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00:00:05A ball? Those numbers?
00:00:07Whatever it is, I'll find out.
00:00:10The only heir to the throne is dying.
00:00:12They are the Dukes of Semoza.
00:00:14He was killed by a blow to the head, and she appears to have been suffocated.
00:00:17Mother Isabel de Montejo, recently arrived from the colonies to serve you.
00:00:21They say he has healed the dying with his own hands.
00:00:24It's true.
00:00:26Why are you in those fights?
00:00:27Don't interfere in my life.
00:00:29Mother Isabel has come to ask you for something.
00:00:32Given the proximity of your palace to the king's residence, I would like to stay here if you don't mind.
00:00:38Do you approve of adding them?
00:00:41What have you come for?
00:00:44The king has called me to alleviate the infant's pain.
00:00:47I don't know what you're trying to do, but I want you far away from here.
00:00:50That will happen, God willing.
00:00:52Satur!
00:00:53Satur, I've got it!
00:00:54These are the coordinates of a map.
00:00:55A lake.
00:00:58Appreciate yourself.
00:01:00We have a date with my parents, don't you remember?
00:01:03There may be something in there that will help me understand my origins.
00:01:06Your soul is stained with blood, Your Majesty.
00:01:09How dare you speak to me like that?
00:01:11A splendid stroke of genius, Madraladesa.
00:01:13You're coming to the show this afternoon, aren't you?
00:01:15An exotic dancer is coming, a drink with fire...
00:01:18Oh, and the human beast!
00:01:23I understand that your son disappeared several years ago.
00:01:26And he was found drowned in a well a few days later.
00:01:29Since then he has rested in the family mausoleum.
00:01:32He's lying.
00:01:33They see us spending more and more time together, they're going to start talking.
00:01:35No, well, let them talk.
00:01:36We haven't done anything.
00:01:37And we're going to do it.
00:01:38I am a married woman.
00:01:41Mother Isabel.
00:01:42The beast has the eyes of the devil.
00:01:46The heir's eyes are the most reliable way to recognize him.
00:01:49Each one is a different color.
00:01:52Are you telling me that the savage is from a long line of ancestors?
00:01:55Don't even think about apologizing to me.
00:01:57Since when have you become so moralistic?
00:01:59We're going to free him.
00:02:00The Portuguese conclave urgently demands His Majesty's signature.
00:02:04We must manage their pain with patience or we will not achieve our purpose.
00:02:17One table, six participants, and six pistols.
00:02:20Only one of them will be loaded.
00:02:23Count me in.
00:02:26They're disguised.
00:02:27I need to know what they're saying.
00:02:31A child's life is in danger.
00:02:33I need to know the exact location where you abandoned your child.
00:02:38Here it is.
00:02:39This is the exact location indicated on the map.
00:02:41That cross won't be the clue we're looking for.
00:02:51There it is.
00:02:52Is that what?
00:02:54The place we need to go.
00:03:04We need to go in that direction.
00:03:07The light shows the direction to go.
00:03:09That's clear.
00:03:10But how are we going to know where to stop?
00:03:12Don't know.
00:03:13But logically, the light should point to a specific spot.
00:03:16Or not?
00:03:19I can see it coming.
00:03:21We're going to start riding behind that light.
00:03:23We're going off the map.
00:03:24We're going to cross one sea, another sea.
00:03:25And we're going to end up like Marco Polo, circling the globe.
00:03:28That was Elcano.
00:03:30Marco Polo went to China.
00:03:31Excuse me, but I should know where Marco Polo traveled.
00:03:34I still remember once in Venice taking a gondola ride with him.
00:03:37He sold me a book he had just written about his trip.
00:03:40What he charged me.
00:03:40Satur, Marco Polo died more than three centuries ago.
00:03:46Three centuries?
00:03:47Well, the point is that going without knowing where you're going is silly.
00:03:51Besides, if the friar also hid this little ball, it must have been for a reason, I say.
00:03:55That's precisely why I have to go.
00:03:57That way I can find out who Agustín was and why he wanted to kill us.
00:04:01Come on.
00:04:04Look at that.
00:04:07It is in the eyes, my love, that he comes towards us.
00:04:18Dino a message.
00:04:20A message?
00:04:22Who could have sent us a message?
00:04:25Someone who has seen the light and has come to believe that we were Agustín.
00:04:27Are you saying that the friar used this little ball to contact someone?
00:04:32Oh, damn it, it's twisted up like a bullet, master.
00:04:35See you in two days at the pit of hell.
00:04:39At six o'clock.
00:04:41In the pit of hell?
00:04:42No?
00:04:45No?
00:04:55No?
00:04:58No?
00:05:06No?
00:05:29The death of the heir will shatter what little hope the people have left.
00:05:42I want you to make the official statement first thing tomorrow morning.
00:05:46Three days of mourning will be decreed, just as was done for the death of the previous heir, my son Tomás Carlos.
00:05:57So be it, Your Majesty.
00:06:13Lord, I ask you for my future child.
00:06:18May you be born healthy and be a boy.
00:06:24It is essential for the survival of the crown.
00:06:30I will end the wars if you so wish, but grant me an heir.
00:06:42Your Majesty, the Queen has had her first contractions.
00:06:55Notify me when the birth has occurred.
00:06:58I have matters of state to attend to.
00:07:03Your Majesty, my sincerest condolences.
00:07:14The king has asked God for a healthy man.
00:07:17Only in that case will he sign a peace treaty with Portugal.
00:07:19We are in the hands of nature.
00:07:23Nature is as easily manipulated as men themselves.
00:07:28The queen will have a son.
00:07:31And how can he be so sure?
00:07:32Could she be an infanta?
00:07:35I said that he will have a son.
00:07:52Lady.
00:07:54Catalina.
00:07:55What are you doing here, for God's sake?
00:07:57Excuse me, ma'am, I just stayed a little longer finishing up.
00:08:00Everyone is already asleep.
00:08:02Well, everyone except the madrasa who hasn't returned yet.
00:08:05Catalina already knew that.
00:08:06Well, if you don't need anything else, ma'am.
00:08:08You can leave.
00:08:10With God then.
00:08:11God be with you, Catalina.
00:08:35Subscribe to the channel!
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00:09:07Subscribe to the channel!
00:09:14Subscribe to the channel!
00:09:16Subscribe to the channel!
00:09:48Subscribe to the channel!
00:09:51And I came to see that you were alarmed.
00:09:53If you give me a moment, I'll change and we can go for a walk.
00:09:56Come on, hurry up.
00:10:02This man...
00:10:03It has everything manga.
00:10:06I can't wait to...
00:10:07Hello.
00:10:08Hello good.
00:10:09I can't wait to get to the caseja.
00:10:11I don't know if my feet hurt more from walking.
00:10:13or the head of listening to my wife.
00:10:15Well, if you don't know,
00:10:17Look at this man, he has everything.
00:10:18Off-the-shoulder sleeve.
00:10:19Oh, wait, let me help you.
00:10:22The lady has had a fine day today.
00:10:25As usual.
00:10:27And this?
00:10:32Oh, I know what it's going to be.
00:10:34A jewel?
00:10:35How did you end up without an engagement ring?
00:10:37Well, to make it up to you.
00:10:39No, Juan is in the bedroom
00:10:40and it can go down at any time.
00:10:41Let's see if it's just a glimpse.
00:10:43Let's see if it's made of diamond or what.
00:10:50Hey.
00:10:52This is not the noble one from the dance.
00:10:54Eugenia.
00:10:55Juan told me that they knew each other,
00:10:57But she never told me that they had a relationship.
00:11:00Well, woman, you haven't told Juan everything either.
00:11:03Everyone has a past.
00:11:05Already.
00:11:05Furthermore, this girl is not going to get married.
00:11:06that you're making her wedding dress yourself.
00:11:08That's it.
00:11:09Yes, but I don't understand why he keeps a portrait of himself.
00:11:12I have no memories of any man from my past.
00:11:15No.
00:11:15You only live with one.
00:11:21Come on, I know you don't believe in this stuff, but...
00:11:25But these are not fables.
00:11:26This is reality.
00:11:28Everyone knows that in the pit of hell
00:11:30It was where Torquemada slaughtered thousands of Jews.
00:11:33That's a myth.
00:11:35What Torquemada did do was convince the Catholic Monarchs to expel them.
00:11:39Yeah, and along the way, no more than one was aired out, right?
00:11:42As the name itself says, Torquemada, who burns every Tom, Dick, and Harry.
00:11:46If that was the worst of all the inquisitors there ever was.
00:11:55Haven't you heard that the smell of death there is so strong?
00:11:58It's because all the trees around us end up broken.
00:12:03Well, that's all there.
00:12:05Have you seen it?
00:12:06You don't need to see it to believe it.
00:12:08It's not called Pleasure Well, is it?
00:12:10It's called the Well of Hell, there must be a reason.
00:12:12Well, don't worry because it's just that, a name.
00:12:15That's clear.
00:12:16And how do you ensure that nobody knows where that place is?
00:12:19Satur, because it hasn't been used for almost two centuries.
00:12:23And don't insist anymore.
00:12:24I will find out where that place is and I will go and find it.
00:12:27And now come on, let's go.
00:12:28It's already late.
00:12:29One moment.
00:12:34There's something that's been on my mind all afternoon.
00:12:37ever since I saw that bird.
00:12:39Tell me.
00:12:40Your name is Red Eagle.
00:12:43And me, well, I don't have a name.
00:12:45He could call me the Red Falcon.
00:12:50Sounds good, doesn't it?
00:12:51The Red Eagle and the Red Falcon.
00:12:53No.
00:13:00I'm burning!
00:13:01I'm burning!
00:13:08Be careful, Hernán.
00:13:09What happened?
00:13:11The wind.
00:13:12He went to see her.
00:13:14Who has moved the open window?
00:13:16The whole palace could have burned down, and we with it.
00:13:19Calm down, Lucrecia.
00:13:20I can't calm down when I think that one of my guests has almost died.
00:13:24In my own house.
00:13:26Thank God the abbess wasn't there.
00:13:29Hernán, I want you to send someone to whip the servant who left the window open first thing tomorrow morning.
00:13:35What happened?
00:13:36An accident.
00:13:37The candelabra fell on the chest and caused a fire.
00:13:39It was fortunate that you were not in the madrasa's bedchamber.
00:13:45Did he have important things?
00:13:48Nothing that can't be replaced.
00:13:51Rest assured that I will replace everything I have lost.
00:13:55I'll have this mess cleaned up right away, in the meantime you can settle into my bedroom.
00:14:01Marquise.
00:14:04There's no need.
00:14:05She is, madrasa.
00:14:08After this unpleasant incident, my bedroom is the least I can offer you.
00:14:13I'll have the sheets changed immediately, I'll take care of it.
00:14:16You can go back to bed.
00:14:20Madrasa.
00:14:31Mother images.
00:14:32Mother of son Jordan.
00:14:41Mother says.
00:14:44Mother today.
00:14:47Mother.
00:14:48Mother.
00:14:49Mother.
00:14:49Mother's Day.
00:15:00It's me, Catalina.
00:15:06Cipri?
00:15:07Yes, yes.
00:15:12Hey, it's not the right time, I'll come back another time, okay?
00:15:15No, no, no. It's not a bad time.
00:15:17I usually go to bed late.
00:15:19Come on, I'm one of those people who read in bed.
00:15:21Have you learned to read?
00:15:24No.
00:15:26No, well, I'm working on it.
00:15:46Is that for me?
00:15:47Yeah.
00:15:49Well, I ended up making more than I needed, so I thought, I'll make two cakes.
00:15:53I mean, so that one of them doesn't just stay there dried out and stuff, well...
00:16:00Of course, you might not like it.
00:16:02I love it.
00:16:04I love cake.
00:16:25Okay, I won't bother you anymore. I'm leaving.
00:16:39I already know you're a married woman.
00:16:41Cipri.
00:16:41No, no, let me speak, because I already know what you have to say.
00:16:46You are a married woman.
00:16:49And besides, you're not married to just anyone.
00:16:53Your husband Floro, my best friend.
00:16:59But I...
00:17:02Look, I know it's not right.
00:17:08I understand that you don't feel the same way about me.
00:17:11But I...
00:17:15I love you.
00:17:23I'm sorry.
00:17:24I...
00:17:25I know it can't be, but...
00:17:27I love you too.
00:17:29As?
00:17:51It's being talked about in the gossip circles of San Felipe
00:17:53that the Inquisition is going to transfer a heretic to the Toledo prison.
00:17:58Don't tell me any more.
00:18:00And we're going to go ask those lost souls about the well of hell.
00:18:03Exact.
00:18:04So when we're done with this, get those horses ready.
00:18:08Look, he's going to release that heretic too.
00:18:11Of course, because he's one of them.
00:18:15What's with this obsession with denying God?
00:18:18If everyone knows it exists.
00:18:20And it's everywhere.
00:18:25Son.
00:18:27Time to wash up.
00:18:28But Dad, I washed myself last week.
00:18:31That's exactly why.
00:18:32Come on.
00:18:33You have a vice when it comes to cleaning.
00:18:35Lack of hygiene is what causes most diseases.
00:18:38And excessive hygiene too.
00:18:40So the grime serves its purpose.
00:18:43Yeah, but a little water wouldn't hurt you, would it?
00:18:46I?
00:18:49No one has ever complained to me about the smell of my body.
00:18:52Good morning.
00:18:53Lady.
00:18:54Tell me.
00:18:55Can I smell it?
00:18:57Bad, I mean.
00:18:58Oh, Satur, for God's sake.
00:18:59Well, you're backing down.
00:19:00It will be the boy.
00:19:01The heir has died.
00:19:03The people are hereby informed that His Highness, Don Felipe Próspero, has passed away.
00:19:08All churches will hold masses in his honor.
00:19:11Their Majesties, the King and Queen, ask the people to pray for his soul.
00:19:14Poor children and poor parents.
00:19:17Come then to God.
00:19:19With the hoops he had when he was here with us, poor Manolillo.
00:19:23I don't understand it.
00:19:24Why do all the king's children die?
00:19:27Because, like cousins marry cousins, aunts marry nephews, grandmothers marry brothers-in-law,
00:19:33Well, that good thing goes in the blood, well, it's not.
00:19:35And now?
00:19:37Because if the kingdom has more successors, the monarchy ends.
00:19:40No, the queen is expecting another child.
00:19:42That will be the future successor.
00:19:44Yes, yes.
00:19:45What if it's a girl?
00:19:46That women cannot reign, Father.
00:19:50We'll have to wait until the queen gives birth.
00:19:55No, no, no!
00:20:01Relax!
00:20:02No, no, no, no!
00:20:06No, no, no!
00:20:16No no!
00:20:21It's over now, don't worry.
00:20:44He is a man of eminence.
00:20:47Alright.
00:20:51Nothing else can be expected from women of her condition.
00:20:55But at least they usually produce healthy babies.
00:20:59Take care of him until we come for him.
00:21:01Don't worry, Your Eminence.
00:21:03I can ask him about the child's fate.
00:21:07She will be placed with a family who will give her everything she needs.
00:21:12But what about his mother?
00:21:15Tell her that her son was stillborn.
00:21:34Tell her that her son was stillborn.
00:21:57Get up, scum!
00:21:59I said get up!
00:22:20Lately, there have been mamuinos here, Aloncillo!
00:22:24It seems he had grown fond of the infant.
00:22:27I know.
00:22:28He even insisted, although he wanted to go to the offering at the lake, on praying for the future successor.
00:22:33Did she say yes?
00:22:35No.
00:22:37Excuse me for butting in, love, but what's the harm?
00:22:40That's just going to the lake, throwing the flowers in, and that's it.
00:22:43And the little boy is happy.
00:22:46Hey?
00:22:47We'll go, but this afternoon.
00:22:52With how little you are, Beato, and how devout the boy has turned out to be.
00:22:56Children need to believe in something.
00:23:00Already.
00:23:01And those who aren't so young anymore, too.
00:23:04And you'd better at least pretend to believe it.
00:23:08I wouldn't want him to end up like that heretic they have in Patoledo.
00:23:13Thank you for your concern, Sato.
00:23:17Take the joke.
00:23:20But he doesn't know how the Inquisition wears him out.
00:23:24Or have you heard of a device called the Judas Cradle?
00:23:27No.
00:23:30Well, they use it...
00:23:32...to open a hole like this right in your buttonhole.
00:23:43And the plant, heads, won't want it applied to it.
00:23:46It's you, they're here.
00:24:03You damned bastard!
00:24:10Damned!
00:24:12Damned!
00:24:41Where is the pit of hell?
00:24:46Where is?
00:24:49It's not a well. That's the catacombs under the Plaza Mayor.
00:24:57Make sure to place black crepe on all the palace doors.
00:25:01Especially at the main entrance.
00:25:03Yes sir.
00:25:11Mother, is all this really necessary?
00:25:15The Marquisate of Santillana must pay homage to the deceased heir.
00:25:18Why didn't you dress in black, like I asked you to?
00:25:21Because I don't like those clothes.
00:25:22Listen to your mother, Nuño.
00:25:24I already mourned my father's death for too long.
00:25:27And that's all, I don't really care about the death of the king's son.
00:25:34What your mother means is that you have to appear to care.
00:25:38Yes, but that wouldn't be lying.
00:25:40No, that would be politics.
00:25:43Very informative, Hernán.
00:25:46If you'll excuse me, I have a lot of work to do.
00:25:48The people are deeply affected by these deaths and tend to behave in unpredictable ways.
00:25:53Mother, from that one?
00:25:54Have you managed to get some rest?
00:25:56Yes, thank you very much, commissioner.
00:26:01Good morning, Lucrecia.
00:26:03Good morning.
00:26:04Good morning, mother.
00:26:06If that's not an excuse, I have to make sure my son gets up.
00:26:10Choose your clothing wisely.
00:26:14Come on.
00:26:21Oh, mother.
00:26:23What a wretched heir we have.
00:26:25Yeah.
00:26:27I have a letter for the Marchioness of Santillana.
00:26:29It's urgent.
00:26:36Don't worry, I'll give it to her.
00:26:40Catalina, one of the servants has fallen placing a crepe on the front door.
00:26:43Good heavens.
00:26:44I think he's broken his leg.
00:26:46With your permission.
00:26:59I've already deciphered the letters.
00:27:01I'll be waiting for her, as always, at the crossroads in Alcalá.
00:27:26My son.
00:27:29Don't make displacements.
00:27:31You've lost a lot of blood.
00:27:32I want to see where he is.
00:27:34He was stillborn.
00:27:39No, I heard him crying.
00:27:44Don't worry.
00:27:46You will soon recover and return to the cardinal's command.
00:27:49No, please, I won't force you with the cardinal, please.
00:27:56Inconsiderate.
00:27:58You should thank His Eminence for taking care of someone like you.
00:28:07Remove all of that.
00:28:14You can't take my son away from me.
00:28:17No.
00:28:36Catalina.
00:28:38Cibri, what are you doing here? You can't sit here.
00:28:46That?
00:28:47I couldn't wait for you to come out.
00:28:50I've been here all morning.
00:28:53Come on.
00:28:55Don't mess with my head.
00:28:58Catalina.
00:29:02Lady.
00:29:03What is this man doing here?
00:29:04Nothing, ma'am. She came to give me an errand, but she's leaving now.
00:29:07Thank you.
00:29:08With days, ma'am.
00:29:14Let this be the last time you discuss these matters in my house.
00:29:18If you want to meet men, you do it in the street.
00:29:21No, ma'am, it won't happen again.
00:29:22Is this all my correspondence?
00:29:24Yes, ma'am.
00:29:26Well, an emissary arrived with an urgent letter,
00:29:28But Mother Isabel told me she would take care of giving it to her.
00:29:35Stupid.
00:29:36How many times do I have to tell you that no one except me should touch my mail?
00:29:41I'm sorry, ma'am.
00:29:53How many times do I have to tell you that nobody…
00:30:03Let's go, ma'am!
00:30:06No?
00:30:06I'm sorry, ma'am.
00:30:13What's happening?
00:30:41Get on the horse.
00:30:43We can't stay here.
00:30:50Get on the horse.
00:31:04Wake up.
00:31:15The horse climbs.
00:31:17The horse climbs.
00:31:27Subscribe to the channel!
00:31:28Subscribe to the channel!
00:31:45Cipri, aren't you smiling?
00:31:47I?
00:31:48No?
00:31:50What do you mean, no?
00:31:50I saw you, I was smiling.
00:31:53Well, yes, what's up?
00:31:55Because this offering is not something to smile about.
00:31:59Besides, I've never seen you smile in my life.
00:32:01You are the most pitiful man I have ever met.
00:32:03Smile because I'm happy, okay?
00:32:07It's strange, Cipri.
00:32:08Yes, it's very strange.
00:32:13Be careful, son.
00:32:16Are you OK?
00:32:18Yeah.
00:32:21Because you said so?
00:32:23You're welcome, but if there's anything that's worrying you, you know you can tell me.
00:32:29Father!
00:32:42And that carriage?
00:32:48What do you think?
00:32:49This is what's coming.
00:32:51This place was known throughout the village.
00:32:54Here's a move that a brothel.
00:33:07Do you remember?
00:33:08About what?
00:33:10When I turned 14.
00:33:12We snuck out of my party and came here.
00:33:15My parents stopped speaking to me for a month.
00:33:18A relief, really.
00:33:24What's happening?
00:33:28We have to leave.
00:33:29I have patients waiting for me at the villa.
00:33:32My parents are not here.
00:33:35Could you come tonight?
00:33:38Tonight, of course.
00:33:39But let's go.
00:33:43That's what I like to hear.
00:33:45Your patients, yes.
00:33:47But your fiancée, too.
00:33:51Coachman!
00:33:52Let's go!
00:34:04So that he may be a boy and be healthy.
00:34:13Isn't that a woman?
00:34:30Isn't that a woman?
00:34:46Where is the commissioner?
00:34:47You're late, Lucrecia.
00:34:48We're waiting for you to eat.
00:34:55Something wrong?
00:34:57No.
00:34:58I'm perfectly fine.
00:34:59So why don't you sit down and eat?
00:35:01I'm not hungry, Hernán.
00:35:01No, mother, sit down now, you're not going to starve everyone.
00:35:03Okay, Muñoz.
00:35:33A little water?
00:35:34I'm not thirsty.
00:35:39There's nothing like giving drink to the thirsty.
00:35:52Excuse me, but...
00:35:53Catalina told me that she had been asking about the letter.
00:35:56I forgot to give it to her.
00:35:57Excuse me.
00:36:08Something wrong?
00:36:10No.
00:36:11Nothing.
00:36:16It's the shoemaker asking him to pick up some carp.
00:36:20The strange thing is that I haven't carried any booties.
00:36:24You have so many that you don't even remember them.
00:36:37No.
00:36:42It was her!
00:36:44It was her!
00:36:45Henna!
00:36:46Henna!
00:36:48Juan!
00:36:50Juan!
00:36:50We found it in the lake.
00:36:53Alonso.
00:36:54Margarita, take it away.
00:36:55Because?
00:36:57He is very weak.
00:36:58He is very weak.
00:37:07Easy to breathe, Cipri.
00:37:10It's still too early to know if he will live.
00:37:12We'll have to wait a few hours to see how he reacts.
00:37:14My God, so much blood.
00:37:18Juan, what have they done to you?
00:37:23She just gave birth.
00:37:36Has it not been illuminated?
00:37:38Where is the child?
00:37:49Serena, do you love yourself?
00:37:49It wasn't more than an accident.
00:37:51It was not an accident.
00:37:52It was her.
00:37:53He tried to kill me.
00:37:54Please, Lucrecia, are you listening to yourself?
00:38:05I found some encrypted letters in his trunk.
00:38:07She knows I took them.
00:38:10And where are those letters?
00:38:11I don't know, Hernán, I don't know.
00:38:12I had arranged to meet a man this morning to decipher them.
00:38:16I found Hernán dead in the forest.
00:38:21He killed him too.
00:38:23Let's see, not only does he have mysterious letters and tried to kill you, but he's also killed a
00:38:27man.
00:38:28Please, Lucrecia, she's a nun.
00:38:31Go and see for yourself.
00:38:36Lady.
00:38:38Commissar.
00:38:39Madam, the servants told me that they were cleaning the lamp this morning.
00:38:44Do you see it?
00:38:45An accident like last night's.
00:38:47Who was it?
00:38:50I don't know, sir.
00:38:52Gather the servants.
00:38:53You can leave.
00:38:56Lady.
00:38:59Someone will pay for this.
00:39:03Do you believe me?
00:39:05TRUE?
00:39:06Do you believe me?
00:39:08Do you think I'm making it all up?
00:39:15Lucrecia, you've been very nervous lately about the child.
00:39:17You're very upset, that's normal.
00:39:20Too many things have happened to you.
00:39:29I suppose it's very convincing when you're between her legs.
00:39:36Isabel is not what she seems, Hernán.
00:39:43All this is because of doing it, Lucrecia.
00:39:47You should feel flattered, but right now I feel sorry for you.
00:39:51What's happening?
00:39:53What's happening?
00:39:55Hernán!
00:39:57Hernán!
00:40:03Do it, Mary Most Pure.
00:40:05You're late.
00:40:07I'm sorry, father, but the meal has taken longer than usual.
00:40:11Already.
00:40:12My men have informed me of that.
00:40:14And also that you have been busy with other matters.
00:40:20Did he send someone to follow me?
00:40:22Distrust is the weakness of those who stay alive.
00:40:29So they must have informed him that the problem is solved?
00:40:33Yeah.
00:40:35And also that you have left behind the trail of a murder.
00:40:39But don't worry, I've already taken care of that annoying matter.
00:40:44I appreciate it, my dear.
00:40:46Save your thanks and be more careful.
00:40:48I will not be so forgiving if you jeopardize my aspirations again.
00:40:56By the way, we already have a baby boy.
00:41:00And whose is it?
00:41:04From God, like everyone else.
00:41:22The trail of blood leads from the lake to here.
00:41:27But the trail goes cold at this point.
00:41:30Poor Inés.
00:41:32No, and poor Cipri.
00:41:36Because if it's already hard for you, Mrs. Tabanón, imagine what it must be like for you.
00:41:40discovering that she has given birth to another man's chick.
00:41:49Cipri is one of those who climbs the bell tower!
00:41:52Imagine the drama!
00:41:55Don't you think we should get back together with him?
00:41:58Margarita is already taking care of him.
00:42:00Hey!
00:42:01Now I need you here.
00:42:03Sinés has just given birth.
00:42:04The baby may still be alive.
00:42:06Where is that baby from?
00:42:09What if she didn't abandon him?
00:42:11Or did he abandon her?
00:42:12Because?
00:42:22I don't know.
00:42:24Perhaps he was listening.
00:42:27But who was Inés going to hear from?
00:42:29We're always going to be seeing weird things here, fiction.
00:42:37Look at that branch.
00:42:38It has a fabric.
00:42:40There.
00:42:42Why is he so interested in that torn piece of cloth?
00:42:45It looks like a piece of Inés's sallo.
00:42:49I have no idea what happened to Inés.
00:42:51Nor where he has been all this time.
00:42:52But I assure you of one thing.
00:42:54No mother abandons her child.
00:42:56At least not under normal circumstances.
00:43:00You are right about that.
00:43:02Just thinking about that kid wandering around all alone,
00:43:04I get a lump in my throat, a knot in my stomach...
00:43:16Oh my God.
00:43:18Hold on tight to the rope.
00:43:20Let's see if by looking for Inés's son he's going to leave his own son an orphan.
00:43:47Let's see if by looking for Inés's son he's going to leave his own son an orphan.
00:44:25Let's see if by looking for Inés's son he's going to leave his own son an orphan.
00:44:36Come on!
00:44:41Come on!
00:44:43Come on!
00:44:45Come on!
00:44:47Come on!
00:44:47Come on!
00:44:52When we returned to the cell, she was no longer there.
00:44:57My generous donations to this convent have not seemed sufficient to you.
00:45:03You assured me I could trust you, and I believed you.
00:45:08I see I was wrong
00:45:10In his current state, he won't get very far.
00:45:15How is the child?
00:45:17She is being cared for by the novice who helped in the birth.
00:45:21I could retire you
00:45:32How is the queen?
00:45:33According to medical forecasts, she will give birth tomorrow afternoon.
00:45:39Okay, everything is ready to make the change
00:45:44Your Eminence, bringing a newborn into the Royal Palace is not easy.
00:45:48How are we going to do it?
00:45:51Tomorrow at first light my men will deliver the child to him in the passageway that connects the convent with the Palace
00:45:58Real
00:45:59You will take the hidden child to the Palace
00:46:01A few drops of belladonna will make him drowsy enough so that he doesn't cry.
00:46:07Once in the queen's bedchamber, you will find her doctors and her trusted lady-in-waiting.
00:46:13They already know what their role is.
00:46:15You're doing very well, Your Majesty
00:46:17I'm sure they won't betray us.
00:46:20It's in everyone's best interest for it to be a boy.
00:46:23I remind you that we are doing the crown a favor.
00:46:28As soon as the queen gives birth
00:46:31You will replace the princess with the child you are carrying
00:46:33It was a boy
00:46:35And they will place him in his arms as the future king of Spain.
00:46:41What if the queen finally gives birth to a son?
00:46:44What are they going to do with the child?
00:46:46Mother Elizabeth, the interests of the crown come first.
00:46:51It won't be difficult to get rid of a newborn.
00:46:56Don't you read the Bible?
00:46:59Remember Herod
00:47:04Let's be like that
00:47:05Before doing something crazy, you have to make sure.
00:47:08Because you are a hero
00:47:09But he is also a father
00:47:12If I'm not supposed to be there to grab the rope, we'll both leave.
00:47:15This for a piece of dirty cloth
00:47:18I mean, but it's not a dirty piece of cloth.
00:47:19That essay that Inés is missing
00:47:21In other words, they should have thought of another way to collect the milk.
00:47:24Because we still don't know where Inés came from.
00:47:26Neither why he was fleeing, nor where his son is.
00:47:28Take a look at this
00:47:33They look like initials
00:47:35Initials
00:47:38Whose initials?
00:47:39Saturn, I know
00:47:41But if we find the other half
00:47:42Perhaps we'll find out where Inés came from.
00:47:45Come on
00:47:48Hello good
00:47:50How are you?
00:47:53He has a high fever.
00:47:55And the child?
00:47:56We haven't found it.
00:48:00It will be alright, father
00:48:02I hope so
00:48:04Of course, Alonso
00:48:06Newborns seem like very helpless beings
00:48:08But then they are much stronger than we think
00:48:11Come on
00:48:15What an idiot!
00:48:18What an idiot!
00:48:22I've already left
00:48:23Inés is back
00:48:29This...
00:48:30Dying
00:48:35Dying, where?
00:48:37The pharmacy
00:48:40It is not yet known if...
00:48:43He will survive
00:48:48And what are you doing here?
00:48:49Why aren't you with her?
00:48:50Because?
00:48:53Because without him, Cipri
00:48:57I know what he did to you was very wrong.
00:48:59But...
00:49:00She's your wife
00:49:02No
00:49:04It isn't
00:49:08She abandoned me
00:49:12Cipri
00:49:13Even if that's not out of charity
00:49:15You have to be with her
00:49:16No
00:49:18I'm not going
00:49:29Here it is
00:49:33Bring some water
00:49:34Yeah
00:49:40Bring it here, I'll clean it for you.
00:49:42Wait, wait, wait
00:49:56A crown
00:49:57It is the emblem of a religious order
00:50:02How could it be from a religious order?
00:50:09I don't understand anything
00:50:09What's Inés doing among nuns?
00:50:12Because we already know she wasn't a nun.
00:50:14We must find this convent
00:50:15I'm sure they know what happened to the boy.
00:50:17So, let's see which one we start with.
00:50:18Because convents in the town
00:50:20There are as many as brothels
00:50:22No
00:50:22Inés, in her condition, could not walk much.
00:50:24So the convent has to be near the lake
00:50:46You can leave now if you want.
00:50:47I'll keep it.
00:50:48That?
00:51:01That?
00:51:08That?
00:51:10That?
00:51:11That?
00:51:22I was very lonely
00:51:25Very lonely
00:51:30And I fought with all my strength to prevent it from happening.
00:51:33But
00:51:35But I love him
00:51:41I'm sorry
00:51:42I'm sorry
00:51:45I'm sorry
00:52:10I'm sorry
00:52:13I'm sorry
00:52:15I'm sorry
00:52:44I'm sorry
00:52:47I'm sorry
00:52:50I'm sorry
00:52:53I'm sorry
00:52:55I'm sorry
00:53:00I'm sorry
00:53:01I'm sorry
00:53:06I'm sorry
00:53:09I'm sorry
00:53:32I'm sorry
00:53:35I'm sorry
00:53:50I'm sorry
00:53:53I'm sorry
00:53:54I'm sorry
00:53:57I'm sorry
00:53:59I'm sorry
00:53:59I'm sorry
00:54:01I'm sorry
00:54:27I'm sorry
00:54:32I'm sorry
00:54:51I'm sorry
00:54:55I'm sorry
00:54:56I'm sorry
00:55:24I'm sorry
00:55:24I'm sorry
00:55:26Exact.
00:55:32By arm, mother.
00:55:40Clear.
00:55:43I won't eat a little sideways jump, dude, it's easy.
00:55:46I took so many calafas with a salamander.
00:55:49My God.
00:55:51I hadn't seen one like that since I had to climb walls.
00:55:54To keep an eye on the novices in the nude.
00:55:56Sato.
00:55:58I need to go in there and see if she found the baby.
00:56:00Yes, of course.
00:56:02And how do you plan to do it?
00:56:04Because if the nuns were hiding something, they weren't going to tell you.
00:56:08I'll take this opportunity to record the moment now.
00:56:10They're all asleep.
00:56:13Very good.
00:56:14Very good.
00:56:15And I, meanwhile, if you don't mind,
00:56:18I'm going to keep an eye on the novices to make sure none of them wake up.
00:56:21No, Sato.
00:56:22You'd better stay here.
00:56:24Just in case.
00:56:32We're here.
00:56:59No no.
00:57:01Please don't shout.
00:57:03Don't be alarmed, no.
00:57:04I'm not going to do anything.
00:57:06I know it might seem strange to see me here at this hour, but...
00:57:10I'm looking for a child.
00:57:13His mother wore a habit from this convent, didn't she?
00:57:14You may have seen him around here.
00:57:21I don't know anything.
00:57:22I don't know anything.
00:57:22Leave.
00:57:22Are you sure, sister?
00:57:26If you know anything, please let me know.
00:57:29It's very important.
00:57:36A man!
00:57:38A man!
00:57:42A man!
00:57:52A man!
00:57:56A man!
00:57:57How did it fall?
00:57:58Where are you going?
00:58:02Where are you going?
00:58:02What's there?
00:58:07But what kind of place is this, one of those men's places?
00:58:17Don't you see him curing these poor wretches?
00:58:21in which my politician also has to be seen sometimes
00:58:24How could the maid have thought that?
00:58:27Come on, let's go, we have it and take us
00:58:33most holy virgin
00:58:39silence silence silence
00:58:42six pistols, one for each shooter
00:58:46only one of the guns will be loaded
00:58:51Only one of the shooters will lose his life
00:58:55who will be chosen by chance
00:59:42You can place your bets now
00:59:44No
00:59:48No
00:59:56No
00:59:58No
01:00:00No
01:00:00No, no, no.
01:00:31He hasn't been able to leave. He was here a moment ago.
01:01:24No, no, no.
01:01:30No, no, no.
01:01:32No, no, no.
01:02:01No, no, no.
01:02:03Commissioner, go and get some rest. Don't worry. I'll make sure no one disturbs you.
01:02:13Doctor.
01:02:22Calm down, Lucrecia.
01:02:24You are not alone.
01:02:28I will take care of you.
01:02:52Gamblers, stand aside!
01:03:00Only one gun will be loaded.
01:03:04Only one shooter...
01:03:07will lose his life.
01:03:11When the bell rings, fire.
01:03:43They take up arms.
01:03:54Abundant.
01:03:55Abundant.
01:03:56Abundant.
01:03:58No no.
01:04:00No no.
01:04:02No.
01:04:06No.
01:04:10No.
01:04:15No.
01:04:17No.
01:04:35No, no, no.
01:04:48No, no, no.
01:05:21No, no, no.
01:05:44No, no, no.
01:05:52No no.
01:05:54No no.
01:06:06No no.
01:06:08No no.
01:06:39No no.
01:06:40No no.
01:06:45No no.
01:06:58No no.
01:07:07No no.
01:07:13No no.
01:07:16No no.
01:07:42No no.
01:07:44No no.
01:07:45No no.
01:08:42No no.
01:08:57No no.
01:08:59No no.
01:09:55No no.
01:10:02No no.
01:10:04No, no, no.
01:10:36No no.
01:10:53No no.
01:11:07No no.
01:11:09No, no, no.
01:11:11No, no, no.
01:11:44No, no, no.
01:11:57No, no, no.
01:12:19No, no, no.
01:12:29No, no, no, no.
01:13:07No, no, no, no.
01:13:15No, no, no.
01:13:16No, no, no, no.
01:13:48No, no, no, no, no.
01:14:29No, no, no, no, no.
01:14:37No, no, no, no, no, no.
01:14:38Ines, Ines.
01:14:40Ines, Ines.
01:14:53Ines, Ines, Ines, Ines.
01:15:25Ines, Ines, Ines.
01:15:30Ines, Ines, Ines.
01:16:05Ines, Ines.
01:16:07Ines, Ines, Ines.
01:16:39Ines, Ines, Ines, Ines.
01:17:16Ines, Ines, Ines.
01:17:44Ines, Ines, Ines, Ines.
01:18:13Ines, Ines.
01:18:16Ines, Ines, Ines.
01:18:51Ines, Ines, Ines.
01:19:15Ines, Ines, Ines.
01:19:34Ines, Ines, Ines.
01:20:18Ines, Ines.
01:20:20Ines, Ines, Ines.
01:20:27Ines, Ines, Ines.
01:20:50Ines, Ines, Ines.
01:20:55Ines, Ines, Ines.
01:21:23Ines, Ines, Ines.
01:21:47Ines, Ines, Ines, Ines, Ines, Ines, Ines.
01:22:23Ines, Ines, Ines, Ines, Ines, Ines, Ines.
01:22:37He felt guilty about playing both sides.
01:22:42Since when has he been absent?
01:22:43For two months now.
01:22:45I have the plague, love.
01:22:46I'm dead.
01:22:48Where is Richard Plake's treasure hidden?
01:22:51I will never tell you where my husband's treasure is hidden.
01:22:54We have to forget everything that has happened.
01:22:56We owe it to Inés and Pri.
01:22:57What you're doing is very dangerous.
01:22:59Besides, we may never see you again.
01:23:01Her Majesty will be delighted to know that you are keeping the woman.
01:23:04who knows the whereabouts of a treasure that belongs to him.
01:23:06Would you send me to the orca?
01:23:13Come on!
01:23:22No stones follow me!
01:23:24Get me out of here!
01:23:26Get me out!
01:23:27I'm going to achieve what no other guard in the kingdom has ever achieved.
01:23:31I'm going to kill the Red Eagle!
01:23:33Come on!
01:23:35Come on!
01:23:35Come on!
01:23:36Come on!
01:23:37Thank you.
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