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00:00:02The End
00:00:30Oh, my God.
00:01:00Moral murder isn't special.
00:01:02Coral murder isn't special.
00:01:04Coral murder isn't special.
00:01:23Anything's special?
00:01:24Yes, more news about that shocking business last night.
00:01:27What they're causing?
00:01:27No, but the commission is offering a reward of a thousand pounds with capture.
00:01:31Only the type of spot him.
00:01:33Has the telephone man called?
00:01:34Yes.
00:01:34He said they'll cut it off, but we don't pay within three days.
00:01:37That let him go at all.
00:01:39Anyway, we can't afford it.
00:01:40Has nobody been about the rooms, has there?
00:01:42Yes.
00:01:43I don't know what things are coming to.
00:01:44What with these new luxury hotels and service vets?
00:01:47They seem to be ruining now.
00:01:48Oh, quite so.
00:01:57Have you finished?
00:01:58Have you finished?
00:01:59I'm trying to get them.
00:02:00If you will be pleased to know that I will change the lines.
00:02:03Not through.
00:02:04Please, Miss Padmé.
00:02:10The time is up.
00:02:11Will you have them at all?
00:02:13Not through.
00:02:14Please, Miss Padmé.
00:02:20Not through.
00:02:21Will you please, Miss Padmé?
00:02:25Are you there?
00:02:25Are you there?
00:02:26You're through.
00:02:28Hello, Supervisor.
00:02:30You're through before what you said and I know.
00:02:31And such as the cause is left by the man, I can't understand what's written.
00:02:34Yes, Miss Padmé.
00:02:35Now, gentlemen, the Bosnian government are sending Mr. Silvano, the state criminologist,
00:02:40with a full description of a maniac who is responsible for the Bosnian murders
00:02:43and who escapes from the state asylum there sometime day.
00:02:48Mr. Silvano is convinced that this man and the avenger are one of the same persons.
00:02:51This is the application, sir.
00:02:53On no account.
00:02:54I give you this information so that if any rumors of his arrival meet your ears,
00:02:58you'll understand that not to be commented on.
00:03:00That'll do.
00:03:00Is that all clear, gentlemen?
00:03:01Yes, sir.
00:03:04Joe Martin.
00:03:05Yes, sir?
00:03:06Mitchell tells me you're smart enough to come in out of the rain, if you're called.
00:03:09Oh, that's very good of you, Mitchell.
00:03:11Now, Martin.
00:03:11Sorry, sir.
00:03:11I want you to concentrate on this case with the exclusion of everything else.
00:03:15Anything you may pick up anywhere, send it straight through the Mitchell himself.
00:03:18You understand?
00:03:18Yes, sir.
00:03:19Get on with it.
00:03:20Right.
00:03:21Mitchell.
00:03:29Oh.
00:03:30Hello.
00:03:31Hello, Dad.
00:03:33What?
00:03:34What?
00:03:34Incham special.
00:03:36For murdering incham special.
00:03:39For murdering incham special.
00:03:41For murdering incham special.
00:03:42What's this?
00:03:44Not a number of them avenge a murder, surely.
00:03:46Sounds like it.
00:03:47What the hell are the police doing?
00:03:49Especially after a pair of our suite.
00:03:52You know, Daisy, I don't like your being out alone at night.
00:03:56Especially as the evenings are drawing in and the fog about.
00:03:59Oh, rubbish.
00:04:01Pain rubbish.
00:04:02If Joe can't manage to meet you, I shall have to turn out myself.
00:04:08Rising sun to you.
00:04:10Aye.
00:04:10Oh, no, you don't.
00:04:12I'm not going to have you hanging about outside the exchange.
00:04:14You'll only go down with your old asthma again, then we shall know about it.
00:04:17Well, there's gratitude.
00:04:19If anybody has suffered in the silence with asthma, it's me.
00:04:23You wait till I'm gone.
00:04:24Then you'll realize what a good father you've had.
00:04:26Dawn?
00:04:30producer...
00:04:36Now, Joe.
00:04:37Now.
00:04:38What a gentleman.
00:04:41All right.
00:04:42I'll go.
00:04:51Good evening.
00:04:54Good evening.
00:04:56I saw your card.
00:04:58Do you have a room to let?
00:05:00Yes, yes.
00:05:02Ma'am!
00:05:03Just a minute, sir.
00:05:04Just a minute, sir.
00:05:06Won't you come in?
00:05:10I think there's something to fit, sir.
00:05:12Would you step up, sir?
00:05:15What's that?
00:05:17Only my husband, sir.
00:05:19Oh, your husband.
00:05:22Oh, the door.
00:05:23Is it safe to leave the door open in London?
00:05:26Oh, shut it, don't you?
00:05:29You come up.
00:05:30Must have seen some big people in this day.
00:05:33It's a little bit in London, wouldn't they?
00:05:38This is our bedroom, sir.
00:05:41It's in the front.
00:05:43But you'll find it very quiet.
00:05:46Why it?
00:05:48Yes.
00:05:48Yes.
00:05:51That is very important.
00:05:55Oh, well.
00:05:57I have found just what I want.
00:06:02There.
00:06:03That's right?
00:06:04Thank you, sir.
00:06:05And the name?
00:06:06The name is Angelo.
00:06:09Michel Angelo.
00:06:11Angelo.
00:06:11Oh, well, that means you to remember.
00:06:13Yes.
00:06:13You know, I'm a musician, and I've painfully neglected my music lately.
00:06:18I'm a star for them.
00:06:21Oh, you have a piano?
00:06:23Oh, good.
00:06:24I'm lucky.
00:06:25Everyone says it's a very good one, sir.
00:06:28Really, nothing to give.
00:06:38I think I do.
00:06:44The door.
00:06:45Yes, sir.
00:06:51Oh, that door.
00:06:53That has a key that will lock the door?
00:06:55Oh, yes, sir.
00:06:57The key that will lock the door?
00:06:58Yes, sir.
00:06:58Oh, yes.
00:07:01Oh, yes.
00:07:01Good luck.
00:07:04Oh, yes.
00:07:04Mr. Payton, of course.
00:07:05Do you want to see the real décon?
00:07:07Please.
00:07:07I'll be two weeks to find.
00:07:09Oh, dear, oh, dear. I thought we were never going to have any luck any more.
00:07:13We want the cup of tea.
00:07:16Oh, dear. You mustn't see me like this.
00:07:18Poor David, dear. You take it up.
00:07:20Yes. Don't take on some, ma'am.
00:07:23Yes, darling. Now you take it up.
00:07:27Oh, dear.
00:07:32You feeling better, ma'am?
00:07:34Yes. I'm all right.
00:07:36Shall I pop out and get you one?
00:07:38Oh, no. No, dear. I'm all right.
00:07:40That's lucky.
00:07:41What?
00:07:41Oh, sir, that's lucky.
00:08:27It's lucky here.
00:08:29That doesn't work.
00:08:31Let's hurry.
00:08:37Oh, dear, honey, dear.
00:08:42You are the daughter?
00:08:43Yes.
00:08:44I'm dating.
00:08:46Why should you wake on me?
00:08:48Well, no, sir.
00:08:49We don't go into service, you know.
00:08:52But do you do this all day?
00:08:53Oh, no.
00:08:55I've got a job.
00:08:56I'm a telephone operator.
00:08:58A telephone?
00:09:00Horrible invention.
00:09:02I don't think it's horrible.
00:09:04It's very useful.
00:09:06Use?
00:09:07No.
00:09:08A bit through you sometimes.
00:09:25Hello, Joe.
00:09:26Where have you been?
00:09:27I'm sorry.
00:09:28I found a conference with a big chief.
00:09:29I'm sorry.
00:09:31I couldn't get away.
00:09:33This is a big chief.
00:09:35No, no, listen, Mr. Bundy.
00:09:36You wouldn't like your daughter to marry a man who wasn't going to tend to visit.
00:09:39You know what Daisy is, don't you?
00:09:43He won't get the sea get killed, will you?
00:09:45I have already.
00:09:46It's frozen, but delicious.
00:09:50And he will ring if he wants anything, won't you?
00:09:52I mean, were anything pleased?
00:09:54You're pleased to have me here?
00:09:56Oh, but of course.
00:09:58Oh, that is so kind.
00:10:06No, you don't mean to double it over the copper there within a few yards.
00:10:10That's exactly what I do mean, Mr. Bundy.
00:10:12Oh, hi.
00:10:13Hi, Daisy.
00:10:19Ah, you're a nice one, Joe Martin.
00:10:21I waited for you.
00:10:22Sorry, Daisy.
00:10:22I was just telling you, Dad.
00:10:24No.
00:10:25No.
00:10:27No.
00:10:27I'm going to meet you.
00:10:28I'm fed up with you, Joe.
00:10:30We're here, Daisy.
00:10:31Steady, steady.
00:10:32You will have a chance.
00:10:33Big thing for him.
00:10:34I should say so.
00:10:35It'll interest you.
00:10:37A woman had her throat slit in a public call box.
00:10:40Ha, ha.
00:10:41A what?
00:10:43Yes, in your district.
00:10:46What time, Joe?
00:10:47Oh, it must have been just before you went all tooted.
00:10:52Oh, what's up, Daisy?
00:10:55Nothing on this.
00:10:56I think I must have heard it.
00:10:58Heard it?
00:10:58Heard what?
00:10:59A woman.
00:11:00A queen.
00:11:03Oh.
00:11:05Yes, Daisy.
00:11:06Yes.
00:11:07Daisy.
00:11:08You tell me what you know.
00:11:12Are you going to tell me what you know?
00:11:14I can't now.
00:11:16Oh, don't be silly.
00:11:17What did you hear?
00:11:17Come on.
00:11:18Come on out a minute.
00:11:19Let me go, Joe.
00:11:20What did you hear?
00:11:22Nothing only.
00:11:23What?
00:11:24I had a spree from a public call box.
00:11:26I thought it might be some children playing.
00:11:28They do sometimes.
00:11:29What did you do?
00:11:30Reported it to the supervisor.
00:11:35Hello.
00:11:38Hello.
00:11:39Number, please, charge and think.
00:11:40Lugget, 4,000.
00:11:44Lugget, 4,000.
00:11:45Have you got cloth ears?
00:11:46You do love your time on the switch.
00:11:48Oh, I...
00:11:49Hello.
00:11:50Hello.
00:11:50Hello.
00:11:51Who am I?
00:11:51I mean, who are you?
00:11:52Son of a...
00:11:53Why couldn't you say so?
00:11:54Mr. Mitchell, please.
00:11:58Hello.
00:11:59Hello.
00:11:59Is that you, Bob?
00:12:00I bet it's not your own.
00:12:02Listen.
00:12:02Take this damn snappy.
00:12:04Red Hot Avenger story.
00:12:05I've just seen girl who heard victims scream from public call box.
00:12:09Joe!
00:12:10Shut up!
00:12:11From public call...
00:12:12Public...
00:12:13From public call box.
00:12:15Yes.
00:12:16Yes.
00:12:17Here's it, Bob.
00:12:19T...
00:12:20U...
00:12:22Bunty.
00:12:23Oh, Bunty.
00:12:25Where does she live?
00:12:26At 12A Listen Road...
00:12:29With her parents, Mr. and Mrs. George Bunty.
00:12:32Yes.
00:12:32Got it?
00:12:33Yes.
00:12:35Yes.
00:12:36Yes.
00:12:36Oh, yes.
00:12:37Yes.
00:12:39Yes.
00:12:40Coming back now.
00:12:49Right.
00:12:49Thanks very much.
00:12:50Come back.
00:12:54Oh, that takes a biscuit.
00:13:06Please, Bill.
00:13:10What is it, Miss Duke?
00:13:12It's dangerous.
00:13:13It's harsh and developing...
00:13:14...tell kind of groups of marvellous...
00:13:15Yes?
00:13:16...sick in between with her...
00:13:18...and a family call box...
00:13:19...by one of the girls on the...
00:13:20Jane. Good morning, sir.
00:13:22Honourable, and today,
00:13:23I'm not aware of the things that you've been to.
00:13:24You're all in this way?
00:13:25Yes, Martin,
00:13:27what you said I was saying.
00:13:28I told you it was,
00:13:28by the way,
00:13:29you get a certificate of the silicone, here?
00:13:31Thanks, sir.
00:13:32Really?
00:13:33You haven't tapped the...
00:13:37No, Mrs. Berling,
00:13:38I don't feel very hungry this morning.
00:13:42These murders,
00:13:43is there a great feeling about them?
00:13:47Feeling?
00:13:47I should think that he is, sir.
00:13:49He ought to be a beast,
00:13:51or to be torn to pieces,
00:13:52whoever he is.
00:13:53Beast, you call him?
00:13:54I should say so, sir.
00:13:56Be of all those innocent girls.
00:13:57But how do you know that he, too,
00:13:59is not innocent?
00:14:00That all these crimes that are for madness,
00:14:03the beast that is in all of us coming to the surface.
00:14:06How do you know that he knows what he does?
00:14:09Of course we know he must be out of his mind, sir.
00:14:11All the more reason why he should be shut up
00:14:13and put out of his misery.
00:14:14Anything?
00:14:16Put out of his misery.
00:14:19Yes.
00:14:23That is what should be done.
00:14:27What's that?
00:14:29Thank you, sir.
00:14:37Easy, sir.
00:14:38Easy, sir.
00:14:39Yes, very hard.
00:14:43Oh, thank you, Mr. Jones.
00:14:46It's a good young man.
00:14:48Me and Mr. Bunting are very annoyed with him at the moment.
00:14:50He's responsible for that.
00:14:52Drag him baby into it.
00:14:54He's got to give evidence.
00:14:55Evidence?
00:14:56Yes.
00:14:57Oh, Mrs. Bunting, could you tell me something?
00:15:00Of course.
00:15:00When foreigners arrive in London,
00:15:03is there any special district that they would choose to live in?
00:15:08Well, no, as there is, sir.
00:15:09It all depends on where they arrive.
00:15:12If it was Euston, there'd be the Euston Road.
00:15:14If it was Paddington, there might be round about here somewhere.
00:15:18Round about here?
00:15:20Oh, Mrs. Bunting, would you mind removing these ladies?
00:15:31I'm used to bare walls, you know.
00:15:35Their eyes seem to follow me about.
00:15:37There's an item, sir.
00:15:38Not much.
00:15:40Oh, sorry.
00:15:41I thought they'd lie in the plane, aren't they?
00:15:43Oh, well, if you wish, sir,
00:15:45why can't they be interested in yourself?
00:15:47So I'll open it away.
00:16:07I'll open it.
00:16:08I'll open it.
00:16:09I'll open it.
00:16:09I'll open it up here.
00:16:09I'll open it up here.
00:16:09Now tell me, when did you first realize that what you overheard might have some connection with the crime we
00:16:14are investigating?
00:16:15I reported it.
00:16:15I reported it to the supervisor.
00:16:17Although I shouldn't have done it.
00:16:19I tell my friend who's employed him in the newspaper.
00:16:22Well, he telephoned his office.
00:16:25And that made my father very angry.
00:16:26Of course your father to be angry.
00:16:28What cause?
00:16:29Well, he's always been showing what cause.
00:16:31How would he like to be dragged into a mix-up like this?
00:16:34Silence, sir.
00:16:35You cannot be heard.
00:16:37Can't be heard?
00:16:37What do you mean, sir?
00:16:38I was saying, sir...
00:16:40You are out of order.
00:16:41Out of order?
00:16:42I'm just as healthy as...
00:16:44Sit down.
00:16:45Sit down.
00:16:46Sit down.
00:16:46Pardon me, sir.
00:16:47I understood.
00:16:48I was to speak what was in my mind.
00:16:50Well, what is in your mind?
00:16:52Nothing at the moment.
00:16:56Please continue your ending.
00:16:58Well, you see, we let a part.
00:17:00So you let a part.
00:17:02And what's wrong with that?
00:17:03You might come down to it yourself one day, you know?
00:17:05One more word out of you, sir, and I'll have you turned out of course.
00:17:09Sit down.
00:17:10Sit down.
00:17:12Sit down.
00:17:13Sit down.
00:17:13Well, you see, we let a part.
00:17:16And my father and mother always kept the house steady and respectable.
00:17:19And they were afraid if we got people stuck in a case like this,
00:17:22well, in the lodge you might have guessed.
00:17:26Silence in thought.
00:17:28Right.
00:17:29Can I...
00:17:30I don't think we need trouble you any further...
00:17:32...at the moment.
00:17:37Lizzie!
00:17:37Lizzie, go!
00:17:38Lizzie, go!
00:17:39Lizzie, go!
00:17:48Certainly.
00:17:49Certainly.
00:17:51Let him be sworn.
00:17:55Thank you, sir.
00:17:55Thank you, sir.
00:17:57Thank you, sir.
00:17:57Thank you, sir.
00:17:57Thank you, sir.
00:17:58Thank you, sir.
00:17:59Thank you, sir.
00:17:59Now, this is the most important witness, gentlemen.
00:18:03Mr. Silvano, the state criminologist of the government of Bosnia.
00:18:07Mr. Silvano believes that he has established the identity of the criminal
00:18:11law as that of the notorious homicidal maniac who escaped from the state asylum at Nagreb some
00:18:18months ago.
00:18:19I state the case with you?
00:18:21Well, slightly.
00:18:22If my deductions are correct, the avenger is none other than Stefan Obelich, who was responsible
00:18:28for a series of similar crimes in my own country.
00:18:31Perhaps you will be good enough to tell the jury what you know of this man.
00:18:35Yes.
00:18:35Yes, indeed.
00:18:38Stefan Obelich comes of respectable bourgeois, or what you call middle-class families.
00:18:45His father is the conductor of the state orchestra, and Stefan himself is a very talented musician.
00:18:53He married, but he caused great unhappiness to himself.
00:18:59His wife presented him in a very disgraceful manner, and this, apparently, unhappiness.
00:19:05He is the poor young man's brave, therefore his indecorous animosity against all women.
00:19:50One of the drunk pelican women who were responsible for a visit, though, not some public pelicans close by stealth.
00:19:50People broke his country down in their dream and the past use alone at the door to defeat them.
00:19:51He helped their reopen, which means Chronicle SE-SPAN CRiter Powell, until 40 years later.
00:19:51Don't – I know he's gone to his work tonight.
00:19:55These things were pretty much donated then!
00:19:56He gave me the H pare.
00:19:56And he before his wife, decrees.
00:19:57He's been visually impaired.
00:20:01As a woman seems to be myself, I still want to permanently do this.
00:20:22I've had him up there, ma'am.
00:20:24I don't know why he doesn't like him.
00:20:26Something to do with his disliking women, I suppose.
00:20:29He'd miss himself with a bit of extensive life.
00:20:31Have you done that? Yes? Don't you hear it?
00:20:38No, there's no other things.
00:20:41Any of them going to come to that.
00:20:44I've got curiosity, as I might call it.
00:20:45It's sensational as that.
00:21:30There's no other things.
00:21:55Oh, it's you.
00:21:57It's me.
00:22:02I was listening.
00:22:03Why do you say I try to listen?
00:22:05Well, I don't like to bother you.
00:22:07Oh, it's no bother, I assure you.
00:22:09Very nice to have someone to talk to.
00:22:12London is a very lonely place to be.
00:22:18You were home early?
00:22:19Yes.
00:22:20I came straight home from that horrid incident.
00:22:23I saw you there.
00:22:26Whatever made you go?
00:22:28No.
00:22:30Oh, interesting enough.
00:22:33The beginning of the chase.
00:22:35All the bloodhounds raining to leave.
00:22:39Very amusing.
00:22:42Not quite so amusing for the wretched, hunted creatures skulking and hiding somewhere.
00:22:50But where?
00:22:52Where?
00:22:53Fancy you feeling better about me.
00:22:56Yes.
00:22:57It's foolish, isn't it?
00:22:58But, you know, I cannot help placing myself in the same position as he is.
00:23:02Whoever he is.
00:23:05Oh, but, uh, don't let's talk about things like that and think about them at all.
00:23:09You come here to listen to music and we talk of murder.
00:23:13What a silly word.
00:23:16The next time we will talk about less gloom it is.
00:23:20You know, sunshine, flowers, music perhaps.
00:23:25Sweet innocent things.
00:23:28It would be a bit more cheerful, wouldn't it?
00:23:30Yes.
00:23:30Now, don't forget, the next time you come to listen, don't stay outside.
00:23:35All right.
00:23:37I won't.
00:24:04I've seen Daisy talking to the judge again.
00:24:06Where?
00:24:07On the landing, outside his room.
00:24:08He claimed this morning the shaving water she was picking up wasn't off.
00:24:11Shaving water?
00:24:11It's an early morning cup of tea.
00:24:32Oh, I'm talking too much to Mr. Angelo.
00:24:35Who says so?
00:24:36I say so.
00:24:37You spoke me, sir.
00:24:39Never mind.
00:24:40A gentleman's a gentleman.
00:24:42He was probably only part of the time of day.
00:24:44Not at all.
00:24:45He's a very interesting man.
00:24:47Oh, is he?
00:24:48Oh.
00:24:48Well, on second thoughts, I think you'd better sleep with your mother downstairs and I'll have your room.
00:24:52Oh, ridiculous.
00:24:53Ridiculous nothing.
00:24:55I've been a lodger myself.
00:25:08Okay.
00:25:09All right.
00:25:09Three, two, four, five, six.
00:25:13One a, two.
00:25:29Because we had them all right.
00:26:13How do you do?
00:26:17Hello.
00:26:20You're very brave to be sitting in the park at this time of year.
00:26:23We'll get something out of lunch.
00:26:24This is my friend.
00:26:26How do you do?
00:26:27I think it's the last bit of a summer we'll get this year.
00:26:29Better not sitting in the stuffed hat, eh?
00:26:32Well, I suppose I'd better be pushing off.
00:26:35Don't be late on the switch, you.
00:26:37Oh, don't go, Deb.
00:26:39Now, I've got to see a girl about a cat.
00:26:42Goodbye.
00:26:47Honey, we were talking about you when you came along.
00:26:49About me? What were you saying?
00:26:51All the easy things. Why did you describe you?
00:26:52And how did you describe me?
00:26:54Well, different somehow.
00:26:56Different twice.
00:26:57Do you think in what way?
00:26:59Oh, you know.
00:27:00You can see us.
00:27:01Ordinary people.
00:27:02Doing ordinary things all year round.
00:27:04Nothing much to look forward to.
00:27:06Well, what have I to look forward to?
00:27:08Oh, everything.
00:27:09You've seen the world.
00:27:10You can go where you want to.
00:27:11I believe he's a kind of attractive fellow whom girls like.
00:27:15He leads them on a bit, and when he gets them alone,
00:27:17lifts them up while the police are looking for a state lunacy.
00:27:20I interest you as a man.
00:27:22Of course it is.
00:27:24I told you you were different.
00:27:27No, no, it's you who are different.
00:27:29You are young and kind.
00:27:31You know, those two things do not always go together.
00:27:34Would it bore you very much?
00:27:36In my room sometimes.
00:27:38You know, it should help to take my mind off things.
00:27:40What sort of things?
00:27:42Oh, I cannot tell you that.
00:27:44Ever.
00:27:46I hate to see you sad.
00:27:48Oh, but I'm not sad when I'm with you.
00:27:51Oh, so bad.
00:27:54I can't think why you came to England.
00:27:56Well, you see, I was very unhappy in my own country.
00:27:59And then my parents suffered a very great grief,
00:28:03and while I thought we were certainly going away tomorrow,
00:28:05I thought we were doing.
00:28:09Do you know anything about these things, George?
00:28:11No.
00:28:12Of course I know.
00:28:20I knew you didn't know anything about it.
00:28:22Just now you said I did.
00:28:24I didn't.
00:28:24I asked him to do.
00:28:26Hello?
00:28:26Then I thought it was a silly question right off.
00:28:28To me?
00:28:28Oh, who was it trying to get the coupons to buy it for you?
00:28:31.
00:28:40So, can you never tell me how about this.
00:28:41No.
00:28:42I'm wrong.
00:28:44I'm wrong.
00:28:47I'm wrong.
00:28:48Oh, I'm wrong.
00:28:57I'm wrong.
00:28:59Yeah.
00:29:00And you'll find me wrong.
00:29:00I'm wrong.
00:29:08Oh, it's so beautiful, that slow past.
00:29:12You know, I think he must have been very sad when he wrote that.
00:29:19Oh, what a piece.
00:29:21I think someone else is very sad.
00:29:25The music makes me sad.
00:29:29Oh, it's not good.
00:29:33Oh, everything.
00:29:35Get fond of people and things and having to go away.
00:29:41It's all for me.
00:29:43Isn't it?
00:29:45What do you mean?
00:29:48Don't you know what I mean?
00:29:51What's the core of it I mean?
00:29:55What's this?
00:29:57These things have been beautiful.
00:30:01There might have been something very beautiful, very happy for you and me.
00:30:10But...
00:30:10Oh.
00:30:14Oh, don't, don't, please don't look at me.
00:30:20Don't, don't look at me.
00:30:24Don't you know that I'm longing to take you in my arms?
00:30:27Don't you know that in all this silly world, there is only one within such useless, and that is you.
00:30:34Then you do.
00:30:35Oh, no, forget what I said.
00:30:36I've no right.
00:30:37But no, I don't like having that spirit, Le Guin.
00:30:40It's any more, it's any better shot.
00:30:41Well, if you know so much about it, come and do it yourself.
00:30:44Now, all I want you...
00:30:45But mind your head.
00:30:46You're a bit late, aren't you?
00:30:51Please, go away from me.
00:30:54Stay away from me.
00:30:55Don't ever be alone, you mean.
00:30:59Don't say things like that.
00:31:02You've been so kind of sweet.
00:31:05No.
00:31:07No.
00:31:08Oh, don't be unhappy, please.
00:31:12Oh, please, don't be unhappy.
00:31:14I can't bear it.
00:31:15Except that it's better than me.
00:31:19There's something frightening, isn't it?
00:31:22Yes.
00:31:23Something that you can't tell me.
00:31:25So I'm going to tell you something.
00:31:31I don't care what it is.
00:31:32Why, even, Thomas, I don't want to know.
00:31:35I only want you to feel that...
00:31:37I just don't care what it is.
00:31:41Whatever you are.
00:31:42Whatever you've done.
00:31:44I don't care.
00:31:46It makes no difference.
00:31:48I trust you.
00:31:51Really, I do.
00:31:52You trust me.
00:31:54And whatever I've done, whatever you may find out,
00:31:57you won't change.
00:31:59Never.
00:32:01Oh, why did I try something that is too strong for you?
00:32:19Hello, Mr. Bundy.
00:32:20There you are?
00:32:21Yes.
00:32:22Oh, what's up with the lights?
00:32:24Oh, the missus has gone and fused them.
00:32:26Where's the fuse box, aren't they?
00:32:27Get down the kitchen.
00:32:32Hello, ma'am.
00:32:33What have you been doing with the lights?
00:32:36That darkness, sadly, frightened you, didn't it?
00:32:39Not really.
00:32:41Oh, I'm so happy.
00:32:44You've changed everything for me so much.
00:32:47I know there's a margin for tomorrow.
00:32:50Well, we might go through that and then, and then we could walk that through the farm.
00:32:54Oh, I love you.
00:33:00Quite right.
00:33:01Yes.
00:33:04See, you are wonderful, isn't he, Marlon?
00:33:06I only wish I'd been brought up for a trade.
00:33:08Have you raised a job?
00:33:08Oh, no, for now.
00:33:10What with this expectation, nobody wants a butler nowadays.
00:33:14Oh, well, you're quite anti-man, Joe.
00:33:15No, I wish my boss not as much in me as you two do.
00:33:17Oh, sorry.
00:33:21Goodbye.
00:33:23You know, I believe the police are on the wrong tack about these murders.
00:33:27They're working on the theory that it's a foreign.
00:33:30They've issued a description of the wanted man.
00:33:32Oh, what's it supposed to be like, Joe?
00:33:34What's it supposed to be like?
00:33:35Hello.
00:33:36You here again?
00:33:37Yes, Daisy.
00:33:37I thought perhaps you'd like to come round to the...
00:33:39Sorry.
00:33:40Can't stop.
00:33:40I've got to meet the lad with me, though.
00:33:44What's up with Daisy lately?
00:33:46Oh, she seems too much of that little angel.
00:33:48Who's he?
00:33:48Very nice gentleman from the front of you.
00:33:51Aye, foreigners.
00:33:52Yes, Daisy.
00:33:57Daisy.
00:33:58Daisy.
00:33:58Let's go.
00:34:04What's the way?
00:34:14Well, Mrs. Dunnett?
00:34:16I was just coming up to see her where you're stopping, sir.
00:34:19Yes, yes, I've finished.
00:34:21You're never going out in a nice little piece, sir.
00:34:24But the fog is something awful.
00:34:26It can't see the hard head of it.
00:34:28The world does not affect me at all, Mrs. Dunnett.
00:34:31It would be very nice if you could be so concerned about my mood.
00:34:35But I like to be left alone.
00:34:38And I cannot stand it out if I am watched and spied on you.
00:34:43Nobody's spied on you, sir.
00:34:45I'm the best friend of mine, sir.
00:34:48Yes, I'm sure you have.
00:34:50I'm sorry.
00:34:52Please forget what I said.
00:34:55Good night.
00:35:07Good night.
00:35:29What are you looking at, Ellen?
00:35:41George, he's gone out.
00:35:43There's a man to go out on a night like this.
00:35:48Well, it's no business of ours.
00:35:50Oh, well, nobody would go out and say something special to go out for.
00:35:53Same as I am.
00:35:54Where are you going to?
00:35:55Yes, sir.
00:35:56Down the corner.
00:35:56What for?
00:35:57Oh, get the evening paper.
00:35:59Now look sharp there.
00:36:00Righto.
00:36:02It's gone me long, George.
00:36:04We'll run you my phone coat.
00:36:05Righto.
00:36:48Good morning.
00:36:49Now, there's someone down here, not to try.
00:36:49I can know, someone down here, not to try.
00:36:51Oh, it would be different.
00:36:52I am a doctor now.
00:36:53And set the hoppers don't mind.
00:36:54They all the cat down there.
00:36:55I am getting it.
00:36:56I've been there every minute, so I'm in.
00:36:58Don't have a look.
00:36:58I'm in?
00:36:59Yes.
00:37:06Why don't you use the telephone?
00:37:10Hello.
00:37:11Hello.
00:37:12Lugget, 4,000.
00:37:12You're narrowing, aren't you?
00:37:14Are you all right?
00:37:15Oh, yes.
00:37:15I saw it going to the lead.
00:37:16I was glad.
00:37:16And on my way back, I ran into this thing.
00:37:18Uh, Miss, Mr. Mitchell.
00:37:19Joe Martin here.
00:37:20Hey, what's that?
00:37:20Oh.
00:37:23Is that you, Bob?
00:37:24Joe here.
00:37:24Got a pencil?
00:37:25Ha-ha.
00:37:26But it's not your own.
00:37:27Listen.
00:37:27Just left scene of new Avenger murder.
00:37:29What?
00:37:29Just inside Park Gate.
00:37:31Oh.
00:37:31Well-dressed woman wearing white fur.
00:37:33Gash across throat, head almost severed.
00:37:35Ah, I was the first press man on the spot.
00:37:37And when I got there, I found a wound still losing blood.
00:37:40Woman not yet identified.
00:37:43Got all that?
00:37:44Snap it in, Bob, before the others get it.
00:37:46What's all the fuss about?
00:37:47Can you make it a special lunch edition?
00:37:49Good.
00:37:51Yes.
00:37:52Come on.
00:37:54Oh, Mr. B.
00:37:56The most horrible sight I've ever seen.
00:37:58Just around the corner this time.
00:38:00I don't see you all being upset.
00:38:01You're a journalist.
00:38:02Oh, this wasn't like anything I've ever seen before.
00:38:05You see, this time I was one of the first there.
00:38:08Oh, it certainly made me sick.
00:38:10It was awful.
00:38:12What you really did?
00:38:13Oh, don't talk about it.
00:38:15What's she look like, sir?
00:38:16Oh, cat.
00:38:18Her throat was slit from here to here.
00:38:27What's up, boss?
00:38:30Again the police could find no clue.
00:38:33Nine million people in London at the mercy of some phantom thief.
00:38:37Phantom thief.
00:38:39Put that down.
00:38:41He's like the vampires of Southern Europe
00:38:43who used to suck the blood of their victims in the graveyard by night
00:38:45and never could be seen by day.
00:38:47The police brought a bit of it to England, sir.
00:38:48So I hear.
00:38:50Chief of police from Zagreb.
00:38:52If I dare it, it's me.
00:38:54Well, I'll get out of the house.
00:38:57See that Joe Martin's on the scene of the crime
00:38:59first thing tomorrow morning.
00:39:02Move along, please.
00:39:03I wish we had here our cream in all of this.
00:39:06I'll arrange you to see the body of the mortuary.
00:39:08I should like that very much.
00:39:12Excuse me, Mr. Rabinowitz.
00:39:13What do you want?
00:39:14I'm the special representative of the Evening Sun.
00:39:16I wonder if you will give me your lady's opinion now that you...
00:39:18No, I have nothing to say.
00:39:20But the English public will be very interested in anything
00:39:22that you might be able to...
00:39:23I cannot speak.
00:39:24But your English is very good.
00:39:26Uh, Constable.
00:39:27Constable.
00:39:27Will you move away, please?
00:39:29No, I shan't tell you again.
00:39:31I don't think I shall let you go to work today.
00:39:34Oh, you wouldn't get with a sack, would you?
00:39:36It's such a silly thing to be doing,
00:39:38all day talking to hundreds of people you don't know.
00:39:42Yes, it is, isn't it?
00:39:43I never thought about it like that.
00:39:45Oh, by the way,
00:39:48what will your young man say
00:39:49if you're going to this concert tonight?
00:39:51Won't he have guessed?
00:39:53I don't care if he does.
00:39:54Anyway, he's much keen on his job and is on me.
00:39:57He is, and he is very, very stupid.
00:39:59Morning, Mr. B.
00:40:00Can I use your phone again?
00:40:01Well, we're not a telephone exchange now.
00:40:03All right, I love you.
00:40:04Have you seen the latest edition?
00:40:06The latest edition?
00:40:06No.
00:40:09Luggage, $4,000.
00:40:11Can't get a word out of him anyway.
00:40:13Oh.
00:40:13The chief of police is out there.
00:40:15What?
00:40:15They've brought him over, hasn't it?
00:40:16Hmm.
00:40:17Hello.
00:40:17Mr. Mitchell, please.
00:40:19Hello.
00:40:20Is that you, Bob?
00:40:21Got a pencil?
00:40:23When interviewed this morning,
00:40:24Mr. Rabinovich told our representative
00:40:26with the utmost courtesy
00:40:27that, in his opinion,
00:40:28it would merely be a matter of hours
00:40:30before the murderer was arrested.
00:40:32You know, I feel very guilty
00:40:33about persuading you to come
00:40:34without your mother's wishes.
00:40:36But you'll enjoy it.
00:40:38I know I shall.
00:40:39I don't know how it's no need
00:40:40for mother to marry, isn't it?
00:40:42Of course.
00:40:42He never gets worried
00:40:43if I go out with the aunt for pictures.
00:40:45Your wife's been bothered
00:40:46about a harmless concert.
00:40:48What's that?
00:40:49Oh, yes, yes.
00:40:50Yes.
00:40:50Yeah, right.
00:40:51No, I don't know.
00:40:52You wonder why you saw him.
00:40:55I think, you know,
00:40:56he's given absolutely
00:40:57an opportunity.
00:40:59I feel like killing him
00:41:00the mind of only, isn't he?
00:41:01So, thank you, Joe.
00:41:02He seems a great person.
00:41:04I can hear, please, sir.
00:41:10What are you doing up here?
00:41:11I was talking on the stand alone.
00:41:13Man, it isn't from the office.
00:41:14Now, look here, Daisy.
00:41:15Do stop calling me.
00:41:16I'm giving help.
00:41:17I'm giving help.
00:41:18I'm...
00:41:20I'm giving help.
00:41:21Oh.
00:41:22Go on and introduce me.
00:41:24Pardon?
00:41:25I can't.
00:41:27How do you do?
00:41:30Well, perhaps you don't.
00:41:32How do you do?
00:41:34I want to talk to you downstairs.
00:41:39You're a thief, Joe.
00:41:41Have you arranged to go out with him?
00:41:42You mind your own business.
00:41:43Well, you're not getting, you see?
00:41:45Come here, Daisy.
00:41:49Come here.
00:41:52Come here.
00:41:58And the woman was wearing a white fox fur.
00:42:00That girl's crazy.
00:42:01The body was found within 50 yards of the park gate.
00:42:04I can't do anything with her lately.
00:42:05It's estimated that the crime was committed within three minutes of the finding of the body.
00:42:09It's estimated by the police for a man who may want to question in connection with these approximately.
00:42:14She's not gone on that chap upstairs by any chance.
00:42:15I aged approximately 30.
00:42:17Slight build-eye.
00:42:18Five foot ten.
00:42:20Confection.
00:42:20Dark, clean shade and a foreign appearance.
00:42:23Sometimes carries black bands such as youth for old and musical instruments.
00:42:26Real name, Stephen Obelich, but probably using an alias.
00:42:29Read that again, Mr. Bunting.
00:42:30Read it again.
00:42:31What's that?
00:42:31Read it again.
00:42:38You know, I heard, uh, the strubbing skin injury said it was literally the foundation.
00:42:49And then you lean over the edge of a boat and you can, you can pick the stars out of
00:42:53the water.
00:42:53The water, the water, the water, the water.
00:42:59That's been a lot of you tonight.
00:43:00What, did?
00:43:01You haven't made merchandise.
00:43:02No.
00:43:03But you know, sometimes I like to follow this music with a sword.
00:43:07And sometimes...
00:43:08The other thing is better.
00:43:10But for me there still is no comparison to the 50's.
00:43:13Oh, but much the best.
00:43:15Oh, this makes me feel a very rich man.
00:43:19Why?
00:43:20Well, being allowed to wander in all these beautiful parts.
00:43:23They were built by kings for their ladies.
00:43:30Yes, but now they belong to the people.
00:43:32To lovers who have no place, no palaces where they may sit and talk.
00:43:39I'm sorry we can't give you a palace.
00:43:42We try to make you comfortable, then.
00:43:44Oh, comfortable? That might be...
00:43:47Your mother seems to hate me to talk to you now.
00:43:50I can't think what's happened today, then, isn't it?
00:43:53I've never settled either.
00:43:55No, it's just clear, ain't it?
00:43:58George, you've had enough.
00:43:59Oh, my, it's only the bottom of the bottle.
00:44:02It's not enough in Mr. Angelo's room, I suppose.
00:44:05No, we should have heard her come in.
00:44:07I don't see.
00:44:19Come on.
00:44:43Well, is she there?
00:44:44No, he ain't not.
00:44:47Oh, you don't go after the stairs. You don't.
00:44:50You don't.
00:44:52I don't like the looks of it.
00:44:54Look here. I'll cut down the road and see if she's coming.
00:44:57Oh, I should. Don't, don't get.
00:45:00What do you mean?
00:45:02Oh, nothing, George.
00:45:06Why so?
00:45:15What did you say?
00:45:17That's an old German song. It means,
00:45:19Still as the night and deep as the sea,
00:45:23Jolly shine, leave the light.
00:45:26What does that mean?
00:45:28That means,
00:45:32So shall my love be for you.
00:45:36You like that song?
00:45:38That's pretty, that'd work.
00:45:44Don't you get your chicken back?
00:45:46Oh, no.
00:45:47I like the fog.
00:45:50You like the fog?
00:45:52Yes, it's strange.
00:45:53One can feel alone.
00:45:57You can almost hear the stillness.
00:46:02Oh, I love the night.
00:46:05One can escape from one's home.
00:46:13I thought you'd come home this way.
00:46:15What do you think you're doing?
00:46:16Oh, it's you.
00:46:18Life is full of pleasant surprises.
00:46:20I wasn't talking to you.
00:46:21No?
00:46:22I couldn't believe that you were talking to an English lady like that.
00:46:25Oh, shut up, lovely foreigner.
00:46:28Joe!
00:46:29What do you think you are talking like that?
00:46:31You're coming home with me.
00:46:33Oh, no, I'm not.
00:46:34Mr. Angelo's taking me home.
00:46:36Oh, no, he's not.
00:46:37Oh, yes, he is.
00:46:38What's he got to do with you?
00:46:39I'd like to know.
00:46:40Joe, I think you'd better go with him.
00:46:42After all, he'd treat you just like a brother.
00:46:45Oh, well.
00:46:47You put it like that.
00:46:49Good night.
00:46:51Good night.
00:46:52And try to dream of the fifth symphony.
00:46:58Head back to your own country.
00:47:03Not yet.
00:47:18Good night.
00:47:34Good night.
00:47:37Good night.
00:47:41Good night.
00:47:46Good night.
00:47:47Oh, where ever have you been?
00:47:49Oh, would you not worry to know what had happened to you?
00:47:51Yeah.
00:47:52You ought to know better than to keep you out of this time of night.
00:47:55You are lucky to have her back at all.
00:47:58Good night, Mrs. Gutting.
00:48:00Good night.
00:48:23Let's go.
00:48:26Hello, what's wrong in here?
00:48:41Good night.
00:48:43Good night.
00:48:46Good night.
00:48:48Good night.
00:48:48Good night.
00:48:49Good night.
00:48:50Good night.
00:48:51Good night.
00:48:52Good night.
00:48:52Good night.
00:48:53Good night.
00:48:54Good night.
00:48:55Good night.
00:48:56Good night.
00:48:56Good night.
00:48:57Good night.
00:48:58Good night.
00:48:59Good night.
00:48:59Good night.
00:48:59Good night.
00:49:00Good night.
00:49:00Good night.
00:49:03Good night, Mr. Bundy.
00:49:08Good evening, sir.
00:49:10Oh, what? Oh, it's you, Mr. Bundy.
00:49:13You know, there are so many suspicious characters about having to get ready night.
00:49:16Quite so, sir.
00:49:19Dirty night, sir.
00:49:20Yes. I've been wondering about your part, and I nearly got lost.
00:49:29What's your anchor, sir?
00:49:31Mine?
00:49:32Mine.
00:49:32Oh, yes, yes.
00:49:34Thank you, George.
00:49:36Is that you, George?
00:49:37Yes, sir.
00:49:38Is that the log that came in with you?
00:49:39Yes.
00:49:41Is it that again?
00:49:42Yes.
00:49:43He's here.
00:49:44Your brother.
00:49:46Good night, Ellen.
00:49:47Good night, George.
00:50:01Good night.
00:50:03Good night, Musik.
00:50:27Yes, sir.
00:50:29Helen.
00:50:34George!
00:50:38Lucket, $4,000.
00:50:41Are you certain, Mr. Bundling?
00:50:44Hiding his face, was he?
00:50:47He blocked his handkerchief and you picked it up.
00:50:50Yes.
00:50:51My hand was soaked with blood.
00:50:54Your hand was soaked in blood.
00:51:02They're officers from Scotland Yard. What's your name?
00:51:04George Bundling.
00:51:05You have a lodger here known as Stefan Obelich.
00:51:07Called Angelo.
00:51:08Yes.
00:51:09Upstairs?
00:51:10Yes.
00:51:10Right.
00:51:10Back door, front door.
00:51:12You stay here.
00:51:13Show us his room.
00:51:14Come along.
00:51:31They're officers from Scotland Yard.
00:51:33I have a warrant for your arrest on a charge of willful murder.
00:51:36Murder?
00:51:36I warn you that anything you say will be taken down in writing and may be used in evidence.
00:51:41But who have I murdered?
00:51:43You'll find out about that at the station.
00:51:45Good.
00:51:45Come along.
00:51:46Be quick.
00:51:47Good.
00:52:02I've wicked you.
00:52:02Not looking at me it's fine, but I love seeing it.
00:52:07Goods!
00:52:09Goods!
00:52:09Goods!
00:52:09Goods, Cars clank!
00:52:10Goods!
00:52:11It's up!
00:52:15All right.
00:52:16Aye, come acRY!
00:52:17Here's the guy.
00:52:20Wendell, Wendell, Wendell!
00:52:23Wendell, Wendell!
00:52:23Wendell, Wendell, Wendell!
00:52:24Right, let's get out the back.
00:52:31It's escaped?
00:52:33Well, if the authorities think we're going to suppress that, they're mistaken.
00:52:35Mr. Mitchell, please. Goodbye.
00:52:37Hello. Hello?
00:52:39Yes, sir? Yes.
00:52:41Right. What?
00:52:44It's escaped. Get it out quick before the evening sun.
00:52:46Good.
00:52:47Okay.
00:52:48Special edition.
00:52:49Very good, sir.
00:52:50Hello there.
00:52:56Yes, is that a good barber, he would?
00:53:03Yes, sir.
00:53:04It's escaped again.
00:53:07It's gone.
00:53:09It's got away.
00:53:10Yes, it's got away.
00:53:11Yes, it's got away.
00:53:12It's gone.
00:53:14It's got away.
00:53:16It's gone.
00:53:17It's gone.
00:53:17Is he starting?
00:53:18Oh, I'm trying.
00:53:20Uh-oh.
00:53:25It's all right, isn't it?
00:53:28Yeah.
00:53:29I'm sorry.
00:53:30Oh, sir.
00:53:32Oh, sir.
00:53:32Oh, sir.
00:53:55Come on.
00:54:30A catch-up!
00:54:31I can't imagine how I got the way.
00:54:32Don't get along, the dark stand.
00:54:34No, no, no! You'll swing all right.
00:54:36Now you can do the headshot.
00:54:38Oh, gee!
00:54:39Let's go.
00:55:20What's wrong with him?
00:55:22I see nothing.
00:55:23Ah, he's a star.
00:55:33He's a fan.
00:55:36He's a fan.
00:55:36He's a fan.
00:55:37He's a fan.
00:55:37He's a fan.
00:55:46He's a fan.
00:55:59No, he's a fan.
00:56:02It's great!
00:56:04It's great!
00:56:06It's great!
00:56:08You're welcome!
00:56:11You're welcome!
00:56:13Hey!
00:56:14You're welcome!
00:56:20Look out!
00:56:22Look out!
00:56:41Oh
00:56:57Number, please.
00:56:59Number, please.
00:57:00Number, please.
00:57:01What?
00:57:02Number, please.
00:57:03Oh, I don't know if I can.
00:57:05Here, somebody wants to speak to you.
00:57:07What?
00:57:08Put them through.
00:57:15Hello.
00:57:16Yes, it's me.
00:57:17Yes.
00:57:19Of course.
00:57:24Yes.
00:57:25Anything?
00:57:27Yes.
00:57:27Yes.
00:57:29All right.
00:57:32Come on.
00:57:35Are you being poppy?
00:57:38Oh, it is.
00:57:40Good night.
00:57:41Good night.
00:57:43I wish you'd come your chest.
00:57:45Good night.
00:57:46You only got the coat and skirt.
00:57:48Good night, then.
00:57:49Good night.
00:57:50Don't be late in the morning.
00:57:51Good night, dear.
00:57:54Good night, my dear.
00:57:55Right.
00:57:55Good night.
00:57:56Good night.
00:58:11Good night.
00:58:16Good night.
00:58:21Good night.
00:58:22Good night.
00:58:22Good night.
00:58:23Good night.
00:58:24Good night.
00:58:24Good night.
00:58:25Good night.
00:58:25Good night.
00:58:25Vae.
00:58:46Vae.
00:58:50Vae.
00:58:59Oh. I'm sorry. I thought you were... You look like...
00:59:10I'm sorry.
00:59:32I'm sorry.
01:00:20I've been looking for my life.
01:00:22Come on.
01:00:22Come on.
01:00:22Come on.
01:00:46Stefan!
01:00:50Michel!
01:00:52Michel!
01:00:54Michel!
01:00:56Michel!
01:01:27Michel!
01:01:30Michel!
01:01:31Michel!
01:01:32Michel!
01:01:34Michel!
01:01:36Michel!
01:01:37Michel!
01:01:38Michel!
01:01:38Michel!
01:01:39Michel!
01:01:41Michel!
01:01:42It was my poor uncle.
01:01:48Oh, my dear.
01:01:52You see, I...
01:01:53He was mad if he would have killed you.
01:01:56He's been mad for years.
01:01:59That's why...
01:02:01That's why I had to...
01:02:03I had to come here...
01:02:06to try to find him...
01:02:09before they hurt him.
01:02:14They can't hurt him now.
01:02:19They can't hurt you now.