00:00Hello, Dipali and you have a film from Lohkmat.
00:02We have a set where we have a film from Naikbhai.
00:05But we don't want to suffer from Naikbhai.
00:08Today we are going to suffer from Shale.
00:10We want to suffer from Shale from Shale from Shale.
00:12Because I thought that Shale is going to be a lot of fun.
00:15It's going to be a lot of fun.
00:18So welcome to Lohkmat Filmy.
00:21And today we are going to talk about Shale.
00:23We are going to talk about Shale from Shale from Shale.
00:29Shale is very important.
00:31And we are going to talk about Shale is very big.
00:34It's very big.
00:36It's very big.
00:37But there is a set where you have a lot of fun.
00:41Is there a set where Shale is?
00:44We have a set where Ladmeadam's house and Shale's set.
00:49We have a set where we have a serial set.
00:52But there is a set where you are.
00:54Here is a set where you are.
00:56We can show it here.
00:56It's in like a virage.
00:57It's a big one.
00:57So when we have set where you pull the set down and cut off the set.
01:01You can cut the set down and cut down to the structure.
01:06So here is my name is Project Sardar.
01:08So let's have a look on Shale.
01:09Yes.
01:09And we have a lot of scenes from here.
01:14And this is the set where you are.
01:15Azu bazu is the set where you are.
01:16It's a beautiful bridge or your garden.
01:19and then they will take their flowers, and then they will take their flowers and have a beautiful garden.
01:27The garden is here, the garden is here and the garden is here.
01:31But you can also see that you can see a garden scene in the garden.
01:36Yes.
01:38And there is a garden that is here, so the garden is here.
01:42Okay.
01:43Okay.
01:45And it's going to be a little bit.
01:47I'm going to eat a little bit.
02:29This is the place where you are located and where you are located.
02:32Okay, you came here.
02:33Yes, yes.
02:34Yes.
02:34But there is a sign in our staff room, and it is the sign that I am shooting at the
02:44same time.
02:44So, you have three signs.
02:48First, second, third.
02:49The sign is the sign that I am shooting at the same time.
02:51But, you will be able to take the same sign.
02:53We will take the same sign.
02:56There is a door open.
02:59Yes.
03:01The sign is the sign.
03:08Yes.
03:10Okay.
03:11So, you have noticed that there are three signs.
03:14When you apply the structure of the sign, there are three signs.
03:19Yes.
03:20But the sign is big.
03:21The sign is shooting at the same time.
03:23The sign is a trolley.
03:25The sign is a mullab, the bench, the lights.
03:27So, we will not use the name or a tree or area, we will not use the tree.
03:32They are allowed to differentiate all of the three kinds of doors outside.
03:36The sign is a small tree.
03:40The eye is a small tree.
03:40The place is sitting at the store, where things we are using, we will cut the windows to the Edger.
03:49And so, if we look at the geography, we will go to the office, so we will go to the
03:57office,
03:57which is not the best way to go to the office.
04:00Yes.
04:23It is not the best way to go to the office, but that is not the best way to go
04:31to the office.
04:32But it is also a big warning.
04:35We go to the office.
04:37The office, but when you are looking at them, this should be called the Police Department.
04:44I used to set up the art department.
04:51I used to say that the art department is very important.
04:56And there were many locations created.
04:59You know, there are a lot of places like this.
05:03But I used to recreate the art department.
05:08And I used to say that there were many locations.
05:10I think we have to go to the police station.
05:30And here we have opened the door.
05:33You have to tell us that this is Turunga.
05:36This is a police station.
05:37Atliya Bazu set is a part of the set where there are some sequences of the series,
05:44Ocean Films Company, production, etc.
05:48But at the police station, there are some sequences here.
05:53There are some basic structures.
05:57Atliya Bazu won't be able to go back to Atliya Bazu.
05:59Atliya Bazu won't be able to go back to Atliya Bazu, but Atliya Bazu has two sets.
06:03And here is the magic room.
06:09There are many sets that are created.
06:10We have been reading the script.
06:13We have been reading the script.
06:16We have been reading the scenes.
06:20There are boards and there are hotels?
06:23Yes, there are hotels.
06:25There are hotels that are created.
06:27Hotel sale, Dharu's shop sale,
06:30There are dispensaries.
06:32There is also a library for that matter.
06:35There is also a police station.
06:37There is one in the magic room.
06:39Yes, there are many locations.
06:41There are many locations.
06:57There are other rooms.
07:00There are several forms of the staff rooms.
07:03We are making the scenes from the staff room.
07:06But there are only staff rooms exclusively.
07:10There are tables in the centre,
07:11there are crutches in the centre.
07:14There are entry-exits.
07:16Yes, there are doors that have come.
07:17There are entry-exits that have come.
07:20There are trolleys.
07:21There are cameras that have come.
07:23I would shoot the angle here.
07:25But if there are doors that come,
07:28then I would have come.
07:31These doors are coming.
07:33These doors are closed.
07:35These doors are closed.
07:36It's like a scene.
07:37You can't do it.
07:40I'm like, I can't do it.
07:42I'm like, I'm going to do it.
07:43I'm going to do this.
07:44We should do it.
07:47So it's all.
07:49We have a lot of locker rooms.
07:51I have a lot of locker rooms.
07:54Some of these projects have a lot of locker rooms.
07:58There are many different topics.
08:01They have a lot of locker rooms.
08:22The staff room is located in the area of the staff room and the house area is located in the
08:27area of the wall and the wall of the flakes.
08:29I have to take a flat room and there is a pantry in the staff room.
08:36There is a place where I have to go, some snacks,
08:40some teachers come to the kitchen and they are going to come to the kitchen.
08:43So they have to go to the kitchen and drink.
08:46So it is like this pantry.
08:49So we have this place in the 4-5 foot area.
08:56But otherwise, there is a principal cabin.
09:00When the principal cabins are seen, the board was on the Praké Prabhu Vidya Mandir.
09:07And if you had registered, the walls are identical.
09:18So, when I was closed, I was shooting or cheating.
09:24When the lighting is ready, the board was on the Praké Prabhu.
09:34The board was on the Praké Prabhu, which was on the Praké Prabhu.
09:38The board was on the Praké Prabhu.
09:42The board was on the Praké Prabhu.
09:46The staff room and the principal room.
09:49The board was on the Praké Prabhu.
09:56The board was on the main ground.
09:58I'll read it out.
10:11When we start it.
10:13When we start it.
10:14When we start it, there are scenes in the passage.
10:17We can't see the scenes in the passage.
10:19There are scenes in the Moolan,
10:20there are scenes in the Moolan.
10:22That's right.
10:24And one question,
10:25is that you are wearing the mask?
10:26So, you don't have to worry about the mask.
10:29We don't have to worry about the mask.
10:31We don't have to worry about the mask.
10:32But we will arrange the mask.
10:34We have basic lights here.
10:38And we will have face lights here.
10:42And we will shoot the mask.
10:44We will shoot the mask.
11:02We have a question.
11:03When you are going,
11:04I think you can see my comments.
11:05We will have a hearing from the person.
11:06Today, we will have to record them.
11:07First of all,
11:08the second child,
11:09I am going to have a happen,
11:09Because of the other child,
11:10in the third child,
11:11is to have a set up.
11:13You can also have a set up of other children.
11:15You have to have an open door,
11:15but then the second child,
11:16of course,
11:17is locked.
11:17See what they have.
11:21I'll do better.
11:22Let's do it.
11:31This is the question.
11:33This is not a general passage of the exterior.
11:38But you don't have to trust me.
11:43This is the same place to create a shop.
11:46This is the same place to create a shop.
11:49You get a lot of space and a lot of place.
11:52There are even more houses and buildings,
11:55There are only people that you have to build a house like that.
12:02You can also find the rooms that will build the houses,
12:07But you have to ask yourself that just the house must have a house with the house.
12:15As you said, your house is like a house with Huzwa side,
12:16The first place is set up.
12:18The first place is set up.
12:21We have one place and three big places we have here.
12:25And it means that you have a police station.
12:28You have a place and a place of police station.
12:30And you have two police stations.
12:31You have a place and you have one place.
12:34And you have a place and a jail.
12:36So how hectic is shooting?
12:39What is it easy to do with this place?
12:41I think there is a good idea that
12:44It is very convenient to design
12:46and the scenes are very big,
12:48and the scenes are very big.
12:51There are some split units,
12:53because in one episode,
12:54there are two different locations in one episode.
12:57There are cut-to-cut episodes,
12:59so there are one unit at the start,
13:01and one unit is working on new ones.
13:04But when you start the start,
13:05you can see the new ones in the scene,
13:06and you can see the units in one location,
13:11There are many scenes, scenes, scenes, scenes, scenes, and scenes.
13:14We can go and travel, but we can do lighting.
13:19We don't have to do things.
13:21We can create a lot of things.
13:22Some of you are here at this team,
13:24so some of you are here two of us?
13:26No, we don't have to do anything.
13:29We don't have to do anything else.
13:31Okay.
13:32And we can make our makeup rooms.
13:35We can make our makeup rooms.
13:36Yes, we can make our makeup rooms.
13:38Yes, so our next question is that this set is very interesting.
13:42We don't have to do anything.
13:44You don't have to do anything.
13:46But we do nothing.
13:48So, I think we don't have to do anything.
13:50Oh, it's great.
13:52Thank you, guys.
13:53We have to do anything.
13:55We have to do anything.
13:57In the scenes, you are looking at the scenes.
14:00But we have to do anything.
14:02We have to do anything.
14:04We have to do anything.
14:05And of course, we have to do anything.
14:07We have to do anything.
14:09We have to do anything.
14:11We have to do anything.
14:12We have to do anything.
14:13We have to deal with it.
14:14We are doing everything.
14:15We have to do anything.
14:16The technical team is a big part of television.
14:20It's a great feeling of being here,
14:24So, when we are here and feeling the location of the location,
14:26a big task is a big part of the technical team.
14:30How many people in the series do you have the biggest production team?
14:35In total, there are 75 people every day.
14:38Every department, lights, makeup, hair, art department.
14:45In total, there are 75 units every day.
14:50So, this is BTS and this is behind the scenes.
14:54We have 4-5,000 units.
14:57So, we have a lot of people in this segment.
15:02And if you want to comment on this video, please comment on this video.
15:05Please comment on this video.
15:06Please comment on this video and please recognize your video.
15:10Thank you so much.
