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02:41How much do I owe him?
02:42190.
02:46Are you leaving the package?
02:48Yes, yes, I was looking.
02:51Look.
03:14Here you can only have consultations in the afternoons, starting at five o'clock.
03:19I can give you directions to where he works in the mornings, but I know that he only goes there once.
03:25Mondays, Wednesdays and Fridays, so it doesn't affect him now.
03:29Oh my God. I was so keen to get this going today...
03:33Why don't you come back at five? Will you leave me a message and...?
03:36Yes, but... it's going to be a very bad time for me...
03:40And I couldn't find him anywhere else, even by phone.
03:43I'm not authorized to give you his home number. Even though he's never there.
03:49Okay, then I'll come back another day.
03:52Lick it first.
03:54That.
03:55Oh! It occurs to me.
03:58Eat at a restaurant very close by. Going down, turn left.
04:03Ramón San Juan? Yes, I don't think he'll be long. It's about his time.
04:07He'll come... for sure.
04:08He sometimes misses a day, but if he comes, it's at this time. Can I get you something while you wait?
04:14A beer.
04:15Very good.
04:27We've already discussed this. Is there anything else I can do?
04:30Yes. Wash this lettuce.
04:32And that's it. Now all we need is for Dad to finally arrive.
04:35Where has he gone?
04:36I don't know, daughter, I don't know. He woke up feeling mysterious today.
04:39Then don't tell me any more. She's gone for your anniversary present.
04:42Uh-huh.
04:45I've had this one since last night.
04:47Wow. Not bad, huh? I told him he had gone crazy.
04:53Chón, I can't see the olives.
04:55Don't pay any attention to her, Miss Concha. She acted like a little girl in her brooch.
04:59No, if I deserve it, I deserve it.
05:02Forty years of putting up with your father is a long time.
05:05And what did you give him/her?
05:06Me? A cigarette case.
05:08Silver.
05:09With an inscription.
05:11If I saw that inscription.
05:13Then he'll say.
05:14Oh, what did you want?
05:15It's a gift.
05:16I wasn't going to insult him in a gift, was I?
05:18Are all the others here?
05:19All.
05:20And the kids give off a real sting.
05:22So, if Dad takes a long time, I don't know where that man has gone.
05:26Yes, I remember.
05:28He studied with me at university.
05:30The thing is, it's been a long time since we've seen each other.
05:32Would you like to eat with me?
05:33Look, I'd really like to, but today of all days...
05:36My grandchildren, well, you know, right?
05:38Okay, so we'll sit down, have a beer, and you can tell me about it.
05:40With pleasure.
05:41Miguel, the eight-inch lenses. Come on.
05:44Given the current situation, it's very much appreciated that you recommend clients to me.
05:47Things are going really well for me, aren't they?
05:49Me?
05:50No, no, him, him.
05:51Ah, yes, very good. Assembled.
05:56He studied with one of my sons.
05:57He's a very good friend of the family.
06:01My wife, well, you know.
06:04And he told me that you...
06:07That you...
06:08Could you solve my problem without too much...
06:12What I mean is that my finances aren't very bright.
06:17But you don't need to worry about that, Antonio.
06:20My friends' friends are my friends, you know.
06:23However, in these cases there are minimum fees for commission expenses, and we can discuss the rest between you and me.
06:26And that's it.
06:27Listen, but those minimums won't be...
06:29No, no, no, no, don't worry.
06:31Good.
06:32And what is it about?
06:34From a divorce.
06:35Already.
06:36And who wants a divorce?
06:37I.
06:38I.
06:41I want to get a divorce.
06:44The cans.
06:46Man, the tin cans.
06:48Give it to Andrea, you give it to her, she's going to get it all over her, okay?
06:50No, no, no, no.
06:51If the girl is sitting with the adults, it means she already knows how to eat like a young lady.
06:55Right, daughter?
06:56The tin cans are very difficult, grandpa.
06:58An exception must be made for tin cans.
07:00No exceptions.
07:02Either the girl eats or she doesn't.
07:04And if he doesn't eat, well, he's served first in the kitchen, as always.
07:07Here at this table, none of you have sat down until you were old enough to behave like adults
07:12civilized.
07:13Yes indeed.
07:13Times change, Dad.
07:15You'll never resign yourself to admitting that times change.
07:18I have no reason to resign myself to it, besides I'm delighted, kid.
07:21And it was about time, wasn't it?
07:23But yes, they must change for the better.
07:26You can raise your children as badly as you want.
07:29I'm not going to get involved in that, among other things because you won't let me.
07:32But here in my house, the children have their place and the adults have their place too.
07:38And if they meet, it's because both sides know how to live together like civilized people.
07:42Look at this girl, her mouth is full of yogurt!
07:45Well, I'll do my part.
07:46We're going to the kitchen to eat canned goods.
07:47I'm going to eat here with the adults.
07:50Come on, Conchi, sit down.
07:51Don't go and make a scene now.
07:52Me, it's Dad and his formulaic quirks.
07:55But, if we didn't maintain some decorum, life wouldn't be possible.
07:57A large part of respect for others lies in how we treat others.
08:01She got her way, daughter.
08:02As usual.
08:04Very liberal.
08:05Very liberal.
08:06But in this house, he's always done whatever he wanted.
08:10But what are you saying, Concha?
08:11What does one thing have to do with the other?
08:13Come on, Dad.
08:14Admit that you're a bit dictatorial.
08:15Be honest.
08:16Admit it.
08:17Dictatorial, me?
08:18I'm dictatorial.
08:20That's certainly something to hear at this table.
08:22An misunderstood Antonio.
08:23That's what you are.
08:24These people don't appreciate the value of a patriarch.
08:27Very good, son-in-law.
08:28Thank you so much.
08:29They don't know what they have.
08:34I see you.
08:35But then, why did he give me the cigarette case?
08:37Also, take a look.
08:38Three.
08:38The thing about the day.
08:39Okay, okay.
08:40One day is one day.
08:41I leave you.
08:54Oh, that's so cool.
08:56What a cutie.
09:09What do I owe him?
09:11What do I owe him?
09:23Alright.
09:26Tarz the wall.
09:39Three.
09:42Three.
09:43Two.
09:45Three.
09:45Three.
09:48Super children.
09:49All the walls.
09:49All the walls.
09:49All the walls.
09:50All the walls.
09:51All the walls.
10:20Thank you!
10:27Hi Miguel. How are you?
10:33You see. So changed I wasn't sure it was me.
10:43We've both changed.
10:48Sit down.
10:52What are you going to have?
10:58A decaf. You can't even have a drink anymore.
11:07I have high attention.
11:09Me too.
11:12It's an age thing.
11:14Good afternoon. How can I get you?
11:16A decaf and another beer for me.
11:20Very good.
11:26Thank you for coming.
11:34How many years?
11:38So many things.
11:40And so many things.
11:49Good afternoon.
11:55Good afternoon.
12:22Is the lady going to wait for the gentleman or does she want to have dinner before the movie?
12:25If you want to see it yourself, get used to the idea that it's not being shown.
12:30that there is no television in this house.
12:32My brother will come when he thinks it's appropriate.
12:35If I don't say anything, ma'am.
12:36It's better this way.
12:38Then he awaits her.
12:39I'm not saying yes. Go on, go on, do what you have to do.
13:07I can't get involved, understand that.
13:10Wow, you really got involved that day in Zaragoza.
13:14You have to meet my sister, I'm going to introduce you to my sister.
13:17What? Did you like my sister?
13:19Well, it seems you've done it a lot to Tilín.
13:22My sister this way, my sister that way.
13:25Then no...
13:26You didn't have so much qualms about mixing in or not.
13:30Yeah.
13:31I have often thought that...
13:34That it was all my fault.
13:37Well, not that either.
13:41She was very pretty.
13:43Very pretty and...
13:45And very ladylike.
13:48But I'm an animal.
13:51I haven't even asked you how you're doing.
13:54Yes, yes, the same.
13:56Very pretty, very ladylike.
13:59And much more animalistic than you.
14:02You have to help us, commissioner.
14:04Okay, I'll come with you. Where is it?
14:05He has a gun, he lets me see it.
14:08Come on, let me see it.
14:09Take your hands off, that's not a paradigm.
14:15Open up!
14:16Open!
14:17Open!
14:18Open!
14:18Police!
14:19Open!
14:19Open!
14:20Open faces at the door!
14:21He was already in a collection for entering the basements.
14:24Volmé wants to stab the knife!
14:25Settle your fights yourselves!
14:27Leave me alone!
14:28I'll be back!
14:29Word of honor, commissioner.
14:31He has a knife that's been around for a long time.
14:34I'll be back!
14:34Open!
14:36Open!
14:38Open!
14:41Commissioner!
14:42Yeah!
14:43Commissioner!
14:46Are you finished?
14:48Yes, ma'am.
14:49Well then, time for bed.
14:52The Lord will come when he pleases.
14:55Clear the way, make room.
14:57Clear through...
14:58Believe it or not, I was very happy to see you.
15:02Me too, Miguel.
15:04Time heals all wounds, doesn't it?
15:07Apparently, everything, right?
15:09Well, you know how it is.
15:13That's precisely why.
15:15If you were the one trying to convince her...
15:18I've already told you that I'll prepare you for the interview.
15:21But I can't try to convince her of something I don't agree with myself, Antonio.
15:29Do you see how time...
15:32Doesn't it erase everything?
15:38Well.
15:40If you don't erase all the grudges...
15:44Nor does it erase any good memories.
15:50They say that old people forget what they did the day before and start remembering the past.
16:01Well...
16:02Do you and I have any good memories in common from the past?
16:06We've got it.
16:07Some, some.
16:09Well, God knows.
16:12So, you'll let me know when I can talk to her?
16:14As soon as possible.
16:16I'm waiting for your call.
16:17And take care of that cough.
16:21She's been with me for many years.
16:24It started in prison.
16:29And you, take care of that rheumatism.
16:32God knows where I would begin.
16:35It's best not to dwell on the past.
16:38We carry that within us.
16:40Maybe.
16:41I repeat, if you want I'll take you.
16:43No no.
16:44Thank you so much.
16:45I'll take a taxi.
16:47Taxi!
16:50Goodbye, Miguel.
16:52Goodbye, Antonio.
16:59Call me.
17:00Don't forget.
17:01Don't worry.
17:16They were both military men.
17:18They did their degree together.
17:19The same promotion.
17:19The same weapon.
17:21Fist and meat, let's go.
17:22And he married the other one's sister.
17:25Hey, Lola, I told you to sew me a button.
17:27Not that I should embroider the initials.
17:29You were two short.
17:30Heavy.
17:30On top of that, I get annoyed.
17:32Well, I've only given you one.
17:33Of course, that's why I had to remove one from down here and stick it up here.
17:36You're a disaster.
17:37We need to see how you're doing.
17:38Now you're going to tell me about having to get married, right?
17:41Or learn to sew buttons.
17:42No, I know how to sew buttons.
17:44The thing is, I dropped it in the street.
17:46Well, she carries a pocket sewing kit, just like me.
17:48Yes, man.
17:49And a small makeup bag too.
17:51So, get married.
17:53Oh, really?
17:54And what good would it do me if I dropped a button in the street?
17:57You are welcome.
17:58Well then.
18:00Okay, so what happened?
18:01He married his friend's sister more than half a century ago.
18:04And now he wants to divorce her.
18:06So, what happened in between?
18:07The war caught them in the middle of it all.
18:08The sister on one side and the husband on the other.
18:11One received many decorations, and the other was put in jail.
18:14Yes, we're already talking about history.
18:15And what does that have to do with the poor lady at this point?
18:18Don't you really understand?
18:19Of course not.
18:20After 40 years together...
18:22Separated.
18:23After 40 years apart.
18:29What are you looking for?
18:30The needle.
18:31I've lost it and it's making me incredibly nervous.
18:33And why do you assume he's in your shoes?
18:35Because when they fall.
18:36And because if it's not in my shoes, I'll have a fit.
18:38Well, it's most likely on my shirt.
18:39Or on your skirt.
18:40Or on your shirt.
18:42Or on your shirt.
18:50Or on your shirt.
19:17Do you think it's worth trying to explain the harsh reality to him?
19:20Not at all. She'd think we were trying to confuse her.
19:23So what will they think?
19:24Same thing. These ladies always think about the same thing.
19:27Why do we do it?
19:28For now, have a snack, my lady. Life is short.
19:33You're right too.
19:37I was here!
19:47Ma'am, that gentleman who came to see you is here.
19:51Okay. Have you passed it on to the cabinet?
19:54Yes, ma'am.
19:55Have you asked him if he wants something to drink?
19:57Oh, well, that didn't occur to me.
20:00And you did the right thing. Has he sat down?
20:02No. I was looking out from the balcony.
20:05Let him continue. Let him keep looking.
20:11Tell him you've notified me and ask him to please wait.
20:15Then I tell him to sit down.
20:16You didn't hear me. Tell him to please wait.
20:21Thank you!
20:34Thank you!
20:47Thank you!
21:26It's best not to touch them; they're very delicate.
21:37Do you want to sit down?
21:50I understand you wanted to talk to me.
21:53Yes, your brother probably told you...
21:55You just wanted to talk to me, nothing more.
21:58But you must have imagined...
22:00I have other, more interesting things to think about.
22:04Okay, Matilde, okay.
22:08All these years haven't changed you.
22:11You're still as welcoming and friendly as ever.
22:14That's for another kind of woman, the decent ones.
22:17We don't have to make ourselves forgiven for anything by being welcoming.
22:22What do you want?
22:25I want us to get a divorce.
22:27Don't be absurd.
22:29On the contrary, it seems to me the only reasonable thing to do.
22:32You should know that I don't do those things.
22:35What things?
22:36Well, that sort of thing.
22:39We have a separation of property and bodies, and that's enough for me.
22:43Not me.
22:45Well, I'm so sorry, because you're going to have to settle for her.
22:49You have nothing to fear from a divorce.
22:52Things would remain the same.
22:54And you wouldn't lack your pension, quite the opposite.
22:57What does the opposite mean?
23:01We could review it a bit, update it.
23:07You're trying to buy me off, Antonio.
23:09With so little, too.
23:12You won't believe that it has been your ridiculous pension that has allowed me to live, as I usually do, all these years.
23:18As far as I know, he has never rejected her.
23:20Naturally.
23:21It was your obligation and my right.
23:23But it wasn't good for anything, woman.
23:25You're not trying to make me laugh, are you?
23:27No.
23:29I like challenging projects.
23:31The impossible ones, no.
23:34What I mean is that I'm very happy that your family has always enjoyed a good economic position.
23:41and that my humble money seemed to you like a tip.
23:48I'm not trying to buy you, Matilde.
23:51All I'm trying to do is do things the right way.
23:55To do things properly.
23:57You shouldn't have gone to live with a woman who wasn't yours.
24:02Now it is.
24:04No.
24:04Nor will it be while I live.
24:07But, Matilde, we're all just a bunch of old folks.
24:10Do you think this discussion is serious?
24:13If you don't think so, why did you come?
24:15To regulate a situation that has lasted a lifetime.
24:19And carry it out with the utmost courtesy towards you.
24:24I want to marry my wife, do you understand?
24:27And for that...
24:27I am your wife.
24:30And don't get your hopes up that I'm going to die before you.
24:33God is not going to do you that favor.
24:35Do you also tell God what to do?
24:37Don't blaspheme, okay?
24:38Do me a favor in front of me.
24:39Do not blaspheme.
24:40Don't be ridiculous.
24:41I have never blasphemed in my life.
24:45I should have known it would be pointless to come and talk to you.
24:50Antonio.
24:52Not so useless.
24:54You and I have another issue to address.
24:59What topic?
25:01The house in Escalona.
25:11Well.
25:13And why don't you just let it go?
25:16At this point, Antonio.
25:19What difference does it make to us?
25:20A formality, more or less.
25:21No, no, no.
25:22I don't plan to go to another world without legalizing this matter.
25:26But why do you give so much importance to those things?
25:29Our children are grown up now.
25:31And as for me, God knows, it's all the same.
25:35Well, I'll say the same to you.
25:37It was only recently that they restored my graduation and rank.
25:41And if I remember correctly, you were even more excited than I was.
25:47That was something else.
25:49It meant a lot to you.
25:51And that too.
25:52And then there's the matter of the house in Escalona.
25:53Ah, the famous house.
25:56We are going to litigate now over a house.
25:59She was family to me and I want her to stay that way.
26:01If we've been able to go 40 years without it, we certainly can.
26:05Look, Concha, you and I can do without her.
26:08But that house was built by my grandfather.
26:10My father and I were born without it.
26:12And when I die, I don't want them to keep it.
26:15I want my children to have it.
26:16If that judge granted it to her, there's little you can do.
26:21Bah, that was just another shady deal.
26:25Look, I was in jail.
26:29Matilde was already living with her brother and sister-in-law.
26:32And it suited them very well to say that my family's house was the marital home so that the judge
26:39grant it to her.
26:40But it was a lie, Eva.
26:43Matilde and I never set foot in that house while we were married.
26:47Oh, if only they would review that sentence.
26:51What they should check is the house.
26:54Buena must be closed for so long.
26:56I don't mind.
26:58Even if it falls to pieces, look at yourself.
27:00Even if it's just a pile of rubble.
27:04But why that insistence?
27:07Why do you want that house if you haven't even gone to see what it's like in all these years?
27:11I don't care what it's like.
27:12What I will not allow is for those people to keep her.
27:16They are nobody and have no rights.
27:18They are his family.
27:19I am his family.
27:21Don't be rude, Matilde.
27:22Don't be rude.
27:23That girl treated him very well.
27:26Precisely when you turned your back on him.
27:29I didn't turn my back on him.
27:31He was in jail.
27:32You could have gone to see him.
27:34To have helped him.
27:36That's what you say.
27:38You?
27:39And I wasn't his wife.
27:41Besides, I probably did wrong too.
27:44Now I see things differently.
27:46Well, not me.
27:48All these years you've had the upper hand.
27:51But now...
27:52What now?
27:54There is now a divorce law.
27:57You've been separated your whole lives.
27:59If he wants, he can file a lawsuit and get a divorce.
28:01Whether you like it or not.
28:03And I burn the house down.
28:04What are you saying, woman?
28:05What are you saying?
28:06I've driven you crazy.
28:08Very clear.
28:09I told him when he was here.
28:11You take a step.
28:12I need a document to reach me.
28:14And I burn the house down.
28:15The woman has family mementos there.
28:17Yes of course.
28:18A collection of fans that his mother promised me when we were dating.
28:22They shouldn't matter much to you when you haven't gone for them.
28:25I don't mind having them myself.
28:26What I will not allow is for anyone else to have them.
28:29And his father's decorations.
28:31If they cared about them, they knew what to do.
28:34That's awful.
28:35And listen, I don't know what to tell you anymore.
28:37It's like you don't have to tell me anything.
28:39Oh, but let's leave this matter, it's very old and very boring.
28:51Are you coming with me to see Consuelito?
28:54To that residence.
28:56Not for anything in the world.
28:58Do you see what you're like?
28:59Consuelito was your wife's cousin.
29:02Not mine.
29:03You have more obligation to her than I do.
29:05She has children, doesn't she?
29:09Go visit her.
29:10It's a charity work.
29:14And what is it that you are denying that family?
29:17I'm going to leave this house, Miguel, if you keep talking to me about this matter.
29:22Okay, woman, okay.
29:24Don't get angry, come on.
29:25Finish eating.
29:27I'm hungry.
29:34Were the gentlemen calling?
29:35Coffee.
29:37Are they going to take it here?
29:38When I don't say otherwise, it means I want it here.
29:45Don't get angry.
29:46If you want, I'll go with you to see Consuelito.
29:50I think he has to go through that detour.
29:52Knowing the way.
29:54Since I have no problems in the city, you know?
29:56Like the palm of my hand.
29:57But when I get on the road...
30:00No, this is my first time here.
30:03We're doing well, you know him.
30:04Of course we're doing well, otherwise I would have said so.
30:06This way to the right.
30:08This will be a new site, won't it?
30:10I don't know how to say.
30:15Lately, many of these residences are opening up around here, in the surrounding area.
30:19It's a very healthy area.
30:21Well, if you go and look, it's a contradiction.
30:25Why do old people want healthy areas?
30:27If they know to keep them here, let's see if they can be here soon.
30:29Well, maybe I'm putting my foot in it.
30:33You know, I talk a lot.
30:35I've been stuck in a taxi here all day, so, imagine.
30:39Are you not going to this place to stay?
30:42No, we're just visiting.
30:59Wait here a moment.
31:15Wait here a moment.
31:42Wait here a moment.
32:04Wait here a moment.
32:20You have done, but, that dies that you well.
32:22Do they want a divorce?
32:24Well, let them ask for it.
32:25Let them ask for it.
32:26Although they may end up giving it to him, which remains to be seen.
32:29It will always cost them more time and money than if you make it easier.
32:33But in the long run, what will Matilde gain from that?
32:36Oh, son! First, mess around, which isn't bad.
32:40And then what I just told you, time.
32:44And at our age, time is precious.
32:49Stretching it out a little, either he or that bird could die.
32:53And when the dog died, the rabies ended.
32:56But why not give in once and for all? Why so much cruelty?
33:00It's unbelievable that you, Miguel, who are so religious, are coming to me with this now.
33:06If we, the strongest among us, become lukewarm, then our customs are rotten.
33:11My son was talking about it the other day, and he was absolutely right.
33:14What they want is to destroy the family, which is the pillar of society.
33:18And we must defend it at all costs.
33:21Your son was the one who brought you here, wasn't he?
33:24I don't know what you mean by that.
33:27Nothing.
33:28And how come he's not here today?
33:31He can't always come.
33:33He has a lot to do.
33:35Clear.
33:36And your daughter?
33:40That...
33:41That's worse.
33:42She's very tied down.
33:44And to come all the way here.
33:50And that's the kind of family we're defending so much.
33:58The truth...
33:59I always thought family was something else.
34:03Okay, you.
34:04Come on, come on.
34:06Let go.
34:07Very good.
34:09Now you.
34:10Below.
34:11Very good.
34:17That?
34:18Grandpa, grandpa, let me play.
34:20But what do you mean they won't let you play?
34:22Shell!
34:23Shell!
34:24What's happening?
34:25Okay, this kid, let him play.
34:27You can't go on your period, man.
34:29Come on!
34:30Go on, leave him alone, grandpa.
34:31Leave it.
34:32Don't bother.
34:33He is reading.
34:39Already.
34:44Where did you come from?
34:46From the pediatrician.
34:47Oh.
34:49Hello.
34:50And if you're going to keep these, I'll go to the movies with José.
34:54Okay.
34:54Where is Mom?
34:55There he is, with the whole crew.
34:57Don't you see it?
34:58And how did you know we were here?
35:00Tony told me that they were going out tonight and that they had left the kids with you.
35:03I figured you'd come down for a while.
35:05That?
35:05Will you accept the reinforcement or not?
35:07I don't know why you're asking me that.
35:09Because I assume you've arranged to meet your husband somewhere.
35:11Yes, but if you don't want to...
35:13Of course...
35:14Oh my God.
35:16You have no shame in any of them.
35:18You abuse your mother.
35:19The day she gets tired...
35:20Come on, Dad, he loves it.
35:22And you too.
35:23Yes, I love it.
35:24Me too.
35:25But just for a little while.
35:26I don't love it out of habit.
35:27What's up, Mom?
35:29Hello, my darling.
35:32You're not going to be causing trouble for the grandparents, are you?
35:34Are you here to take your brother's family or to leave us here?
35:36We'll pick it up tomorrow morning.
35:38Well, for that, come and eat.
35:39Okay, if we don't bother you...
35:42Come on, you have more stories.
35:45See you later.
35:50Allah, and now we go home.
35:55Time for a snack.
36:00Cocha.
36:01Tell me.
36:02The bag.
36:02Ah, give it to me.
36:03How did they receive it?
36:04Well, you know how they are.
36:06So can we leave in peace?
36:07Clear.
36:08Don't you see them?
36:09Okay, you too.
36:10The little ones holding hands.
36:11Well then, let's go.
36:14Don't lose the stroller.
36:17Okay.
36:27Have you been happy with that woman?
36:33Well, I don't know what to tell you.
36:36If I say yes, you'll be furious.
36:38And if I say no, you'll say...
36:40You see it, you see it.
36:41Well, tell me the truth.
36:43And that way you don't overthink it.
36:47Antonio went through a lot, you know that.
36:50Let's not start with that stuff again.
36:52That's not what I'm asking you.
36:55They have been happy.
36:57And they still are.
36:59The only shadow...
37:00Leave me alone with the shadows and nonsense.
37:03Now I'm talking about serious things.
37:10That taxi driver was right.
37:13Which taxi driver?
37:15There are ways of seeing life that are contradictory.
37:25How many children are there?
37:27Four?
37:30Three.
37:31You know that better than I do.
37:34Every time one was born and you received the heartbeat,
37:36You had to stay in bed for a week.
37:41They're all three boys, right?
37:45There are twelve of them.
37:46Twelve boys.
37:48And the twelve one-eyed and red-haired men.
37:51The girl is worthless.
37:53She takes after her mother.
37:55Well, I understand she's a very nice girl.
37:57Which one?
37:58Both.
37:59They had to have something.
38:05So,
38:07They love each other.
38:09And the two of them?
38:10All.
38:11Those parents,
38:13those children,
38:13that bunch of grandchildren.
38:17Do they love each other?
38:19Are they really?
38:22They are a family.
38:24Hey,
38:25And why don't you ask him?
38:32That's exactly it.
38:34what I plan to do.
38:36Now it's time to sleep with the little doll.
38:38The littlest one,
38:40with the biggest of all.
38:42Ale,
38:43There's a little one for me.
38:44For sleeping.
38:46Look,
38:46mine is small.
38:47That a little one
38:48for these little ones.
38:49So.
38:50Don't cry,
38:51my life.
38:52Don't cry,
38:52my love.
38:53Give me a little kiss,
38:54my life.
38:54A little kiss.
39:00A little kiss.
39:01Don't cry,
39:02Don't cry.
39:02The coin will bring you.
39:03A very handsome fart
39:05that you have to bring.
39:06The coin will be brought to you.
39:07Yes, here.
39:08my dear.
39:09Yes, here.
39:27Yes, here.
39:29And don't wait up for me.
39:32That?
39:32Behave yourself,
39:34Hey?
39:34No.
39:35No.
39:42How do you look, Mom?
39:43Goes,
39:44Leave your mother alone.
39:46That every now and then
39:47one can take
39:48a small freedom,
39:49No?
39:49If your blood pressure rises,
39:50You'll see.
39:51What's wrong with you?
39:52Are you going out?
39:53Why are you going out looking so dressed up?
39:54If you lend me money,
39:55Yeah.
39:56Oh, man.
39:57Money.
39:58You know...
39:59Do you know how much you already owe me?
40:01If you don't want to upset me
40:02the night,
40:03No.
40:05You have to have confidence
40:06in youth.
40:07Give us time.
40:10You look good
40:10with the youth.
40:11Take.
40:13Dad.
40:18Alright.
40:20See you later
40:21And may the tribe let you sleep.
40:22And don't come back too late, okay?
40:24No!
40:26I'm coming, Andrés.
40:27I'm coming.
40:28Ah,
40:29it's you.
40:31Yeah.
40:32The children are already in bed.
40:34Wait,
40:35I'll ask him.
40:36It's Conchi,
40:37if you have given
40:38the medicine for the girl.
40:39If she hadn't gone to the movies
40:40and would have been here
40:41to give it to her,
40:42I wouldn't have any doubt.
40:43Should I tell him?
40:44Of course not.
40:46When things get done,
40:47They are done willingly.
40:48But you shake their hand.
40:49and they grab your foot.
40:50What's up, daughter?
40:51Mother,
40:52that if you have given
40:52the medicine for the little girl.
40:54I gave it to her,
40:55I gave it to her.
40:57Nothing,
40:57He doesn't complain to me.
40:58Come on,
40:59come on,
40:59Cut it short, it's about to start.
41:00Mother,
41:01that the movie is about to start.
41:02Well,
41:02Well,
41:03Then run!
41:03Don't watch it once it's started.
41:04Okay,
41:05Okay,
41:05bye bye,
41:05see you tomorrow.
41:09They shake your hand.
41:10and you grab your foot,
41:11Hey?
41:11Then you talk about others.
41:13Yeah,
41:13But the others go too far.
41:14Because if they let us
41:15to the children one day,
41:17Well,
41:17I'm not saying no,
41:18But girl,
41:18out of habit,
41:19Where do you have it?
41:20You can find out what they are looking for.
41:21The bottle,
41:22Where do you have it?
41:22Look,
41:23Here it is.
41:24But damn,
41:24please.
41:26But you sure do like to grumble,
41:27Hey?
41:28They're in your way.
41:29No,
41:29That's not exactly it.
41:31So.
41:31The thing is
41:32I wish we could
41:33enjoy a little.
41:34Oh,
41:34I already enjoy it.
41:36Yeah,
41:36But I mean entering,
41:38go out,
41:38in the end,
41:38to do pretty much whatever we wanted.
41:40Clear,
41:40clear,
41:40as if we were boyfriend and girlfriend,
41:42Well yes,
41:42as if we were boyfriend and girlfriend,
41:43because you and I
41:44We've never been boyfriend and girlfriend.
41:45Don't miss him.
41:47But what ideas do you have?
41:48at this point?
41:56Aguala,
41:57water!
41:57No,
41:58if they won't let me sit down.
41:59Do you see it?
42:00I already told you.
42:02Pancha!
42:03Well.
42:03Aguala,
42:04I want water too!
42:06Tell me,
42:08From whom?
42:11One moment,
42:12please.
42:13Who is it?
42:14It's Matilde.
42:20Shell.
42:22That?
42:23Did he tell you?
42:25So?
42:27No,
42:28But it's Matilde.
42:36Yeah,
42:37tell me.
42:39Am I happy?
42:41I don't know why you're asking me that.
42:44I never thought you valued happiness so much.
42:48And I don't.
42:50Mine,
42:51at least.
42:54Does that mean you care?
42:55for the happiness of others?
42:58No.
43:01So what are we talking about?
43:07Have you never had a guilty conscience?
43:12Because of the shell,
43:13you say.
43:14Why else would it be?
43:17Yeah.
43:18At first,
43:20ever.
43:26Our life in those years
43:27It was very difficult.
43:30And sometimes
43:31I felt guilty
43:32to share it.
43:35But didn't she care?
43:37No no,
43:38at all.
43:45Your boys
43:46They don't live with you anymore, do they?
43:48Only the little one,
43:49the others already...
43:53Do you see them often?
43:56Much more often
43:58of what I would like.
43:59It's a joke.
44:03Of course.
44:08So,
44:10It must be true.
44:14Does it have to be true?
44:16The fact that?
44:23That you are a family.
44:51What's up, Antonio?
44:52Excuse me. I'm late, aren't I?
44:55Nothing, don't worry. We're doing fine.
44:57My partner is already upstairs.
44:59Those who haven't arrived yet are us.
45:02Wow, monsters.
45:04I'm a little nervous.
45:06Understand it.
45:08After so many years...
45:09Well, don't worry.
45:36Lola Martín, the Duke, my partner.
45:38Nice to meet you.
45:39How are you?
45:39Haven't they come?
45:40No. And this judge is a tough nut to crack.
45:42If we make him wait, that's bad.
45:44That's it, if this lady doesn't come today,
45:45We have him in front of us for the rest of our lives.
45:47Do you believe she is capable of not showing up?
45:49Lately he seemed to be in a good mood,
45:52But how can we believe her capable?
45:56I believe she is capable of anything.
46:08We're thinking the wrong thing.
46:10Here they come.
46:18We arrived late.
46:19We got lost in those corridors.
46:22Why aren't we used to coming to these places?
46:24I, on the other hand, come almost every day.
46:26Shall we go in?
46:27All?
46:28No, the lady first.
46:30Do you have your identity card?
46:31Of course.
46:34Take.
46:37Whenever.
46:52This way. Are you following me?
47:00Would you mind giving me a cigarette?
47:03No no.
47:05But you hadn't quit smoking.
47:08Yes, but I don't know.
47:10Already.
47:10I don't know about nerves.
47:14AND...
47:16Have...?
47:17Yes, yes, of course.
47:23Thank you.
47:33So, are we agree that you stand by everything stated in the lawsuit and the settlement agreement?
47:44I stand by that.
47:49Please be so kind as to sign.
47:51Here.
47:53I stand by that.
47:55And nine.
48:07No!
48:37Thank you!
48:47Okay, that's it.
48:49That's it?
48:50And that's it?
48:51All.
48:53That's not much, is it?
48:55Now it's my turn to go in.
48:56No, no, it won't be necessary.
48:59What a small thing.
49:03Well.
49:05Goodbye, Antonio.
49:09Bye bye.
49:33Bye bye.
49:35Bye bye.
49:42Goodbye, Antonio.
49:44Goodbye, children.
49:48Bye bye.
49:49Bye bye.
49:51Now yes.
49:52Open the stick.
49:54Nothing.
49:56Thank you.
50:04Okay, the bride and groom and the two witnesses come forward.
50:12No, no, no, on the contrary, the witnesses on the sides.
50:15Yes, Your Honor, but we are the bride and groom.
50:25Antonio and Concepción.
50:27That is.
50:29Great.
50:31Do they have the rings?
50:32I certainly believe that, Your Honor.
50:35A long time ago.
50:36Well, let's go.
50:38Given the circumstances, we will disregard all the formalities imposed by the law and specify articles 66, 67 and
50:47Article 68 of the Civil Code, which protects the rights and obligations of spouses.
50:52Husband and wife are equal in rights and obligations.
50:57Husband and wife should respect and help each other in the interest of the family.
51:02The husband and wife will be faithful and will help each other.
51:08Antonio and Concepción.
51:11Do they consent to enter into marriage freely and effectively?
51:17They consent, they consent.
51:18Yes, yes, yes, of course, of course we consent.
51:21Yes, yes, we consent.
51:23By the powers conferred upon me by the current law, I declare this marriage validly celebrated.
51:51You must be happy now, right?
51:54And you, don't come to me with stories.
51:59You were as excited about this wedding as I was.
52:02Because I was doing it to you.
52:04But for me, Antonio, this matters much more than this.
52:29Is it possible?
52:30Aren't you ashamed?
52:32Because you'll have plenty of time for that on your honeymoon.
52:34Come on, man, everyone's waiting to cut the cake.
52:37It seemed to me that he was in a big hurry.
52:41First the little ones, come on, for the girl.
52:43There it is.
52:45Give me another deadline.
52:46Give me one for the puma.
52:47Give me one for the puma.
52:49Here, I'll give it to you, man.
52:51Here, here.
52:53That's great.
52:55That's right, jury.
52:56It's a trick.
52:59That's fine, that's why.
53:02More, give me more.
53:06Well, folks, at least this time one of them got married.
53:10They can say what they want, but I'm getting married when I'm 40.
53:13Dad, life leaves us without ever having tasted it.
53:16Hey, is it true that you're going on your honeymoon?
53:18Take, bird so many.
53:19What do you think?
53:20So many birds.
53:20Yes, why there?
53:22Look, it's a youthful thing.
53:24No, you're very silly.
53:26Eat so much.
53:31Good.
53:32The judge returns possession of the house in Escalona to Antonio.
53:37I suspected as much.
53:40But that's not important.
53:43Actually, I've never enjoyed that house.
53:48I...
53:48Precisely.
53:50Antonio wants you to enjoy it.
53:52As?
53:53Well, he gives her the house in usufruct for as long as he lives.
53:57On the condition that upon his death it reverts to the property of his family.
54:00That is, the children from his second marriage.
54:04What he does ask is that you please send him his father's decorations.
54:09Of course.
54:13Tell her also that I will send her a collection of fans that belonged to her mother.
54:21I'm sure your wife will like having them.
54:36He was always a gentleman.
54:39Yeah.
54:40Yes indeed.
54:41It always has been.
54:43A true gentleman.
54:47Oh, already?
54:48Yes, well, yes.
54:49I know we shouldn't have gone.
54:51But I was really looking forward to it.
54:52This really excited me.
54:54Okay, okay.
54:54Yes, yes, Mom.
54:54When there's no honeymoon, marriages go terribly wrong.
54:57Oh, don't be a clown.
54:59Get in, let's go.
54:59You can say goodbye later.
55:01Go on.
55:01You say goodbye from the window.
55:03Cantcha!
55:03This is awesome!
55:04The train is leaving!
55:06It doesn't start suddenly!
55:07Mom, give me a heads-up!
55:08Yes, man, yes.
55:09Come on.
55:09Walking.
55:10Climb up, shell.
55:14Let's see, what's missing.
55:15Give me that suitcase.
55:17Oh.
55:17Water!
55:18There it is.
55:19That is.
55:20There it is.
55:21Hey!
55:21Ah, very good!
55:23Oh!
55:23Thank you, darling!
55:25Oh!
55:25Well, and contribute well, okay?
55:27Please take care of my children!
55:29And you, be careful with those nights out.
55:31Don't take advantage, okay?
55:32Then...
55:33All of them, Dad.
55:34All.
55:34I'm left alone.
55:35I intend to take advantage.
55:37What else is coming?
55:38Yes, you know.
55:39Did they give out a postcard of the famous Betan?
55:42Ana, and contribute well, okay?
55:44As I said.
55:54So now you know.