00:57:55Nothing, a misunderstanding, Satur.
00:57:58Misunderstanding?
00:58:00Yes, it doesn't matter.
00:58:02Yeah, it doesn't matter. Forget it.
00:58:16But Juan, what people have thought is that I didn't want them to get married.
00:58:19Juan and Margarita are getting married tomorrow?
00:58:22Yeah.
00:58:24The mother who gave birth to me.
00:58:27And what's wrong with you now?
00:58:28Hey?
00:58:29What's the matter?
00:58:31No, that...
00:58:34Come on, I've done something that's not right.
00:58:36But I did it with the best of intentions, I promise you.
00:58:39I thought it would be useful, but it won't be useful at all, and it's going to cause such a mess.
00:58:43fat like...
00:58:44I don't understand anything you're saying, Satur.
00:58:45No, it's better if he doesn't understand, because if he does understand, he'll kill me.
00:58:49Let's see, Satur, you're scaring me. What have you done?
00:58:54No, that...
00:58:57Come on, let's...
00:59:00That I have tried to clear up his affairs with Mrs. Margarita.
00:59:03And I've let you know that you, well...
00:59:05No?
00:59:07Or what...
00:59:08That he loves her.
00:59:09As?
00:59:11What did you tell him...?
00:59:12No, no, no.
00:59:13No no.
00:59:14I haven't said anything to him.
00:59:16The thing is, I happened to find a letter in which you declared yourself.
00:59:21That...
00:59:21He declared his love for his deceased wife.
00:59:24Damn, considering how hard it is for him to open up, and what a beautiful letter, my love.
00:59:26And then I thought about changing its name.
00:59:29Because that's what I thought...
00:59:30No, Satur, Satur, no.
00:59:31No, don't say another word to me.
00:59:33No.
00:59:35What you have done is unforgivable.
00:59:42I know I've made you wait a long time.
00:59:45But it was out of cowardice.
00:59:47Because he couldn't get over the past.
00:59:50But all that is over now.
00:59:52I want to spend the rest of my life with you.
00:59:55If you like.
00:59:59I love you, Margarita.
01:00:19Yeah.
01:00:26Tell me, Satur.
01:00:30I'm afraid you've already read it, haven't you?
01:00:34That?
01:00:38What a thing for me.
01:00:40Just pretend it didn't happen.
01:00:47Are you referring to this letter?
01:00:54My love didn't write it for you.
01:00:59I...
01:01:04I changed the name of the person I had written to.
01:01:14Was it for my sister?
01:01:16Yeah.
01:01:20But how could you play with my feelings like that, Satur?
01:01:26Leave me alone.
01:01:30Ma'am, I'm sorry.
01:01:31Leave me alone, Satur!
01:01:33Go away!
01:01:33Go away!
01:01:34Go away!
01:01:36Go away!
01:01:53Go away!
01:02:17What's the key to the horn?
01:02:27Rodrigo, come with me. Let's get some more drinks. This looks like it's going to be a long night.
01:02:35Come on.
01:02:43He's the commissioner, he should already be here. Why isn't he here?
01:02:46He'll come, sis.
01:02:47No, he's not coming. He'd be here already.
01:02:49Shh! There's a queue of riots in the village!
01:02:51They're going to kill us.
01:02:53They're going to kill us.
01:02:55Make her be quiet, Catalina.
01:02:56They're going to kill us.
01:02:57Do something. You look like you're already dead.
01:03:00That's it, Marta, that's it. Calm down.
01:03:03We can't fall apart. We can't give up.
01:03:09Commissar.
01:03:32Open your mouth, whore.
01:03:34No, no, no, no.
01:03:34Don't forget me. Don't forget me.
01:03:38No, no, no.
01:03:40No, no. No. No, no, no, no.
01:03:40Open your mouth, whore.
01:03:44They're going to kill us, Adri.
01:04:17Excuse me, but I'd like to be alone.
01:04:26It seems you need to vent.
01:04:32Do you like it when people look at you when you cry?
01:04:41Sorry.
01:04:48Are you afraid the world is going to end?
01:04:51Fear?
01:04:53That's what I want most right now.
01:04:55Don't say that.
01:04:59You don't understand.
01:05:04I don't know why, but...
01:05:07But I can't forget someone.
01:05:13I should have forgotten him a long time ago, but I can't.
01:05:18Can't.
01:05:21I understand.
01:05:24I don't think so, but thank you.
01:05:30Close your eyes.
01:05:34Listen to me.
01:05:37Close your eyes and listen to me.
01:05:46Everything is fine, Margarita.
01:05:50Everything will pass.
01:05:52The pain we feel now will soon be behind us.
01:05:57And you'll forget it.
01:06:00You will forget that person.
01:06:03And you will be happy.
01:06:06The pain of life.
01:06:07engineering advice.
01:06:10Spiritists.
01:06:13Because?
01:06:20thirty!
01:06:50Ah!
01:06:57Ah!
01:07:33Ah!
01:07:37Ah!
01:07:50Ah!
01:08:05Hey! What are you going to do to me? Hey! Let me go! Let me go!
01:08:22Hey! How's it going!
01:09:00What's happening?
01:09:30What's happening?
01:09:54What's happening?
01:10:28What's happening?
01:10:40What's happening?
01:10:43No, not for anything in the world, come on.
01:10:44Runs.
01:10:49Runs.
01:11:07Aluso, I'd like to talk to you if you have a moment.
01:11:12Good morning.
01:11:13Well, I have to go somewhere, but...
01:11:17Why don't you come with me? We can talk on the way.
01:11:19It's far away. I don't know if I have the time.
01:11:22And who has time on the day the world ends?
01:11:25But if his nephew asks him to accompany him on such a special day, it means it must be important for him.
01:11:29He, right, Alonso?
01:11:30Yes, it's important. Very important.
01:11:33Okay, fine then. The sooner we leave, the sooner we'll be back.
01:11:36I'm going for a char, it seems like it's cool outside.
01:11:43So, don't forget about the water, okay?
01:11:45Nor from Murillo.
01:11:46What am I going to say to my father to get him to come?
01:11:48I've already said that.
01:11:49I told him we had to go hare hunting.
01:11:52The thing is...
01:11:53That?
01:11:55I think he's a little angry with me.
01:11:58Let's see if we can keep the peace.
01:12:00Yes, well, we're going to have a party.
01:12:03Are you afraid, Saturn?
01:12:05I?
01:12:07No, no, no.
01:12:12Don't worry, Alonso, I'm sure everything will be alright, okay?
01:12:20Come on, Alonso.
01:12:21Wait a moment, I'll get the sledgehammer.
01:12:27Good morning.
01:12:32Here, Gonzalo.
01:12:44Good morning, father.
01:12:46Come on, man.
01:12:48Come on.
01:12:49Go ahead, insult me.
01:13:07Whip me if you want, but don't punish me with your silence.
01:13:10I already told the lady that it was my fault.
01:13:14I'm sorry, since I can't do anything more.
01:13:21Is the hare hunting trip still on?
01:13:24The fact that I'm an idiot doesn't mean I can't eat, right?
01:13:27I've already told you yes.
01:13:31Well, wait here, I have something to do and...
01:13:33I'll be right back, wait for me.
01:13:35Wait for me.
01:13:50They were going.
01:13:58Go on.
01:14:00They were going.
01:14:01They were going.
01:14:40Martin
01:14:44Martin
01:14:45Martin
01:14:45Martin
01:14:46Wake up!
01:14:51I love you!
01:14:54I love you very much!
01:14:59I love you very much!
01:15:09I love you very much!
01:15:21No!
01:15:25No!
01:15:29No!
01:15:56Subscribe to the channel!
01:16:00Is Margarita there?
01:16:02No, it's not there.
01:16:04Well, I was coming...
01:16:06I'll come back later.
01:16:08Gonzalo, do you know that they caught the commissioner in the Duke's neighborhood?
01:16:11And they say they're going to sacrifice him.
01:16:17Excuse me, but I'm in a big hurry.
01:16:54Saturn!
01:16:55Saturn!
01:16:56Saturn!
01:16:57Where are you going with so much water?
01:17:00In total, for the time that remains...
01:17:02You know, Cipri, my master, that they don't believe these things...
01:17:05And he wants me to continue with the usual routine, Cipri.
01:17:09Are you OK?
01:17:10Yeah.
01:17:11Yes, yes.
01:17:13Look at his face.
01:17:15Are you crying?
01:17:18No, no, this is...
01:17:20It's an eyelash that meets my eyebrows and I don't know which is which.
01:17:24Okay, that's it.
01:17:35Goodbye, Cipriano.
01:17:36Hey, remember you promised me you'd be with me.
01:17:39You know, when the Lord grows dark...
01:17:42Yes, yes, yes.
01:17:44Are you...
01:17:45You're a good friend.
01:17:47I'm a really great friend.
01:17:48For me, one of the best I've ever had in my life.
01:17:55Be careful, okay?
01:17:56People are going crazy.
01:17:58They say they've caught the commissioner.
01:18:06They've arrested the commissioner?
01:18:08Yes, they are going to sacrifice him near the hermitage.
01:18:15No, Cipriano.
01:18:17Come here, boy.
01:18:18Come here.
01:18:19Don't move, okay?
01:18:21Put up with this, you don't follow me.
01:18:23Don't move.
01:18:34What is all this?
01:18:36A refuge.
01:18:38To protect ourselves from the fire.
01:18:43Since we are underground, we cannot get burned.
01:18:46And since we didn't know how long we were going to be here, we brought all that to survive.
01:18:52How did we get here?
01:18:53Your father helped you prepare all of this, did he agree?
01:18:57No.
01:18:59I did it with Sato.
01:19:02You know that Dad doesn't think anything is going to happen.
01:19:05Anyway, Sato is going to bring him, even if he doesn't want to.
01:19:08That's a good idea, isn't it?
01:19:10That's how the four of us were saved.
01:19:11Which four, Aluso?
01:19:16Aluso?
01:19:17Which four?
01:19:20Those from the family.
01:19:22Your father, Satur, and I.
01:19:24Well, and Murillo too.
01:19:26That he and I together only count as one.
01:19:30And Juan?
01:19:34Auntie, I wanted to save more people too.
01:19:36But we just can't.
01:19:37We can't bring that many supplies.
01:19:39Besides, he's not family.
01:19:41Yes, he's family, Alonso.
01:19:44That's what I wanted to talk to you about.
01:19:47Juan is waiting for me to marry him today.
01:19:50Are you going to marry him?
01:19:53But aunt, there are many of us here with him.
01:19:55The food would run out before we could leave here.
01:19:58Or water.
01:19:59I can't leave Alonso out.
01:20:01I don't want to.
01:20:04OK?
01:20:07Come on, let's get out of here.
01:20:11But aunt...
01:20:13Come on, Alonso.
01:20:36What was that?
01:20:37A bear.
01:20:38That?
01:20:40There's a bear, Alonso.
01:20:42What do we do?
01:21:08God will kill them today.
01:21:09But I'll do it tomorrow.
01:21:11I assure you.
01:21:14Let me go!
01:21:15Let me go!
01:21:16Let me go!
01:21:18Let me go!
01:21:19No!
01:21:20Will you regret it?
01:21:21No!
01:21:23No!
01:21:37Let me go!
01:21:39Let me go!
01:21:48Let me go!
01:21:53Let me go!
01:21:54Let me go!
01:21:56Solidarity!
01:21:58Solidarity!
01:22:10Solidarity!
01:22:18Let me go!
01:22:21No
01:22:22It's been a long time.
01:22:24and again
01:22:25to the children
01:22:25to
01:22:30to
01:22:32to
01:22:34to
01:22:34to
01:22:36to
01:22:37to
01:22:37to
01:22:37to
01:22:39to
01:22:40to
01:22:41to
01:22:41to
01:22:44to
01:22:45to
01:22:47to
01:22:49to
01:22:49to
01:22:49to
01:22:50to
01:22:53to
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01:23:01to
01:23:02to
01:23:04to
01:23:06to
01:23:09to
01:23:09to
01:23:09to
01:23:10to
01:23:11to
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01:23:29to
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01:23:59to
01:24:02to
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01:24:02to
01:24:02to
01:24:02to
01:24:02to
01:24:02to
01:24:14to
01:24:14I saved your life
01:24:15Don't make me take it off.
01:24:17Today was the perfect day
01:24:20we're going to rape each other
01:24:22It's going to be much worse.
01:24:28We need to make up for lost time
01:24:30I don't know
01:24:31I don't know where Margarita is, and neither does Alonso, so you have to remember.
01:24:35ma'am, excuse me, do you know me?
01:24:36Exactly, because he knows my name.
01:24:38There's a trapdoor in my room and it leads us
01:24:40You know, you and I are a team.
01:24:42the eagle
01:24:44I have an eagle at home
01:24:45No
01:24:46They are cowards
01:24:48I would let a child witness a rape
01:24:56we are alone
01:24:57breathe
01:24:58breathe
01:25:00They're going to kill us all
01:25:02Not you, please.
01:25:04day
01:25:06Where are you, son?
01:25:09where are you
01:25:10you
01:25:14No
01:25:14No
01:25:15No
01:25:15all
01:25:18No