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00:00:07Federico García Lorca
00:00:48And I don't want any crying.
00:00:50Death must be faced head-on
00:00:54Silence
00:00:55I said to be quiet.
00:00:58We will sink into a sea of mourning
00:01:01You heard me
00:01:04Silence
00:01:06I said silence
00:01:09Silence
00:01:55Silence
00:02:24Thank you!
00:02:44Thank you!
00:03:13Thank you!
00:03:29Thank you!
00:04:09Thank you!
00:04:37Thank you!
00:05:00Thank you!
00:05:49Thank you!
00:06:06Thank you!
00:06:55Thank you!
00:07:19Thank you!
00:07:34Thank you!
00:07:48Thank you!
00:07:51Thank you!
00:07:53They don't put anything in!
00:07:54Come on!
00:07:55Come on! Come on! Come on!
00:08:25Come on, let's go, let's go!
00:08:27What an idiot!
00:08:30You piece of shit!
00:08:32Reach out!
00:08:36Arguen that you have no weapons! Aim! Fire!
00:08:48Arguen! Aim!
00:08:52Fire!
00:09:04Good!
00:09:06Good!
00:09:09Good!
00:09:09Good!
00:09:12Let's go!
00:09:25There are several towns where right-wing people are being held.
00:09:30You'll already know my system.
00:09:32For every one of the orderly ones who falls, I will kill at least ten extremists.
00:09:39And to the leaders who flee, don't think that you will get away with it.
00:09:43I'll dig them out from under the ground if necessary.
00:09:46And if they're dead, I'll kill them again.
00:09:50There are some effeminate people in Seville who doubt everything.
00:09:54Even that tranquility is guaranteed in Seville.
00:09:57These beings are determined to spread fake news.
00:10:01What will I do?
00:10:02Well, impose a very harsh punishment to silence those idiots who were also complicit in this feat.
00:10:07Therefore, I empower all citizens to report any such individuals they encounter,
00:10:13They'll shut him up with a shot.
00:10:15Or bring it to me, and I'll stick it on.
00:10:20I authorize you, under my responsibility,
00:10:24to kill like a dog anyone who dares to exert coercion over you.
00:10:31If you did it this way...
00:10:33I'm sorry!
00:10:34That you be exempt from all liability...
00:10:35I can not stand.
00:10:36He's the king of the rotten!
00:10:40Concha, daughter! Let's see if you can find it.
00:10:42But what are you looking for?
00:10:44What am I going to look for? Radio Madrid!
00:10:50Well...
00:10:51Under government control, the few pockets of resistance from the factional forces
00:10:55in those provinces where the military rebellion has not yet been suppressed.
00:10:59According to statements by Mr. Giral, President of the Council of Ministers,
00:11:03Republican legality will not take long to be re-established throughout the nation.
00:11:09Ladies and gentlemen, you have just heard the latest news bulletin from Union Radio.
00:11:14Marí, good evening to everyone.
00:11:20For God's sake, Federico.
00:11:23You're playing with fire.
00:11:25But Mom, we're at home, surrounded by friends everywhere, in the gardens next door.
00:11:31Who wants...
00:11:32Your mother is right!
00:11:35You never know who might be passing by and overhear.
00:11:39For next to nothing, you're going to get yourself into serious trouble today.
00:11:42I think you're exaggerating, Dad.
00:11:45I hope so, Federico.
00:11:47Hopefully.
00:11:50I confess...
00:11:51I am very impressed.
00:11:56People are being killed just like that.
00:11:59Executing!
00:12:02Without trial and without anything.
00:12:05For any reason.
00:12:08Or for no reason at all.
00:12:10Just for being, I repeat.
00:12:12Concha, daughter.
00:12:14Shell.
00:12:19I'm scared, Mom.
00:12:20Daughter.
00:12:22What's that sound coming from my hand?
00:12:25All day I hold it in and hold it in so I don't cry in front of the children.
00:12:29But I can't take it anymore.
00:12:32Shell.
00:12:32Conchita.
00:12:33Don't cry, my child.
00:12:35I'm afraid.
00:12:37For him.
00:12:39Throughout.
00:12:43I'm afraid for you.
00:12:45For me?
00:12:47But what have I done?
00:12:50The bad thing, son, is that from what we know,
00:12:52It is not enough to have done nothing to get yourself killed.
00:12:55They're shooting...
00:12:58to professors, journalists, engineers.
00:13:28You should take the children for a nap.
00:13:30Come on.
00:13:30Come on, Paquito.
00:13:31Shell.
00:13:32Who are you?
00:13:34What do they want?
00:13:34Below?
00:13:35What permission do they have to enter?
00:13:36Be quiet, Don Federico.
00:13:37Shut up.
00:13:38It will be better for everyone.
00:13:40Where is your landlord?
00:13:41Isn't Gabriel Perea your landlord?
00:13:46Okay, you and three others.
00:13:48That's the landlords' house.
00:13:51Bring me every living creature.
00:13:53You, you and you.
00:13:54And you.
00:13:54Follow me.
00:13:55All of these.
00:13:57Put them there, against the wall.
00:13:59Come on, hurry up!
00:14:15Son!
00:14:16Son!
00:14:18Have the children woken up?
00:14:20No.
00:14:22They are asleep.
00:14:23Do not suffer.
00:14:25Come on!
00:14:25Son!
00:14:27Move it!
00:14:27Son!
00:14:29Come on!
00:14:30Leave them alone!
00:14:31Move it!
00:14:32My son!
00:14:35Gabriel Perea.
00:14:37Do you know who I am?
00:14:38Right?
00:14:39And what do they call me in the village?
00:14:41In Valderrubio?
00:14:43Shot!
00:14:44The pig farmer.
00:14:45Stronger.
00:14:46The pig farmer!
00:14:47And do you know why?
00:14:48Because of my skill in slaughtering pigs.
00:14:51All pigs!
00:14:54Tell us!
00:15:12Gabriel Perea, where are your brothers?
00:15:18Where are three?
00:15:19No, I don't know.
00:15:21Mother!
00:15:24And Jose, where is Jose?
00:15:27I don't know, I swear.
00:15:30No!
00:15:31Don't hit him anymore!
00:15:33Gabriel!
00:15:34No!
00:15:34Please!
00:15:35No!
00:15:36Don't hit him anymore!
00:15:37I'm Isabel!
00:15:38You don't know me!
00:15:39When I was in the village, I nursed you at my breast.
00:15:42With these!
00:15:43You don't know!
00:15:45Yes, woman!
00:15:45No!
00:15:46Of course I know!
00:15:47And?
00:15:48They'd pay you good money, wouldn't they?
00:15:50Come on!
00:15:51Take the one from here!
00:15:53No!
00:15:54And enough of these kids, damn it!
00:15:56Gabriel!
00:15:56Come on!
00:15:57Where is Antonio?
00:15:59Don't hit me anymore, I don't know where any of them are.
00:16:01Gabriel Perea, you and your brothers are sons of bitches.
00:16:06Ah!
00:16:06You understand me?
00:16:08That!
00:16:08I shit on the...
00:16:09You and you!
00:16:10Tie him to that tree!
00:16:11No!
00:16:12No!
00:16:13You have to tell me where they are, or I'll skin you alive.
00:16:17No!
00:16:18Oh my God!
00:16:20What the hell are you looking at?
00:16:22Don't you think what I'm doing is right?
00:16:25Well, that bastard's brothers killed two of his brothers-in-law, the pig farmer's brothers-in-law.
00:16:33Two months ago, there, in the village.
00:16:36And I need to know where those sons of bitches are hiding.
00:16:40Do you understand?
00:16:41No.
00:16:44And boy, do I know.
00:16:46No!
00:16:50Enough!
00:16:51Enough!
00:16:52I didn't turn my back on him!
00:16:53I didn't put my back on this big guy!
00:16:55No!
00:16:58No!
00:17:09The front line continues to advance.
00:17:12And Varela's advance guard is already in sector B, about 53 kilometers from Loja.
00:17:19Tomorrow morning, two Junkers carrying more legionnaires will arrive in Granada, landing in Armilla.
00:17:26So, we will have completed another flag.
00:17:29As you will see, my friend Valdés, it's all good news.
00:17:33Anything else?
00:17:34Short.
00:17:37My general, you still haven't given me instructions about all those people we talked about yesterday.
00:17:42You know.
00:17:44Understood?
00:17:45Short.
00:17:47Yes, commander.
00:17:49I repeat, the best solution for that is the same as always.
00:17:53Coffee.
00:17:54Lots of coffee.
00:17:56Good afternoon, commander.
00:17:58Long live Spain!
00:17:59I'm done.
00:18:08Wow, often crowded.
00:18:09What's wrong? Don't you have anything better to do?
00:18:13Well, I'm fed up with so much paperwork and all that crap.
00:18:19And on top of that...
00:18:24You're screwed, huh?
00:18:25It won't be so much coffee.
00:18:27It'll be because of milk, Nestares.
00:18:30So, how's it going in the neighborhood? Lots of work?
00:18:32Everything you send me.
00:18:34Now it is the anteroom to heaven.
00:18:43And what do you want from me?
00:18:44Please authorize the list for today.
00:18:45Mr. Romero Funes has already seen it.
00:18:47And what does my police chief say?
00:18:49That's fine.
00:18:52How many?
00:18:53Thirty-two.
00:18:54Let's see, let's see.
00:18:57Yes, okay.
00:18:58What do you want, sergeant?
00:19:00Please approve this departure, my commander.
00:19:04Whose?
00:19:05By Gabriel Perea.
00:19:06The one I told you about, we have to let him go.
00:19:08He knows nothing.
00:19:09His brothers are probably already with the Reds.
00:19:12They'll fall, sergeant.
00:19:14They will fall.
00:19:15And who are you saying this bastard is a landlord of?
00:19:18From Don Federico García, who has a vegetable garden in the alleyways of Gracia.
00:19:23Garcia who?
00:19:24García Rodríguez, my captain.
00:19:26Incidentally, his son was there too.
00:19:30The poet.
00:19:31Yes, that's it, the poet.
00:19:33The writer.
00:19:34Federico García Lorca.
00:19:38Federico is not here for sure.
00:19:40He has to leave the garden right now, without wasting a minute.
00:19:43Sorry.
00:19:45What were you saying?
00:19:46You can't stay here for even a minute longer.
00:19:49Do you mean here?
00:19:50In the vegetable garden?
00:19:51Not on any farm around here.
00:19:53Not even in Tamarit.
00:19:55They'll come again.
00:19:56And they will come for you.
00:19:57Please, Isabel.
00:19:58Auntie, why kid ourselves?
00:20:00No.
00:20:01My little cousin is right, Mom.
00:20:04But the truth is, you're not discovering anything new, Isabel.
00:20:08Who said that about...
00:20:10Have the lead dogs come to wait through the groves of Tamarit?
00:20:14Federico, please.
00:20:16Sorry, Dad.
00:20:20That's clear.
00:20:21I have to leave here tonight.
00:20:23But where can I go?
00:20:27To the house of Don Manuel de Falla.
00:20:29The teacher loves you very much.
00:20:31And I love him too, Mom.
00:20:33But...
00:20:33That?
00:20:35Well, no.
00:20:37Why cause him problems?
00:20:38Furthermore, neither of them would feel comfortable.
00:20:48That's it.
00:20:50Luis Rosales.
00:20:52I'll go to Luis's house.
00:20:54Why didn't I think of that before?
00:20:57Luis is my friend.
00:20:58He is a wonderful poet.
00:20:59He has written things about my work.
00:21:01And all his brothers are...
00:21:03Falangists.
00:21:04Exact.
00:21:05Pepinique and Antonio are from the Falange.
00:21:07And I think Miguel, Luis, and Gerardo have also signed up.
00:21:12Furthermore, Pepinique and Antonio are not just any Falangists.
00:21:16They are bosses.
00:21:17I'm going to call them right now.
00:21:19They will protect me.
00:21:32Ah, here it is.
00:21:34Rosales Vallecillo, Miguel.
00:21:37Angulo Street, number one.
00:21:39One, eight, nine, nine.
00:21:42One, eight, nine.
00:21:47Okay.
00:21:51Luis Rosales.
00:21:53Not another word, Federico.
00:21:54Come to my house right now.
00:21:56Oh, Luisito, son, what a weight you take off our shoulders, Luis.
00:21:59Please, you don't have to thank me for anything.
00:22:02Everyone at home will be delighted that Federico can spend as much time with us as he wants.
00:22:06Really?
00:22:07But it's appreciated, Luis.
00:22:11That's appreciated.
00:22:12If you insist, Don Federico, today for you, tomorrow.
00:22:14Tomorrow?
00:22:15Tomorrow, Tararí.
00:22:16In addition, you will be able to write your complete works.
00:22:19Nobody is going to bother you.
00:22:20Dad is at the store all day.
00:22:22Miguel and José each in their own house.
00:22:24Gerardo, Antonio and I, theoretically, live there.
00:22:27But we almost never go, not even to sleep.
00:22:28Because?
00:22:29Because with this mess we're always going around the villages and on the front lines.
00:22:32So, you'll only see Mom, Aunt Luisa, and Esperancita.
00:22:35And at the piano?
00:22:36Because you have a piano, right?
00:22:37Yes, man, yes.
00:22:38And if we don't bring it.
00:22:39Well, you'll see the folkloric parties I'm going to organize with so many women.
00:22:42Okay, pack your things, we're leaving right away.
00:22:45Flying.
00:22:45I don't want to forget anything.
00:22:47I have to wear a tailcoat, a tuxedo, a morning coat, a frock coat and an opalanda.
00:22:52And above all, my suede ankle boots.
00:22:58I'm going to call Paco's taxi from Loja.
00:23:00We always use it.
00:23:01It's like it's our own personal car.
00:23:03And it still is, and they haven't confiscated it.
00:23:05Didn't you buy it yourself and give it to him as a gift?
00:23:08Woman, what's that got to do with anything now?
00:23:11He'll be safe at home.
00:23:12And isolated.
00:23:14Because he will live on the second floor, which is independent of the rest of the house.
00:23:17And no one will bother him.
00:23:18Ah, very good.
00:23:19The important thing is that no one knows it's there.
00:23:21At home.
00:23:22Yeah.
00:23:23Nobody should know.
00:23:25Do you understand?
00:23:26Nobody.
00:23:28Nobody.
00:23:29Hey, Luis.
00:23:30Tell me one thing.
00:23:31How do you normally greet each other at home?
00:23:33Shaking hands or something?
00:23:36Federico.
00:23:39You'll be safe at home.
00:23:40It's not funny at all.
00:23:42Friend and protégé of the Freemason, Jew and Marxist, Fernando de los Ríos, minister of the Republic and enemy of the
00:23:48National Spain.
00:23:50Federico García Lorca has participated in numerous rallies, tributes, and political meetings of the leftists, as well as in events
00:23:57of solidarity with communists around the world.
00:24:04Mom, Esperancita, we're here.
00:24:08Federico, son, what a joy.
00:24:12Doña Esperanza, the most beautiful woman in Granada.
00:24:17And you, let's not even talk about you, Esperancita.
00:24:20Absolutely gorgeous.
00:24:21And Aunt Luisa?
00:24:23Here I am, I'm coming down right now.
00:24:25Leave it, woman, we'll go now.
00:24:27You're going to live upstairs.
00:24:29Someone from outside will come and throw you out of your house.
00:24:33Basi, the briefcase?
00:24:35Oh, Basilisa.
00:24:37How are you?
00:24:38Very well, Mr. Federico.
00:24:40Basilisa, you have the name of an aromatic herb.
00:24:44What things do you have, young man?
00:24:48My ladies?
00:24:51Oh, we're going to have such a great time!
00:24:54By the way, you miserable rotten thing, you've deceived me.
00:24:57Where is the promised piano?
00:24:59Here, waiting for you.
00:25:02I take it back, let's go.
00:25:03Music comes first for me.
00:25:07Active member of the seemingly harmless society,
00:25:10but with clearly anti-Spanish aims, called Friends of the Soviet Union.
00:25:14He recently said in a Madrid newspaper
00:25:16that the worst bourgeoisie in Spain is currently stirring in Granada.
00:25:22A pigeon has been killed on the street with the walls.
00:25:27They have killed a pigeon.
00:25:31I will cut the flowers of her crown with my own hands,
00:25:35the flowers of her crown.
00:25:38Now it's over, the commotion is over.
00:25:44And we're going to the shootout, and we're going to the shootout.
00:25:52Fantastic!
00:25:53Do you see it?
00:25:54You are the best choir in the world.
00:25:57We are the best.
00:25:58Frederick and his divine jailers.
00:26:06We've done a great job, ladies.
00:26:08It's natural, because I'm a great director.
00:26:12It has been a resounding success.
00:26:15Silly.
00:26:17Tell us a real one.
00:26:18A what?
00:26:19A success of yours.
00:26:21When people stand up and applaud at a premiere.
00:26:25What's the biggest one you've ever had?
00:26:27Buenos Aires?
00:26:29Madrid?
00:26:30With Xirgu?
00:26:33With Membribes?
00:26:36Come on, tell us, Federico.
00:26:39My greatest success?
00:26:42Don't know.
00:26:44Perhaps the last one.
00:26:49Madrid.
00:26:51Spanish theatre.
00:26:53December 1934.
00:26:57Yerma.
00:26:58Yerma goes against traditional Spain, against decency, and against God.
00:27:03Federico García Lorca's signature always appears on manifestos against fascism and imperialism.
00:27:08In the endorsements of the so-called intellectuals with the Popular Front.
00:27:12In the protests in favor of international communism.
00:27:15He attacks the Civil Guard in a poem from his book, Gypsy Ballads.
00:27:21Me too?
00:27:22I?
00:27:23I'm not nervous.
00:27:29Why do you say that?
00:27:31Because it's true.
00:27:33You are restless, nervous, scared.
00:27:36There's nothing more to it than seeing you, my poor fellow.
00:27:41That's true, Esperancita.
00:27:43I'm afraid.
00:27:47I can't help it.
00:27:50Federico, but why?
00:27:53You are with us and we love you.
00:27:55And nobody can hurt you here.
00:27:57Yes, yes, yes, I know.
00:28:00And I repeat it to myself constantly, over and over again.
00:28:03But it's useless.
00:28:05I'm afraid.
00:28:07For me.
00:28:09For my family.
00:28:10For you.
00:28:12I am afraid for everyone and everything.
00:28:25Do you want me to tell you a secret?
00:28:26A top-secret secret?
00:28:31I don't like being alone.
00:28:33Well, sometimes, yes.
00:28:34But not for long.
00:28:36I need to be with people.
00:28:38With friends, especially.
00:28:39And talk, and talk.
00:28:41Talking and doing things.
00:28:42Like what?
00:28:43All.
00:28:45Verses, puppets, games, songs, drawings, costumes, jokes, lyric poems, dramas, I don't know.
00:28:54All.
00:28:56Now, for example, what would you like to do?
00:28:59I would like to be with you, my love.
00:29:02But not here.
00:29:05To travel the whole world as if we were two little pilgrims.
00:29:12Do you understand?
00:29:15As soon as this dreadful farce that we're going through is over, and it's going to be over very soon, I promise you,
00:29:21You're coming with me, and with my boys and girls from the barracks, to keep doing theatre for everyone
00:29:26the towns of Spain.
00:29:27But I'm a really bad actress.
00:29:29What are you saying, Esperancita?
00:29:31You are a real comedian, my dear sir.
00:29:34Should I tell you?
00:29:37What was it like?
00:29:40That?
00:29:41That.
00:29:42The shack.
00:29:43The shack.
00:29:44Ah, I don't know.
00:29:48Something incredible.
00:29:51More than a dream.
00:29:53Or a hope.
00:30:03In the telegram of condolence on the occasion of the death of the Russian writer Maxim Gorky,
00:30:09García Lorca's signature appears alongside those of other notorious communists,
00:30:13like Alberti, Arconada, Sender, Roces, all of them, just like the one mentioned,
00:30:18members of the Alliance of Intellectuals for the Defense of Culture,
00:30:22whose anti-Spanish and Marxist affiliation is evident.
00:30:33Where is Federico García Lorca?
00:30:36It's not here, you've already seen it.
00:30:38Yes, he left days ago, but we don't know where.
00:30:40And why did he leave?
00:30:42Here in Granada, those who flee from us do so because they do not have a clear conscience.
00:30:46But he has not fled.
00:30:48So where is it?
00:30:50Where is that fucking commie?
00:30:52Last time, he and all of you were told very clearly that he didn't have to move from
00:30:58here.
00:30:59Don't you remember?
00:31:03That intellectual, or whatever the hell he is, absolutely had no right to leave here.
00:31:12Before, he was just a suspect, and things could have been fixed.
00:31:20Now he is a rebel, an avowed enemy.
00:31:27And the enemies, you know, to the firing squad.
00:31:30But if I tell you that he hasn't fled, that he hasn't left...
00:31:32And from where?
00:31:35He's not at home.
00:31:38From Granada?
00:31:41Where is?
00:31:46Okay, that's enough.
00:31:47I'm fed up with so much contemplation.
00:31:50You guys grab that one and let's move forward.
00:31:52Sir, you can't take it.
00:31:54He can't take it.
00:31:55Stay still, damn it!
00:31:56And enough with the shouting!
00:31:57I don't care whether I kill the father or the son.
00:32:00If that crazy woman has escaped, I'll settle for her father.
00:32:02But sir, my father knows nothing, he hasn't done anything, my sister hasn't...
00:32:07escaped, he has not fled.
00:32:08If Federico isn't a rebel, but he's here, here in Granada, then...
00:32:14Where?
00:32:20At the home of his friend, the Falangist, Luis Rosales.
00:32:33Long live communism!
00:32:36Long live communism!
00:32:39Load something up!
00:32:41Place your bets!
00:32:45Fire!
00:32:47Fire!
00:32:56Come on! Let's go!
00:33:09Aaah!
00:33:12No!
00:33:47Yes, Dad
00:34:25The time for bloodshed has come again.
00:34:28Two sides
00:34:30There are already two sides here
00:34:33You with yours
00:34:35And me with mine.
00:34:55And me with mine.
00:35:23And me with mine.
00:35:48That's it, we have the house surrounded.
00:35:49Alright
00:35:52Open your eyes wide and wait
00:35:53At your service
00:35:59I have an arrest warrant for Federico García Lorca
00:36:02You can watch it if you want.
00:36:04No, it's not necessary
00:36:06I believe you, sir...
00:36:07Ruiz Alonso
00:36:08Ramón Ruiz Alonso
00:36:10The order is signed by the civil governor
00:36:13Commander José Valdés
00:36:17And that order
00:36:18What for?
00:36:19If you don't mind me asking
00:36:20I'm sorry, Mrs. Rosales.
00:36:22I can't tell you anything more.
00:36:23The order is to take me to that gentleman Federico García Lorca
00:36:27The civil government will explain everything to you.
00:36:30I'm so sorry too.
00:36:32But Mr. García Lorca
00:36:34Yes, he is indeed spending a few days with us.
00:36:38He's not leaving here.
00:36:41Please, ma'am
00:36:42Don't make things harder for me
00:36:43I have to take it with me
00:36:45And I'll take it with me.
00:36:46You can be sure
00:36:47But you know very well
00:36:48Whose house is it at?
00:36:50Are you not a Falangist?
00:36:53And you don't know who my children are in the Falange in Granada?
00:36:56It's unbelievable, man.
00:36:58Ma'am, don't make me lose my patience
00:37:01Bring that gentleman here
00:37:03Or I'll go and find him myself.
00:37:04You will have seen
00:37:06Not even my husband
00:37:07Neither are any of my children at home
00:37:09I've already told him
00:37:09And without his permission I can't do anything.
00:37:12So you'll see
00:37:14Little Hope
00:37:15Yes, Mom
00:37:15Call the Falange headquarters immediately
00:37:18And you tell Miguel or Pepe, whoever you find
00:37:21Have him come here right away.
00:37:22You tell him what's happening
00:37:24Yes, Mom
00:37:37Agony
00:37:40Agony
00:37:42Dream
00:37:43Ferment and dream
00:37:46This is the world, my friend.
00:37:48Agony
00:37:50Agony
00:37:51The dead decompose
00:37:53Under the clock of the cities
00:37:54The war passes by crying
00:37:56With a million gray rats
00:37:59And life is not noble
00:38:01Not even good
00:38:03Not sacred
00:38:12What's wrong with you?
00:38:14Why are so many armed people here?
00:38:17Surrounding my own house?
00:38:19Do you plan to kill him here?
00:38:20I'm not here to kill anyone
00:38:22I've come to take it away
00:38:23That's the order, nothing more
00:38:25Already
00:38:27And if I don't hand it over to you
00:38:29You will kill him and the entire Rosales family
00:38:31Right?
00:38:32Don't talk nonsense, Miguel
00:38:33Nobody is going to kill anybody
00:38:36Alright
00:38:37You win
00:38:38But I'm going with you to the civil government.
00:38:40Can you hear me?
00:38:41Valdés is going to explain that complaint to me.
00:38:45He's crazy.
00:38:47He is a poet
00:38:48A very important writer
00:38:49He is known all over the world
00:38:50And?
00:38:52Yeah
00:38:52A writer
00:38:55An intellectual
00:38:55I know.
00:38:57And I also know that he has done much more damage with the pen.
00:39:00That others with the gun
00:39:10Federico
00:39:10I will accompany you to the civil government.
00:39:13We'll sort everything out there.
00:39:14You'll see
00:39:16This is all ridiculous
00:39:18A stupid mistake
00:39:20Stay safe
00:39:21Yes, Miguel
00:39:22I understand
00:39:23And Pepe
00:39:24Do you already know?
00:39:25I haven't been able to locate him yet.
00:39:27Miguel
00:39:28I want your brother to come right away, please.
00:39:30Don't worry
00:39:31I've left messages for him everywhere
00:39:32Please
00:39:33Please, Miguel
00:39:34Bring it here however you can
00:39:43No
00:39:44No
00:39:44I'm not shaking your hand
00:39:49I don't want you to think I'm not coming back
00:39:53It is Mr. Ruiz Alonso
00:39:55Bring that order
00:39:57Yeah
00:39:59I know
00:40:03We can leave
00:40:32Music
00:40:47Thank you!
00:41:06Thank you!
00:41:14Oh, look who they've brought to visit us today.
00:41:17Come on, damn it! Move your ass!
00:41:20You, stay put and go to your post.
00:41:21But what happened? Nothing, Miguel, nothing.
00:41:24Is he under arrest?
00:41:25Yes. Let's go.
00:41:29Miguel! Miguel! Miguel!
00:41:33Miguel!
00:41:41Name and surname?
00:41:42That?
00:41:42What's his name?
00:41:44Federico García Lorca.
00:41:46Miguel!
00:41:46Empty everything you have in your pockets and put it here.
00:41:51Miguel!
00:41:56Raise your hands.
00:41:57But...
00:41:58He didn't hear me!
00:42:01Miguel!
00:42:06It's not important, Federico. It's just news.
00:42:08Don't go.
00:42:09If I go back soon, the important thing is to see Valdés.
00:42:13She gathers her things.
00:42:14And wait there.
00:42:17Come on, let's go!
00:42:18Here!
00:42:26Valdés!
00:42:26It's not here!
00:42:28It's not here!
00:42:29It's not here!
00:42:29Yes, we're going!
00:42:31Hey, Miguelito!
00:42:33Valdés!
00:42:33And Valdés!
00:42:34It's not there, man, really!
00:42:36He left early!
00:42:37It's in Lanjalón!
00:42:38And when is he coming back?
00:42:39I have to see it right now!
00:42:40What's wrong?
00:42:41I've brought Mr. García Lorna!
00:42:43As instructed!
00:42:44Ah, very good!
00:42:45Where is?
00:42:46In the courtyard.
00:42:57Is that why you wanted to see Valdés?
00:42:59Of course.
00:43:00Why would you want to take a friend of ours away from my house?
00:43:03The Rosales family is not to be trusted.
00:43:05Look, Miguelito, don't come at me with stories.
00:43:07Talk to Valdés when he comes.
00:43:09Not me...
00:43:09But when?
00:43:10I don't know.
00:43:12He'll come tonight, I suppose.
00:43:14Damn, so what do we do then?
00:43:16What do you mean, what do we do?
00:43:17Nothing.
00:43:18Your friend is staying here.
00:43:19You leave and come back later.
00:43:21And don't look at me like that, damn it.
00:43:23We're not going to eat it.
00:43:26Targento!
00:43:29Lower your hand.
00:43:30Accompany Mr. Rosales.
00:43:31Yes sir.
00:43:34Yes, not me.
00:43:48Din, is something wrong?
00:43:50Yes, there is a problem, Federico.
00:43:52Valdés won't arrive until night.
00:43:55My God, my God.
00:43:57You have to stay here until we talk to him.
00:44:00I'm sorry, but that's how it is.
00:44:02Nothing can be done now.
00:44:03Miguel.
00:44:04You have to find Pepe.
00:44:05One way or the other.
00:44:06He can fix it.
00:44:07Only him.
00:44:08You can't leave me like this.
00:44:09Come on, follow me.
00:44:09It's just a moment.
00:44:11It's a formality, understand that.
00:44:11You can't leave me like this.
00:44:12Come on, let's walk!
00:44:14Don't worry.
00:44:14Please tell my father.
00:44:15And promise me that you will come for me.
00:44:16You don't know about that.
00:44:18Promise me.
00:44:19Promise me, promise me.
00:44:20Come on!
00:44:24Do you need anything?
00:44:26No.
00:44:26Nothing.
00:44:28Cigarettes.
00:45:01Bye bye.
00:45:47Thank you!
00:46:19Thank you!
00:46:31I realized that I had been murdered.
00:46:34They visited cafes, cemeteries, and churches.
00:46:38They opened the barrels and the cupboards
00:46:42They smashed three skeletons to extract their gold teeth
00:46:46They couldn't find me anymore.
00:46:49Didn't they find me?
00:46:52No, they didn't find me.
00:46:54But it was learned that the sixth moon fled upstream
00:46:57And that the sea suddenly remembered the names of all its drowned
00:47:44Has Valdés returned?
00:47:46Yes, he's in the office.
00:47:47But he can't be disturbed now
00:47:49You'll say that.
00:47:50Naturally, I'm telling you that it can't happen
00:47:52Let go, damn it!
00:47:54Do you want to see how it happened?
00:47:55Hey, Pepiniki, let's keep the peace.
00:47:58If you're coming because of Luis's friend's thing
00:48:00It's best if you make a written statement.
00:48:03A statement?
00:48:05Us?
00:48:06About what?
00:48:07That you have had a red hidden in your house
00:48:10And that is prohibited and punishable.
00:48:12You know that perfectly well
00:48:13So don't get hysterical.
00:48:15And do it
00:48:17Lieutenant
00:48:19Take his statement
00:48:21Do it, Luis
00:48:22I see Valdés right now, no matter what.
00:48:24Hey, Pepe
00:48:25Pepe!
00:48:28What kind of way is that to get in?
00:48:30And what do you want me to do?
00:48:32There's a piece of shit there that won't let me in.
00:48:34And I need to talk to you
00:48:35And me with you?
00:48:36Do you want me to tell you something?
00:48:38I'm fed up with all of you.
00:48:40The Rosales siblings
00:48:41I've done a terrible job here.
00:48:43Without sleep, do you hear me?
00:48:45Sleepless
00:48:47Everywhere
00:48:48Whether here or at the front
00:48:49To and fro
00:48:51And then Mr. Rosales arrives, looking very cocky.
00:48:54And off we go inside
00:48:57To tell me about that red one he had hidden.
00:48:59That's not a red, or a blue, or a green
00:49:01He's a friend
00:49:02And I was at home
00:49:04At the home of some Falangists
00:49:06From some old shirts
00:49:08And then some right-wing shit shows up
00:49:10From that wax of Gil Robles
00:49:13And surround the house with a thousand men.
00:49:15And he grabs it and brings it here
00:49:16Just like I'm telling you
00:49:18And you even allow it.
00:49:19It's not that I condone it.
00:49:21I sent it.
00:49:26Here's a queen delucia.
00:49:29And I, who am the civil governor
00:49:31Don't forget
00:49:33I'm sticking to it
00:49:36Take
00:49:37So you can get soaked
00:49:38From what is said here
00:49:39From your little friend
00:49:50Fuck
00:49:52This Ruiz Alonso is a son of a bitch
00:49:56How can you seriously say that?
00:49:57That Federico García Lorca
00:49:59Is he a spy for Moscow?
00:50:01Well, there you have it.
00:50:02And more things
00:50:07I'm so sorry, Pepinique
00:50:10Look, if this didn't exist
00:50:11You could even take it home right now.
00:50:13But...
00:50:14But what?
00:50:16No
00:50:17That I can't do anything
00:50:19Don't you understand?
00:50:21Everything written here needs to be checked.
00:50:24The usual procedures
00:50:27The wall
00:50:28No, man, no
00:50:30Nothing will happen to him
00:50:31I'm telling you.
00:50:34I hope everything written here is true.
00:50:35It's a lie, as you say.
00:50:36If so, all the better for him
00:50:38And for your little brother, Luis
00:50:40What's wrong with Luis?
00:50:44That his hair might fall out
00:50:45For having hidden an enemy
00:50:46Because it was him
00:50:47And only he
00:50:50So it's better
00:50:51That it be justified
00:50:52But seriously and thoroughly
00:50:53Before me and other authorities
00:50:55Because if not...
00:50:56If not, then what?
00:50:57Don't come at me with threats now.
00:51:00They're not threats, Pepe.
00:51:01It's a comrade's advice
00:51:04Good advice
00:51:13At last
00:51:14What a joy!
00:51:20I thought you weren't going to come.
00:51:22How are you?
00:51:23Are you OK?
00:51:26Are you OK?
00:51:27Are you OK?
00:51:32Come on?
00:51:33No, Federico
00:51:34Not yet
00:51:37Do I have to spend the night here?
00:51:39Only this
00:51:39I'll get you out of here tomorrow morning.
00:51:41I swear
00:51:50Nothing's going to happen to you, Federico
00:51:58Do you need anything?
00:52:05Ah, they've brought you blankets
00:52:06Yeah
00:52:08And food
00:52:10From your mother
00:52:11Thank him
00:52:15One of your Falangists brought them.
00:52:18A young boy
00:52:20A very nice boy
00:52:25Well, I think it's called
00:52:27Clear
00:52:29Benefactor's Bene
00:52:34The best thing you can do now is try to sleep
00:52:37And forget about everything
00:52:41Tomorrow morning
00:52:43I'll come back for you
00:52:44And we will leave
00:52:45God hear you
00:52:48Yeah, man, yeah
00:52:49You'll see
00:52:51See you tomorrow
00:53:18Subscribe to the channel!
00:53:34Pederico! Pederico! Pederico!
00:53:57Mr. Federico.
00:53:59Angelina! Angelina!
00:54:05Stop it now, you're going to drown me.
00:54:09Are you OK?
00:54:11Now we're talking. And at home?
00:54:15You can imagine.
00:54:19I've brought him hot coffee.
00:54:25And your cigarettes?
00:54:28And bread?
00:54:32And an omelet?
00:54:34Now that the tortilla's out, shut up.
00:54:36What a guard was at the door!
00:54:37He insists on registering it and has completely crushed it.
00:54:42I don't know what he imagined could be hidden in a tortilla, I mean.
00:54:46Come on, finish it already!
00:54:48Eat it, it's delicious!
00:54:51I don't feel like it.
00:54:53It doesn't matter, eat it.
00:54:55Otherwise, you'll be left more sucked in than a lollipop.
00:55:10A pirulí pirulado.
00:55:16Excellent, my general.
00:55:18Yes, my general.
00:55:19I think they are a little optimistic about the...
00:55:21What did you say?
00:55:23Will you all be quiet?
00:55:28Excuse me, General, but we couldn't hear you very well.
00:55:32Yes, yes, now better.
00:55:35Understood, my general.
00:55:37At your service, my general.
00:55:39Viva!
00:55:41At last.
00:55:42We now have a direct line to Seville.
00:55:46Thanks to the guys from Varela.
00:55:47And to everyone, there's no need to be modest.
00:55:49That's great news.
00:55:53Awesome.
00:55:55And what do you want?
00:55:58What is it?
00:56:00A signed order from the military command to release García Lorca.
00:56:04And who are you to go around telling anyone if that guy is here and all that?
00:56:09What do they know at the military command?
00:56:11What do they know about what?
00:56:13Who does each one belong to in Granada?
00:56:16About what he does and who he's with.
00:56:18Public order, that's my job.
00:56:20You don't understand.
00:56:21This paper is useless to me.
00:56:23Enjoy!
00:56:26Besides, that faggot isn't here anymore.
00:56:29As?
00:56:30Didn't you say last night that...
00:56:31And?
00:56:32I'm telling you now that he's not here, period.
00:56:35Where is?
00:56:36What have you done with it?
00:56:38What if something happens to Lorca?
00:56:39That?
00:56:41It's going to be a huge scandal.
00:56:44Everyone is going to turn against us.
00:56:45But who the hell is everybody?
00:56:47Four random people out there who are going to write about this and that?
00:56:51I don't give a damn what they say here, abroad, or anywhere else.
00:56:55I have to win a war.
00:56:56And that's what matters.
00:56:57That's all.
00:56:59Valdés, damn it...
00:56:59You're a son of a bitch...
00:57:00Watch what you say, Pepe.
00:57:03Be very careful.
00:57:05I don't want to talk about that matter anymore.
00:57:08You'd better mobilize all your friends to see if they can sort out what's happening with your little brother Luis.
00:57:13Because I'm going to personally handle that story.
00:57:18Damn poets.
00:57:19You're in a bad mood.
00:57:21You probably don't know who you're talking to.
00:57:23Instead of wasting my time here, you should be at your post.
00:57:26On the front lines, in the first line, shooting.
00:57:30Let's see if we can beat the Reds.
00:57:32Because if not, none of us will be left to tell the tale.
00:57:36Not even the Rosales family.
00:57:38And now...
00:57:40Get out of here, get out.
00:57:41I don't want to see you anymore.
00:57:43It's an order.
00:58:18Come on, just leave that there and no more chatter.
00:58:23But you haven't eaten anything.
00:58:25No.
00:58:26I have a Gordian knot.
00:58:28What does it have?
00:58:30Nothing, woman.
00:58:40Well, they didn't squash my tortilla today.
00:58:42Shut up!
00:58:43How the hell should things be said?
00:58:45Come on, get out of here!
00:59:10Come on, get out of here!
00:59:39Do you want to?
00:59:51You and your family live on San Antón Street, right?
00:59:56Yeah.
00:59:58When did they bring it?
01:00:00Yesterday.
01:00:02No.
01:00:05The day before yesterday.
01:00:07The day before yesterday afternoon.
01:00:11But they should have released me yesterday morning.
01:00:14Look, Pepinique Rosales was going to come for me.
01:00:19I don't know what's going on.
01:00:21Already.
01:00:23Maybe it's today.
01:00:25Do you think so?
01:00:30It would be good for you if you could make a donation to us.
01:00:34What did you say?
01:00:35A donation to help the Armed Forces.
01:00:42Yes of course.
01:00:43But I'm not carrying anything on me.
01:00:45It doesn't matter.
01:00:47You tell your family in writing.
01:00:50And I go for a moment to San Antón Street.
01:00:54Yes, I understand.
01:00:58This nib is blunt and...
01:01:01...writes very badly.
01:01:02It's the same thing.
01:01:04The important thing is that his family...
01:01:06...see that it is written in his own handwriting.
01:01:11Do you understand?
01:01:13Yes of course.
01:01:21Does one thousand pesetas seem okay to you?
01:01:23Normal.
01:01:27Dad.
01:01:29Give this letter to the bearer...
01:01:33...one thousand pesetas...
01:01:37...as...
01:01:39...donation for the Armed Forces.
01:01:42A hug...
01:01:46...Federico.
01:01:47Federico.
01:01:54Very good.
01:02:35Yeah?
01:02:36Yes, Civil Government of Granada.
01:02:39Himself.
01:02:41Commander Valdés.
01:02:43OK.
01:02:45Yeah?
01:02:50Good evening, my general.
01:02:52Well, good morning, depending on how you look at it.
01:02:55No, not too important...
01:02:58...but it's something that worries me.
01:03:00Yes, exactly.
01:03:02Regarding what I mentioned to you a couple of days ago.
01:03:06I know, my general.
01:03:08But here it's so... come on, tell me...
01:03:10...that if he's a very well-known person...
01:03:14I don't know, because a lot of people...
01:03:17...no, no, it's clear, my general.
01:03:20It's in case we mess up.
01:03:23OK.
01:03:25At your service, my general.
01:03:28Long live Spain.
01:03:51So coffee.
01:03:54Lots of coffee.
01:03:56This is Radio Sevilla.
01:03:59It is two o'clock in the morning today, August 19, 1936.
01:04:05The latest war report from the Southern Army headquarters reads as follows.
01:04:11No noteworthy developments in any of the sectors under my command.
01:04:15The consolidation of the national troops' positions continues.
01:04:21Long live Spain.
01:04:23Signed, General-in-Chief Gonzalo Queipo de Llano.
01:04:34This war will never end.
01:04:37I'm going to bed.
01:04:38Are you coming?
01:04:39No, they're fleecing me.
01:04:43Well, goodbye everyone.
01:04:45Bye bye.
01:04:45Good night.
01:04:57Good night.
01:04:58Federico.
01:04:59Ah, Federico!
01:05:01Where are you taking him?
01:05:03Let me go!
01:05:04Federico!
01:05:05Where are you taking him?
01:05:06What are you going to do with him?
01:05:08Federico!
01:05:09Let me go, damn it!
01:05:10Federico!
01:05:11What are you going to do with him?
01:05:14Let me go, let me go!
01:05:17Federico!
01:05:22Oh, sorry.
01:05:28You're the poet, aren't you?
01:05:31García Lorca.
01:05:35I thought so too.
01:05:37But of course, that's not how one dares.
01:05:42My name is Dioscoro Galindo González.
01:05:46Nice to meet you, Dioscorus.
01:05:50What a ridiculous name.
01:05:51That?
01:05:56I am a teacher.
01:05:58From Pulianas.
01:06:00Are you familiar with the town?
01:06:01Yes, I believe it.
01:06:03A beautiful town.
01:06:05I'm from Fuentevaqueros.
01:06:06In the valley.
01:06:08Silence, damn it!
01:06:09Enough talk!
01:06:20It is forgotten that for me to die,
01:06:23All of Granada has to die.
01:06:25And that great knights would come to save me.
01:06:30There will be no one in Granada to look out when you pass by.
01:06:32There will be no one in Granada.
01:07:11Up with Spain!
01:07:12Above.
01:07:13What, to the colony?
01:07:15Yes, on vacation.
01:07:16That's what it used to be for, so that school children could go on summer vacation.
01:07:20How many have you brought today?
01:07:20Just two, there you have them.
01:07:26Okay, go ahead.
01:07:28You can continue.
01:07:29OK.
01:07:31I greet Captain Estares on behalf of the rest stop.
01:07:34Don't worry.
01:07:35Come on.
01:08:02Hello.
01:08:03Hello.
01:08:03Good night.
01:08:04Good night.
01:08:06Sit down here.
01:08:09Thank you.
01:08:25Perhaps we've woken you up.
01:08:28Do you think one can sleep here?
01:08:32Do you smoke?
01:08:35Come on, men, I'll have plenty of you.
01:08:38Of course Corrubio was there.
01:08:39I can't stand black.
01:08:41Tene.
01:08:42I know you.
01:08:44You are the poet.
01:08:46That poet.
01:08:47Federico García Lorca.
01:08:49Those sons of bitches.
01:08:51They respect no one.
01:08:53We were caught in the Albaicín, fighting.
01:08:55And why are you doing this?
01:08:58I don't know.
01:08:59I have always been a republican.
01:09:02Someone from the town who wishes me ill.
01:09:04I don't know.
01:09:06I am a teacher there, in Pulianas.
01:09:09And my name is Galindo.
01:09:11Dioscoro Galindo González.
01:09:13A very...
01:09:15What did you say, Don Federico?
01:09:18Chorbatélico.
01:09:19That.
01:09:20It's nonsense.
01:09:22I love inventing words.
01:09:25And why should you?
01:09:26What does it matter?
01:09:29The fact is that I'm here with my friend Dioscoro.
01:09:31And with you.
01:09:34My name is Joaquín Arcollas.
01:09:37Banderillero.
01:09:38Paco Galadí.
01:09:39Me too.
01:09:41Flagmen?
01:09:42Really?
01:09:44Both?
01:09:46It's fantastic.
01:09:48Don't you realize?
01:09:49Nor have I done any custom orders.
01:09:51But what?
01:09:52The absurd and cruel grotesqueness of eternal Spain.
01:09:56A lyric poet.
01:09:58A lame school teacher.
01:10:01And two bullfighters.
01:10:03And a bunch of fascists are waiting for us.
01:10:05Are they really waiting for us?
01:10:07By removing me from civil government,
01:10:09The sergeant told me they were bringing us here
01:10:11to work on fortifications or on the road.
01:10:15Neither road nor fortifications.
01:10:18They are here because...
01:10:19because they are condemned to death.
01:10:21No.
01:10:21This is a crime.
01:10:22I haven't done anything.
01:10:23It's a crime.
01:10:27It's not my fault.
01:10:29Those are orders.
01:10:32I've heard them and I thought it's best not to get your hopes up.
01:10:35I'm sorry.
01:10:40Hope is the last thing to die.
01:10:43Sometimes a pardon comes.
01:10:47Anyone who wants to give me any personal items for their family.
01:10:50I don't know.
01:10:51A clock.
01:10:52A ring.
01:10:53Whatever.
01:10:54Or if you want to write a letter.
01:10:57Or his...
01:10:58his will.
01:11:00You can count on me.
01:11:02There is paper and ink.
01:11:05Write whatever you want
01:11:06And I give you my word
01:11:07I will deliver it personally.
01:11:08to whomever you say.
01:11:13The most important thing is that
01:11:15if anyone wants to confess
01:11:16Tell me now.
01:11:17One-minute son.
01:11:18And I'll send for the priest right away.
01:11:21Thank you.
01:11:37Are there more prisoners upstairs?
01:11:39Half prisoners.
01:11:41Those guys do work.
01:11:45Like undertakers.
01:11:47They told us.
01:11:50They have brought us
01:11:53from the prison here at sunset.
01:11:57And we have seen them.
01:12:00Them
01:12:02They lock them up
01:12:03when they are done
01:12:05up there.
01:12:07And the next day
01:12:08to work.
01:12:10But then it's true.
01:12:12Are they going to kill us?
01:12:14It's best if you leave
01:12:15forming the idea.
01:12:16No.
01:12:19No.
01:12:21No.
01:12:23No.
01:12:31What a little rock and roll
01:12:32that we all have.
01:12:33This is over.
01:12:34Come on.
01:12:35All together.
01:12:37I am braver than you.
01:12:39More bullfighter
01:12:40and more gypsy.
01:12:42I am braver than you.
01:12:45More bullfighter
01:12:46and more gypsy.
01:12:49So,
01:12:50Then I'm going to show you
01:12:52a game.
01:12:53It must be said
01:12:54three names of things.
01:12:56Three nouns, teacher.
01:12:59The first
01:13:00It is repeated twice.
01:13:02The second
01:13:02It has to be always
01:13:03the hen.
01:13:04OK?
01:13:05The hen.
01:13:07And the third
01:13:08and last
01:13:08Well, whatever you can think of.
01:13:10suddenly
01:13:10without thinking twice.
01:13:12And the rarer it is
01:13:13sound better.
01:13:13For example,
01:13:14I'll start, okay?
01:13:16Tea,
01:13:18tea,
01:13:19the hen
01:13:19and the teotocópuli.
01:13:22I'm doing great.
01:13:24That's it.
01:13:25Holy shit,
01:13:26Holy shit,
01:13:27the hen
01:13:27and the
01:13:28calomels.
01:13:32Have you picked it up yet?
01:13:33Let's see.
01:13:36The bull,
01:13:37the bull,
01:13:37the hen
01:13:38and the mother
01:13:39Damn it.
01:13:42Now you.
01:13:49The whore.
01:13:51The whore.
01:13:53The hen
01:13:55and the Civil Guard.
01:13:57There you go.
01:14:00Come on, God, my crew.
01:14:02Come on, maestro.
01:14:04Now it's your turn.
01:14:09The house.
01:14:12The house,
01:14:14the hen
01:14:14and the heart.
01:14:31Because
01:14:32You don't tell us
01:14:32a verse of yours?
01:14:52When I die,
01:14:55Bury me with my guitar
01:14:56under the sand.
01:14:59When I die,
01:15:01among the orange trees
01:15:03and mint,
01:15:06When I die,
01:15:08bury me
01:15:09if you want
01:15:10on a weathervane.
01:15:14When I die.
01:15:29I want to confess.
01:15:31I want to confess!
01:15:32He can't anymore.
01:15:33The priest has left.
01:15:36In the army
01:15:37Things have to be done
01:15:37in due course
01:15:38and not when one
01:15:39as he pleases.
01:15:43Of course, always
01:15:45There is a possibility
01:15:45to be saved.
01:15:47A sincere
01:15:48act of repentance.
01:15:51A sincere act
01:15:52of repentance?
01:15:55And that way I wouldn't be condemned?
01:15:57Yeah.
01:15:59Pray with me
01:16:00My Lord,
01:16:01Christ.
01:16:01Yeah.
01:16:03My Lord,
01:16:04Christ.
01:16:08I don't know.
01:16:09I've forgotten.
01:16:10My mother taught me.
01:16:11And I don't know.
01:16:12I've forgotten.
01:16:12It doesn't matter.
01:16:13I'm saying it.
01:16:14And you repeat it.
01:16:15Hey?
01:16:16Yeah.
01:16:22My Lord,
01:16:23Christ.
01:16:24My Lord,
01:16:25Christ.
01:16:26God and true man.
01:16:28God and true man.
01:16:30Creator,
01:16:30My Father and Redeemer.
01:16:32Creator,
01:16:32My Father and Redeemer.
01:16:33Because it's you
01:16:34who are you.
01:16:35Because it's you
01:16:35who are you.
01:16:36And because I love you
01:16:37above all things.
01:16:38And because I love you
01:16:39above all things.
01:16:41It weighs heavily on me.
01:16:41It weighs heavily on me.
01:16:42My condolences, Lord.
01:16:43with all my heart.
01:16:44My condolences, Lord.
01:16:45with all my heart.
01:16:46Having offended you.
01:16:47Having offended you.
01:16:48It's my fault.
01:16:50It's my fault.
01:16:51It's my fault.
01:16:52It's my fault.
01:16:52Through my own great fault.
01:16:53Through my own great fault.
01:16:55I strongly propose
01:16:56never sin again.
01:16:57I strongly propose
01:16:58never sin again.
01:16:59To distance myself from all
01:17:00the occasions of offending you.
01:17:01To distance myself from all
01:17:02the occasions of offending you.
01:17:03And do the penance.
01:17:04And do the penance.
01:17:05That it was imposed on me.
01:17:06That it was imposed on me.
01:17:08Therefore I pray.
01:17:09Therefore I pray.
01:17:10To the blessed
01:17:11Ever-Virgin Mary.
01:17:12To the blessed
01:17:13Ever-Virgin Mary.
01:17:14And to the angels
01:17:15and to the saints.
01:17:16And to you, brothers and sisters, who pray for me before our Lord God.
01:17:24Amen.
01:17:35Thank you.
01:17:37Thank you.
01:17:39May God repay you.
01:18:00Joaquín Arcollas Cabezas.
01:18:18Francisco Galadí Mergal.
01:18:31Dioscoro Galindo González.
01:18:45Federico García Lorca.
01:18:50Thank you.
01:18:51Thank you.
01:18:52Thank you.
01:19:02Thank you.
01:19:13Thank you.
01:19:15Thank you.
01:19:15Thank you.
01:19:19Thank you.
01:19:25Thank you.
01:19:33Thank you.
01:19:35Thank you.
01:19:35Thank you.
01:19:39Thank you.
01:19:48Thank you.
01:19:53Thank you.
01:20:01Thank you.
01:20:02Thank you.
01:20:03Thank you.
01:20:06Thank you.
01:20:15Thank you.
01:20:16Thank you.
01:20:19Thank you.
01:20:28Thank you.
01:20:36Thank you.
01:20:41Thank you.
01:20:42Thank you.
01:20:48Thank you.
01:20:49Thank you.
01:20:50Thank you.
01:20:51Thank you.
01:20:55Thank you.
01:21:08Thank you.
01:21:21Thank you.
01:21:52Thank you.
01:22:36Thank you.