- hace 2 meses
Categoría
📺
TVTranscripción
00:00:23The Commissioner of the Village
00:00:30The location of scandals in the Villa
00:00:31I will sign as
00:00:33Boncelara
00:00:35Those festivals, the ones in the village
00:00:37What are they like?
00:00:38Very different from those in the palace
00:00:40I'm going to those celebrations.
00:00:42I will go alone, without an escort.
00:00:44My son is ashamed of being Spanish
00:00:46I have to go to France
00:00:48I have to participate in the play
00:00:50It's the only way I can think of.
00:00:52To earn money quickly and honestly
00:00:55My shift needs reinforcements this holiday season.
00:00:57And I've been thinking of you
00:00:58If you do it right
00:00:59You'll have a permanent position on my watch.
00:01:01Yes, I accept
00:01:03The Queen of Spain
00:01:05And Cardinal Mendoza are
00:01:07Romances
00:01:08If I find out that rumor is true
00:01:10Not even God himself will save him
00:01:16Well, you can see how the town has fun
00:01:19May we return to the palace, please, Your Majesty?
00:01:21No
00:01:22I read that there will be a theater competition afterwards
00:01:24I just ran into the notary on Carretas Street
00:01:27I am also entering the competition with my interlude.
00:01:29Its main actress is Manuela Daranda
00:01:31That she had become engaged to me as Manuela Daranda
00:01:34Don't go near my son
00:01:36You
00:01:37You are my family
00:01:39To me you're dead
00:01:41What's that you're carrying there?
00:01:44A play
00:01:45I have to kiss Gonzalo on the mouth
00:01:47You don't have to go through that ordeal.
00:01:49I'll do it for you
00:01:51Are you not clear?
00:01:52I have to kidnap a woman
00:01:54Her name is Manuela Daranda
00:01:56How is?
00:01:57She's lost it.
00:01:58She wears a red scarf over her shoulders with white flowers embroidered on it.
00:02:02Majesty
00:02:04Put this on, it's refreshing at night
00:02:15I'm telling you, I hired a thug to kidnap the actress from the competition.
00:02:20And I think he has kidnapped Mariana of Austria
00:02:24I want a future
00:02:24And you
00:02:25You haven't been able to give it to me
00:02:27What has the queen seen?
00:02:28A cart
00:02:29They're going to burn her at the stake for being a witch.
00:02:40The red eagle has saved her, Your Majesty
00:02:43I think his wife will have learned her lesson
00:02:45Those eyes, Satur
00:02:47She could be your daughter
00:02:48If you don't think so, look at her and don't go dressed like that.
00:02:58No, no, no
00:03:42Subscribe to the channel!
00:03:58Subscribe to the channel!
00:04:47Subscribe to the channel!
00:05:14Subscribe to the channel!
00:05:46Subscribe to the channel!
00:05:50Good morning, Mr. Lara.
00:06:20Subscribe to the channel!
00:06:32Subscribe to the channel!
00:06:47Subscribe to the channel!
00:06:51Ah!
00:07:00Ah!
00:07:16Ah!
00:07:23Ma'am, what happened?
00:07:27Guards! Guards!
00:07:36But the sun has been up for quite a while now.
00:07:39Joaquin's rooster is getting more macho every day.
00:07:52Guards!
00:07:53What do you want?
00:07:55Guards!
00:07:59I think he wants to clean your feet.
00:08:05Do you want to clean my feet?
00:08:08No! Not that! Not here!
00:08:24Poor creature, that's what she's had to suffer.
00:08:27He is on alert all the time, afraid of what they might do to him.
00:08:30Little by little you will see that you have nothing to fear here.
00:08:34I hope so.
00:08:36Take it to Alonso's room.
00:08:39Try to rest.
00:08:53My contribution to this house.
00:09:12I'm finally here, let's go.
00:09:21I've finally arrived.
00:09:25You won't believe it, but I promise you I'll never drink wine again, not even on New Year's Eve.
00:09:32What happened to you, Sato?
00:09:34And where have you been?
00:09:35It's a hayloft there in Merrillera.
00:09:40Come on.
00:09:42Don't ask me what I've done because I wouldn't even know how to answer you.
00:09:46And your shoe?
00:09:47Hey?
00:09:49Your shoe?
00:09:53I don't even know where my ears are.
00:09:59Put your shoes on, we have to go.
00:10:02Hey?
00:10:04Listen, I know we just came back from a day of rest, but...
00:10:11I'm going to ask for another day off for the rest day because...
00:10:15No, Sato, we have to go.
00:10:17I love you, for God's sake, I beg you, please.
00:10:19Please.
00:10:21It's as if I had a rebar nail stuck in here.
00:10:26Get the horses ready, Sato.
00:10:37My tongue feels like... like I had a dead rat in it.
00:10:50Do you believe this?
00:10:58That's what it is.
00:11:12I don't care if you have a job.
00:11:14They almost killed me.
00:11:16They might have just wanted to rob you.
00:11:17No.
00:11:17He went straight for my neck to strangle me with that damn rope.
00:11:21From what I can see, you defended yourself well.
00:11:23If I hadn't been able to...
00:11:25Is that why I live with the commissioner?
00:11:26So I have to defend myself alone?
00:11:28You said it, Lucrecia.
00:11:30I am the commissioner.
00:11:31And I'm very busy.
00:11:33I've been working all night.
00:11:34You used to complain about not having a job.
00:11:36And now for having it.
00:11:38Decide Ternán.
00:11:41I'm not complaining, Lucrecia.
00:11:43The king and the cardinal have killed the person responsible for that little trap.
00:11:48I don't have time to waste.
00:11:57Tell me that bastard didn't leave marks on my neck.
00:12:02Catalina, I've asked you a question.
00:12:03Am I marked or not?
00:12:06Yes, ma'am.
00:12:08I'm sorry.
00:12:11For God's sake, Catalina, leave him alone.
00:12:12You're making me hysterical.
00:12:14I'm the one who almost died.
00:12:22My uncle owes his allegiance to the Lord.
00:12:23I would never lie with anyone, least of all the queen.
00:12:26These are nothing but lies.
00:12:28We need to find the person responsible for this so that they never publish anything like this again.
00:12:38Perfect, look how lame this is.
00:12:58What's happening?
00:13:11It just can't be.
00:13:15They've put a price on my head.
00:13:20That's why they wanted to kill me.
00:13:31I love him, I tell him that he has changed color.
00:13:34He drew a picture.
00:13:35As far as I know, hangovers don't give visions.
00:13:40I mean, it's just a pendant, there's nothing strange about it.
00:13:43It was a skull washing away the blood.
00:13:49The same image of death.
00:13:53And I also think he heard a...
00:13:56Yes, like a stentorian breath.
00:14:00Although that's what I see too.
00:14:02Saturn, I want to hear what you have to say.
00:14:07If you want to pass through here, you will have to pay.
00:14:10He took...
00:14:11I've been using this road for over 30 years and I'll never have to pay.
00:14:20If you don't pay...
00:14:22It doesn't happen.
00:14:36No, no, please.
00:14:42He understood.
00:14:45Look at him.
00:14:47It doesn't even move.
00:14:49What if I really don't see myself being able to try the situation?
00:14:52Well, he does nothing to prevent it, Sato.
00:14:54Come on!
00:15:02He has no other choice, it's his job.
00:15:04He must follow orders.
00:15:06If I allow it to continue like this, one day she'll see this as normal.
00:15:09That I didn't fit.
00:15:11That the little boy was sick and all that.
00:15:13Never that you have raised him.
00:15:16What should I tell him?
00:15:18Look how you're going to help, poor old man.
00:15:38I've already heard.
00:15:40Pay?
00:15:43Or do you pay?
00:15:47It's over.
00:15:49What are you doing?
00:15:50What are you doing?
00:15:54What are you doing?
00:15:55He is her son.
00:16:19No, no, no.
00:16:23No, no, no.
00:16:46No, no, no, no.
00:16:52No no.
00:17:03No, no, no.
00:17:07No, no, no!
00:17:08No, no, no, no!
00:17:11Ah!
00:17:12No, no, no.
00:17:13Ah!
00:17:23Well, if they've put a price on his head, he'd better get ready.
00:17:27I don't know, Cipri
00:17:29He's finally starting to think about others.
00:17:42Cipri
00:18:03It's Jimena, the grower's daughter
00:18:08Oh my God, what have they done to him?
00:18:15You are one of the most important ink suppliers in the village
00:18:20Who is Poncelara?
00:18:23I...
00:18:23I haven't sold anyone by that name, sir.
00:18:29Who is behind this?
00:18:30I know
00:18:32I swear, I don't know
00:18:34Don't you know?
00:18:37OK
00:18:38You don't know
00:18:41Given your profession, you'll surely be able to answer a question for me.
00:18:43Of course, sir, yes
00:18:45Whatever
00:18:47Black ink contains a soot base
00:18:49TRUE?
00:18:50Uh-huh
00:18:56Something like that?
00:18:58That doesn't look like soot, sir.
00:19:01It looks like gunpowder
00:19:04Well spotted
00:19:07Well spotted
00:19:12Maybe this will help you remember
00:19:21Get him out of here!
00:19:37Hernán
00:19:40I need your help
00:19:42I've already told you I'm very busy, Lucrecia.
00:19:44I have to find the person responsible.
00:19:47If you didn't have to do it
00:19:50And what if you didn't have to keep looking for it?
00:19:52It's not an option, Lucrecia
00:19:54Finding out where that publication came from is my priority.
00:20:00It's me
00:20:11What did you say?
00:20:14That's me
00:20:17I print them right here at the Palace.
00:20:22Are you crazy?
00:20:23He needed money, Hernán
00:20:24And I thought it was a good idea
00:20:25Although I admit
00:20:26It wasn't that bad.
00:20:29The cardinal wants you dead
00:20:30Hernán, you have to help me
00:20:31Can I help you?
00:20:33I have to give you
00:20:34I'm sorry to say it like this.
00:20:35But right now that's not so important
00:20:38This is my first mission
00:20:39Since I returned to my position
00:20:41I have to fulfill it
00:20:42I know, Hernán
00:20:43But they're going to kill me
00:20:47You brought this on yourself, Lucrecia.
00:20:48Hernán, please
00:20:50Please listen to me
00:20:52They've offered a reward for my head.
00:20:54That's why they wanted to kill me before.
00:20:56And anyone can try again.
00:21:00If they kill you
00:21:02My problems are over
00:21:04Hernán
00:21:08You have to help
00:21:14How are you, doctor?
00:21:16Very serious
00:21:16This is the first time I've ever seen anything like this in my life
00:21:20Will it be replaced?
00:21:21Don't know
00:21:23He has a fractured nose, cheekbone, and some ribs.
00:21:29And the injuries to the rest of the body are also very serious
00:21:33The wild could do something like that
00:21:36He also has several mutilations.
00:21:38And they forced her
00:21:41What do you mean they forced her?
00:21:43That they have...
00:21:43They abused her
00:21:45Well
00:21:47For now
00:21:48It's best if you try to rest as much as possible.
00:21:52Thank you, doctor.
00:22:06It will never be the same again.
00:22:10She was so beautiful
00:22:14She is alive
00:22:16That's what matters
00:22:19There are his parents when they come back and talk to him like that
00:22:44Don't speak
00:22:45Don't speak
00:22:51What are you trying to tell me?
00:22:52I don't understand you
00:22:56That?
00:23:14It just can't be
00:23:18It just can't be
00:23:20It just can't be
00:23:31This man has lost his mind
00:23:34He has completely lost it
00:23:36What are you doing with the little boy?
00:23:42But what are you doing, Cipriano?
00:23:44You're a disgrace!
00:23:49But what tripe did you break?
00:23:51You raped me!
00:23:52That?
00:23:54What have I done?
00:23:55But to whom?
00:23:56To the weaver's daughter
00:23:57They left her half dead
00:23:58They left her half dead
00:23:59But what does it say?
00:23:59I haven't done anything.
00:24:00How am I supposed to do something like that?
00:24:01She told me
00:24:02He told me it was you.
00:24:03That's a lie!
00:24:04I haven't done anything
00:24:04You're a coward!
00:24:06At least admit it!
00:24:07Admit my balls?
00:24:08How can I admit to something I didn't do?
00:24:09If you ever see it
00:24:11We found her in the forest
00:24:12Half-naked
00:24:13That I haven't done anything
00:24:14Celida, look at how you've left her!
00:24:15I haven't done anything!
00:24:15I saw the way you were looking at her!
00:24:16I saw you going after her!
00:24:18Look, Cipriano, get out of here, right now.
00:24:19Come on
00:24:21And if you keep telling lies
00:24:23Overcome
00:24:24I'll smash your head in.
00:24:26You disgust me
00:24:28Out!
00:24:35Man
00:24:36He came to insult me
00:24:37And tear my shirt
00:24:39I only have two.
00:24:48Out!
00:25:56Do you like what you see?
00:25:59What is this?
00:26:02Dead.
00:26:07Can't you smell them?
00:26:10Why have you brought me here?
00:26:14All.
00:26:16Without exception.
00:26:17They are victims of the village guard to which you now belong.
00:26:21I don't understand you.
00:26:23If you continue with them, you will also end up being responsible for all of this.
00:26:26That's what you want.
00:26:27Carrying dead bodies on one's back.
00:26:30At any price?
00:26:32Above all of them?
00:26:34No.
00:26:37Don't know.
00:26:40I'll go first, then everyone else.
00:26:44So you no longer care how you do things.
00:26:47You no longer see the difference between good and evil.
00:26:51Enough is enough!
00:26:54You no longer believe in me.
00:27:01I hope you'll see things differently tomorrow.
00:27:05What do you mean?
00:27:07If you're capable of mistreating an elderly person, you can also spend a whole night here.
00:27:14No.
00:27:15No!
00:27:19No!
00:27:20Don't leave me here!
00:27:23No!
00:27:34No!
00:28:08Don't do it.
00:28:09Let me.
00:28:10If it weren't for this printing press, I wouldn't be in danger.
00:28:13Don't try to attribute your own merits to him, Lucrecia.
00:28:16You have put yourself in mortal danger, all by yourself.
00:28:18Besides, I need it.
00:28:20Do you need it?
00:28:21And what for, if I may ask?
00:28:25To print the invitations for a party I'm going to have.
00:28:29There's a price on my head.
00:28:31Anyone can want to kill me.
00:28:33And what's the purpose of organizing a party?
00:28:35To celebrate my funeral?
00:28:37The truth is that you're actually going to be the one celebrating.
00:28:40Today.
00:28:42You've come here to laugh at me.
00:28:45You asked me for help, Lucrecia.
00:28:47And that's what I'm doing.
00:28:48To help you!
00:28:50Get out of here right now.
00:28:53There are too many people in the street.
00:28:54Plenty of space.
00:28:56I couldn't protect you.
00:28:58However, it would be simpler here at the Palace.
00:29:05And what does that have to do with a party?
00:29:07It's because you've already started and you're drunk.
00:29:14The Marquisate of Santillana will generously offer a splendid open house celebration.
00:29:21to fraternize with the people of the village.
00:29:26Anyone can enter.
00:29:50Anyone can enter.
00:29:54To attract rats.
00:29:58Put on your best dress.
00:30:00And organize the best party possible.
00:30:05Let everyone in the village see that the Marchioness of Santillana
00:30:08She is an unparalleled hostess.
00:30:12Any.
00:30:14No.
00:30:15No.
00:30:19No.
00:30:21No.
00:30:23No.
00:30:24No.
00:30:31No, no, no, no.
00:30:56No, no, no, no.
00:31:31No, no, no, no, no.
00:31:55No, no, no, no, calm down, calm down.
00:31:58No, no, why?
00:32:00It wasn't me.
00:32:02Calm down, listen.
00:32:05It wasn't me, I really wasn't.
00:32:39I took Alonso to a place with victims of the guard, but it didn't help at all.
00:32:44It's changing, Satur.
00:32:46He doesn't even care about what's right and what matters most is getting what he wants.
00:32:49He wants it.
00:32:51He doesn't even believe in the red eagle.
00:32:58What's happening?
00:32:59Hey?
00:33:00Are you OK?
00:33:03Have you heard, master, about the tanner's little girl?
00:33:06Yeah.
00:33:08And I intend to find the person who did that to him.
00:33:15I need to ask you something related to...
00:33:18With that little girl.
00:33:22What's happening?
00:33:27Investigate me.
00:33:33What do you mean, investigate you?
00:33:35I know that this time their mission is me.
00:33:39I don't understand you.
00:33:40What does what happened have to do with you?
00:33:42Why does she say it was me?
00:33:47No, Satur.
00:33:48You would be incapable of doing something like that.
00:33:49Yes, love, but...
00:33:52But you should have seen the way he looked at me.
00:33:55It looked as if I had seen the devil himself.
00:33:59That he had panic buried deep in his eyes.
00:34:05It can't be, Satur, can it?
00:34:07If I had seen it, I would have destroyed everything.
00:34:11It disfigures.
00:34:12That?
00:34:12What, I haven't been able to do that?
00:34:15I was furious last night and...
00:34:18And I drank because of Gaby's letter.
00:34:21And this morning I was woken up by the hayloft and...
00:34:26I just can't remember anything else.
00:34:31Listen to me, Satur.
00:34:33It was night.
00:34:33They may have mistaken you for someone else.
00:34:37Yes, love, but...
00:34:40But look at this.
00:34:42That?
00:34:52They look like scratches...
00:34:55Of a woman.
00:35:03Investigate me, master.
00:35:04Follow my steps from last night.
00:35:07I need to fill that void between seeing her on the street and...
00:35:11And I woke up this morning in the hayloft.
00:35:15Please do me that favor, for God's sake.
00:35:21That?
00:35:30That?
00:35:31That?
00:35:33That?
00:35:35That?
00:35:36That?
00:35:45You have filled my palace with riffraff, Hernán.
00:35:47Obviously, Lucrecia.
00:35:49They're the kind of people who need the reward money.
00:35:56And besides letting them in, he is provided with weapons.
00:36:00I hope you know what you're doing.
00:36:15Any one of them could want to kill me.
00:36:18Can you tell me where your men are?
00:36:20They're dressed in civilian clothes so you won't recognize them.
00:36:23That's what it's all about, Lucrecia.
00:36:24And don't let those who want to kill you do it either.
00:36:25I don't know who's a guard and who isn't.
00:36:28When I see someone armed, I won't know if they want to protect me or kill me.
00:36:33You are surrounded by my men.
00:36:35You are protected.
00:36:48There is a man.
00:36:50Behind me.
00:36:52Looking at me with a very sour face, can you see?
00:36:55With a scar on his face?
00:36:57Yes, yes.
00:36:58He's one of my men.
00:37:05I hate this plan.
00:37:08Eminence?
00:37:09Lucrecia.
00:37:10Eminence.
00:37:11Commissioner, not only do I not find you attending to your duties,
00:37:16but you're also enjoying a party.
00:37:19Excuse me, Your Eminence.
00:37:20If you're here, it's because I've asked you for a personal favor.
00:37:23Ah, okay.
00:37:28So you have until tomorrow to find the person responsible for the publication.
00:37:34Otherwise, face the consequences.
00:37:38Lucrecia?
00:37:40Eminence.
00:37:42Eminence.
00:37:47Focus on what's important, Hernán, which is me.
00:37:53What's happening?
00:37:58You.
00:38:00Horse.
00:38:20Wow, you've had a good afternoon.
00:38:22You've picked up a lot of pieces.
00:38:24Yeah.
00:38:27I could accompany you next time.
00:38:30I know a valley where we can hunt peacefully.
00:38:32I can't, I'm very busy.
00:38:35I'm moving to the Guest Palace.
00:38:45What a thoughtful gesture from the Marchioness to throw a party for the less fortunate
00:38:56No.
00:39:01No.
00:39:03No.
00:39:16Don't ever leave me alone again, Hernán.
00:39:46Sorry, I'm sorry.
00:39:48Hernán!
00:39:49Yes, I'll return it.
00:39:51Get me out of here, Hernán!
00:39:54Hernán!
00:39:55Hernán!
00:40:06Get me out of here!
00:40:07Get me out of here!
00:40:31How can this be, master?
00:40:35How can someone have done something like that and not remember it?
00:40:41Satur, we still don't know what happened.
00:40:44Yes, but just to give an example, it could be.
00:40:47It's possible that I did it and...
00:40:50and not remember anything.
00:40:55There are times when the mind forgets things it considers too difficult to accept.
00:41:00But the most normal thing is to end up remembering them, Satur.
00:41:02Sooner or later.
00:41:04There's nothing here.
00:41:06I woke up up there.
00:41:10Maybe so.
00:41:14That's what I was going to tell you, that I woke up up there.
00:41:16It's the same if you see that.
00:41:28And while you're at it, see if they can find my shoes.
00:41:45Come on, why are you doing this?
00:41:48The fact that?
00:41:53Well, I don't know, this is trusting myself.
00:41:57It's not about trusting or not, Satur.
00:41:58But to prove that you are not guilty.
00:42:00Already.
00:42:02Wait, what if it were?
00:42:06And if I've done it to you, what would you do?
00:42:12The same thing I would do to anyone who had done that to that girl.
00:42:18Yes, but it wasn't me.
00:42:22I'm sure that...
00:42:23It wasn't me, no, no.
00:42:26I haven't been able to do it.
00:42:28Here's something, Satur.
00:42:34Oh my God, what are they?
00:42:37That's her underwear.
00:42:40They show no signs of violence.
00:42:43They might not belong to the girl.
00:42:44Or maybe I'll take them off before...
00:42:52Where did you wake up?
00:42:54Exactly.
00:42:58Well, I think you've found your boyfriends there.
00:43:04I'm going to ask around.
00:43:06Perhaps they saw something.
00:43:07Yes, come on, let's go.
00:43:08Saturn.
00:43:10This time I prefer to go alone.
00:43:22Come on!
00:43:38Come on!
00:43:41Stop following me already.
00:43:46Marchioness, what a terrible accident.
00:43:50Why didn't you wait for me?
00:43:53You shouldn't walk around the palace alone.
00:43:56I've made a complete fool of myself because of you.
00:44:00I thought someone wanted to attack you.
00:44:02With a little silver plate, that rabble laughed in my face in my own house.
00:44:07It wasn't that bad, Lucrecia.
00:44:08No, it wasn't that bad.
00:44:10So what's next?
00:44:12Roll in manure?
00:44:16Here, it should be yours.
00:44:18They found him in the pond.
00:44:22Of course it's mine.
00:44:23How many people go into that disgusting mess?
00:44:27I suppose nobody.
00:44:29Don't even think about touching me.
00:44:31Go away!
00:44:31I don't want you near me.
00:44:34Listen to me, Lucrecia, someone wants to kill you.
00:44:36None of this matters.
00:44:38Change your clothes and go back downstairs.
00:44:40We must stick to the plan.
00:44:48That?
00:44:49What was that?
00:44:57The girl was with a man.
00:44:59He called her Satu.
00:45:01They were leaving the festival together.
00:45:06I met them on the road to the mill.
00:45:23She wanted to be alone, but he insisted on accompanying her.
00:45:27The girl was with a man.
00:45:28He called her Satu.
00:45:31They left the fair together.
00:45:33She wanted to be alone, but he insisted on accompanying her.
00:45:36I saw them.
00:45:37They were going to film the scenes of the village fair.
00:45:38But he insisted on accompanying her.
00:45:39He called her Satu, Satu.
00:45:40They left the fair together.
00:45:42They were leaving the festival together.
00:46:13I need to hurry.
00:46:15Take the one from Satu.
00:46:21That?
00:46:23You've already thrown it away, right?
00:46:32Fire whom?
00:46:33To Satu.
00:46:35Don't worry.
00:46:36That seems fine to me.
00:46:38No, I haven't fired him, Cipri.
00:46:40I don't even plan to do it.
00:46:41That?
00:46:43Are you going to allow me to stay here?
00:46:44This is your home.
00:46:46I was with him when he went after her, Gonzalo.
00:46:48He was drunk.
00:46:49And he looked at her in a way that one shouldn't look at a woman.
00:46:52But it may not have been him.
00:46:54He doesn't even remember it.
00:46:55But she did.
00:46:59Gonzalo.
00:47:01Look me in the face and tell me you don't believe it one bit.
00:47:03that Satu is capable of doing something like that.
00:47:12Do you see it?
00:47:16This is your house, Gonzalo.
00:47:18And you can do whatever you want.
00:47:20But as long as he's here...
00:47:23I'm not coming back.
00:47:26Okay, Cipri.
00:47:28I understand.
00:47:32What he has done is worse than killing.
00:47:36There may be a reason to kill.
00:47:39But for that...
00:47:42There isn't one for that.
00:47:55I have to remember something.
00:48:01I need to remind you of something.
00:48:08I remember, by God.
00:48:20Those eyes, Satu...
00:48:21She could be your daughter.
00:48:23If she doesn't think I'm looking, she shouldn't go there like that, all dressed up.
00:48:26If you don't believe me, look...
00:48:27She could be your daughter.
00:48:28Those eyes, Satu...
00:48:29Don't go like that, all dressed up.
00:48:40Do you have the dance, Satu?
00:48:46Leave me alone, okay?
00:48:46I don't feel like it.
00:48:47Yeah?
00:48:48I don't want to.
00:48:49Leave me alone, leave me alone.
00:48:50Leave me alone, leave me alone.
00:49:05It's their help.
00:49:10It's their help.
00:49:11Oh my God!
00:49:17Oh my God!
00:49:23Oh my God!
00:49:45Okay, that's enough.
00:49:48I want to know once and for all
00:49:49What was that explosion?
00:49:51I've been here for hours
00:49:52And nobody tells me anything.
00:49:54He already knows he can't go out
00:49:56Marquise
00:49:58Let me out
00:50:01I'm not going to say anything to him.
00:50:03Are you going to do it?
00:50:06Yeah
00:50:08lapdog
00:50:15It was about time.
00:50:17Can we find out what happened?
00:50:19Out
00:50:24The stables have exploded
00:50:25When someone was filling them with gunpowder
00:50:28Why fill them with gunpowder?
00:50:31They wanted to blow them up when you got close.
00:50:33It was intentional
00:50:35I recommend you buy a new horse
00:50:38Tell me you got it
00:50:40Tell me he's dead
00:50:44He has escaped
00:50:45That?
00:50:46Is that killer still at large in my palace?
00:50:49Murderer or murderers
00:50:51Anyone who saw your ad
00:50:53He might come for you
00:50:54I know what the problem is, Hernán
00:50:55I don't know what to do.
00:50:58Four guards will be glued to you
00:51:00Watching you constantly
00:51:03And are they going to sleep with me?
00:51:05And what about when I have an upset stomach or when I urinate?
00:51:07Are they going to be there watching me too?
00:51:11That's how it will be, if necessary.
00:51:13For how long?
00:51:14Hours, days, years
00:51:16I don't intend to live with the breath of your men on my neck.
00:51:19At every turn
00:51:20That's no life
00:51:23It's the only way to guarantee your safety
00:51:35Someone turn on the light
00:51:39Right now
00:51:41Come on
00:51:51Where is the marchioness?
00:51:59Close the doors
00:52:01No one is to enter the palace without my permission.
00:52:03Yes sir
00:52:14Come on
00:52:15The water is already there
00:52:19You'll see how good you feel.
00:52:25You don't feel like doing anything, do you?
00:52:42I know that now
00:52:47You think it's impossible
00:52:50But as time goes on
00:52:59I'm telling you this because I know it well.
00:53:02It happened to me
00:53:08They did the same to me.
00:53:17Come on
00:53:18Let's go for that bathroom
00:53:23Come on, darling
00:53:24I'll help you
00:53:44I'm not helping you
00:53:54My face
00:53:57My face
00:53:58What have they done to me?
00:54:01Peaceful
00:54:04It will take time, but he'll heal, you'll see.
00:54:08Come on
00:54:10Come on, it'll do you a lot of good, come on, darling
00:54:12Come on
00:54:22Come on, my love, very good, very good
00:54:25Come on
00:54:53How are you feeling?
00:54:55No
00:54:57No, for God's sake, for God's sake
00:55:03For God's sake
00:55:04No, for God's sake, for God's sake
00:55:05No, for God's sake, for God's sake
00:55:21No, for God's sake!
00:55:34No, for God's sake!
00:55:35No, for God's sake!
00:55:36No, for God's sake!
00:55:53No, for God's sake!
00:55:54No, for God's sake!
00:55:55No, for God's sake!
00:55:58No, for God's sake!
00:57:06Bastard!
00:57:11Enough is enough!
00:57:19Enough!
00:57:25If you want to kill him,
00:57:28You'll have to kill me too.
00:57:32Why was the lion sought?
00:57:50I don't care that we haven't found her all night.
00:57:53Keep looking.
00:57:55I'm going to find the Marchioness of Santillana,
00:57:57even if I have to tear down every stone in this palace.
00:58:00Yes sir.
00:58:06It wouldn't be necessary
00:58:08If you had thought about it better before organizing this party.
00:58:11It was the best way to stop anyone who wanted to.
00:58:13It was a regrettable idea.
00:58:16Anyone with even a basic military background would realize that.
00:58:19Your mother hasn't left here.
00:58:20The doors are guarded.
00:58:23I'm going to find her, dude.
00:58:26I'm going to see if she's caught it too.
00:58:29I hope so.
00:58:35You have put her in danger.
00:58:40She may be dead right now.
00:58:43Because of you.
00:58:47It's one thing that you've recently lost respect for me.
00:58:51And another one for your mother.
00:58:55Nobody cares about her more than I do.
00:58:57Aid!
00:59:00Aid!
00:59:04Aid!
00:59:05Aid!
00:59:08Lucrecia!
00:59:08Aid!
00:59:11Aid!
00:59:12Lucrecia!
00:59:13Lucrecia!
00:59:14You just found this wound here.
00:59:17Lucrecia!
00:59:18What happened?
00:59:19Mother!
00:59:20Lucrecia!
00:59:25Lucrecia!
00:59:44Come on!
00:59:46Come on!
00:59:47Come on!
00:59:47Come on!
00:59:47Come on!
00:59:47Come on!
00:59:47Greetings!
00:59:48You're at home, relax.
00:59:49Come on!
00:59:58You shouldn't have saved me, master.
01:00:01If I don't do it, they'll kill you.
01:00:08That man deserved to have his suffering eased.
01:00:13No, with someone who hasn't done anything.
01:00:15Baby, you've lost a lot of blood.
01:00:25It was me.
01:00:28It was me, I remember.
01:00:30I remember everything, love.
01:00:35Did that Türkiye remember exactly?
01:00:41Memory...
01:00:43I remember how I forced her to come with me down the street.
01:00:48Memory...
01:00:50I must have been on top of her.
01:00:56Are you sure, Satura?
01:00:57Yeah.
01:00:59Yes, love, yes.
01:01:01You said it, and you were right.
01:01:04I had forgotten.
01:01:06Because everything was too horrible, but...
01:01:10I just remembered.
01:01:18I don't know how I was able to do it.
01:01:22Poor girl.
01:01:25Poor.
01:01:34There's something else you need to know.
01:01:40The girl has died.
01:01:48Salt.
01:01:49Get out of my house.
01:01:51Say something else, sir.
01:01:54Brother.
01:01:55Brother, please come out.
01:01:57Brother.
01:01:59And Gonzalo comes back if he doesn't have the whore.
01:02:02If he hides it at home, he is defending it.
01:02:04You can expect nothing else.
01:02:10Brother, please.
01:02:15Brother, please come out.
01:02:17Brother.
01:02:18Brother.
01:02:19Get out, Sato!
01:02:21Be quiet!
01:02:22Salt!
01:02:24Get out, Sato!
01:02:27Scoundrel!
01:02:29Brother, calm down.
01:02:37Shit!
01:02:39Call the fuck!
01:02:40Is that your house?
01:02:46Yeah.
01:02:53It's coming out now.
01:03:07Oh no!
01:03:10Oh no!
01:03:13Oh no!
01:03:22Oh no!
01:03:25Oh no!
01:03:31Oh no!
01:03:34No, no, no, no, no, no.
01:04:04No, no, no, no.
01:04:13No, no, no, no.
01:04:56No, no, no, no.
01:05:13No, no, no, no, no.
01:06:04No, no, no, no.
01:06:08I am in charge of my own life.
01:06:10And about my death too.
01:06:13Get out of bed, Lucrecia.
01:06:14You're not going to do it.
01:06:16Your majestic plan was better.
01:06:18You have the killer.
01:06:20Now I understand that everyone
01:06:22question your good work performance.
01:06:23You're incompetent.
01:06:26You're incompetent.
01:06:27He's incompetent.
01:06:27He's incompetent.
01:06:27He's incompetent.
01:06:54Let me go, let me out, love.
01:06:58Leave me alone.
01:07:04He needs to clear his name.
01:07:06Otherwise, the whole village will hate him.
01:07:07You take the child home.
01:07:09They must be damned, master.
01:07:12If he doesn't hand me over,
01:07:15My cross will be yours.
01:07:16Leave me alone.
01:07:17No, Satan.
01:07:20How were you able to do that?
01:07:22What were you thinking about?
01:07:25Not at all.
01:07:27I wasn't thinking about anything.
01:07:29Yes, it's actually much simpler than that.
01:07:32All my life I've been a son of a bitch and...
01:07:36And I still am.
01:07:39When I met you,
01:07:40when I saved you from those guards,
01:07:41I thought that what you were doing,
01:07:42You did it out of necessity.
01:07:44But deep down you were a good man.
01:07:46Maybe he thought he saw it.
01:07:49Because you do that a lot.
01:07:51Wanting to see the good in people.
01:07:53But there are people who don't have it.
01:07:54There are people who...
01:07:56that does not have to return to life
01:07:58nothing but misery and misfortune.
01:08:01And those people will never change.
01:08:13You may be right, Sato.
01:08:16Bad things may always remain bad.
01:08:20We should be marked at birth.
01:08:25That way we would know who deserves to live and...
01:08:29and who should be dug a ditch for.
01:08:43He's not going to look at me again when I'm carrying loads, is he?
01:08:56I never would have imagined that I would end up having to hand you over, Sato.
01:08:59Ya barul.
01:09:05No, no, no, ya barul.
01:09:07Bio!
01:09:09No, it's already a mess.
01:09:09We give it to the pâté.
01:09:09Good night.
01:09:14No, ya barulim.
01:09:15ALEJAND'A
01:09:15No, ya barulim.
01:09:16Bio!
01:09:16No, ya barulim.
01:09:16No, ya barulim.
01:09:18Bio, ya barulim.
01:09:28Bio!
01:09:36Let's hope the marchioness gets better as soon as possible.
01:09:39She is now alone in her bedroom; she doesn't want to be disturbed.
01:09:43Better.
01:09:45Letting him stay in his room and not come out for days gives us all a break.
01:09:51Well, yes.
01:09:54Roll over.
01:10:01Ma'am, for God's sake, can't you see I'm naked?
01:10:04I didn't come here to talk to you.
01:10:07Marten.
01:10:10You're going to be my new mother, you see?
01:10:13I?
01:10:14She?
01:10:16Would you need someone older with more experience?
01:10:19I prefer to mold someone according to my tastes and needs.
01:10:22Me, sir?
01:10:24Well, it's true that I don't have much experience in running a household,
01:10:28but there is will.
01:10:30For me, that's what's important.
01:10:32Do you need your housekeeper now, or can she come and dress me?
01:10:36I hope it doesn't take too long.
01:10:55Where are you going?
01:11:00Let's go.
01:11:02What do you mean you're leaving?
01:11:03My mother is in danger.
01:11:05That's what she wants.
01:11:07I don't care what she wants.
01:11:08My mother is in danger and you have to protect her.
01:11:12She's grown up now, Nuño.
01:11:13Let him be consistent with what he says.
01:11:17Alright.
01:11:19I will defend her.
01:11:32Wait!
01:11:40Who are you?
01:11:41I don't know you.
01:11:45I don't know you.
01:11:46No, no, no, no.
01:12:18No, no, no, no.
01:12:37Excuse me? I came to see Satur.
01:12:40Well, it's not there.
01:12:42And do you know if it will be a long time before he comes back?
01:12:46I hope he never does.
01:12:51Could you leave me something to write a note on, anyway?
01:12:54No, no, no.
01:13:18If for some reason I see him again, I'll watch this.
01:13:23For your own good, if you ever encounter him, do not approach him.
01:13:27He's a bad beast.
01:13:28Are you going to tell me?
01:13:38Are you going to tell me?
01:13:59What are you doing?
01:14:01I'm burning Satur's clothes.
01:14:03I can't stand seeing her around the house.
01:14:05Just thinking about that bastard...
01:14:06Hey, I...
01:14:09I wanted to ask you something.
01:14:13Don't scare me, Catalina.
01:14:14What's the matter?
01:14:16If I ever did something...
01:14:21Something horrible, something unforgivable...
01:14:24Would you forgive me?
01:14:28You are incapable of harming anyone.
01:14:31Yes, but...
01:14:34Don't you think that sometimes people have reasons...?
01:14:36Never.
01:14:38Going off the straight path is always wrong.
01:14:51Don't scare me by saying the straight path is always wrong.
01:15:09Well, you don't.
01:15:21Just nothing.
01:15:21Téjejeve, tídeo la cabeza.
01:15:21Vasco enote.
01:15:22Tetéjeve.
01:15:25Téjejeve, tídeo la cabeza.
01:15:38Since they were involved,
01:15:54When we get to the square of justice, I'll leave you there for the guards to catch you.
01:16:00Justice will take care of me.
01:16:04There won't even be a trial, will there?
01:16:07Everything is very clear.
01:16:09If you plead guilty, it won't be necessary.
01:16:13They will just have to determine the penalty.
01:16:17Don't hold back.
01:16:19If I deserve it, say so outright.
01:16:22He's going to execute me.
01:16:27Get off your high horse.
01:16:32So that?
01:16:42I can't do it, Satur.
01:16:45I cannot give you up.
01:16:49As?
01:16:51Go away, Satur.
01:16:54No, love, no, no.
01:16:56I know I'm doing what I shouldn't, but I can't do it.
01:16:59He must do it.
01:17:04Satur, I cannot turn in someone from my family.
01:17:07No, love, no.
01:17:09No.
01:17:12Go away.
01:17:13Go away!
01:17:25Satur, go away.
01:17:26From now on, I don't care about your life.
01:17:28Go away!
01:17:33Go away!
01:18:00Subscribe to the channel!
01:18:18Thanks for watching the video.
01:19:01Thanks for watching the video.
01:19:31Thanks for watching the video.
01:20:04I had forgotten to tell you something.
01:20:07And what was it?
01:20:10My plan was brilliant.
01:20:14A bit childish, isn't it, Hernán?
01:20:17Come back just to tell me that?
01:20:20Yeah.
01:20:21But thanks to that I saved your life.
01:20:26Grab your cloak.
01:20:28The cardinal is waiting for the head of the publication's editor.
01:20:34Aren't you going to hand me over?
01:20:37Someone will have to explain everything to him.
01:20:39And it won't be me.
01:20:41But he will kill me.
01:20:43Because?
01:20:44Why don't you accuse someone else?
01:20:48Because whoever it is.
01:20:50It will come out that it was him.
01:20:52It wasn't me.
01:20:54It wasn't me.
01:20:56Everyone says that.
01:20:58If the authorities find the publication
01:21:00and the printing press in his house,
01:21:04His pleas will do him no good.
01:21:08I can't do it, Lucrecia.
01:21:11I cannot hand over an innocent person.
01:21:25Do you realize that, Hernán?
01:21:28With your strength and my head.
01:21:31We are the perfect man.
01:21:37Lucrecia.
01:22:23I once met a man who wanted to change.
01:22:26It was neither good nor bad.
01:22:28But I wanted to be better.
01:22:31And he tried with all his might.
01:22:33Sometimes even against their own beliefs
01:22:36and his own instinct.
01:22:42But he didn't succeed.
01:23:00What was their mistake?
01:23:04Maybe none.
01:23:08Perhaps his only mistake was believing he could achieve it.
01:23:11that could change.
01:23:39I once met a man who wanted the impossible.
01:23:41and he encountered the inevitable.
01:23:50I could only lose.
01:24:19The king has called an extraordinary council
01:24:23and he wants you there.
01:24:26It's been a great night.
01:24:28They must have already figured it out
01:24:30that Her Majesty's crown has disappeared.
01:24:32But they'll never know that we stole it.
01:24:37They are monsters on the outside.
01:24:39But I have them inside.
01:24:41I have to pay.
01:24:42They saw Satur take his own life in the forest.
01:24:45A risk has been taken.
01:24:53I felt you very close.
01:24:55Your alcove was around here.
01:24:56No?
01:24:57I'm not going to let you bury it.
01:24:58Satur doesn't deserve it.
01:24:59He's my friend, Cipri.
01:25:01Let me go!
01:25:02He was devouring the body.
01:25:07We think that the people we love
01:25:09It will always be there, but...
01:25:11But I can't leave his body there.