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00:00:32What happened? Who moved the open window?
00:00:36You're a married woman. But I love you.
00:00:41And now? Because if the kingdom has more successors, the monarchy ends.
00:00:45He is an eminent man.
00:00:47She will be placed with a family who will give her everything she needs.
00:00:57Where is the pit of hell?
00:00:58That's the catacomb that's under the Plaza Mayor.
00:01:02I have a letter for the Marchioness of Santillana.
00:01:04I've already deciphered the letters. I'll be waiting for her, as always, at the crossroads of the Camino de Alcalá.
00:01:08Can't you take my son away from me?
00:01:11How many times do I have to tell you that no one except me should touch my mail?
00:01:20This piano is smiling.
00:01:22I don't?
00:01:24Isn't that a woman?
00:01:32Let's see!
00:01:34Denna!
00:01:35Denna!
00:01:36Juan!
00:01:37She just gave birth.
00:01:39Let's see, not only does he have mysterious letters and tried to kill you, but he's also killed a
00:01:43man.
00:01:43It's not what it seems, Hernán.
00:01:45Everything is ready to make the change.
00:01:47What if the queen finally gives birth to a son?
00:01:49It won't be difficult to get rid of a newborn.
00:01:53Inés is back.
00:01:55It is the emblem of a religious order.
00:01:57What are you doing, Inés, among nuns?
00:01:59She was very lonely.
00:02:02Calm down, Lucretia.
00:02:03I will take care of you.
00:02:06Only one gun will be loaded.
00:02:09Only one shooter will lose their life.
00:02:14May God welcome you into his bosom.
00:02:22Where is the baby?
00:02:23Hang in there, for God's sake.
00:02:24If she hadn't entered, Lucretia would be dead now.
00:02:27He attacked me and I had to go get bandaged.
00:02:30Inés will be so happy when she sees the baby!
00:02:33Spain already has an heir.
00:02:35I will not give in to Portugal's wishes.
00:02:37Agnes!
00:02:39Agnes!
00:02:41It seems she has deprived a child of his mother for nothing.
00:02:44You will leave immediately for Puerto Rico.
00:02:46If he had had the strength to attack her, don't you think he would have tried to get out of the bathtub first?
00:02:50I love it, this is worse than they say.
00:02:54He's been smoking!
00:02:55I've lost it.
00:03:30Come on, you saw it just like I did.
00:03:32That man has disappeared right before our eyes.
00:03:36And if it can pass through walls, it means it's a spirit or a lost soul.
00:03:41Spirits do not exist.
00:03:42We're already dealing with him, he doesn't exist.
00:03:44So, what explanation does he give you?
00:03:47Hey?
00:04:16It's so hot in here!
00:04:19Now I understand why they call it the pit of hell.
00:04:22Because it's right next door.
00:04:32Mother, who gave birth to me.
00:04:35I mean, you.
00:04:36Don't move.
00:04:37There may be more traps.
00:04:47Come on, I'm not feeling very well.
00:04:50I seem to see things darker than usual.
00:04:55Love, please.
00:05:00Nothing.
00:05:02No, no, no, no.
00:05:06It's happening to me.
00:05:21The whole eye.
00:05:23But it's not just me.
00:05:24It doesn't move.
00:05:39Damn it, Alonso, what are you doing staring at me like that, like you're an owl?
00:05:42If I'm an owl, you're a groundhog, who's been sleeping for hours.
00:05:48What happened?
00:05:50My father said you should sleep here because you needed to rest.
00:05:54Are you feeling better?
00:05:56I feel like I've been put in a wood-fired oven because of the heat.
00:06:03And your father?
00:06:05My father has been with Margarita and Juan in Inés's land.
00:06:09But I've stayed here to take care of you. I'm going to make you breakfast.
00:06:12No, I'm getting up now.
00:06:13No, Satur, I'm not lifting you up.
00:06:15Yes, I'm getting up, let me.
00:06:18No, no, no, you're not getting up until you've recovered.
00:06:21Let's see.
00:06:23No, you still have a high fever.
00:06:26How are you, Cipriano?
00:06:27Of course, how could it be?
00:06:28He opened my mouth at your funeral.
00:06:31Satur, you're soaked.
00:06:33Come on, let me take off your shirt and give it a wash.
00:06:35No no.
00:06:35Can I give you some water?
00:06:36No, please, I'm not drunk.
00:06:41Why are you looking at me like that, as if I were an old donkey?
00:06:44This is just a minor cold.
00:06:46Well, it'll be a cold or whatever you want to call it, but you're not getting up from here until you've...
00:06:49lower your fever.
00:06:50Come on, let's prepare something hot.
00:06:52And leave me alone.
00:06:59Here, take it.
00:07:02Clear.
00:07:04On top of that, I'll put on his shirt, I'm fine, milk.
00:07:07Rest.
00:07:13Rest.
00:07:20Rest.
00:07:23Rest.
00:07:26Rest.
00:07:29Rest.
00:07:30Rest.
00:07:31Rest.
00:07:32Rest.
00:07:33Rest.
00:07:33Rest.
00:07:36Rest.
00:07:37Rest.
00:07:37Rest.
00:07:38Rest.
00:07:48Good morning, Mariana. Did you sleep well last night?
00:07:52Get out of here. I'm not even dressed.
00:07:54We give the orders here.
00:07:56My husband will make them pay for this outrage.
00:07:59I'm afraid not.
00:08:00The ship that was transporting him sank; there were no survivors.
00:08:04By now he must be on his way to hell.
00:08:06That's a lie.
00:08:09I admit that this is a setback we did not expect.
00:08:12We all lose out.
00:08:14However, Providence always offers us alternatives to shape our future.
00:08:20He just expects a little cooperation from us.
00:08:25Where is Richard Plake's treasure hidden?
00:08:29I'll never tell him.
00:08:32Let me take her to the dungeon. In a couple of hours she'll have changed her mind.
00:08:35Please, commissioner, that's no place for a lady.
00:08:42Do you know Mongolia?
00:08:45They say the conditions there are extremely harsh.
00:08:49It's so cold that the limbs end up rotting little by little.
00:08:55And when that happens, they have to amputate them.
00:08:59An ambassador from the Mongol king is visiting the court.
00:09:03She told me that her master is looking for a beautiful Western woman.
00:09:10I will never tell you where my husband's treasure is hidden.
00:09:16In six months I will send an emissary to see if you have come to your senses.
00:09:22You'll beg me to get you out of there.
00:09:28Commissar.
00:09:29Commissar.
00:09:34Commissar.
00:09:40When you close the deal with the Mongolian, will they come after you?
00:09:53Doctor.
00:09:58Juan.
00:09:59Juan.
00:10:10Juan.
00:10:41In the next phase, nausea develops, followed by high fever, angus, sentia, charcán, until it produces
00:11:09Death
00:11:23Sato, can you tell me what you're doing here?
00:11:26I've been looking for you for a while.
00:11:30I told you not to get up
00:11:33How are you?
00:11:36Go on, go back to bed, please.
00:11:40I have the plague, I love
00:11:42Sato, how can you have the plague?
00:11:47I am dead
00:11:49I've got a boil here and another one on my arm.
00:11:56And many more will come to mind.
00:11:58Look, you're not a doctor.
00:12:01It might be something else, let me see.
00:12:02No, no, no
00:12:05I don't know how to do it, I'll show you, but don't touch me.
00:12:23We will go outside the village
00:12:25I will take care of you
00:12:26No, no, I won't infect you, and you won't infect Alonso and Margarita.
00:12:31I leave where I go
00:12:32No, you just don't have any chance of surviving
00:12:35He can't hear me.
00:12:37I have the plague
00:12:38I am doomed and you can do nothing.
00:12:41So leave me alone
00:12:42I know a place in the woods where we can go
00:12:44And there I will take care of you.
00:12:45He doesn't understand.
00:12:48I can't do anything
00:12:49That's what's complicating everything.
00:12:50I'm not complicating anything.
00:12:51I'm going to Porquina to treat your wounds and I'll be right back.
00:12:54Don't move from here
00:13:15Do you want me to be mistaken for a peasant woman?
00:13:17Give me more
00:13:18My skin should look transparent.
00:13:24What's wrong, Catalina?
00:13:25You look awful this morning
00:13:30We've just come from the funeral of a friend, ma'am
00:13:32What's the problem?
00:13:37Finally, their suffering was over.
00:13:40Better dead than poor
00:13:45Lady
00:13:46Yeah
00:13:47A messenger has brought this little box on behalf of Mother Isabel
00:13:50I think it's a gift
00:13:51Open it
00:13:53And me, ma'am?
00:13:54Yes, you, open it
00:14:08A mold, ma'am
00:14:13Leave me alone
00:14:36All secrets are kept under lock and key.
00:14:38I didn't have time to find out what the cardinal was jealously hiding.
00:14:42I hope you'll share it with me if it's worthwhile.
00:14:46Lucrecia
00:14:46Sometimes life leads us to make mistakes
00:14:50Your friend
00:14:51Mother Isabel
00:15:03My dear cardinal
00:15:06I am writing to invite you to dinner.
00:15:09In my humble palace
00:15:13It's been a long time since I've enjoyed your company
00:15:16My rooms are empty without your presence
00:15:25Marchioness of Santillana
00:15:36Marchioness of Santillana
00:15:37Sato
00:15:41Sato
00:16:06Sato
00:16:21Marchioness of Santillana
00:16:24Marchioness of Santillana
00:16:25Marchioness of Santillana
00:16:26Marchioness of Santillana
00:16:44How did you find me?
00:16:46You once told me that you would like your remains to rest next to Philip II's chair.
00:16:51in the Escorial
00:16:53Since you couldn't live like a king, at least
00:16:56you wanted to die like that
00:16:58Do you remember?
00:16:59I do talk too much.
00:17:13Please do not approach either of them.
00:17:16That you
00:17:16We're going home
00:17:22I tell him not to come near.
00:17:27If you want to continue alone, you'll have to shoot me.
00:17:30What, don't you understand?
00:17:33I am dead
00:17:35If he comes with me, I'll infect him and then he'll die
00:17:37you too
00:17:39Satur, I'm going to take care of you
00:17:40I've brought medicine, if you're going to get better
00:17:42Don't swear to offending her!
00:17:46He can't hear me
00:17:48I've seen many die like that
00:17:50First comes the fever
00:17:52Then the cough with blood
00:17:56That makes you gag
00:17:58That make you vomit
00:18:01Not to mention the final decomposition of the body
00:18:04It looks like you're rotting from the inside out.
00:18:08Satur, listen to me, you're not going to die
00:18:10I will not allow it
00:18:13Give me the gun
00:18:17I'm going to shoot him, I love him
00:18:19I'm sorry
00:18:20I feel it too.
00:18:35The visit of the ambassador of the Mongol king
00:18:37It's certainly being uncomfortable.
00:18:41Their customs are somewhat strange.
00:18:44We must protect our interests in that part of the world, Your Majesty
00:18:49You are right, Cardinal
00:18:51And their gifts are extremely luxurious
00:18:54We will have to reciprocate.
00:18:56Leave it on my account
00:18:57I believe I have something that will fully satisfy you.
00:19:03It seems the heir is asleep
00:19:06I've brought you a small gift that I hope you'll like.
00:19:10A silver rattle
00:19:25Listen
00:19:34The plague!
00:19:36He has the plague!
00:19:37To me, the guard!
00:19:39Get her out of here immediately, quick!
00:19:48No, Your Majesty
00:19:49You must leave the villa immediately
00:19:52You and your whole family
00:19:54We must protect the life of the heir
00:20:03Not the plague again
00:20:07Cardinal, do whatever is necessary to prevent the disease from spreading.
00:20:12Whatever
00:20:22What a day!
00:20:23I've seen him very affected in Inés's entirety.
00:20:30She was my friend
00:20:32Already
00:20:34He was in very bad shape, it was Cipri
00:20:36I was very much in love with her
00:20:38I think he'll never forget her
00:20:43Catalina
00:20:44This is the new
00:20:46Holy Virgin, what a sight!
00:20:48I don't even know where to begin
00:20:49Where did you come from, little girl?
00:20:52From the orphanage
00:20:54I need the job, ma'am
00:20:56Please
00:20:57Well, we'll see how we do it.
00:20:58Because if the marchioness sees you like that, she'll kick you out.
00:21:01Holy Virgin, I don't even want to imagine what might be in there.
00:21:09Marten
00:21:09Bring him a glass of warm milk
00:21:12We'll have to go home for a little while.
00:21:14But is something wrong?
00:21:15I'll explain it better on the way.
00:21:18Catalina
00:21:19I have to step out for a moment, I'll be right back.
00:21:21Don't worry
00:21:22God be with you.
00:21:30Look, little creature
00:21:31The marchioness would never allow someone like that to work in her palace
00:21:35You know?
00:21:36Catalina
00:21:37Lady
00:21:38The cardinal is coming to dinner tonight.
00:21:41Forget the turkey and prepare roe deer, you know how much he likes it
00:21:43Yes, ma'am
00:21:51Is that it, Catalina?
00:21:53She's the new maid, ma'am
00:21:54I told him last week that I would be coming today
00:21:57But don't worry, I've already told him he has to leave.
00:22:05Come up to my bedroom
00:22:07Excuse me, ma'am
00:22:07Have Catalina come up to my room immediately.
00:22:18That's why you're tickling me.
00:22:19Focus
00:22:20Or we'll never finish.
00:22:23Father
00:22:24Why do you have to wash me?
00:22:25I already know how to wash myself.
00:22:26That way I can clean you more thoroughly.
00:22:29Go on, turn around
00:22:35I'm going to check if you have lice, okay?
00:22:38Father
00:22:38Everyone has lice
00:22:40Well
00:22:42Where are you, Arthur?
00:22:48I sent it to Toledo
00:22:49Ah, for some parchments
00:22:53Here's a lump
00:22:55It was Adrian, the baker's son, who threw a stone at me, the brute.
00:23:03Well, that's it.
00:23:04See? It wasn't so difficult after all.
00:23:06Get dressed
00:23:20Well
00:23:21Neither Alonso nor I have anything
00:23:24Have you looked at yourself closely?
00:23:26Yeah
00:23:26The only thing on the back that didn't arrive properly
00:23:31And Juan?
00:23:32Are you a doctor?
00:23:33Juan is not here, Gonzalo
00:23:35And this is very serious.
00:23:36Can you look at me, please?
00:23:45And what are you?
00:23:51TRUE?
00:23:53Vad?
00:23:57TRUE?
00:23:58TRUE?
00:23:59TRUE?
00:24:00TRUE?
00:24:02TRUE?
00:24:29You have nothing.
00:24:32Thank you.
00:24:36Margarita, I have taken Sátura to a refuge in the forest.
00:24:39It is to the north, near the junction with the Burgos road.
00:24:43If anything happens, let me know.
00:24:44What do you mean, you've got an idea, Gonzalo?
00:24:47I'm going to stick with Sátura until...
00:24:50until the very end, if necessary.
00:24:53But, Gonzalo, can you get infected?
00:24:55That's not going to happen.
00:24:56What do you mean it's not going to happen?
00:24:58Of course it can happen.
00:25:00What you're doing is very dangerous.
00:25:02Besides, we may never see you again.
00:25:42Can you leave?
00:25:57Do you have very beautiful hair?
00:26:00I've been told that life in the orphanage is very hard.
00:26:04Yes, ma'am.
00:26:06But I'm going to do my best. You won't regret hiring me.
00:26:10Were you lucky that they didn't carry it for you?
00:26:13Wigs for noblewomen are made with the hair of orphaned girls.
00:26:20How did you do it?
00:26:24Have you met Valo?
00:26:25No, no, ma'am.
00:26:27Don't lie to me. Have you met him?
00:26:30Yes, ma'am.
00:26:33I care more. Stand up.
00:26:42You have white, beautiful, soft skin.
00:26:56Do you like my dress?
00:27:00Yes a lot.
00:27:01How far would you be willing to go to achieve it?
00:27:05As far as necessary, ma'am.
00:27:08A very appropriate response.
00:27:12In a dress you'll be a perfect dessert.
00:27:15I will order that you be powdered.
00:27:35Dad!
00:27:35Father, well done!
00:27:40Juan.
00:27:42I was just about to see you.
00:27:44Are you going somewhere?
00:27:45My parents are returning from France next month.
00:27:48And I have to oversee the preparations at his palace.
00:27:51Do you want me to accompany you?
00:27:53Thank you, it's not necessary.
00:27:56Well, then...
00:27:57Well, when you come back, let's see if we can go for a picnic in the countryside one day.
00:28:00It's been a long time since we spent time together.
00:28:03I don't miss you.
00:28:12This is how you say goodbye to your future wife.
00:28:17From the room.
00:28:25Thank you, no!
00:28:27Thank you!
00:28:32Thank you!
00:28:56Love.
00:29:05Ouch!
00:29:12You need to conserve your energy.
00:29:18You need to rest.
00:29:21How are you feeling?
00:29:26Let me go.
00:29:28I'm not a dog.
00:29:33But you even want to decide about my death.
00:29:37Go on, have a drink.
00:29:42It's just not...
00:29:44I can't explain it, love.
00:29:47How can you appreciate me so much?
00:29:52My life is worthless, but yours is.
00:29:54Your life is worth the same as mine.
00:29:57And now drink.
00:30:03You'll have to forgive me, but if I die, nothing is lost.
00:30:09Instead, you are the people's hero.
00:30:14He just doesn't understand.
00:30:16I'm going to achieve what no other guard in the kingdom has ever achieved.
00:30:21I'm going to kill the Red Eagle.
00:30:28Rest.
00:30:32I haven't done anything that's been mentioned.
00:30:38If I kill you...
00:30:43For God's sake, I'm not going to take that burden to the grave.
00:30:47Let me go.
00:30:49I'm not going to let you go.
00:30:52So, if you need anything, I'm out.
00:31:07Cipri.
00:31:11This morning at the funeral I wasn't able to approach you to offer my condolences.
00:31:16I'm sorry, Cipri.
00:31:18I feel it in my soul.
00:31:20Thank you.
00:31:23I couldn't even look you in the face with Inés still there.
00:31:26In person.
00:31:27I understand, Catalina.
00:31:28Thank you.
00:31:31Cipri, I've realized that...
00:31:33What started badly...
00:31:35It ended in the worst possible way.
00:31:37And it can't be.
00:31:40What do you mean?
00:31:42We have to forget everything that has happened.
00:31:45We owe it to Inés and...
00:31:47It's over.
00:31:54By order of His Majesty the King, all the inhabitants of the neighborhoods of San Felipe are summoned.
00:32:03barefoot and stables in the Plaza de la Justicia this afternoon at six.
00:32:08By order of His Majesty the King, all the inhabitants of the neighborhoods of San Felipe are summoned.
00:32:17barefoot and stables in the Plaza de la Justicia this afternoon at six.
00:32:22By order of His Majesty the King, all the neighborhoods of San Felipe, the barefoot nuns and stables are summoned
00:32:32in the Plaza de la Justicia this afternoon at six.
00:32:35in the Plaza de la Justicia this afternoon at six.
00:32:36By order of His Majesty the King, all the neighborhoods of San Felipe, the barefoot nuns and stables are summoned
00:32:44in the Plaza de la Justicia this afternoon at six.
00:32:46Or will he not be dead?
00:32:47Yes sir.
00:33:02Forward.
00:33:09Marquise.
00:33:11Thank you for coming.
00:33:13I know you have worked for the cardinal for many years.
00:33:17That's how it is.
00:33:18I have had the pleasure of being at your service for more than a decade now.
00:33:21Spare me that fake modesty, Lackey.
00:33:24Everyone knows that the church is not very generous with its servants.
00:33:31Which door does this key belong to?
00:33:34Do you know what the cardinal keeps here?
00:33:37I don't know what it holds.
00:33:47However, I think I could guess which door it corresponds to.
00:33:51Brilliant.
00:33:52Tonight I will visit the cardinal's palace.
00:33:55Make sure the service doesn't see me.
00:33:57And the cardinal, my lady marchioness?
00:33:59Don't worry about that.
00:34:00His Eminence will be very busy tonight.
00:34:07Just in case you get those very Christian pangs of remorse at the last minute.
00:34:11Can you leave?
00:34:27Get me out of here!
00:34:29Get me out of here!
00:34:35Do you know Mongolia?
00:34:37It's so cold that the limbs end up rotting little by little.
00:34:44And when that happens, they have to amputate them.
00:34:54By now he must be on his way to hell.
00:34:59From the ship that brought Daban to a frigate.
00:35:01No survivors.
00:35:28No survivors.
00:35:41Lola de A.
00:35:42Lola de A.
00:35:45Lola de A.
00:35:57Lola de A.
00:36:02Why have they gathered us all here?
00:36:04They're going to serve us stew to celebrate the birth of the future king.
00:36:07Tivo, for a celebration, I don't see much of a garland.
00:36:10Look at Cipri.
00:36:12Cipri!
00:36:18How do you do it?
00:36:21Here we go.
00:36:22Papalina?
00:36:25Hello.
00:36:26Hello.
00:36:28Do you know why they called us?
00:36:30Don't know.
00:36:31But I've heard they're doing the same thing in every square of life.
00:36:35He's probably on your side with my father, but he's coming.
00:36:37He's coming any minute now.
00:36:38You'll see, okay?
00:36:42Mother.
00:36:44So I won't be able to greet him.
00:36:46Of course, son.
00:36:46He's your father.
00:36:49Papalina!
00:36:58Papalina!
00:36:59Because?
00:37:00If we haven't done anything.
00:37:01I don't know what's going on.
00:37:03No one should leave the square without being inspected.
00:37:06If they try to escape, shoot to kill.
00:37:13Careful!
00:37:14Careful!
00:37:15Careful!
00:37:15Careful!
00:37:19Doctors, come in!
00:37:20Come on, for God's sake, tell me once what the basa is!
00:37:22Careful!
00:37:22Let go!
00:37:28Guard!
00:37:28Guard!
00:37:29I don't have anything!
00:37:31For God's sake, tell me once what the base is!
00:37:34Not what you have here!
00:37:36Don't take me!
00:37:38No, don't take me!
00:37:39No!
00:37:41Guard!
00:37:43Guard!
00:37:44Guard!
00:37:45Guard!
00:37:45Guard!
00:37:46Guard!
00:37:47Guard!
00:37:53Guard!
00:37:55Guard!
00:37:59Guard!
00:38:00Guard!
00:38:02Guard!
00:38:03Guard!
00:38:03Guard!
00:38:05Guard!
00:38:06Guard!
00:38:07Guard!
00:38:08Guard!
00:38:09Guard!
00:38:10Guard!
00:38:11Guard!
00:38:12Guard!
00:38:12Guard!
00:38:13Guard!
00:38:14Guard!
00:38:15Guard!
00:38:15Guard!
00:38:15Guard!
00:38:16Guard!
00:38:16Like her. Come on!
00:38:18Javi, no!
00:38:19Javi, no!
00:38:21To the bear!
00:38:22To the bear!
00:38:24Javi!
00:38:25Javi, no!
00:38:27Javi!
00:38:28Javi, no!
00:38:44They have left everything perfectly arranged.
00:38:48I hope the lack of service doesn't ruin the night.
00:38:51I've had to send them all for plague inspections.
00:38:55You did very well.
00:38:59In 1956 I had the misfortune of experiencing a plague outbreak in Naples firsthand.
00:39:05You can believe me, you can never be too careful.
00:39:09If they bathed more often, they wouldn't cause us so many problems with those poor people's diseases.
00:39:14Don't worry.
00:39:16We can discuss certain matters in greater depth this way, alone.
00:39:24Irene.
00:39:26Good night, uncle.
00:39:29You still look unwell.
00:39:32Perhaps you should have seen a doctor.
00:39:34It's not necessary.
00:39:36I'm fine.
00:39:37It will be marriage.
00:39:39Sometimes it feels great, but other times it consumes the spouses.
00:39:42Does the commissioner demand a lot of your attention?
00:39:44Don't worry, I'm just a little tired.
00:39:48If you'll excuse me.
00:39:58As I was saying, without the usual indiscretion of the servants, we can be more at ease, don't you think?
00:40:06The truth is that...
00:40:09I owe you an apology, Your Eminence.
00:40:11An unexpected situation has come up.
00:40:14And I won't be able to join them tonight.
00:40:21So why didn't you bring them here?
00:40:24You know very well that I am a very busy man.
00:40:27I know, Your Eminence, I know.
00:40:29That's why I've thought of something that would make your visit to my palace worthwhile.
00:40:33Wait.
00:40:46I present to you my new protégé.
00:40:50Just as I needed it at the time,
00:40:53She now needs his valuable guidance to know how to move forward
00:40:56through the winding paths of life, Your Eminence.
00:41:02It will be a great honor to hear your advice, Cardinal.
00:41:07I'll leave you two alone so you can get to know each other.
00:41:10Of course.
00:41:12For certain obligations of the hierarchy,
00:41:15God must be the only witness.
00:41:19Eminence.
00:41:40Not eating is stupid.
00:41:44The weaker it is, the easier it is to fight the disease.
00:41:46I don't plan to eat or see anything until he leaves me alone.
00:41:49You see, peaceful resistance or whatever you want to call it,
00:41:51But I don't plan to do it.
00:41:54Lift it!
00:41:56Saturn!
00:41:56Bring him closer, for God's sake!
00:42:00How are you?
00:42:05Gonzalo, the commissioner, is arresting all the sick people.
00:42:07so that the plague does not spread.
00:42:09They take them to the royal slaughterhouse to confine them there and leave them to die.
00:42:13I've told you, love.
00:42:14I will be responsible for the death of a lifetime.
00:42:17Go away, stay alone.
00:42:19And Alonso?
00:42:20She is with Catalina at her house.
00:42:22Okay, go with him. I'll come get you as soon as I can.
00:42:25Gonzalo, the commissioner, has also taken Estuerda and Gabi.
00:42:31Son of a bitch.
00:42:34It's best if you leave.
00:42:36Please be very careful.
00:42:39Let me go, master.
00:42:41I have to go find Estuerda.
00:42:46Let me go.
00:42:47Let me go, or I'll take that bastard down with me.
00:42:53Let me go, my love, for God's sake.
00:42:55Please, let me go.
00:42:56May it be the best thing I've ever done in my life.
00:42:59I wish it were the plague and not me.
00:43:01Saturn, you will see your son again, I promise you.
00:43:05I love.
00:43:07Love, don't leave me here, for God's sake.
00:43:09I love.
00:43:10I love.
00:43:11I love.
00:43:36Who are you?
00:43:37And you?
00:43:39Now the cardinal sends his whores to do his dirty work.
00:43:48Don't even think about it.
00:43:51Why is the cardinal keeping you locked up?
00:43:54Free me and I'll tell you.
00:43:56Why are you here?
00:43:58I am the wife of pirate Richard Blake.
00:44:01The commissioner and the cardinal were holding me.
00:44:03Hoping that my husband would hand over his treasure to them.
00:44:07The cardinal and the commissioner.
00:44:09Help me escape, please.
00:44:11Think of it.
00:44:21Please help me.
00:44:22Help me, please, they want to sell me.
00:44:24Please don't leave me here.
00:44:26Help me.
00:44:36Help me, please, don't leave me here.
00:44:44Help me, please, don't leave me here.
00:44:45Help me, please, don't leave me here.
00:44:46Help me, please, don't leave me here.
00:44:46Help me, please, don't leave me here.
00:44:46Help me, please, don't leave me here.
00:44:46Help me, please, don't leave me here.
00:44:47Help me, please, don't leave me here.
00:44:48Help me, please, don't leave me here.
00:44:50Help me, please, don't leave me here.
00:44:51Help me, please, don't leave me here.
00:44:54Help me, please, don't leave me here.
00:44:55Help me, please, don't leave me here.
00:44:57No, no, no, no.
00:45:27No, no, no, no.
00:45:56Alonso, I didn't see you in bed and I got scared.
00:46:13What's the matter?
00:46:17Where is the Red Village?
00:46:21She always appears when we need her.
00:46:25He might be sick too.
00:46:28If not, why hasn't he appeared in the square?
00:46:31Don't know.
00:46:34I'm not going to see Gaby again.
00:46:36Anymore.
00:46:37Of course you'll see him again, my love.
00:46:40Of course.
00:46:42When will life get better, Auntie?
00:46:45When do good things start?
00:46:49Good things are already happening, my love.
00:46:54They are everywhere.
00:46:57It's just that sometimes you have to...
00:47:00We must be vigilant so that the bad ones don't prevent us from seeing them.
00:47:24You're not one of those outcasts, are you?
00:47:27Go to the kitchen and have another maid come up to serve us.
00:47:34You're a real man of your own.
00:47:36I am the Marquis of Santillano.
00:47:38They need to learn to respect me.
00:47:40It's fine, but don't worry, it's just a cold.
00:47:43I personally made sure that none of the servants were infected.
00:47:47Good morning, mother.
00:47:51Good day, son.
00:47:55Would you mind leaving us alone?
00:48:04Are you waking up now?
00:48:06I suppose dinner with the cardinal went on late last night.
00:48:10But not in the way you imagine.
00:48:12Surprise me.
00:48:15While he was enjoying himself in my palace,
00:48:17I made an urgent visit to his.
00:48:20I discovered that he has Richard Blake's wife locked in a room.
00:48:24What a surprise.
00:48:25Don't take me for a fool, Hernán.
00:48:27How long have you been doing business independently?
00:48:29Lucrecia, our collaborations were always the result of a shared interest.
00:48:33Never out of obligation.
00:48:35They no longer make sense.
00:48:38Alright.
00:48:40Her Majesty will be delighted to know that you are keeping the woman.
00:48:43who knows the whereabouts of a treasure that belongs to him.
00:48:45What would you call that, Hernán?
00:48:48High treason.
00:48:50Would you send me to the gallows?
00:48:52It would only be a small price to pay.
00:48:55For everything I would gain in return, don't you think?
00:48:57Although the king will destroy us.
00:49:00The cardinal would make one last request before he died.
00:49:03Your head.
00:49:06By the way, the pasta was exquisite.
00:49:11Come on!
00:49:15Come on!
00:49:26Come on!
00:49:44Come on, Tartul! Go on!
00:49:47Look at me, Father!
00:49:49I don't know, son!
00:49:50Enough!
00:49:52No! Ah! Ah! Ah! Ah! Ah! Ah! Ah!
00:49:57Dad! Dad! Dad! Dad!
00:49:59I don't have the plague!
00:50:01They're just smallpox scars! Shut up!
00:50:02Let go of my son, at least! Continue! Come on!
00:50:06Ah! Ah!
00:50:10Ah! Ah!
00:50:27Catalina, where is my lackey?
00:50:29Sir, since you don't move the handkerchief away from your mouth a little, nobody can understand you.
00:50:33Where is my lackey, Catalina?
00:50:37He has not yet returned from the inspection of the square.
00:50:41Did he have the plague?
00:50:47Burn it! Burn all my clothes! And the sheets!
00:50:50As you wish, sir. Do you want us to set fire to the curtains too?
00:51:10Nothing gets burned here until your mother says so. And that's not all. As if we didn't have enough work...
00:51:15Catalina!
00:51:21Is it all there?
00:51:22Except for Miss Irene's, but she says it's not necessary, she'll do it herself.
00:51:25Yes, of course. And the marchioness finds out and kicks me out for allowing it.
00:51:29She already did it last month, Catalina.
00:51:31What, you haven't given us your underwear for two months?
00:51:34But what were you thinking, Marta? How much were you thinking? Tell me!
00:51:37No. But something's wrong with Miss Irene. Is she sick?
00:51:40Catalina!
00:51:48Catalina!
00:52:00Stop, Ricardo!
00:52:02Oh!
00:52:03Get up!
00:52:07No, no, no! Stand up for whatever you hold most dear!
00:52:09Oh! Be quiet!
00:52:10Wait, please say goodbye!
00:52:13No, please, don't do anything!
00:52:15No, don't shoot! Please, have mercy!
00:52:18No, please!
00:52:49No, please, have mercy!
00:53:03You could infect your family members.
00:53:05For now, hide in the abandoned Dominican convent.
00:53:09I will make sure you have enough food and water.
00:53:15Gaby!
00:53:18I just wanted to ask him for a pen.
00:53:30Come on, please!
00:53:32I swear I don't know where he is.
00:53:37Where are you hiding your son?
00:53:38I swear I don't know where he is.
00:53:41We've been betrayed. We know he has the plague.
00:53:43Speaks!
00:53:44I swear I don't know where he is.
00:53:48When you're finished with him, take him to the others.
00:54:09Your methods are always so delicate, Commissioner.
00:54:15Out of fear of such delicacy, the neighbors have begun to betray one another.
00:54:18I hope that will be more effective than the brawl you organized yesterday in the square.
00:54:23By the way, my patience has run out.
00:54:26Today I will speak with the Mongolian ambassador to proceed with the sale of Richard's wife.
00:54:31Blake.
00:54:32If Your Eminence will allow me to exist, let me spend two days with her in the dungeon and I will tell you where the
00:54:38treasure.
00:54:38It would save you a lot of effort.
00:54:43Your crude methods have a limited capacity for persuasion, Commissioner.
00:54:49There are more refined methods for prolonging suffering.
00:54:52What that woman will experience in Asia will be the constant drip of anguish.
00:54:58Sooner or later, he'll want nothing more than to hand over the treasure to me.
00:55:06You may continue.
00:55:07Eminence.
00:55:13Sir, the doctors have confirmed that four of the prisoners have the plague.
00:55:19Take your men and take them to the sick.
00:55:22Yes sir.
00:55:24Yes sir.
00:56:05This!
00:56:06Guasa and Gaby are now safe.
00:56:22No, no, no, no.
00:56:58Since when has he been absent?
00:57:01For two months now.
00:57:03And has the marriage been consummated?
00:57:08He changed rooms so he wouldn't have to sleep with me. He's never touched me.
00:57:13And what does he plan to do? Because the commissioner will know that the child is not his, but Martín's.
00:57:19Martin is safe. He's far away.
00:57:33And who do you think will pay then?
00:57:41Your baby, yes.
00:57:44Because he will not allow her to live.
00:57:46I've seen all my life what men do to their bastard children and it's horrible, believe me.
00:57:53Is that what you want for your child?
00:57:57I won't let anything happen to that child, Irene. He's my own flesh and blood.
00:58:03So what can I do?
00:58:06He has to consummate the marriage.
00:58:10Can't.
00:58:12Can't.
00:58:13She's going to be a mother.
00:58:15Stop feeling sorry for yourself and take responsibility for your actions.
00:58:20It's about time she accepted that she's a grown woman.
00:58:24Go to bed with the commissioner and make him believe that he is the father of the child she is expecting.
00:58:54Subscribe to the channel!
00:59:05Come on, doctor.
00:59:07Let her go.
00:59:12Roast it right now.
00:59:15Don't be late.
00:59:20No.
00:59:23No.
00:59:23No.
00:59:24No.
00:59:25No.
00:59:26No.
00:59:36Please help me.
00:59:39I am not sick.
00:59:40My mother has died.
00:59:48Is that wrong, kid?
00:59:51Put it on.
00:59:54Get out of here and don't say a word to anyone.
00:59:58On the other side of a guard's door.
01:00:00She is escorted to the guard post.
01:00:04Put this in your mouth.
01:00:05Thank you.
01:00:07Thank you.
01:00:10Thank you.
01:00:18Thank you.
01:00:21Thank you.
01:00:23Thank you.
01:00:26Thank you.
01:00:27Thank you.
01:00:28Thank you.
01:00:30Thank you.
01:00:31Thank you.
01:00:32Thank you.
01:00:34Thank you.
01:00:46Open up! Open up! Open the door!
01:00:52Open up! Open up!
01:00:54Others have tried it before.
01:00:57Here, have a drink of water.
01:00:59He will calm down.
01:01:02Okay! Let's go!
01:01:16Get me out of here! Get me out of here! I'm the commissioner!
01:01:22Now he thinks he's the commissioner of life.
01:01:25I've been under the impression that you all are queen for a while now.
01:01:29All women are queens.
01:01:33Rest, your fever is rising.
01:01:36I see some water. That'll do me good.
01:01:40Nobody deserves to die like that.
01:01:43In this place.
01:01:48Get me out of here!
01:01:50I'm the commissioner!
01:01:51Get me out of here! Get me out of here! I'm not here, brother!
01:01:54Out! No, not out!
01:01:56Out!
01:01:59Open up! I'm the commissioner!
01:02:01Get me out of here! Get me out!
01:02:07It's a mistake! It's a mistake!
01:02:10But where could he be, Gonzalo?
01:02:13Don't know.
01:02:15I've looked everywhere for it.
01:02:18He's probably out there wandering the roads.
01:02:20What if they catch him, Gonzalo?
01:02:21No, I know Satur.
01:02:23He wants something.
01:02:24I don't know what it is, but I'll find out.
01:02:27Father, take this.
01:02:29Keep this safe so it doesn't get lost.
01:02:31These are my school assignments.
01:02:33Don't worry.
01:02:34Where is Satur?
01:02:37Because if he's not there, we can't leave.
01:02:42Satur...
01:02:42What's happening?
01:02:46Alright?
01:02:48Father, please tell me.
01:02:52Satur has the plague.
01:02:53That?
01:02:58Is he dying?
01:02:59No no.
01:03:00Okay, Alonso.
01:03:02Alright.
01:03:03But now we have to go.
01:03:04OK?
01:03:05No, let's go.
01:03:06I'm not leaving without Satur.
01:03:08Imagine he comes back and we're not there.
01:03:09Don't worry.
01:03:11But no, father.
01:03:14I'm not leaving without Satur.
01:03:17Alonso!
01:03:19Gonzalo, wait, Gonzalo.
01:03:20Keep preparing the horse, I'll talk to him.
01:03:27Salo.
01:03:29Sipri.
01:03:30Are you going for it?
01:03:31Yeah.
01:03:32He shouldn't go out now.
01:03:32We are unprotected.
01:03:34What do you mean, without protection?
01:03:35They found the commissioner's bloodstained clothes and a trace of him.
01:03:39The commissioner has disappeared.
01:03:42He just doesn't understand me.
01:03:43I haven't done anything that's been mentioned.
01:03:46Let me go, I'll take that evil wretch out of the way.
01:03:49No, let me go.
01:03:50It's the best thing I've ever done in my life.
01:03:52Now you will spread the plague to me, not me.
01:03:55Cipri, I need you to stay here and look after Alonso and Margarita, and don't move from here until I...
01:03:58come back.
01:03:58OK?
01:04:01Come on.
01:04:06Open up, I'm the commissioner.
01:04:08Open up.
01:04:10I'm not even good for this.
01:04:14It hasn't helped me at all.
01:04:22I hear that man.
01:04:25And I curse his life.
01:04:30I thought that by seeing him suffer I would get...
01:04:35I don't know.
01:04:37But all I feel is pity for him and for myself.
01:04:40People who do wrong should pay for it.
01:04:42Sometimes the only thing that keeps you alive is revenge.
01:04:55A bit.
01:05:10You.
01:05:14You.
01:05:15You know who I am.
01:05:17You know me.
01:05:18No.
01:05:19Tell me who brought me here.
01:05:20You need to know.
01:05:21No, I don't know.
01:05:22I don't know anything.
01:05:22Honestly, I didn't see anything.
01:05:23No.
01:05:25No.
01:05:25No.
01:05:31No.
01:05:52No.
01:06:01No.
01:06:03No.
01:06:06No.
01:06:07I can breathe the smoke here!
01:06:09I'm sending you out!
01:06:10Open it! Open it!
01:06:12He sent me!
01:06:14Relief!
01:06:17Relief!
01:06:21Let's go! Get out!
01:06:22Come on! Let's go! Get out!
01:06:25Out!
01:06:31I want him dead!
01:06:34Come on! Get out! Get out!
01:06:36Out!
01:06:37Come on!
01:06:41Come on!
01:06:51No!
01:07:12No!
01:07:17No!
01:07:19No!
01:07:23No!
01:07:32No!
01:07:32Except!
01:07:33Except!
01:07:35Except!
01:07:36No!
01:07:36I told you to get out!
01:07:37Come on!
01:07:39Come on!
01:07:40God, I married you when you were dead!
01:07:42Satur!
01:07:53Satur, listen to me! Satur, look at me!
01:07:57Satur!
01:07:58Come on! Satur, snap out of it!
01:07:59Sátur! Sátur, no! Sátur!
01:08:03React! Satur! Satur!
01:08:23Music
01:08:46Music
01:09:05He endured as much as he could.
01:09:08He was canceling the announcement; he couldn't do anything for him.
01:09:13Holy Virgin, how heavy the baker is!
01:09:15That?
01:09:17Imagine putting three pounds of fritters into your body.
01:09:20That was like buying tickets for indigestion.
01:09:23Down, down.
01:09:25Okay, okay.
01:09:26Here we go.
01:09:28Okay.
01:09:30How are you?
01:09:34Can we find out what you're doing here?
01:09:36You need to rest.
01:09:39It was too late to be in bed, love.
01:09:41Look, there is no trace of the plague left in me or in the whole village.
01:09:47Cured no.
01:09:48I'm more than cured.
01:09:49Just telling them you're here makes you want to have a good time.
01:09:53Why don't you and I go to the road to Toledo?
01:09:55To the blond guy's den?
01:09:56That a girl loved herself.
01:09:58Of the good things, the best...
01:09:59No, Satur, no.
01:10:01I have to go to the pit of hell.
01:10:02I need to know how that man escaped.
01:10:04I'm going with you.
01:10:06That we are a team.
01:10:08The thing is, before the work...
01:10:11Well...
01:10:11We could relieve ourselves a little.
01:10:13Also, if he asks us for help along the way...
01:10:15No?
01:10:17No.
01:10:18Now that your parents are back in the palace,
01:10:20I would like to go and say hello.
01:10:23Today is not the best day.
01:10:25They have just arrived from a trip.
01:10:26They are tired.
01:10:27Already.
01:10:28You're right.
01:10:30I'm really looking forward to getting to know them better.
01:10:33I would like it to be before the wedding.
01:10:35But better another day.
01:10:38I have to go.
01:10:40Will you invite me for breakfast tomorrow?
01:10:42Clear.
01:10:43No.
01:10:53Good.
01:11:04What's happening?
01:11:25Catalina.
01:11:27Cipri, I can't help you right now.
01:11:30Catalina.
01:11:31Cipri, no.
01:11:39Catalina, this is what I wanted to tell you.
01:11:42You are the only woman who has truly made me happy.
01:11:45And I'm going to do everything in my power to make that clear to you.
01:11:59Cipri.
01:12:09Cipri.
01:12:11Cipri.
01:12:13Cipri.
01:12:23Cipri.
01:12:34Cipri.
01:12:39Cipri.
01:13:04Cipri.
01:13:05Don't worry about her.
01:13:07My men will come to collect her and leave her with your procession.
01:13:16Cardinal.
01:13:18Please.
01:13:26Any last wishes?
01:13:28A confidence, perhaps?
01:13:30Come closer.
01:13:34Come closer.
01:13:38Rot in hell.
01:13:43No, ma'am.
01:13:44I think that's exactly what will happen to you.
01:13:50May heaven protect you.
01:13:58Yeah.
01:14:24I am willing to set you free.
01:14:27In return, you must accompany me to this place where the treasure is hidden.
01:14:31But that's a very long journey.
01:14:32I don't mind. Traveling is something that excites me.
01:14:35And if it's to new and exotic places, even better, where will we go?
01:14:39To the southern seas?
01:14:45Alright.
01:14:47Save me.
01:15:14I swear you don't want to tell me something?
01:15:17Are you worried?
01:15:19Well, since I did it, yes.
01:15:22I almost killed his brother.
01:15:24I know it and you know it.
01:15:26But a month has passed and he hasn't said a word to me.
01:15:29What do you want me to say? That's not very normal.
01:15:32That's part of the past.
01:15:34It doesn't matter.
01:15:35Yes, she does have it.
01:15:36Because those things fester in here.
01:15:38And they grow. And they develop calluses.
01:15:40When you then want to fix them, well...
01:15:42The scab is so big that it can't be removed even with a katana.
01:15:47I do not approve of what you did.
01:15:49Do you see it?
01:15:50I knew it.
01:15:52Come on, throw all that garbage out.
01:15:54Don't keep it for her.
01:15:57Listen to me.
01:15:59You also know that I myself have been tempted to kill the commissioner many times.
01:16:02Yeah?
01:16:03So...
01:16:05I can't blame you.
01:16:07I understand you perfectly.
01:16:11Thank you so much, love.
01:16:13I want to continue being his squire to help him...
01:16:16to bring order to all this jumble of medallions, deaths, and friars...
01:16:19that first they are good, then they are bad, then you don't even know what they are.
01:16:27Someone is coming.
01:16:53Juan, do you want to go for a walk now?
01:16:55Your parents are waiting for us.
01:16:57We need to post our link announcement now.
01:16:59I need to talk to you.
01:17:07I just wanted to tell you that you're not the problem.
01:17:10No.
01:17:11For.
01:17:14Don't continue.
01:17:15Eugenia.
01:17:16No, Juan.
01:17:26Give me time.
01:17:29You will learn to love me.
01:17:31Don't leave me, Juan.
01:17:34Don't leave me.
01:17:51Let's go.
01:18:05Let's go.
01:18:06Good heavens, it's so clear.
01:18:09Didn't you see how he hugged the girl or what?
01:18:12That woman could be a relative of Juan and she needs his help.
01:18:15Nothing else.
01:18:15Sure, there it is.
01:18:17The fact that?
01:18:18Where?
01:18:18Juan.
01:18:20That's why he was beating his face and that hovel.
01:18:23He felt guilty about playing both sides.
01:18:26This woman explains everything.
01:18:28No, Satur.
01:18:29This woman doesn't explain anything.
01:18:32And don't even think about messing things up.
01:18:34As usual.
01:18:35But when I've messed things up.
01:18:37Well.
01:18:39He's not planning to do anything.
01:18:42Let's see what you want me to do.
01:18:43We haven't actually seen anything definitive.
01:18:46And if I talk about what happened, all I'm going to do is hurt people.
01:18:52We're going to allow Juan to remain immune.
01:18:55Unpunished.
01:18:56It is said to be unpunished.
01:18:57Leave it now.
01:19:01No, no, stop it now, no.
01:19:03Because if you do something, then I'll be at ease.
01:19:07But if he's not going to do anything, I get nervous.
01:19:10Satur, I'll take care of it.
01:19:12OK?
01:19:13And now we go.
01:19:14That's what I wanted to hear.
01:19:17It's easy for me to relax.
01:19:31Satur.
01:19:45Satur.
01:19:51Here's something.
01:19:56Look.
01:19:57That footprint.
01:19:58That must be some handyman who worked here, who put his hand on the fresh clay
01:20:03And it seems that it stayed there for good.
01:20:25Which will make it not.
01:20:36Handle it carefully.
01:20:37I don't want a single mark on her body.
01:20:39It has to travel in perfect condition.
01:20:54Let me go.
01:20:56Let me go.
01:20:58Let me go.
01:21:00With me, you'll get stuck together!
01:21:02Dodge, dodge.
01:21:04Avoid it.
01:21:05Come on.
01:21:20That man lived here.
01:21:22Yes, but he didn't live alone.
01:21:24There are two cots.
01:21:26With his wife?
01:21:30It doesn't surprise me at all.
01:21:32As the cabin is.
01:21:35She wasn't his wife.
01:21:36She was guarding her.
01:21:43Oh, my God.
01:21:50I don't want to be a pessimist, but...
01:21:53How do we get out of here now?
01:21:56Sato.
01:21:58It's the jailer's diary.
01:22:02First day of lockdown.
01:22:03The captive refuses to eat.
01:22:05What's with this obsession with locking up women?
01:22:07The poor thing would have done it.
01:22:10She seems calmer.
01:22:12She no longer cries daily and accepts my care.
01:22:17Sato.
01:22:18Augustine.
01:22:19Agustín has been with her.
01:22:21Her visit has calmed her down.
01:22:22It does not say who the captive was.
01:22:28I haven't heard from Agustín for several weeks.
01:22:30It's a bad sign.
01:22:31But who is she?
01:22:34Oh my God.
01:22:35It won't be his sister.
01:22:41What's wrong with him?
01:22:44Are you alright?
01:22:46It must be.
01:22:49Of the same height.
01:22:55He has the plague.
01:22:59We can't stay here.
01:23:05Today I release Laura de Montignac.
01:23:17His mother.
01:23:19I saw her dead.
01:23:21She was murdered.
01:23:22It's impossible.
01:23:23It's impossible.
01:23:24Come on, it says it clearly here.
01:23:26Her mother has been alive for many years, locked up in this place.
01:23:30Look on the bright side.
01:23:32She is alive.
01:23:33Alive and kicking.
01:23:35What will we do with it...
01:23:38Leirá will find out who her father and sister are.
01:23:40And it will put an end once and for all to this family mess he has going on.
01:23:44This book.
01:23:45It is a divine gift.
01:23:52And Socia hasn't been swept away by the plague.
01:24:02We haven't even introduced ourselves.
01:24:04My name is Laura.
01:24:06People who do wrong should pay for it.
01:24:09Sometimes the only thing that keeps you alive is revenge.
01:24:14Oh, God.
01:24:17Oh God, I was with her.
01:24:21That she spoke to me.
01:24:24I spoke with her, with her mother.
01:24:25She's alive, I saw her.
01:24:28That his mother is alive.
01:24:31She's alive, I love.
01:24:58Let me do it.
01:25:02Thank you, it's not necessary.
01:25:10Yes, it is.
01:25:25It's really not necessary.
01:25:33I am your woman.
01:25:33Those fled.
01:25:50Don't do it.
01:25:50You shouldn't.
01:25:51Don't do it.
01:25:57Don't do it.
01:26:00That's not necessary.
01:26:01Don't worry.
01:26:02Don't do it.
01:26:32They are gifts for the Mongol king
01:26:34You will pay with your life if the merchandise does not arrive in perfect condition
01:26:36They have stolen the statues of the Virgin Mary from the churches.
01:26:45How can you believe I have nausea?
01:26:47Since when is a commissioner incapable of handling two matters simultaneously?
01:26:52Don't tell me you swallowed it
01:26:54Margarita's alliance is driving me crazy, ugh!
01:26:56Juan and Eugenia
01:26:58I love another woman
01:27:00To another woman?
01:27:01Are you still thinking about that commoner?
01:27:04We should get away from here
01:27:05Start a new life
01:27:06Irene
01:27:07She is my mother
01:27:08Something must have happened to him
01:27:09I saw a man who had his horse
01:27:17Alonso!
01:27:20I already know what they're looking for.
01:27:21The chalice of the Last Supper
01:27:22Sandy
01:27:23Something that has caused many people to die, but nobody knows where it's hiding.
01:27:28I feel so beautiful
01:27:33He is chasing me.
01:27:34The chalice of the era
01:27:34The chalice of the latest HDMI
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