- 6 weeks ago
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00:04Oh, come on, Dad. Tell me what you did to him.
00:06Look, that's between me and him, boy.
00:08Look, I'm sorry I didn't listen to you before.
00:11Yeah, well, I keep telling you I'm not a boy anymore.
00:13Well, she's my sister, isn't she? I just want to know what happened.
00:15Good morning. Good morning.
00:17I think it's best if we try and behave as normally as possible in front of Cassie.
00:21I mean, she should do what she usually does when she comes here.
00:24Well, she normally plays around the square. I'll keep an eye on her.
00:26All right. I suppose we'd better have a rota for the bathroom.
00:30What have you got in the fridge?
00:31An order with a proper breakfast.
00:32And you've got to get some new carpets and curtains for the other one.
00:40Hi, hi.
00:42I didn't expect to find you up before lunchtime after yesterday.
00:45Oh, darling, you didn't have to look a picture sitting on that commode.
00:49Thanks a million, Mum.
00:49No, I mean it. You're turning out to be a right little cracker.
00:53What's this?
00:54It's a book about relationships.
00:55Naomi lent it to me when I was asking about arranged marriages.
00:58What, me and your dad to fix you up?
00:59Look, I'm serious, Mum.
01:01Seems to me we all go about it the wrong way.
01:02What morning?
01:03Oh, you're up early, couldn't you sleep?
01:05What are you reading?
01:06A book, Dad.
01:07You know them things with words in them?
01:08Well, let's have a look, then.
01:11Oh, I have achieved meaningful relationships by Dr. Sheldon Steinberger.
01:15Nice one, princess.
01:16April 4th, like last year when I got the rubber egg.
01:18I don't see what's so funny.
01:19I'm sorry, darling.
01:20I've never known you read anything other than your pop magazines.
01:23Typical of you, innit?
01:24That book's very interesting.
01:25I might borrow it myself later.
01:26Oh, don't start all that.
01:28Meaningful relationships.
01:29What goes on between a man and a woman is private.
01:30What goes on between a man and a woman is private.
01:32What goes on between you and a woman is private.
01:34I'll stop it, both of you.
01:35You're going about it the wrong way.
01:37Listen, I've been thinking.
01:39I really do think you both need holiday.
01:41You've got lofty, witsy coffee.
01:43They can cope.
01:44You need time together on your own.
01:46Away from this place.
01:47Without me and all.
01:49I can manage.
01:50You just never let me be responsible.
01:52Yeah, well, maybe you're right, princess.
01:55Right.
01:55I'm getting on the phone before you change your mind.
01:57I've got to go.
01:58More important things to do.
01:59Now, hold your all.
01:59See, I just said I'll think about it.
02:01All right.
02:01I mean, things aren't exactly normal around here.
02:03What are you talking about?
02:03You know very well.
02:04There's two bottles of brandy missing and there's those lagers.
02:06Stop takers don't make mistake.
02:08Someone's knocking back the booze at my expense
02:09and I'm not in the business of supplying free booze to the staff.
02:13Good morning to you.
02:14Yeah, I love.
02:16Oh, thanks, Mum.
02:17You know, I don't know what aches more.
02:19My legs or my fingers from all this knitting.
02:22Why does a baby have to have so many coats?
02:24I'd have thought you'd have known that from Martin.
02:27It's got to be something more practical, hasn't it?
02:29Like disposables or something like that.
02:31What an idea.
02:32Honestly, no baby in this house will ever have anything but pure wool.
02:36Nothing but the best.
02:37Some nursery nurse you're going to make.
02:39Look, I haven't really tried...
02:40Yeah, which reminds me, have you come to any decisions yet?
02:42About what?
02:44What about what you're going to do?
02:46I mean, after the baby's born.
02:48You're going to go back to school or go to college or what?
02:51You've got a lot of qualifications to get.
02:53Yeah, Mum, maybe I just want to spend time bringing up my baby first.
02:56Oh, you're living in cloud cuckoo land, girl.
02:58You've got a living to earn.
02:59No one's going to do it for you.
03:01It's going to be me looking after the little one while you're studying.
03:04Look, Mum, we haven't even discussed this properly.
03:06There's nothing to discuss.
03:08You can't stay at home playing house without an husband.
03:11Oh, thank you.
03:12Thanks very much for that, Mum.
03:14Look, maybe I should go and take an advert out.
03:15Like what Sharon says they do in Pakistan.
03:18Look, but Sharon...
03:18Because if you don't stop bossing me around,
03:19that's probably what I just will do.
03:21Look, Shell, love, please.
03:23Morning.
03:23Can I sit in these soup, right?
03:24Oh, well, let me please, sir.
03:26Could you make that soup, please, sir?
03:27Oh, how about breakfast?
03:28Eggs, sausages, bacon, seeing as the gentleman's paying.
03:31Yeah, well, cool, sir.
03:32Anything you like, Mary?
03:33No, thanks.
03:34I'm not on the grill.
03:35No, I don't think you would, though.
03:36Never mind.
03:37Two teas coming up.
03:38Oh, would you like a Kit Kat for Annie?
03:40Don't panic.
03:41It's on the house.
03:42No, thanks.
03:43I don't like it to have too many sweets.
03:45That'll be another 10p.
03:46Sorry, but April is a new financial year for some of us.
03:53There you are.
03:53You see, they think it's a charity.
03:55Oh, come down, sweetheart.
03:56I'm going to be cabbing later on.
03:58I've got one or two ideas about drumming up a new train.
04:00Yeah, what you're going to do?
04:01Pick them up and chuck them in the back of the camp?
04:03People round here can't even afford a blooming bus fares.
04:06Leave alone a taxi.
04:07Just leave it to me.
04:08You'll see.
04:09Yeah, you're up to something, aren't you?
04:11Do you know, you've got that sort of look you always get when you're up to something dodgy.
04:15Don't be so suspicious, woman.
04:17You sure you can manage on her, Todd?
04:18I've got no choice, have I?
04:20Look at the way she's got that baby dressed.
04:23And it's far too cold to leave her poor little lead uncovered.
04:26What are you looking at me like that for?
04:28You're making me skin crawl.
04:29You know, St. Mary.
04:31Well, she's funny, isn't she?
04:32I've really known someone a long time.
04:34Well, you don't really see them anymore.
04:37Yeah, well, what I meant to say, well, what I was trying to say as well,
04:40well, you're really fantastic looking...
04:42I had a terrible time.
04:44You never guess what happened.
04:46Oh, shut up, Cassie.
04:46You're such a little drama queen.
04:48Look, you've got to be nice to me to that or I tell Mum.
04:51Do that, Miss Big Mouth, and she won't let you out again.
04:53Hello, Mary.
04:55Actually, you're looking very nice today.
04:57Actually, I wanted to ask you if you'd like to come out for dinner with me tonight.
04:59There's this new cocktail bar some of my mates at college have told me about.
05:02Check it out.
05:03There'll be a change to get away from the kids around here.
05:06Hold her a minute, will you, while I get her tissue?
05:08Yeah.
05:08I think she's going to be sick.
05:10Oh.
05:12I'll give these tea towels a good boil.
05:15Men never seem to realise that the laundrette just isn't hygienic enough for that sort of thing.
05:20It won't hurt your towels either.
05:22Your face flannels are really slimy, by the way.
05:25I've got to get on to that solicitor about getting some of the things back.
05:29Saved up a year for that washing machine.
05:31It's German.
05:32Oh, well, it can't be the crowds for cleanliness.
05:34Almost as bad as West Indian women.
05:36That's not funny, Tony.
05:38Do you want Cassie to get spots from using a dirty towel or something?
05:40You know what they say about people who is obsessed with washing?
05:43It's a substitute for something else.
05:45Usually sex.
05:48There's no call for that sort of talk.
05:50Yes, there is.
05:53If we're going to sort out how we get ourselves into this mess,
05:56we're going to have to say a lot of things maybe neither of us want to say.
05:59Yes, well, that's hardly the most productive place to start, is it?
06:02Okay, you choose.
06:04Different lifestyles, different goals, it doesn't matter.
06:06Just let's sit down and get on with it, okay?
06:12Oh, Tony, I'm sorry.
06:15I was such a fool about Neville.
06:18I mean, not to see what was going on in front of my own eyes.
06:22I suppose I'm not a judge of human nature as I thought I was.
06:26You see, I really thought I could start a new life without all that,
06:29all right, passion.
06:32I really thought he was an honourable man.
06:38About your Easter bonnet
06:40With all the thrills upon it
06:43In the Easter
06:45Oh, Lofty, that was a real, genuine celebration.
06:50It was marvellous.
06:51You've got a great gift of organisation, you know.
06:54You ought to do more of it.
06:56Brought it all back to me, my triumph.
06:58The sceptre, the rose and the crown.
07:02And Edie Rawlinson having to grit her teeth and kiss me
07:05Cos she was only made runner-up, you know.
07:08She always had very fat thighs, Edie Rawlinson.
07:11Years.
07:12She married a policeman over in Pimma.
07:15Oh, come on, you two.
07:16The party's over.
07:17Oh, some people got no romance at all.
07:20And some people got a pub to open.
07:22Lofty, where are you going with that?
07:23Anyone think you've been on the brandy or something?
07:27Oh, Robin.
07:28There's a good boy.
07:29Well, I've been round the travel agent and I've got all the brochures
07:32and he said he's going to ring round and find out what's available.
07:34Yeah.
07:35You know, I hope I can get him my cosy.
07:36You've got to get a one-piece, Mum.
07:37Much more suitable at your age.
07:38Do you reckon Kath will lend me that gold one she made?
07:41Cheryl, where are you going?
07:42I'm writing out a questionnaire.
07:43It's to test your compatibility with your chosen partner.
07:46Well, let's have a look, then.
07:49I hope to God Kath's got some free time.
07:51The thought of leaving Lofty in charge leaves me cold.
07:54What, you starting your holidays already?
07:55Here, listen to this.
07:57Give your assessment of your ideal marriage partner.
08:00An 18-year-old nymphomaniac with her own merchant bank.
08:03I don't know why I bother talking to you.
08:04This is very interesting.
08:06I'm going upstairs to do the tools and I'm taking the brochures.
08:08I'm swimming.
08:12It won't take a minute.
08:13No, look, I can't stop now.
08:15Yes, you can.
08:15Look, later, Sharon, eh?
08:16I've got to go...
08:17I haven't got time later.
08:18I'm on a very tight schedule this morning.
08:19Yeah, well, I haven't got time to play games.
08:21Do you want your dad to kill me?
08:22You already thinks I'm nicking the brandy.
08:23Look, I'll take care of me dad, Lofty.
08:25Question one.
08:26I want you to answer this without thinking of it don't count.
08:29Oh, look, Sharon, please.
08:30Now, what's the first thing you think of when being approached by a woman?
08:33Well, come on.
08:34Straight off the top of your head.
08:35I don't know.
08:36Well, say something.
08:37What do you think?
08:38Er, trouble.
08:40Mm-hmm.
08:50I was just having a little look.
08:53That was all.
08:53I understand.
08:56Hold on.
09:00Hello, Sharon.
09:01Oh, Mum's driving me spare to come round here.
09:03Do you want to come round the shops and have a look around?
09:04Well, I can't at the moment.
09:05I'm doing a very important project.
09:06I'll tell you about it later.
09:08Yeah, OK.
09:08Ta-da.
09:08Bye.
09:09We're out of bacon, Debs.
09:11It's a luxury.
09:12Besides, we can't afford it.
09:14Anyway, Neyman never touches it.
09:16There are other people besides Neyman in this household?
09:19I'm going to get porridge from now on.
09:21It's a perfectly adequate substitute, and it's cheap.
09:24Oh, come on, Debs.
09:25I have always loathed the stuff.
09:27Well, if you don't like what I provide, you can always eat at the hospital.
09:30OK, OK.
09:31I will buy a hand and eggs if you promise to eat it.
09:33I mean, that's the guy that used to be tight on you.
09:35Namor's going to have to pay more rent.
09:37Can't you afford it, though, with all those alterations on the shop?
09:39If you get round to decorating up that room, I can charge you the proper market price.
09:43What?
09:44And if you want to pay less, you could always sleep on the Z bed.
09:47If you think I'm sleeping on the Z bed, love, you've got another thing coming.
09:50Joke.
09:51And that's for the room upstairs, love.
09:52I ain't got the time.
09:53It's OK.
09:54I'll do it myself.
09:54I'm perfectly capable.
09:56I can probably get Tony to provide the paint.
09:58But you ain't got the money to do the decorating, have you?
10:01Unless I sell something.
10:03Oh, talk about Victorian values.
10:05Why don't you put a notice in the window, willing to sleep shifts, tent or room?
10:09But someone has to be practical.
10:13Morning.
10:14Thought I'd take a chance you might have some coffee going.
10:16Well, it's funny you should say that.
10:18We were just going to have a cup, weren't we, Andy?
10:19Were we?
10:21Morning.
10:21Morning.
10:24I'm not interrupting anything, am I?
10:26No, I'm just planning on decorating the spare room.
10:29This may sound silly of me, though.
10:31I'm a bit worried about the ceiling.
10:33I get really dizzy if I have to go up ladders.
10:34Oh, well, you're talking to the right bloke.
10:36I'm a dab hand.
10:37I'll do it, no problem.
10:37Oh, I wasn't, Pete.
10:38No, no, no.
10:39Take no time at all.
10:40Now, look, me dad taught me everything I know.
10:42Now, he was a real expert, right?
10:44Now, no less than three coats, and God help me if you missed out on the rubbing down in between.
10:49I think we can manage that ourselves.
10:51It's the only place I can't reach.
10:52I don't want you to think I'm a helpless female.
10:54Now, why bother when you've got two able-bodied blokes to do it for you?
10:59Now, we can't have a pretty girl like you taking risks, can we, Andy?
11:02Eh?
11:03Any more teas over there?
11:05I mean, it has been three years since she had the last lot.
11:08What's the matter with you?
11:09You've got a hangover from yesterday.
11:10I'm my usual hair sunshine, and I.
11:13Just my little joke.
11:14How long do these astrologers go on for?
11:19Right, well, I've got to go.
11:20I've got to go and sign on.
11:21I don't want to take her, though.
11:22She'll scream the place down.
11:23Can't say I blame the book.
11:25Well, I'll come along with you.
11:26I'll be company.
11:26Oh, Ina, Vick and Wines, I can't wait, Ian.
11:29Oh, butch her.
11:30She's asleep anyway, and it's so cold out there.
11:32Thanks, Ian.
11:33Of course I will.
11:35If you find any other kids out there, do wheel them in.
11:38Tell them I've ordered the play-doh and the leg-o for tomorrow.
11:42Will you come in, 35?
11:44Where have you got to?
11:47Ten, Manor Road, to Heathrow.
11:49Great man.
11:50They've been waiting 15 minutes.
11:52I'm just ready.
11:53Are you reading me?
11:54There's to 35.
12:02I mean, Mum just seems to be taking over.
12:04She doesn't even realise she's doing it.
12:06It's the most amazing book.
12:08You've got to be scientific about these things.
12:10What things?
12:11Relationship.
12:12Oh, them.
12:13All I can think about now is me aching legs.
12:15I just can't seem to get comfortable any more.
12:19Can I tell you about these sort of things in those books?
12:21You know, Naomi said with her lot, it's not to do with two people, but between two families.
12:25So if you married the baby's father, you'd have a whole new family to help you bring it up.
12:30Godfuggest.
12:30I'll be on your back, I suppose.
12:32Whichever way you like to look at it.
12:33Yeah, exactly.
12:35You won't be lonely, though, Michelle.
12:36You'll be part of all of them.
12:39Well, I'm going to have to walk around a bit.
12:40Maybe that'll help.
12:41I hope I don't get back as far as.
12:42I'll come with you, but I want to talk to Ian.
12:44It's all right.
12:44I want to be on my own.
12:45See you later.
12:48Cassie, can you wheel Annie around the square a minute?
12:49I want to talk to Ian in private.
12:51I don't have to do what you say.
12:52Push off.
12:53You're not right.
12:54Oh, go on.
12:54Look, it was your idea in the first place.
12:56You've got to promise I can stay with you this afternoon.
12:59Give us a break, will you?
13:00Look, just ten minutes, OK?
13:02You promised.
13:03Yeah, I know.
13:04Here, Sharon.
13:05Have you ever been in love?
13:07Well, that's what I wanted to talk to you about, Ian.
13:08You see, it's not just a case of fancying people and chemistry and that.
13:12It's much more important.
13:14Yeah, you're telling me.
13:14You see, your personalities have got to match.
13:16And I've found this test to find out what you really like.
13:19So without thinking, I'm going to say something,
13:21and you say the first thing that comes into your mind, right?
13:25The perfect woman.
13:26Mary.
13:29No, Debs, it's a very fair price.
13:31Darling, I'm thrilled.
13:32I've always wanted one.
13:33Yeah, you bring it round, sweetheart.
13:36See you later.
13:36Ta-ra.
13:39Well, can't you wait till you get home?
13:40It is all there, you know.
13:42Hey, I've got enough.
13:44I've done it at last.
13:46What are you saving up for, anyway?
13:47Are you going to buy yourself a Porsche or what?
13:49Never you mind.
13:51Oh, am I relieved.
13:52Come on, Willie.
13:54Right, that's it.
13:55I'm off down to travel agents.
13:58I quite fancy Corsica meself.
14:00Romantic, nice and private.
14:02I mean, we don't want to be forever bumping into people from round here, do we?
14:05It might cost us a bit more,
14:07but, I mean, it's for our second Danny now.
14:10See you later, for your sake.
14:12Watch that till.
14:13Lovely morning, isn't it?
14:14Yeah.
14:14Terrific.
14:16Someone's in a good mood this morning?
14:17Uh, yeah.
14:18Uh, what you going to have?
14:19They're on me.
14:20Uh, half a lichen, please, Dan.
14:22I'll have two when you're done.
14:23We'll be at the table, aren't we?
14:24Yeah, I'll bring them out.
14:27Right, well, I'm a great believer in laying all the cards on the table myself.
14:30Yeah?
14:31Now, we are both rivals for the same woman, right?
14:34It's not going to help her, any, if we start behaving like a couple of fighting balls, is it?
14:37I mean, we are supposed to be mature men.
14:39Now, look, give me credit for knowing something a bit about Debs, eh?
14:42We are being together quite a long time.
14:44Long enough to get bored with each other, which gives me an advantage.
14:47But that is not the point right now.
14:49We've got to see her through this bad batch she's going through, right?
14:51And then she'll make up her own mind.
14:53Now then, what sort of decorating equipment do you got?
14:55Okay.
14:57Oh, Dick.
14:58Is Mary been here?
14:59Oh, not to my knowledge, no.
15:01Well, it was funny, because she was there one minute and then she'd gone.
15:03Well, maybe you're using the wrong aftershave or something.
15:05Children, I've been looking everywhere for you.
15:06Oh, Sharon, have you seen Mary?
15:07Look, never mind Mary. Can I talk a little bit?
15:08No, no, no, sorry.
15:09What's all this dodging about?
15:10Is it a treasure hunt, I swear?
15:11I think we're juveniles or something.
15:12Oh, sorry, I suppose.
15:13Randy, that ain't quite long.
15:15Can I talk to you about marriage?
15:16Is this a proposal, love?
15:18Why won't anyone take me seriously?
15:20Now, what do you think makes them work?
15:21You are asking me.
15:23Maybe it's not so important.
15:24I mean, you and Debs were all right before you started all that, weren't you?
15:27Am I dreaming or something?
15:27I mean, I just don't believe this is happening to me here.
15:29Yeah, but you're a policeman.
15:30You're used to interviewing people.
15:32Well, that's right, my love.
15:33Why?
15:33I'd like to make an appointment with you.
15:34It's very serious and private.
15:36What have you done?
15:37Masterminded a stock exchange fraud or something?
15:42Debs, what are you doing with that, love?
15:44Don't ask.
15:45Can you give me a hand, please?
15:46I'll tell you later.
15:47That's all right, I'll do it.
15:49Once upon a time, there's this princess and she was locked up in this castle and this big
15:56bad monster came along and frightened her and she screamed and she screamed for someone
16:01to come along and help her but no one would and this really handsome prince came along and
16:07he was very brave and kind and he killed the monster and rescued the princess and they
16:14got married and they lived happily ever after.
16:17Are you listening?
16:19Coming to 33, Betting Road, Brenton, East.
16:23Pick up a parcel and take it to your branch office, 24th.
16:33Come on, give Annie back to me.
16:35Mary will be back in a minute.
16:37Come on.
16:37Come on.
16:40Come on.
16:41Come on.
16:42Come on.
16:42Come on.
16:43Come on.
16:43Come on.
16:43I know that you're trying to get rid of me and the next you're yelling for me for not
16:47being there.
16:48But Annie moves run so far across the road and it was him going so fast.
16:52Oh.
16:52Oh.
16:53Oh.
16:53Sorry I took so long.
16:54Oh, actually, why she's been never so good.
16:57Um, I was wondering, um, if we could go down to the park or something.
17:00No, I can't stop.
17:01Some people seem to think babies are like a parcel when they're left with anyone.
17:05Oh, there's nothing more than blows money for babies, is there any?
17:08No.
17:08She can be a right bitch sometimes, don't they notice?
17:11Anyway, I'll see you.
17:11True.
17:12I don't know.
17:13Oh, there you are.
17:15Where are you going now?
17:16Oh.
17:16Come on, little girl.
17:19Hey, hey, just a minute.
17:20There is a matter of the bill, you know.
17:22Oh.
17:22Um, Cassie, do us five weeks.
17:24No, I won't.
17:25No, go on.
17:26You're stopping with me, Ian.
17:29We are the same place, Hannah.
17:30Wherever we start, we end up in the same place.
17:33Except mine's a different one from yours.
17:35Look, it's the same, Hannah.
17:36You just cover it up.
17:37Look, all I'm saying is, is that if you fix this place up, finish something for once in
17:41your life, then we might have a sound financial base to start from.
17:45Start what from?
17:47Go on, say it, Hannah.
17:49All right.
17:51Cassie needs her father.
17:53I've learnt that to my cost and hers.
17:57Agreed.
17:58And we need to get Kelvin through college.
17:59Now that's going to cost and I can help.
18:01Look, I've always had a flair for design.
18:03I mean, making places look good for very little.
18:05That's how Dad started out, wasn't it?
18:07From that run-down place in Ballam, doing it up, making a profit, then moving on.
18:11You're talking houses.
18:13I'm talking people.
18:14Yes, but if we could just do something together, achieve an end result, then maybe the rest
18:18would just come right.
18:19What about what I need?
18:21What you really want and all this real estate.
18:25Houses are just structures for people to carry on doing that in.
18:28Buildings without foundations are going to fall down pretty soon.
18:32You've got a patch of sweat just at the top of your blouse.
18:35I remember the first time I saw you, the boring town hall reception the old man was giving.
18:40I only went for the free booze.
18:41Tony, I wasn't even talking...
18:42And there you were, in that grey dress, the coolest, proper, little uptight madam you ever saw.
18:50But I knew them, like I know now.
18:54They say that's every man's favourite fantasy, don't they?
18:57Melting the Snow Queen.
18:59Oh, don't, Hannah.
19:00Not this time.
19:02I'll go and make us a sandwich.
19:04It's funny, isn't it?
19:06I always get starving hungry when I'm feeling... emotional.
19:11I remember when we used to raid the fridge together, ravenous, in the middle of the night.
19:19Roger it now.
19:20Got it.
19:29Are you sure you've got nothing to do today?
19:31No, I'm happy just sitting here with you.
19:34Well, I'll wait back then while I get some change.
19:37Oh, there you are.
19:39You're not getting away this time.
19:41Right, I've done Lofty and Andy and Sergeant Quick.
19:43And I couldn't get any sense out of any of them.
19:45Now, it's time for you and I to talk about marriage.
19:48Kelvin, what are you doing?
19:49And where's Cassie?
19:50She's missing.
19:52I'm only saying, Debs, why did we have to ask him, eh?
19:56I'd be like working with Hitler.
19:57He was a house painter as well, you know.
19:59Don't be so mean.
19:59It was very kind of Roy to offer.
20:01Are you?
20:02And we'll get it done in no time with the three of us at it.
20:04We could have done it between us, though.
20:06Could we?
20:06You weren't so keen before he offered.
20:08That is not true, love.
20:10It was just a question of expense.
20:11I mean, why do we sell our trolley?
20:13Look, I don't want to talk about it.
20:14Let's just get on with...
20:15Debs, I want to talk about it.
20:17Look, love, I do care about you.
20:18Oh, oh!
20:20Oh, Andy, are you all right?
20:22Are you all right?
20:23By my neck.
20:24Put your hand by my neck.
20:25Does it hurt?
20:26No, no, back a bit.
20:27Oh!
20:30Hey, hello.
20:31What are you doing?
20:33It's all happening in my new shop.
20:35Tony starts on Monday.
20:36You sure you're telling the truth, love?
20:37I can hardly believe what I'm hearing.
20:39Cross my heart.
20:41Oh.
20:42Well, here, have another piece of cake, love.
20:44My mum never lets me have cake.
20:46Oh.
20:46Just go and see who that is.
20:48Yeah.
20:49I saw this with a baby minding.
20:51Has it saved the children week?
20:52That one should be on the stage, you know.
20:54Not for much longer.
20:55Come on, little Miss Carpenter.
20:56It is now time we got you home.
20:58This afternoon's now over.
20:59I haven't finished my tea.
21:00Cassie, I've been going frantic looking for you.
21:02Oh.
21:03Oh, she's been no trouble, really.
21:05Look, we've never been properly introduced, have we?
21:07I'm Pauline Fowler.
21:08Hannah Carpenter, how do you do?
21:09Having a lovely time.
21:10I've been telling Miss Fowler all about it.
21:12Oh, can I stay?
21:13Oh, please.
21:14Cassie, put your coat on this minute.
21:16You're being very rude.
21:18Look, she's very welcome, really.
21:19I apologise for my daughter's behaviour.
21:21You've been very kind, and thank you.
21:23But we can't take care of any more of your time.
21:24Come along, hurry up.
21:35Oh, my God, what's happened?
21:37I just got thumped, didn't I?
21:38Not the mob again.
21:39Oh, Ellie, what are we going to do?
21:40No, it wasn't the mob.
21:41Look, get us a coffee with you, Sue.
21:43Well, who did that, then?
21:44Who have you been fighting with?
21:45Come on, help with it.
21:47It just hit me, this other cab driver.
21:49What for?
21:49Nothing.
21:50God, you're like a ten-year-old you are sometimes.
21:52You've been up to something, haven't you?
21:54It's only because we need the money.
21:55Look, if you don't tell me the truth,
21:57you're going to get another black eye.
21:58I was just listening for our cab calls, right?
22:00Getting their first and copying their customers.
22:02I mean, it's not illegal.
22:05You stupid great pillock.
22:07God, ain't it bad enough with the mob after us
22:09without all the cab drivers after your blood?
22:12I don't want to be a widow
22:13with my husband in a bag of cement in the Thames somewhere.
22:18That's it. It's booked, Ibiza.
22:20How much?
22:20I told you, we do it on the plastic.
22:22How much on the plastic?
22:23Don't let you pay it back in plastic money, you know.
22:24All right, I'll work it out upstairs in a minute.
22:26You just bought a poxy table and wheels
22:28we've got no need of.
22:29How much exactly?
22:30Look, I would just like to feel like a completely new woman.
22:33This could be a new beginning, please.
22:34Who knows?
22:35Yeah.
22:36Yeah, go on, go and give it off to you.
22:37More than three customers are one
22:38who has a panic attack on his puffer.
22:39We'll have no brandy to come back to.
22:41Yaboo!
22:42I know a room in the pub's going to take a room at the mortuary.
22:45All that to remind you, I've just had a word from the firm.
22:47Well, that's all I mean.
22:48Best bit of news I've had all day.
22:50Well, it seems like Peresford got stroppy
22:52with that Greek acne mob.
22:53You know, Nutter Gavros's firm over a bird or something
22:55turned into a full-scale war.
22:56I mean, it can't be over a woman, can you?
22:57It's got to be down to money.
22:58So?
22:59So?
22:59It means we're in the clear for a while,
23:01weren't it?
23:01Like they've been knocking each other's stupid heads off.
23:02Now, have one on me to celebrate.
23:04Nice brandy, Dan.
23:06Oh, wrong again, Dan.
23:08That does it.
23:08I'm not leaving Lofty and Wixie in charge.
23:10A firm will have all my takers.
23:11No, nothing to do with that.
23:12Look, look, just give us a brandy, will you?
23:13All right, mate, hold your horses.
23:18That's it.
23:19Ibiza, that's where all the posers go.
23:21I can let you know what they're all wearing this year.
23:23You could bring me back a decent fella, Mum.
23:25The ones around here are like a bunch of no-nos.
23:27Oh, beg your pardon, Missy.
23:29I'm talking about me questionnaire.
23:31Mum, you know there's not one man I've spoken to today
23:33who can answer a few simple questions,
23:35let alone handle a proper relationship.
23:37Maybe a serious thing, innit?
23:38Marriage.
23:40I'll tell you, you look like I feel, mate.
23:42And I've won, Dan.
23:43Join us.
23:43Yeah, you're on.
23:44Eight and doubles, okay?
23:45I'm paying.
23:46Tony?
23:47No, a bit too strong for me.
23:48I've got to be going.
23:48See you.
23:49See you, buddy.
23:50Here you are, Dan.
23:52Respiration.
23:53Aye?
23:53Well, payment for what I ate.
23:55I hardly like to tell you,
23:57I used to lay awake at night trembling in my bed.
24:00I'm ever so sorry.
24:01It was you, wasn't it?
24:02Knocking back the stuff.
24:03It was not.
24:04Not a spot as past my lips.
24:06No.
24:06I broke two of them bottles while I was cleaning.
24:09It was an accident.
24:10It couldn't be helped.
24:11And I've saved and saved and gone without to get the money.
24:14But it's all right now.
24:16My conscience is clear.
24:17And I'm not going to lose my job that way.
24:19Yes.
24:20Scotch, was it?
24:21Yeah, please, mate.
24:23I don't care what you say, Arthur.
24:25We've all had trouble with our kids.
24:26No one more than us.
24:28I was only trying to be friendly.
24:30I mean, we get on well with Tony.
24:31Oh, he's a footwick woman, that one.
24:33I've always thought so.
24:34If he tried to be a boss in the first place, there'd never been a divorce.
24:37Like I am with Paulie, you mean?
24:39Oh, you.
24:39Now, I didn't mean that, Mum.
24:41That's their business.
24:42But if you could have seen her stood in that doorway like Lady Mac,
24:45as though this house wasn't good enough for her daughter.
24:47I mean, who does she think she is?
24:49Isn't that better than she should be, if you ask me?
24:50Oh, give her a chance.
24:51You've only met her once.
24:52Yeah, well, once was enough.
24:54I mean, we've all got our faults on this square,
24:56but one thing we're not, and that's snobs.
24:57I mean, even Dr Leggan, he is better class.
25:02Hello, Ange.
25:03Got a minute.
25:03Hello, everybody.
25:04You all right?
25:04We'll just go in the kitchen.
25:08What's up?
25:09I've done it.
25:10Me and Din are going to Ibiza.
25:12Oh, that's wonderful.
25:13Are you lucky for me?
25:14Oh, no, I'm just a bit worried about leaving everybody here.
25:17Well, what's the matter?
25:18I mean, can't Kath manage the evenings?
25:19Oh, no, the pub's fine.
25:20That's all settled.
25:21It's the Littland I'm worried about.
25:23Well, it'll be all right.
25:24They're not kids any more now.
25:25I know, but do us a favour.
25:27Keep an eye on her for me.
25:28I don't want to come back from Ibiza
25:29and find she's got engaged to the first bloke
25:30she's set eyes on, do I?
25:32Yeah, OK.
25:32Do you want a cuppa?
25:33No, I'd better get back.
25:34Thanks ever so much.
25:34All right, I'll see you later.
25:35All right.
25:36Ta-ra.
25:37Come on, up's the dicey, Flo.
25:38All right, Din, Din.
25:39I can manage meat on the one.
25:41Come on, sweetheart.
25:42You've got to have a coffee before you're gone.
25:43You don't want to get in more trouble
25:44with her ladyship, do you?
25:45I do not care about her ladyship.
25:46Now, come on, stop feeling so sorry for yourself.
25:48Now, go on.
25:49Up you go.
25:50You all right?
25:51Yeah, thanks.
25:52I don't think I can take much more,
25:53you being Miss Sweetness and Light.
25:54Even Rowley's just thrown up in a corner, dear.
25:56He's probably looking at you.
25:57He's missing her.
25:58I think it's lovely.
25:59You've got to help each other through these bad patches.
26:01I mean, look at us.
26:05Yeah.
26:10Yeah, sweetheart.
26:11Get that down, yeah.
26:12You know, Ange,
26:13he doesn't even really want her.
26:14Now, why can't she see that, eh?
26:16All he wants is a police house wife.
26:19He doesn't fool me, I'll tell you.
26:21Well, why don't you fight back?
26:23You've got everything on your side, haven't you?
26:24Oh, yeah?
26:25Like what?
26:26Well, you're used to each other, aren't you?
26:28Each other's little ways.
26:30Good things, bad things.
26:32It's got to count for something in the end.
26:34You think so?
26:35I'm hoping so.
26:36I mean, look at me and Din.
26:38We've been through it one way and another.
26:41You know, Ange,
26:43I've often thought, love,
26:45what would it have been like
26:45if you and I got together
26:46and you hadn't met, Din.
26:49Yeah, I know.
26:51Funny old life, ain't it?
26:53Yeah.
26:58Yeah, but is it a 1600 or a 1800 engine?
27:03Where have you left Annie this morning?
27:04That, it's your job zone.
27:05Look, I'm not offering any more remarks like that from you.
27:08I've had it up to air, all right?
27:10Uh, Mary, we see,
27:11Dad let me this ten in, you see,
27:12and...
27:13No.
27:13I thought we were pressed
27:13we'd go in that movie
27:14you were talking about the other night.
27:15No, no, no, she can't.
27:16Just coming out at me tonight,
27:17so I split them all, yeah.
27:18Who do you think you're talking to?
27:19Look, Mary doesn't want to go out
27:20of a wimp like you.
27:21Oh, you really think
27:22you're Mr Big, don't you?
27:23Well, just because you can go to stupid cos
27:24you can get right out of it.
27:25Go on, get out.
27:25You can stop right here.
27:27Mary doesn't need a school kid.
27:28Come on, Mary, let's go.
27:29Oh, you stop passing it.
27:30Look, don't you...
27:31Look, Calvin, it's Annie!
27:32Oi, oi, stop that, William!
27:35Help me!
27:35Oi!