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00:05:47I'm sorry, Don Pablo, for this disturbance.
00:05:50And I'm more than sorry, Miss Carmelita,
00:05:53that your supper was so interrupted by the manhunter.
00:05:57Gracias, Bodhisoper y Dicini.
00:06:01Oh, vamos, papá.
00:06:03But Carmelita is cold.
00:06:04I have no show.
00:06:08Pardon me, but I have some work that I must attend to.
00:06:12May I join you later?
00:06:14We'll be waiting for you.
00:06:16Gracias, Don Pablo.
00:06:18Sí, ¿por qué haces cosas para eso?
00:06:20Quiero, señor, mamá, chico, Bodhisattva.
00:06:21Quiero, mamá, chico, Bodhisattva.
00:06:24Quiero, mamá, chico, Bodhisattva.
00:06:34Qué buen café, ¿verdad?
00:06:36Sí, está muy bueno.
00:06:37Te gusta, ¿no?
00:06:38Sí, muy bueno.
00:06:42Aquí está su chão, señorita.
00:06:44No, gracias.
00:06:49But just now with the neck, you say you're cold.
00:06:55Díselo, just now with you, papá, I am warm.
00:07:03Vamos a tocar la cabana.
00:07:05Andale.
00:07:07Andale.
00:07:13Andale.
00:07:16You must understand that you know him very much from the recently.
00:07:24Ay, padre mío, Don Max.
00:07:27I feel nothing for Don Max.
00:07:31From the time the sun come off, until she go down, it is Don Max.
00:07:40You forget me, that in my hands, we were about to lose our Santa Maria.
00:07:47The buildings, they had crumbled.
00:07:49The caddles, they were all gone.
00:07:52We had nothing but death.
00:07:55Then comes Don Max.
00:07:57The buildings, they are repaired.
00:07:58The caddles, they are back in the ranch.
00:08:01And the deaths, they have been repaired.
00:08:03Is it not true, Colonel Richard?
00:08:07See, padre mío.
00:08:09It is true.
00:08:13You know, you know, we had meant much to our happiness.
00:08:18And our happiness would be complete if you, too, were kind to him.
00:08:26Are you inside, padre mío?
00:08:30This will make you happy.
00:09:13I don't know who you are or where you came from, but I do know this is mighty fine coffee.
00:09:28I'm also thinking it was mighty slick, the way you shed your saddle and ended the trail right under the
00:09:35sheriff's nose.
00:09:46If this is a trap, stranger, you'll lose.
00:09:53If you'll do a little figuring, you'll put up them shooting irons and come have some of this coffee.
00:10:00It's much more sociable like.
00:10:18It appears to me you must have got an eyeful.
00:10:22Yep.
00:10:23See, nothing happens on the flange I don't see.
00:10:28I ain't in the habit of receiving this sort of reception, stranger.
00:10:32What's the game?
00:10:35You're just a yearling.
00:10:38I understand.
00:10:52Pretty good coffee.
00:10:54What's the name you're using?
00:10:57Smith.
00:10:58Jim Smith.
00:11:00Easy name to remember.
00:11:11Thanks.
00:11:13Guess I'll be listening.
00:11:15Wait a minute.
00:11:17Ain't you sort of taken unnecessary chances?
00:11:21Unnecessary chances?
00:11:24That reminds me of the night I doubled back on a posse.
00:11:28Joined up with him and then helped cut myself for three hours.
00:11:32And borrowed a charter back off the sheriff.
00:11:37Now, that's quite clever, kid.
00:11:40How would you like to double back and be a real good cowhand for a change?
00:11:46Of course, you'd have to stay undercover for a bit.
00:11:50And I'd get you a new outfit.
00:11:53Then I'll bring you in on the buckboard.
00:11:56And the Don will think you'll come here proper-like.
00:12:00Well, what do you say?
00:12:05They've been dogging me for quite a sell, partner.
00:12:07So I reckon I'm your new cowhand.
00:12:10Along, great.
00:12:11In walks her husband.
00:12:13And I'm a loco sheriff.
00:12:15He ain't the sheriff.
00:12:16Ha ha ha ha!
00:12:17Oh, boy, how'd you get out of that way?
00:12:20Well, I haven't met a man yet who can beat me to the draw.
00:12:24Oh, boy, I reckon you'll feel downright sorry for that, Deputy.
00:12:28Yeah.
00:12:29Yeah, I sure do.
00:12:30Whoa!
00:12:37The great Diablo, eh?
00:12:40$5,000 reward.
00:12:43They don't say much about him or what he looks like, do they?
00:12:47Nope, they don't.
00:12:48But they do say plenty about that Oklahoma Cyclone.
00:12:53Cyclone meaning coming in sudden light, bringing a lot of wind.
00:12:59Light brown hair, blue eyes, stocky built, age 24.
00:13:07Light brown hair, blue eyes, stocky built.
00:13:12Sort of tallies with you, Smith.
00:13:16What's your real name?
00:13:24What a period.
00:13:31There's few men enjoy this privilege.
00:13:38Well, I'm feeling like a blushing female.
00:13:41Me doing all the shouting and riding with the king of the outlaws.
00:13:48I'm sure completing my education proper.
00:13:52You being the boss of Santa Maria,
00:13:55enjoying the cover of Paradise and fooling the sheriff, too.
00:13:59Pretty foxy, I calls it.
00:14:02Speaking of Paradise,
00:14:03the most important part of the rancho
00:14:07is the Don's Boat,
00:14:10Carmelita.
00:14:12And I want you to understand
00:14:15that Carmelita is my particular business.
00:14:25Let's get going.
00:14:27Get in here!
00:14:31I love to wander beneath the open sky
00:14:36And when the world's all drifting by
00:14:40I'm happy as can be
00:14:44Yes, I'm a lot of days
00:14:49When ever to me
00:14:51I never do me
00:14:53I keep on bringing the love
00:14:55It ain't none of my business.
00:14:57It sort of appears to me
00:14:59the boss is making a mistake.
00:15:00I'm not singing wrong with old Gary Lassen.
00:15:04Yeah, and for three long days
00:15:06you've had to listen to the banks he's stuck up,
00:15:10the sheriffs he's punctured,
00:15:11and the handsome women he's Russell.
00:15:14Ah, don't let his blowin' get you down, Rawhide.
00:15:17He's just a young one.
00:15:20And I kinda like him.
00:15:22You like him?
00:15:23Yeah.
00:15:23Well, I hate him.
00:15:25And ain't nothin' I like better than hate.
00:15:28I never know'd I could hate a rattler
00:15:30as bad as I hate that swagger
00:15:32and loud-talkin' poor Fletcher.
00:15:35That's my sentiment, too, Rawhide.
00:15:38How about a little turn, Clem?
00:15:40Well, I'll spend the hour.
00:15:44Carmelito, you are very quiet at this evening.
00:15:48It is because I wish to listen
00:15:51to the singing guitar.
00:15:54That's going to be great.
00:15:56Pardon me.
00:15:58Oh-ho.
00:15:59I've been hearing it before.
00:16:01I'm glad the music makes you so happy, Carmelito.
00:16:05This is three nights I have listened to him.
00:16:09Please, Don Max.
00:16:12Who is this new man?
00:16:15Oh, he's just one of the men I got here for the roundup.
00:16:20I think he's singing most beautiful.
00:16:23But a season.
00:16:25Let us have him come and entertain him.
00:16:29No?
00:16:30Muy bien.
00:16:31What do you know?
00:16:32Emilio!
00:16:34Hey, Don Max.
00:16:34Where is this car?
00:16:35Why, he's down at the bunk with the other men.
00:16:39Patron,
00:16:48I'll stay away from the road.
00:16:52Let it rain or shine.
00:16:55The world is mine
00:16:57As I'm all, all, all, all, all.
00:17:10Well, how'd you like it, boys?
00:17:12That was pretty good, son.
00:17:14I've heard words, but I've got a mighty poor memory.
00:17:17Senor, Don Pablo,
00:17:19he wished that you come
00:17:20and sing for the Senorita Carmelita.
00:17:25Thank you, Don,
00:17:26and add that I'll be there at Conno.
00:17:28Si, senor.
00:17:30You see, boys,
00:17:31no matter how much I try to be otherwise,
00:17:34I'm just irresistible.
00:17:38I'll see you sheepherders later.
00:17:43What is that word he said, ma'am?
00:17:49You're a, you're a,
00:17:51you're a, you're a,
00:17:53you're a virisistible.
00:17:55Whatever it is,
00:17:56you do it just once too often,
00:17:57the boss will fill him full of holes
00:17:59and there won't be no wind left.
00:18:01Ha, ha, ha.
00:18:01And we're on a rally
00:18:07And we are upon a cabarell
00:18:13Where it's always free and merry
00:18:18And a cowboy can be just glad
00:18:23Like a cowboy
00:18:26I'll wander
00:18:29As I know
00:18:31And I'll gather
00:18:34I'll be satisfied
00:18:37To ride and roam
00:18:41So let the prairie be
00:18:46My home
00:18:48Let me live out on the prairie
00:18:53Turn me out upon
00:18:56The chaparell
00:18:59Where it's always free and airy
00:19:04And a cowboy
00:19:06Can be confetti
00:19:09Like a tumbleweed
00:19:13I'll wander
00:19:14As I know
00:19:17That out yonder
00:19:19I'll be satisfied
00:19:23To ride and roam
00:19:26So let the prairie be
00:19:31My home
00:19:36It was very beautiful
00:19:40Senor Smith
00:19:41This is my daughter, Carmelita
00:19:43I'm glad to make your acquaintance
00:19:45I am pleased to meet you, Senor Smith
00:19:47You speak Spanish, no?
00:19:50Si, senorita
00:19:52I lived in Mexico
00:19:53For a week
00:19:55And I met a bunch of senoritas
00:19:57Down there
00:19:57Who taught me plenty
00:19:59Spanish
00:20:00Ha, ha, ha, ha
00:20:02Oh, that reminds me
00:20:04Of one of your cowhand songs
00:20:06Eh, Smith?
00:20:08No
00:20:09That reminds me of a song
00:20:10One of them taught me
00:20:11Will you please sing it for me, senor?
00:20:15See, senorita
00:20:17But the last time I sang this song
00:20:19I was such a big success
00:20:21That I couldn't reach the border fast enough
00:20:24Ha, ha, ha
00:20:26And when I got to the border
00:20:27Smith
00:20:28We're waiting for that song
00:20:34The song of the rain
00:20:40With her love was the one I left behind me
00:20:46With love that won't change
00:20:50She will wait till back in her arms she'll find me
00:21:23She'll see how there can be
00:21:26However, let's talk it over later
00:21:28But this man, he's waiting
00:21:29And I think we'd better go inside and talk with him
00:21:32Very well, if you think so
00:21:33You will excuse me
00:21:35We'll be back soon
00:21:36No, that's not of it
00:21:40Will you please sit down
00:21:42And sing it, you saw, senorita
00:21:43Please
00:21:44With pleasure
00:21:50The song of the rain
00:21:55With her love was the one I left behind me
00:22:02With love that won't change
00:22:07She will wait till back in her arms she'll find me
00:22:14The blue on the face
00:22:18And the blue line is dry on earth
00:22:24Slowly follow the candle
00:22:30That's all he's waiting for
00:22:54I do not see for why they take you out of Mexico when you think it's so beautiful
00:23:00I think they keep you there with the senoritas
00:23:06But then I wouldn't have met you, Miss Carmelita
00:23:10Oh, you don't tell me this
00:23:13I think I know the vaquero
00:23:15He writes to your window
00:23:18And with his guitar, he sings
00:23:22He makes you laugh
00:23:25Then he says
00:23:27Adios
00:23:28Mañana
00:23:30And makes you cry
00:23:32No?
00:23:34Yes, Mr. Smith
00:23:37Maybe you're right
00:23:38You know, I don't stay in one place very long
00:23:43Then must he say
00:23:44You come to Santa Maria
00:23:45Just for the wonder
00:23:50That's right, Miss Carmelita
00:23:53Then I guess it will be
00:23:55Adios
00:23:56Mañana
00:24:01That reminds me
00:24:03Now I teach a song, Mrs. Smith
00:24:07Jimmy is my first name
00:24:09Yes, Mrs. Smith
00:24:11Maybe you sing it too
00:24:13No, Jimmy
00:24:23Don't hold me away
00:24:27With the love for the world I left behind me
00:24:34Don't hold me away
00:24:38I will wait
00:24:40If I give my arms by my feet
00:24:45You don't be there
00:24:49That it would like this one of all
00:24:56You hold me for my vaquero
00:25:01That's all I think they know
00:25:32I found Carmelita's tank at the end of the night
00:25:37Smith's shirt pocket
00:25:42He's been meeting her down by the stream
00:25:44I know because I've seen him there
00:25:47They've probably had a lot of other music that I ain't seen
00:25:51It's time for a showdown, boss
00:25:54We ain't hiding no hidden aces around here
00:25:57Ain't according to our code
00:26:00What do you mean?
00:26:02Remember when you wanted to get rid of that Wilkins fella?
00:26:05Remember how I picked a fight with him on the range
00:26:07And we left him for the coyote?
00:26:11Well, we're working the range tomorrow
00:26:15That's what I'm a minion
00:26:17Tomorrow
00:26:36Here comes Smith now
00:26:43I never see such an ornery critter
00:26:46As that local cow
00:26:48On your bawling calf
00:26:49Like they never found him
00:26:53You know, life is just one ornery cow
00:26:56Or woman after another
00:26:57There's no peace for a poor cowhand
00:27:00No more, Slim
00:27:01Yeah?
00:27:02I know something on there than that
00:27:04And I don't have to mention no name
00:27:09What rawhide means, Slim
00:27:11Is that ornery cow's husband
00:27:14You mean the bull, don't you, sonny?
00:27:38There, you rootin' tootin' windbag from Oklahoma
00:27:41Stop makin' that whinin' noise
00:27:47Hear what I said?
00:27:49Stop blowin' that music box
00:27:51Or I'll blow you out from under your hat
00:27:57You know, fellas
00:27:59Smith and Brow
00:28:00Don't need to fit him no more
00:28:01Since he's Carmelita's special lover
00:28:05She ain't so particular
00:28:24You're as yellow as Carmelita's skirt
00:28:49Seeing you're paralyzed, rawhide
00:28:52I'm tossin' this harp in the air
00:28:54And when it hits the ground
00:28:55We're shootin' from the leather
00:29:06If I wasn't feelin' so sentimental-like
00:29:08I'd be seein' daylight through you now
00:29:13You've been doin' a lot of talkin'
00:29:15Since I joined this outfit
00:29:16And you think you're plenty salty
00:29:19Well, I'm gonna break ya and brand ya
00:29:21Come on
00:29:32Get to him, rawhide
00:29:34Get to him!
00:29:36Come on, jump on him, rawhide
00:29:53Boss, I'm thinkin' this is a frame-up
00:29:56And that you had something to do with it
00:29:58Or else you wouldn't have let that skunk
00:29:59Insult the name of Carmelita
00:30:03It's a kid, McKim
00:30:04And Carmelita's plenty good lookin'
00:30:07But if it'll end this argument
00:30:09I don't see her from now on
00:30:14Kid
00:30:16I'm gonna take your word for it
00:30:21That reminds me of a little song
00:30:23That's right-fittin'
00:30:25And seeing you hombres don't like my singin'
00:30:28I'll see you later
00:30:36Oh, it's out in Arizona
00:30:38Where the bad men are
00:30:40Well, there's nothing there
00:30:42To guide the broad
00:30:42Evening star
00:30:44Well, the rough day
00:30:47Black times of a way
00:30:50When you get to meet me
00:30:58Well, I'm a son of a sheepherder
00:31:00If I ain't believin' that boy's fairy tales
00:31:03From now on
00:31:04That's right, pretty picture
00:31:06You may slide down that hill
00:31:07Rawhide
00:31:08Ha, ha, ha, ha
00:31:10Ha, ha, ha, ha, ha, ha, ha, ha, ha
00:31:30I'm looking to be tired after this long day
00:31:33Oh, you see
00:31:34But I am happy with my friends here
00:31:37Thank you
00:31:41Thank you
00:31:42Thank you
00:31:44Many, many happy turns on the day, Carmelita
00:31:47With those rushes
00:32:00Carmelita
00:32:02Carmelita
00:32:06Espera un momentito, papá
00:32:08Por favor
00:32:08She's busy with a death
00:32:12At least
00:32:15When did you death me?
00:32:19Can't say as I know that
00:32:21Mr. Carmelita
00:32:25Why did he not come to my father?
00:32:30I can't say as I know that either
00:32:37It is very funny
00:32:38I don't understand
00:32:47Gracias
00:32:48Every day
00:32:55Si, papacito
00:32:57Querida
00:32:57Querida
00:32:57We've been talking, Omec and I
00:33:00And Omec has something you wish to tell you
00:33:05Yes, Carmelita
00:33:06I've waited all evening to tell you
00:33:08I know
00:33:10I remember
00:33:11I have promised a dance to you
00:33:17Maybe two
00:33:18Three
00:33:20Come, Don Mar
00:33:41That was wonderful, Carmelita
00:33:43Perdona
00:33:44Perdona, señor
00:33:45Señorita
00:33:45Tengo caldables
00:33:46Pardon me, Don Mar
00:33:48I must go
00:33:50You won't be long?
00:33:52No, no
00:33:53Not very long
00:34:01Seem to be enjoying yourself, Carmelita
00:34:03That Jones one of the weighs 400
00:34:04It should weigh the power
00:34:06You don't know how to picture dancing party
00:34:08Is that so?
00:34:10Say
00:34:12Where's Smith?
00:34:13The boss gave mortars not to come
00:34:15I pray some of these town folks might recognize him
00:34:18In that case, Rawhide
00:34:21You won't have any trouble enjoying yourself, will you?
00:34:23Yeah
00:34:26Señorita
00:34:27El señor Smith me dio esto para usted
00:34:30Muchas gracias
00:34:31Sí
00:34:32Sí
00:34:33Sí
00:34:34Sí
00:34:34Sí
00:34:35Sí
00:34:35Sí
00:34:39Sí
00:34:40Sí
00:34:48The End
00:35:23It's pretty good music.
00:35:25Yeah.
00:35:30Jim?
00:35:33You and me are friends, aren't we?
00:35:36You get what our friends.
00:35:39You don't mind me.
00:35:41You're saying you're in love with Tom Leder, do you?
00:35:45Now, don't get hurt of you.
00:35:47There's something you were to learn before long, but I'm telling you now.
00:35:55We're taking a run on the state bank tonight.
00:36:00Well, that's better than sitting under this tree doing nothing.
00:36:03Well, that isn't all.
00:36:05There's something considerable more important.
00:36:11I just heard rawhide inflaming you again.
00:36:16He tells him he won't ride tonight if you go along.
00:36:23Then they start arguing, and rawhide starts talking about you and some of you.
00:36:31I can't guess it all, but I guess that rawhide's a sickness, so you and her meet tonight.
00:36:39And prove what he always knows.
00:36:42If you young'uns are 11.
00:36:45Then the yellow rider asks,
00:36:50If such happens, would you ride?
00:36:57Well, the boss says no.
00:37:02So, you've finished your riding.
00:37:06I see.
00:37:09So, Madden, just be careful, Mike, son.
00:37:16I ain't forgetting what you've done for me, Slim.
00:37:19And I reckon we're hobbled together from now on.
00:37:23That ain't nothing.
00:37:25You know, son,
00:37:28I've run into some pretty tough umbrae's in my day.
00:37:34But there ain't no Santa Fe to poison as that man's him.
00:37:40Take, for instance, that Sheriff Henderson.
00:37:43Now, don't get me wrong, because I ain't over fun and no Sheriff.
00:37:48But this Bill Henderson has a reputation of getting on your trail.
00:37:54And there ain't no end to that trail until he jerks a rope around your neck.
00:38:01He dogged, uh, McKim for an exasperating spell.
00:38:06And McKim figured to get him and get him proper.
00:38:09So, as the next Sheriff, hearing about it,
00:38:13would ponder a forehand about, uh, picking up that trail.
00:38:19Well, McKim gets his chance.
00:38:23And he boards him in the back.
00:38:27In the back?
00:38:28Yeah.
00:38:30And we took him across the border to the Los Tres Pesos and leave him there to rot.
00:38:40You know, son,
00:38:41I like getting the gold easy-like and the shooting that belongs to it.
00:38:47But I always regret that unnecessary killing.
00:38:55I'm telling you all this.
00:38:58Because after tonight,
00:39:01I'm heading south.
00:39:11I don't want you to think that I'm a preacher.
00:39:15But you're young.
00:39:18And there's a trail you can take.
00:39:22If you're a listener.
00:39:24I'm listening.
00:39:30You know,
00:39:33when you're riding in the breeze
00:39:37and the grass is green,
00:39:41the breeze is going to turn yellow.
00:39:48It's time you were changing faster.
00:40:09Say,
00:40:10that reminds me of a blonde I met
00:40:12about a month ago.
00:40:13You know,
00:40:14I'm trying to parse with a blonde,
00:40:16but a fella likes to darken now and then
00:40:18by way of variety.
00:40:19You know.
00:40:21Well,
00:40:21this time I get too much variety.
00:40:23And Annette takes it plenty hard.
00:40:26And I left town in a hurry.
00:40:28I bet you do.
00:40:30You play them all,
00:40:31huh, son?
00:40:31Sure.
00:40:32Why not?
00:40:34Except when they get too serious,
00:40:36like.
00:40:37Take Lentz's Carmelita.
00:40:39That's why I laid off her.
00:40:42And the aggravating part
00:40:43was the way the boss
00:40:44kept riding me about it.
00:40:46It made me feel like a strayed cat.
00:40:50As if I'd get real serious
00:40:52over a mess.
00:40:55That reminds me of one time
00:40:57I was riding with an outfit
00:40:58and we had a mix, sir.
00:41:01I put salt in the pie,
00:41:02and I was fighting
00:41:03then on.
00:41:17that was
00:41:18plenty hard to say.
00:41:21And raising you five, Sam.
00:41:26Well,
00:41:28I'm seeing you.
00:41:30Looking at you
00:41:31for ten more.
00:41:33No.
00:41:34That makes me look.
00:41:45Where's Shorty?
00:41:48He went down to the barn.
00:41:50He'd be back in a minute.
00:41:53Rohide,
00:41:53where's Smith?
00:41:55I ain't responsible
00:41:57for that umberie no more.
00:42:01Didn't I leave orders
00:42:03for all you men
00:42:04to come here
00:42:05and stay here?
00:42:09Now pile out of here.
00:42:11Fetch Shorty.
00:42:12Find Smith.
00:42:14We're riding part of it.
00:42:16You get me?
00:42:21Doggone,
00:42:22I never had a full house
00:42:23in my life
00:42:24but something didn't happen.
00:42:25Ha, ha, ha.
00:42:35Ha, ha.
00:42:38Carmelita.
00:42:43Carmelita.
00:43:06There's something
00:43:08I must tell you.
00:43:11I know.
00:43:12You come to tell Carmelita.
00:43:16Carmelita de Mexicano.
00:43:24I knew you didn't understand
00:43:26when I said...
00:43:35Phoebe.
00:43:38Phoebe.
00:43:42e Walkman could...
00:43:54do you...
00:43:57Do you...
00:43:58Do you...
00:44:01Do you...
00:44:02Do you...
00:44:05Do you...
00:44:05Do you...?
00:44:13I'm beginning to get the drip.
00:44:15Go get the gang and surround the house.
00:44:17Underly.
00:44:27If he's in there, boss, we got him in a trap.
00:44:31Because I got the boys surrounding the house.
00:44:48I knew you were out here tonight when I spoke the hardest words I ever had to speak.
00:45:00Read this when I've gone, and I hope it's not adios, manana.
00:46:36I'm getting as loco as you are.
00:47:32Here's some drinks here for the gentleman
00:47:34and for the most beautiful, señorita, la güera de licorio.
00:47:40Where's Mazuma for the last set-up?
00:47:44You know who I am?
00:47:47I am Pancho Gomez.
00:47:51Pancho Gomez?
00:47:53If you're Pancho Gomez, I am the king of Ireland.
00:47:57Come, give it.
00:48:04Where would you like to have them, sir?
00:48:11Well, that's different.
00:48:14He's plenty, but mine.
00:48:16Very plenty, but mine.
00:48:20Here, that's for the drink.
00:48:26Here's for you, gringo.
00:48:28Now we are friends.
00:48:31Now we are friends.
00:48:35No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:48:47Ah!
00:48:49It's great.
00:48:51Diablo.
00:48:53Ha, ha, ha.
00:48:54Pancho Gomez.
00:49:03Well, we drink to the slave.
00:49:08Diablo.
00:49:12Take him off.
00:49:15Now, Gomez.
00:49:16Drink.
00:49:17Drink to the Oklahoma Cyclone.
00:49:20Without any wind.
00:49:22All right.
00:49:24Drink.
00:49:41He was only a lavender cowboy.
00:49:44The hairs on his chest were two.
00:49:48He wanted to follow the heroes and fight like the he-men do.
00:49:55He battled for Red Nelly's owners and cleaned out a hold-up name.
00:50:01He died with his six guns of smokin', but only two hairs on his chest.
00:50:11Now, Gomez, get goin', and keep ridin'.
00:50:18Diablo.
00:50:20One.
00:50:21We shall meet again.
00:50:24And that'll be the end of your trail.
00:50:27My boots.
00:50:28Windele.
00:50:30Everybody.
00:50:32Up for a drink.
00:50:40How are you, Dominguez?
00:50:41Hey, Mac.
00:50:43Who's the fast-shooting kid you got with him?
00:50:47He's a new boy ridin' with me tonight.
00:50:49And believe me, he showed me a new trick.
00:50:52We got away with a haul without even pulling a gun.
00:50:56Sort of unusual for me, ain't it?
00:50:58I sure hope so.
00:50:59Well, you never get too old to learn, do you?
00:51:02Say, by the way, how's my friend the sheriff?
00:51:07Is he able to recognize Vinci?
00:51:11Bailin' pretty fast.
00:51:13Good.
00:51:16Hey, boys.
00:51:19Let's go upstairs for a minute.
00:51:23You better come along, too, kid.
00:51:25I think you'll like it.
00:51:42Well, well, well.
00:51:44My old friend.
00:51:48Sit up, Henderson.
00:51:50For a little formal introduction.
00:51:53Oklahoma?
00:51:55This is Sheriff Henderson.
00:51:57That great manhunter.
00:52:02So you're one of those fellas that hide behind a star, are you?
00:52:07Say, Henderson.
00:52:08I was afraid I wouldn't get to see you again before you broke.
00:52:12Are you still hankering to jerk that rope around my neck?
00:52:17You know, Smith, I sunk some holes in him.
00:52:21It'll end his suffering when he gets weak enough.
00:52:25And it'll also go down in history as a little warning to the rest of them manhunters.
00:52:32Yeah, but you had to get me in the back, McKim.
00:52:38You never had guts enough to stand up and shoot out with me, man to man.
00:52:49But remember this.
00:52:52When I passed, there's been plenty more good fighting men.
00:52:59Take my place when I'm gone.
00:53:02Dry up.
00:53:03You talk too much.
00:53:05Say, tell them about me, will you, Mack?
00:53:07And add that the next star packer has a standard invitation to fight it out with a cyclone.
00:53:13Man to man.
00:53:14Atta, kid.
00:53:17Say, Henderson.
00:53:19We took your bag tonight
00:53:21and got all enough to live in the peace and quietness.
00:53:27While the sunflowers are growing over you.
00:53:32Say, kid.
00:53:33You got that mouth heart from your pocket?
00:53:35Sure, shorty.
00:53:36Play him that funeral tune.
00:53:38I know rawhide'll like it, even if the sheriff don't.
00:53:44Come on, let's have a liquor up.
00:53:47Them's my sentiments, Liam.
00:53:52Uh, by the way, Henderson, are you enjoying my hospitality?
00:53:59Ha, ha, ha, ha, ha, ha, ha.
00:55:06My boy.
00:55:07My boy.
00:55:09Cut my hand loose, man.
00:55:22Oh, that's much better.
00:55:26Oh.
00:55:27Oh.
00:55:36How did you get here, boy?
00:55:39How did you find me?
00:55:41When I was at school, I learned of your capture by the black Diablo, so I beat it for home.
00:55:49Accidentally, I found out that Santa Maria was becoming suddenly prosperous.
00:55:54So your deputy and I framed the character of the Oklahoma Cyclone, and McKim fell for my line.
00:56:01I could have got him a dozen times, but I couldn't get to you without playing my hand out.
00:56:08Well, I waited 12 years until tonight.
00:56:14Oh, son.
00:56:16Son.
00:56:18Do you know what you're up again?
00:56:20Do you know the dirty brute that you're dealing with?
00:56:24Son.
00:56:25He's the most burstest rat God ever put breath in.
00:56:31Don't worry about me, Dad.
00:56:34Have you got a fighting chance?
00:56:37Yes. Yes. I believe we have.
00:56:43But you must go, boy.
00:56:46Go?
00:56:49When we go, we're going together, not at all.
00:56:57Buck up, Dad.
00:57:00Buck up.
00:57:01I left word with Carmelita, the Don's daughter.
00:57:06Right now, she is writing for your deputy.
00:57:10Take off.
00:57:28Get him, boy.
00:57:32Let him take those guns.
00:57:40You're ending your trail for good this time, kid.
00:57:45The only thing that chokes me is just how to make the end of that trail hell itself.
00:57:51Easy for you to figure it.
00:57:54You black-hearted devil.
00:57:55Well, for the man who's helpless.
00:58:00Tennerton, you give me an idea.
00:58:03I'm going to cut this son of yours to pieces with my bare fist.
00:58:10Go ahead and take him out of here.
00:58:13Go ahead and take him out of here.
00:58:15Go ahead and take him out of here.
00:58:22Go ahead and take him out of here.
00:58:24Go ahead and take him out of here.
00:58:27Go ahead and take him out of here.
00:58:28Go ahead and take him out of here.
00:58:29Go ahead and take him out of here.
00:58:30Go ahead and take him out of here.
00:58:30Go ahead and take him out of here.
00:58:32Go ahead and take him out of here.
00:58:32Go ahead and take him out of here.
00:58:33Go ahead and take him out of here.
00:58:33Go ahead and take him out of here.
00:58:34Go ahead and take him out of here.
00:58:35Go ahead and take him out of here.
00:58:36Go ahead and take him out of here.
00:58:38Go ahead and take him out of here.
00:58:44Folks, I'm now going to give you a little special entertainment.
00:59:35Jimmy, Jimmy, get up Jimmy, come on boy, get up.
00:59:41Jimmy, you've got to get up, Jimmy.
00:59:44Come on.
00:59:47That's a boy.
00:59:49Come on, Jimmy.
01:00:15Come on.
01:00:17Come on.
01:00:32Come on.
01:00:34Come on.
01:00:35Come on.
01:00:35Come on.
01:00:38I'll get him, boys.
01:00:40I'm shooting fast for the first man that doesn't reach for the air.
01:00:45Get my gun, sonny.
01:00:51Come on.
01:00:52Get back, Lawhide.
01:00:54Well, McKim, we've certainly enjoyed your little entertainment.
01:00:59But I think the next act will be by the sheriff with his famous rope.
01:01:03Come on.
01:01:04됐� back.
01:01:10Get up!
01:01:11All here.
01:01:47Kidd, you and me are friends, aren't we?
01:01:53Of course, ma'am.
01:01:56I just wanted to say it again.
01:02:03Do you remember what I said about the green grass turning yellow?
01:02:11Well, I'm changing it faster.
01:02:21Thank you, sir.