- 3 minutes ago
Lucky Daye sits down with Billboard News to talk about his new album ‘ALOUD,’ including the Brazil sabbatical that helped clear his mind, shaped the project’s passion and rhythm, and influenced songs like “Nowhere Fast” and “Fly U Out.” He also opens up about collaborating with heavy-hitters like Pusha T, Muni Long, and Leon Thomas, his dream collab list (including SZA, Kendrick Lamar, Doechii, Beyoncé and more), and how he balances moving with intention in today’s content-first music industry. Plus, Lucky shares what fans can expect from his 2027 tour, teases a potential holiday EP (with a fresh take on “O Holy Night”), and plays a game of Lucky Daye’s Lucky List—from his front-to-back album pick (Michael Jackson’s Off the Wall) to the best advice he’s ever received.
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MusicTranscript
00:00It wasn't my day that was saved, but I felt good that I saved a day.
00:03Wow, so you actually are lucky your damn self.
00:06You might be my friend for life.
00:11Ha ha ha!
00:12Hey, what's up, y'all? I'm Lucky Day, and this is Billboard News.
00:23I'm hanging out in the studio with Lucky Day. How you doing, my friend?
00:26I'm great, I'm great. Thank you for asking.
00:28Of course, I'm happy you're here. You know, we're here to talk about the album aloud,
00:32but I got to tell you where I'm going to start.
00:33I got to start with Brazil.
00:35You took a sabbatical in Brazil.
00:37I did.
00:38Why was that a decision you made? And let's dive into that.
00:41It's just, for me, Brazil comes off as a harmonious place.
00:46It represents a lot of the passion that I feel that I have to kind of lock in when I'm
00:52kind of like at home.
00:54So when I leave and go there, it's kind of like, I can let go, I can let loose.
00:58I feel accepted.
01:01I feel free.
01:03I feel like no one is looking at me, trying to judge me.
01:04They're just experiencing me.
01:07So just that freedom, you know, that gives you a harmonious feeling.
01:11And it's nice to go back there and grab it to, like, clear my mind.
01:15You know what I mean? Like a good cleanse.
01:17Nice. And I mean, how did the culture or the vibe that you experienced there shape the music and the
01:21project itself?
01:22The way they dance, the way they party, the way they stay out all night.
01:26Like I said, that passion, it translates through everything.
01:30And listening to the type of music that they love from America, it gave me a good sense of where
01:38to go, like a good border.
01:40You know what I mean? Where to stay in line.
01:42Simple words.
01:43Yeah, you know, stuff that we already, hello.
01:47I guess what I was thinking about is, like, obviously your music, your style, you know, is heavy in the
01:52R&B genre.
01:53But, like, I wouldn't think, I've not been to Brazil, but I wouldn't think, like, they vibing hard with R
01:57&B down here.
01:58So, like, did you feel the love?
02:00The Brazilian R&B is actually incredible.
02:02There are so many artists, Lujamila, I'm sure you've heard of, like, some of these people, but maybe not.
02:08We need, we gotta, we gotta get into it.
02:10You putting us on?
02:11All right.
02:12Well, yeah, it's plenty artists that I definitely would love to actually work with and get in there with.
02:18But when it comes to the music out there, it's just innovative.
02:21They're still having fun.
02:22They dance and everything.
02:23So many genres, but it's so rhythmic still.
02:28It's so, it's so afro, so black, you know?
02:31Nice.
02:32And I mean, you said, did you, did you get the party?
02:34Because I haven't been, so I'm trying to get, live through you.
02:36How is the experience?
02:37So, how did, how are the parties?
02:38I didn't get an exclusive party, but I did, I threw a party.
02:42I threw a few parties.
02:42You threw little things to yourself.
02:44Yeah, yeah, but it wasn't, like, an official Brazilian party, because I'm not, you know,
02:47I don't know how they do it.
02:48They, I didn't go to Pagogi.
02:50Gotcha.
02:50Pagogi.
02:51Oh, see, you, see, you already know the language.
02:52You've been down there enough.
02:55But let's talk about, okay, you went over to Warner, you released the new, the new project,
02:58started with Nowhere Fast.
02:59Yeah.
03:04So tell me about why that was the first, like, introduction that you wanted to make.
03:07Nowhere Fast started in Brazil.
03:09It was with a clear mind.
03:10A lot of how I feel I should start all my albums is I, I, I feel like I include
03:17the people
03:18that started it with me.
03:20D-Miles.
03:21So when, when I had the idea of, okay, I have to start this album.
03:25I have to call D, I have to see what, what he think, you know, versus what I think.
03:29And usually it's the same thing without us ever speaking.
03:33And he sent me these beats.
03:35And I was like, wow.
03:36Okay.
03:37Took them out there.
03:38And once the music hits you and once the environment's right, it kind of just flows.
03:42Took my laptop and locked myself in one of those rooms.
03:45And it was a little sweet.
03:46And I mean, you bring up D-Miles and I think it's so interesting because I've talked to
03:49so many artists that have worked with him and he's so like prolific himself.
03:53He's such a creative guy.
03:53Do you think about anything else that D-Miles working on?
03:57I know he's a busy guy.
03:58Or do you, y'all lock in together?
03:59Are you like, what, what you doing over there?
04:01What else you cooking?
04:01What you working on?
04:02Nah.
04:03I always think that he's doing something different, innovative and new.
04:07He has such a broad way of producing.
04:10Like he could do anything.
04:12So just knowing that somebody could do anything, even just knowing yourself, like that you could
04:16do anything, people are going to want a piece.
04:19And yeah, sometimes I wonder, I'm like, hey man, are you busy?
04:25Are you not busy?
04:25Who are you working with?
04:26What are you doing?
04:27What does it sound like?
04:29And most times for me, it's more about how in the world are you able to continue to make
04:35so many different songs for so many different artists.
04:38And then you come to me and be like, it's an honor for him to say, man, I don't really
04:43know where to go with you right now.
04:45That's an honor for me to hear because he sees me as something different.
04:49He don't want to just throw me in the box with everybody else.
04:51I mean, he takes his time to think.
04:53So when he says that, I'm like, I'm not going to push that.
04:55I'm going to wait because I know it's going to hit you.
04:57And I know it's going to hit me at the same time when we get back in the studio or
05:00after
05:01this two minute thinking session that we do, it'll just pop up.
05:07But just to hear that, it's like, damn, I know you still care because you're saying
05:10that, you know, like you want it to be special.
05:13You want it to be me.
05:14You want it to be us.
05:15And I mean, you've been collaborative on this album in more ways than one, especially
05:19with the people you even brought on.
05:20You got Pusha T, Money Long, Leon Thomas.
05:23So when you have like these powerhouses on these songs, because Leon, obviously a juggernaut
05:27himself, Money Long, her vocals, incredible.
05:30So how do you vibe in the studio when as R&B singers, when you like working with another
05:35powerhouse like that?
05:36I walk in with ultimate respect at first.
05:39I look at everybody like superheroes.
05:42And it's like we're on the same team, but we just never talked about it.
05:45And for me to be able to experience being next to my superhero family members, it's like,
05:51it's magical for me.
05:53Like, I'm like, all right, I can feel it.
05:54And I want to admire what you're doing.
05:57I just want to take the time and admire what you're doing while I'm in here.
06:01And do my best to show you the best that I can with my super power and try to make
06:07a
06:07little magic.
06:08Does anybody ever like push you to go harder?
06:11Like they hit a little riff and you like, wait a minute.
06:13I need that.
06:13Victoria Monet.
06:20Oh, I love Victoria.
06:21We push each other hard in the studio.
06:25Yeah.
06:25And I mean, I have to ask you this too.
06:27Is there anybody that didn't make this project that's still on your list that you still would
06:31like to collaborate with moving forward?
06:33Definitely.
06:34There's Kalani.
06:36I would love to.
06:36She was actually on tour when I wanted to try to get her on one of the songs.
06:41So when I saw that, I was like, I don't want to push Beyonce, Kendrick, Dolce, SZA.
06:48I still haven't worked with SZA either.
06:50Yeah.
06:51You got a nice list there.
06:52We'll get there on the next album.
06:53Yeah.
06:53So many people.
06:55But let's dive back into this one.
06:56I want to talk about even like Fly You Out, another great follow up single there.
06:59So tell me about the inspiration for that song and why that was the next offering you
07:02wanted to give.
07:03Fly You Out to me, I wanted to start for myself and validate my hometown.
07:15You know what I mean?
07:15You got to bounce music, but we bounce everything.
07:18We bounce Adele.
07:20We bounce John Legend.
07:22We bounce every song you can imagine LMA.
07:25And I wanted to just take the R&B bounce vibes and just create an idea starting out with
07:32that as the first ingredient.
07:35And being able to work with Business Boy and like Blake and all the other producers that
07:39came in and like be so detailed, it felt good to invite them into that world.
07:44You know, they're all so talented.
07:47Like to just mix it is magic.
07:49Like I love it.
07:49I mean, you've talked about like slowing down and moving with intention.
07:54So in this industry, the way things are right now, it's obviously things are fast paced.
07:58It's such a content focus.
08:00It's like content, content, content.
08:01So how do you balance saying like slow down and move with intention with the need to make
08:06content and put your music out there?
08:08For me, I do it in blocks, right?
08:11So if I'm dedicated to something really, really, really profoundly, then I'm gonna go ahead
08:16first, dive in.
08:17I'm not thinking about it.
08:18Once we get there, we'll figure it out.
08:19Paint on the wall, but we're gonna make a picture.
08:21And when I'm not, I'm resting.
08:23I'm resting hard.
08:23So I think I give myself a good balance.
08:26And I'm always trying to pay attention to not just my surroundings, but the people around
08:30me.
08:30Because if they feel good, then I can feel good.
08:32So as long as they're good first.
08:34Nice.
08:35And then we've talked about the singles from Aloud.
08:37But what's like your favorite, like the song that you're gonna go to and hit play on more
08:41than the rest?
08:42It's probably gonna be, ooh, it depends what it's for.
08:45It depends what it's for.
08:58That if I'm in a, if a guy's in a relationship with a girl, whoever's in a relationship with
09:03whoever, they can play it next to the person and it don't be weird.
09:07Like, it's not a song like saying, oh, this is what you did.
09:11I mean, that's actually a good point.
09:13Cause I do think like the way R&B music is, it's like, it's obviously an emotion and it's
09:18easy to get emotion when you're talking about breakup, when you're talking about anger.
09:22Like you, you, everybody got in the car and then your, your, your person play a song and
09:26you like, did they play that?
09:28They trying to talk to me.
09:29They trying to talk to me.
09:30We all be thinking that.
09:31They trying to tell me something or something, but I just wanted it to be free where both
09:35of them could just ease.
09:36Boom.
09:38And then also I want to talk to you about like before, you know, your solo music jumped
09:42off, you obviously were a writer, you know, you've got your Grammy.
09:45Well, I had to write to get here.
09:47Yeah.
09:47Yeah.
09:47And I think that's, I think that's always a good place to start because you see your
09:51storytelling in other people's music and we can see that growth.
09:54Yeah.
09:54So how has it been for you to change kind of the way that you approach your music with
09:59that, like history you have as a songwriter?
10:01I would say that it wasn't more or less a change more.
10:05So I think writing has always been just a part of something that I needed to perfect
10:10to being a better artist.
10:12I know artists exist that don't write, which is okay, but I'm the type of person that,
10:17you know, if I don't, if I can't depend on you, I want to be able to know how to
10:21do
10:21it myself.
10:22So naturally, if I can't find a writer, what I'm going to do, I'm going to write my own
10:26songs.
10:27So I started in high school just pulling up Fruity Loose making beats and trying to
10:33make my own music because I didn't know anyone.
10:35I just always had that personality.
10:37So if it's something I want to do that I don't know how to do, and nobody won't help
10:40me do it, I'm going to do it.
10:41I'm going to just figure it out.
10:42And I mean, I know you've probably talked about this like a lot, but I can't have
10:46you sitting here not talking to you about it.
10:48It's like you've written for like legends, icons, Mary J. Blige, obviously Beyonce, the
10:53alien superstar.
10:54Insane.
11:01So I know that had to be like a crazy secretive process, but like what did it mean to you
11:04and what was it like to be kind of wrapped in that Beyonce world for that moment?
11:08I was excited.
11:10Working with Beyonce, working with anybody at that caliber that's done it for so long
11:14and influenced so many people in such a positive way.
11:18It's an honor first.
11:20You don't want to mess up.
11:21You don't want to do anything to anyone.
11:24You're not on pins and needles.
11:25Well, I wasn't on pins and needles.
11:27I was more excited.
11:28Like I belong here.
11:29But for me, it was like, okay, let me gather everything that I know.
11:34Everything that I know.
11:35Yeah, we gather everything that I know and use that same channel that I use when I'm writing
11:39my stuff for her.
11:43But for that level, I can just turn on that one and I don't mind borrowing from my own identity.
11:49You know, your name is out there for other Grammys that might be coming.
11:53It's around the corner, you know.
11:55Yeah.
11:55So do you think about that?
11:56Do you have the pressure of like Grammy Awards and when you're writing and making R&B music?
12:01No, I really don't think about the accolades when it comes to making music.
12:05It's not in the forefront of my mind.
12:08It's always a good thing to have because who don't want to be remembered in the future
12:12for what you did?
12:16Even a lot of the features I have on the album, I'm going to be able to look back and
12:20say,
12:20wow, I did a song with Leon Thomas.
12:22I did a song with Money On.
12:24I did a song with Pusha T.
12:32And that's in the history books.
12:35So, same thing with accolades.
12:36You want to be able to look back and say, they saw me.
12:40I felt heard.
12:41I felt seen.
12:42And they respect my craft.
12:44Like, it's not an illusion.
12:46It's real.
12:47I mean, speaking of those kind of accolades, I got to pat ourselves on the back.
12:51We gave you R&B Power Player.
12:52Yes.
12:53You know what I'm saying?
12:53I mean, you talk about those names of the features that are on your album.
12:57I feel like you all are like the forefront of the genre right now.
13:01And do you feel that pressure to represent R&B in any way?
13:05Or what do you feel like you're doing to help push the genre forward?
13:07Musically, no, I don't feel pressure, but I do feel the motivation.
13:12Some people take pressure and they crumble.
13:15I take pressure and I rise.
13:18So, I invited all the pressure.
13:21So, I want to be in the front.
13:24I want to be the person taking risks.
13:25I want to try stuff.
13:27I want to be the first one to speak my mind and maybe get ridiculed for taking it a step
13:32further.
13:33You know?
13:33Like, I'm a misunderstood I've always been.
13:35So, if I'm going to be misunderstood, I should be misunderstood well.
13:39And, I mean, you talk about being misunderstood.
13:41You talk about taking risks.
13:43I think one of the places I love how you take risks is style.
13:46Like, just visually everything.
13:47You always, like, come 10 out of 10.
13:49So, how do you think about your visuals?
13:52Like, how important is that as you take your approach to music?
13:55For me, it's like a puzzle piece.
13:56I'm trying to see what's there, what's forgotten.
14:02It's like a Rolex collector.
14:04You're looking for certain things, a scratch or a this that people miss that makes this part of Rolex special.
14:11So, I'm looking at the music and I'm looking at the world and I'm like, okay, there's a scratch here.
14:17It's not a complete line.
14:19They didn't finish this part of R&B.
14:22So, I'm like, where would it have gone?
14:26And, I'll take that on and try to just, like, use that as the pressure.
14:30Like, okay, I have to figure it out.
14:33I have to figure it out and keep it a secret and make colors around it.
14:38And, my team's always trying to, you know, push me to make sure we get the best and make sure
14:44we get the right person.
14:46I might have an idea.
14:47I might have a visual.
14:49I might have a, I might say, oh, we need to switch the hair up.
14:52But, my team is really, really good.
14:54They'll say, they'll remind me, hey, hey, hey, you're black.
14:59You gotta have an honest team around you, I gotta say.
15:01So, what do you feel like the vibe is?
15:02It's 50-50, like, you picking the clothes, your stylist, your team.
15:07Where's your, how much do you put into it?
15:09I mean, I have to go through and confirm and approve everything.
15:14But, I can't take all the credit for everything.
15:16I didn't do this hair, you know?
15:18Like, I maintain it.
15:19I can cut my own hair, but I understand.
15:22I look at everything, like, even if I'm in the studio, same thing with hair.
15:27I can make the song, but you're a producer.
15:30You're gonna do it faster, you're gonna do it better.
15:32And, I'm respecting what you do.
15:35So, when I'm finding, when I'm finding people that's helping me find people to do stuff,
15:39I'm like, okay, this A&R is an A&R.
15:43Like, I'm not an A&R.
15:45I might know music, I might have taste, but, out of respect, this person do this.
15:51Like, they must know what they're doing.
15:52You gotta surround yourself with the right people.
15:54So, let me let it go.
15:56Yeah.
15:56I like that advice.
15:57I'm actually gonna think about that.
15:59Like, you're right, man.
15:59You're right.
16:00You can put your piece in there, but let the masters...
16:03Yeah, and then at the end, I can be like, you know what?
16:05That was not a good idea.
16:08I'm sure your team over there thinking, like, yeah, he say this.
16:12But, let's talk about the tour as well.
16:14You're gonna hit the road, 2027.
16:16So, what can fans expect?
16:17What do you wanna bring to the tour?
16:19I just wanna bring a lot of excitement and togetherness.
16:22With this tour, I wanna be...
16:25I wanna level up myself.
16:27Every tour, of course.
16:29But, with this one, you know, I'm usually on the stage and covering all the stage and doing
16:36everything and trying to do things myself.
16:38I usually don't have, like, a stage moving person or choreography and stuff like that.
16:43But, I just wanna invite more...
16:47More of that one, two, three, four, but patterned out, excited, and not so much dancing.
16:53I'm not trying to be out here.
16:54Not a full eight count.
16:55I want people to see...
16:56And over, I danced, right?
16:58Uh-huh.
16:59Remember the little dance thing?
17:00Nobody took it as dancing.
17:01It was just my regular movements.
17:03But, I just wanna have...
17:05The thing about movements, if you do a movement with eight people, it becomes a dance.
17:10So, I just wanna get more into, like, the stage, creativity, and...
17:17And just invite more of that in, because, you know, I usually do it myself.
17:21And do you feel like the album, Aloud, leans more into that when you think about this tour?
17:26Yeah, yeah.
17:27Aloud, me doing everything that I'm thinking I should do.
17:31Me doing every...
17:32Like, if I think I can do it, how can I do it better?
17:36Like, can I find somebody else that can do it better than me, and then I can just let it
17:39go?
17:39Or I'm available to do it myself.
17:41I just gotta make the time, cut it out, carve it out, and go crazy.
17:44Nice.
17:45Yeah.
17:45And I wanna talk to you about your fans, too, because I've seen you so many times throughout
17:49the years, and you always have this, like, swag.
17:52So, I know your fans be probably acting up at these shows.
17:55Yeah, they're crazy.
17:55So, what's the craziest moment you've had with, like, a fan at a show?
17:59Oh, man.
18:00All my moments are pretty crazy with my fans.
18:04They either, like, really, really nervous, and they say not enough, like, not everything
18:08they wanted to say, or, like, they'll say everything that they're trying to say.
18:14That's just word vomit.
18:16But either way, I'm like, hey, you better get it out.
18:19You better get it out, because I'm pushing you.
18:21Like, I wanna hear it.
18:22I wanna hear you say that we connected.
18:25I wanna feel that you felt me.
18:28And, you know, I just, I know that they defend me.
18:31They love me.
18:32They take out for me.
18:32They support me.
18:33And they like my family.
18:34Like, when I think about my fans, like, it's a different type of lock-in.
18:37I think I heard you, you know, before we started the interview, maybe a little project or something
18:42that fans might be looking forward to.
18:44I mean, we got some things coming.
18:47You know, it's almost the holidays.
18:49Yeah.
18:50So, and I never did, like, a Christmas thing.
18:54And Christmas things are usually for people with voices that can last throughout time.
18:58Hey, you hit it there.
19:00So, to validate my own self, I told, I said, you know, I have to at some point do it.
19:10And, like, God usually does, brought somebody around.
19:14Shouted to Melita at the label, said, you should do a Christmas album.
19:18And, lucky do you know.
19:20We already started playing with the Christmas idea.
19:24And when she said it and then it clicked, everybody just got right on it.
19:27So, it was just like an immediate idea.
19:29Like, okay, it's time.
19:30It's time.
19:31It's time.
19:31Yeah.
19:32And I feel like we need more, like, good R&B Christmas albums with vocals, like you said.
19:35It's true.
19:36It's true.
19:36And ideas, like, new ideas.
19:38I'm not just doing, like, a basic Christmas album.
19:41I mean, it's not an album.
19:42It's an EP.
19:43It's an EP.
19:44I will do an album soon, but, you know.
19:46But a little bit of originals, covers, both.
19:48Oh, there is a cover.
19:50I have, I'm going to let you guess the covers.
19:53It's one of the best covers you can sing on Christmas.
19:56I have, um.
19:57This Christmas?
19:58No, no.
19:59I think, you know what?
20:01I think Chris did a real good job on this Christmas.
20:03I wouldn't even touch that.
20:03Okay.
20:04Yeah.
20:05Chestnuts Roasting, Christmas Song.
20:06Oh, that would have been some classic.
20:08Oh, Holy Night, though.
20:09Oh, Holy Night?
20:11Yep.
20:11Oh, Holy Night?
20:12Oh, Holy Night.
20:13Okay.
20:13Done in a different way.
20:15Done in a different way.
20:15You've never heard it done.
20:17You've never heard it done this way.
20:19And I'm not talking about my voice.
20:20I'm talking about the song.
20:21Okay.
20:21Yeah.
20:22All right, man.
20:23Well, I'm excited for that for you.
20:24And what, if you had to list right now, like three, I'll say, Christmas songs that you play
20:29every year, what would you say is like your top Christmas tracks?
20:32It's beginning to look a lot like Christmas for continuity.
20:34Mm-hmm.
20:35You know?
20:36Mm-hmm.
20:36I got to play, I play a lot of Mariah Carey.
20:40She's got to be there.
20:41Yeah.
20:42She got that glistening voice.
20:43I listen to Nat King Cole, because I kind of love how he cracked the code of being able
20:49to speak with clarity, so much clarity that everybody in America loved him.
20:53I mean, the tone of his voice at the time.
20:56Yeah.
20:56Yeah.
20:56So I listen to that.
20:58Anything that just feels warm.
20:59Other than that, I want to hear like some dance music.
21:02Play jungle.
21:03I play jungle during Christmas.
21:05I love it, man.
21:05And then before I get you out of here, I do like to play like a little game at the
21:09end
21:10of every interview.
21:10And we try to tie it back to you guys as an artist.
21:13So what we're about to play is Lucky Days, Lucky List.
21:16Okay.
21:17What do we do?
21:17So all you got to do is just say like what is Lucky for you when I name it.
21:21So Lucky Album.
21:22What's one album you can play from front to back?
21:26Oh, Off The Wall, Michael Jackson.
21:29Come on.
21:30Great choice, my friend.
21:31Yeah.
21:31Lucky Track.
21:32What's your favorite track to perform live?
21:35To perform live, Diamonds and Till.
21:44What is it about that one that speaks to you the most when you're first?
21:46I get lost the most in it.
21:48Like, and I don't care.
21:50And I'm just like all over the stage.
21:53I think I take up the whole stage and like I pace the whole thing.
21:57It's just like a good build up for me.
21:59Okay.
21:59That better stay on the set list then for the next one.
22:01Oh, that's how I was going to be there.
22:02Okay.
22:03Lucky escape.
22:04You get 24 hours off with no phone, no interviews, no studio.
22:08Where are you going?
22:09Where are the monks at?
22:10The monks?
22:11I think they're in, are they in China?
22:13Now I feel like I'm crazy over here.
22:14See, I don't know.
22:15The monks are in China.
22:16Yeah, we're going, we're going to climb those stairs.
22:18Okay.
22:19Yeah.
22:19Can you do that for 24 hours?
22:21Just be quiet like that?
22:22Oh yeah.
22:23I do that as an exercise for my brain.
22:25I won't talk to my friends and then I'll tell them like the next few days, like I was
22:28doing a mute challenge.
22:29My God.
22:30I got to use that.
22:31Oh yeah.
22:32I was doing a mute challenge.
22:33I was just chilling.
22:34I only respond to things that you ask of me.
22:37Okay.
22:37Okay.
22:38So if you're just talking, you won't get a response.
22:40All right.
22:40I'm too talkative.
22:41I can't do that.
22:42Lucky advice.
22:43What's the luckiest piece of advice someone ever gave you about navigating the music industry?
22:47I would say this guy named T. Vic.
22:50He said, always carry this invisible backpack and everything that you feel like you get
22:57mad about in the industry, take what you learn from it and throw it in the backpack and always
23:02keep it on you.
23:02And every time you need it, you can get it and you can write another song and you can
23:07write another song.
23:08Well, that was some good ass advice.
23:11All right.
23:12And then lastly, lucky moment.
23:13If you had to pick a moment in your life where luck genuinely saved the day, what comes
23:18to mind?
23:19It wasn't my day that was saved, but I felt good that I saved a day.
23:23Wow.
23:23So you actually are lucky your damn self.
23:25You might be my friend for life.
23:27All right.
23:28Well, see, now I got to take you somewhere to get me a lottery ticket.
23:31That's what I feel like I'm about to do right now so I can come up on a thousand today.
23:34Hey, you might.
23:34You might.
23:35Well, congrats on the album, man.
23:36Thank you so much for stopping by.
23:37We really appreciate you.
23:38Exactly.